Exact transcriptions in score format for all of the songs from the album, including the huge hits All Apologies, Heart Shaped Box and: Dumb ú Frances Farmer Will Have Her Revenge on Seattle ú Milk It ú Penny Royal Tea ú Radio Friendly Unit Shifter ú Rape Me ú Scentless Apprentice ú Serve the Servants ú Tourrets ú Very Ape. / Guitare

Catch the holiday spirit this season! Christmas Carols from Around the World brings you a total of 69 Christmas songs from their countries of origin across the globe. Titles include ?Hark! The Herald Angels Sing,? from Austria, ?The First Noel,? from England, ?Infant So Gentle,? from France, ?Buon Natale (Means Merry Christmas to You)? from Germany, and many, many more. Expand your horizons this season and collect festive tunes from around the world. Christmas Carols from Around the World includes lyrics, the melody, and chord changes with professionally arranged piano accompaniment.

In this outstanding video recital, Brazilian concert guitarist Carlos Barbosa-Lima takes the listener on a musical journey through Brazil, The Caribbean, North America, and the Hawaiian Islands, including works by European masters from France and Spain. Maestro Barbosa-Lima displays the stunning musicality, arranging skills, and refined technique that have drawn applause from sold-out concert halls the world over. Program: Sons de Carrihoes (Joao Pernambuco) - Odeon (Ernesto Nazareth) - Sambolero (Luiz Bonfa) - Cochichanda (Alfredo Vianna) - Aquarela do Brasil (Ary Barroso) - Adios (Enric Madriquera) - La Comparsa (Ernesto Lecuona) - Fantasy of a Hawaiian Lullaby 'Pupu Hinu Hinu' (N. Beamer arr. by Dr. Byron Yasui) - St. Louis Blues (W. C. Handy, arr. J. Griggs/Barbosa-Lima) - Two Ladies: One Old, One New (Bobby Scott) - La Alborada (Francisco Tarrega) - La Mariposa (Francisco Tarrega) - Golliwogg's Cakewalk (Claude Debussy) - I Got Rhythm (George Gershwin) - Las Abejas (Augustin Barrios) - Ja-Da (trad. arr. J. Griggs/Barbosa-Lima) - and Seis Milongas from Suite Antillana (Ernesto Cordero). Many of these selections were arranged by Carlos Barbosa-Lima and include unusual techniques such as double harmonics and Hawaiian slack-key effects. / Classic - Concert/Documentary / Accessoire / Guitare Classique

Learn the Guitar in a creative new way. Par PELLS TIM / FRANKE JENS. Learn the Guitar in a creative new way: Playing music that makes you feel good, right from the outset. Passport to Play Guitar is a tutor series which is focused on learning to play the guitar through listening, reading and playing together, and is suitable for both classical and acoustic guitarists. The sheet music includes TAB alongside the standard notation. The books use music drawn from styles and cultures from all around the world, including Blues and Jazz from North America; Folk and Traditional music from Europe, Africa and Latin America; and pieces inspired by the people and places that the authors have encountered on their travels. Audio files and clear illustrations: Because musicians everywhere learn by listening and playing together, our authors have also included audio for every piece. This allows you to play along with other musicians, while learning at the same time. Tim and Jens (the authors) believe in keeping it simple, which is why they have included clear illustrations and kept the explanatory texts to a minimum. The focus will always be on playing music that makes you feel good, right from the outset. Passport to Play Guitar is great for Beginners, includes TAB alongside the standard notation, and also includes accompaniments for ensemble playing./ Tablatures / Guitare

An outstanding collection of 32 great songs from World War II. These are the songs that kept up the spirits of civilians and Forces during the dark days and helped them celebrate the good times. There is a broad selection of happy and sad songs, including I'll Be Seeing You, We'll Meet Again, White Cliffs Of Dover and many more. This wonderful music is supported by ninety-six pages of fascinating text and 180 photographs from the highs and lows of the Home Front. / Piano/Vocal/Guitare (PVG) (Avec Grille D'Accords)

Piano/vocal/guitar arrangements for all 11 tracks from the third studio album by this Dove Award-winning songstress are included in this collection: Choose to Love · Find Rest · Giants Fall · The Hands of God · He Knows My Name · If We're Honest · Run to Jesus · Unusual · We Are the Kingdom · When Crazy Kicks In · Write Your Story. / Piano/Vocal/Guitare (PVG)

Music by Daniel Messé Lyrics by Nathan Tyson and Daniel Messé This folio including a dozen vocal selections from the 2017 Broadway musical based on the 2001 film of the same name features vocal line arrangements with Piano accompaniment. Songs include A Better Haircut ' The Girl with the Glass ' Goodbye Amelie ' Halfway ' The Late Nino Quincampoix ' Sister's Pickle ' Stay ' Thin Air ' Times Are Hard for Dreamers ' Tour De France ' When the Booth Goes Bright and Where Do We Go from Here. A Better Haircut (from AMELIE) Goodbye Amelie (from AMELIE) Halfway (from AMELIE) Sister's Pickle (from AMELIE) Stay (from AMELIE) The Girl With The Glass (from AMELIE) The Late Nino Quincampoix (from AMELIE) Thin Air (from AMELIE) Times Are Hard For Dreamers (from AMELIE) Tour De France (from AMELIE) When The Booth Goes Bright (from AMELIE) Where Do We Go From Here (from AMELIE)

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Transcribed for Classical Guitar. Par MASCOTT PAUL. This book of 53 intermediate-level guitar pieces is derived from Le Secret des Muses, a two-volume collection of lute tablature by Nicolas Vallet (c. 1583 ? c. 1642). Born in France, by 1614 Vallet had relocated to Amsterdam where he established a dance school and was active as a composer, lute teacher and leader of a consort that played at weddings and festivals.Le Secret des Muses is among the last published collections of French lute tablature intended for the 10-course Renaissance lute, which was ultimately supplanted by the larger 13-course Baroque model. Most of these pieces consist of traditional European dance forms, but also contains a few settings of popular lute themes and longer works suitable for concert performance are included. Written in standard notation only with occasional drop-D tuning, these pieces make excellent sight-reading and warmup material as well as historically significant concert selections. / Date parution : 2021-11-03/ Recueil / Guitare

100 ans de musique populaire chronique la plus grande musique du siècle dernier. Ce livre contient plus de 70 chansons des années 1970 arrangé pour piano, voix et guitare, fournissant un aperçu fascinant de la musique de l'époque. Une liste des nouvelles inventions d'abord vu durant les années 1970 est également incluse. / Rép International / Recueil / Piano, Chant et Guitare

Compilation de chansons franCaises des années 60/70.Partitions pour guitare (grilles d'accords), chant (paroles et lignes mélodiques) et piano (accords). / Mélodie/Vocal/Guitare (MVG) / Partition

Le deuxième livre de la collection de cette Duncle fournit encore 50 chansons qui peuvent être addded à votre répertoire. Le livre contient les paroles et la musique de certains des chansons populaires de l'Irlande et des ballades. Illustré par des photographies d'époque des années 1920 et 1930 de la collection Père Brown. Jouez-le tout avec seulement six cordes! / Divers / Chanson En Séparée