Complete Scores Collectors Edition. Par . Enfin ... une édition collector digne de Queen ! La nouvelle Queen Platinum Collection est une édition à couverture rigide qui propose des transcriptions intégrales pour près de 50 classiques du groupe emblématique. Chaque instrument, chaque note, chaque texte et chaque nuance de chaque chanson est soigneusement transcrit. L'ouvrage est magnifiquement emballé dans un étui de protection robuste. Parmi les chansons incluses : Another One Bites the Dust - Bicycle Race - Bohemian Rhapsody - Crazy Little Thing Called Love - Don't Stop Me Now - Fat Bottomed Girls - The Great Pretender - I Want It All - I Want to Break Free - Killer Queen - Radio Ga Ga - The Show Must Go On - Somebody to Love - Thank God It's Christmas - Under Pressure - We Are the Champions - We Will Rock You - You're My Best Friend - et plus encore. / Date parution : 2022-05-31/ Recueil / Chant, Guitare, Clavier, Basse, Batterie

At last ... a collector's edition fit for Queen! The new Queen Platinum Collection is a hardcover edition featuring full-band transcriptions for nearly 50 classics from the iconic band. Every instrument, every note, every lyric, and every nuance of every song is carefully transcribed. It's beautifully packaged in a protective sturdy slipcase. Songs include: Another One Bites the Dust ? Bicycle Race ? Bohemian Rhapsody ? Crazy Little Thing Called Love ? Don't Stop Me Now ? Fat Bottomed Girls ? The Great Pretender ? I Want It All ? I Want to Break Free ? Killer Queen ? Radio Ga Ga ? The Show Must Go On ? Somebody to Love ? Thank God It's Christmas ? Under Pressure ? We Are the Champions ? We Will Rock You ? You're My Best Friend ? and more.
Another One Bites The Dust
Barcelona
Bicycle Race
Bohemian Rhapsody
Breakthru
Crazy Little Thing Called Love
Don't Stop Me Now
Driven By You
Fat Bottomed Girls
Flash's Theme
Friends Will Be Friends
Good Old-Fashioned Lover Boy
The Great Pretender
Hammer To Fall
Headlong
Heaven For Everyone
I Want It All
I Want To Break Free
I'm Going Slightly Mad
Innuendo
The Invisible Man
It's A Hard Life
Killer Queen
A Kind Of Magic
Las Palabras De Amor
Let Me Live
Living On My Own
The Miracle
No One But You
Now I'm Here
One Vision
Play The Game
Princes Of The Universe
Radio Ga Ga
Save Me
Seven Seas Of Rhye
The Show Must Go On
Somebody To Love
Thank God It's Christmas
These Are The Days Of Our Lives
Too Much Love Will Kill You
Under Pressure
We Are The Champions
We Will Rock You
Who Wants To Live Forever
You Don't Fool Me
You're My Best Friend
/ Partitions variété - pop - rock / Variété internationale / Scores / HAL LEONARD

Creative Transcriptions for Today's Guitarist. Par . This second volume of The Classical Guitarist?s Gig Book contains 63 intermediate to advanced solo arrangements of pieces in various styles. From ?The Water Is Wide? and Christmas and patriotic favorites to opera arias ?Julia Florida? by Agustín Barrios and Cello Suite No. 1 by J. S. Bach all of the music in this book is written in standard notation only. Award-winning composer university professor 2013 Winfield Fingerstyle Champion and 2022 Indiana State Fingerstyle Guitar Competition winner Mark Cruz has added a few of his own engaging compositions to this exceptional collection?ideal for the performing classic guitarist. / Date parution : 2023-01-24/ Recueil / Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Dans le début des années 1700, des chorals de Bach enchanté les auditeurs avec leurs harmonies inventives, le chromatisme, le mouvement contrapuntique, et les changements de centre tonal. Depuis ce temps, les étudiants en musique du monde entier ont étudié les chorals comme un parangon de 'pratique courante' l'harmonie et la voix principale. Et en vertu de leur beauté sublime, les musiciens continuent à effectuer les chorals à ce jour. La texture en quatre parties des chorals peut rendre leur performance à la guitare - avec ses limites de doigté - quelque peu problématique. Mais parfois, par l'amincissement de la texture à trois ou deux parties et, parfois, inverser les parties inférieures (permettant à l'alto ou ténor pour servir temporairement de la basse), nous avons créé des solos de guitare facile à jouer classiques qui capturent tout l'intérêt et beauté de compostitions originale de Bach. / Guitare

Livre de poche regroupant les partitions pour chant et guitare (diagrammes d'accords) de plus de 90 classiques acoustiques. Des Beatles en passant par Coldplay et Bob Dylan. / Variétés / Partition /