Les Grammy Awards: Meilleure chanson R and B 1958-2011 contient plus de 50 lauréats du Grammy Award pour la meilleure chanson R and B, qui remonte à 1958.Des classiques comme Hit The Road Jack, Respect, Papa a un nouveau sac de marque et n'est pas No Sunshine de hits modernes tels que End Of The Road, I Believe I Can Fly, No Scrubs, Crazy In Love and Be Without You , Les Grammy Awards: Meilleure chanson R and B 1958-2011 songbook est un rêve de fans de R and B.La partition dans ce songbook a été savamment arrangé pour Piano, Voix et Guitare. / Piano/Vocal/Guitare (PVG)

Par . 100 tubes d\'artistes féminines réunis et arrangés pour piano, voix et guitare. Parmi lesquelles : Adele, Pat Benatar, Beyoncé, Madonna, Cher, Aretha Franklin, Whitney Houston, Janis Joplin, Carole King, Lorde, Joni Mitchell, Stevie Nicks, Dolly Parton, Diana Ross, Barbra Streisand, Taylor Swift, Tina Turner, Dionne Warwick, Amy Winehouse et bien d\'autres. / Date parution : 2022-05-31/ Recueil / Piano/Vocal/Guitare (PVG)

Retrouvez les plus gros sucès du chanteur canadien Michael Bublé en partitions pour Piano, Chant et Guitare.
Inclus le hit Feeling Good de son album récompensé aux Grammy Awards Caught In The Act. / Variétés / Partition /

Allows even the absolute beginner guitarist to build a repertoire of rock classics. Uses only lyrics and 3-chord symbols, no knowledge of musical notation required. Includes 'Peggy Sue', 'You Are My Sunshine', 'Kansas City' and 'Substitute'. / Paroles Et Accords (Avec Grilles D'Accords)

Budget Books, the sensational value for money series presents Jazz Standards, arranged for PVG. 88 Songs, including Besame Mucho, Caravan, Georgia on My Mind, I'm beginning to See the Light, It Might as Well Be Spring, My Favourite Things, That Old Black Magic, You're Nobody 'til Somebody Loves You. / Jazz / Partition /

Par LIPA DUA. Retrouvez les 17 morceaux extraits de l'album épnonyme de Dua Lipa, lauréate du prix Grammy Award ' Meilleur Nouvel Artiste ' en 2019./ Recueil / Piano, Chant et Guitare

Over 200 of your favorite pop/rock songs, all in one book! The Ultimate Song Pages: Piano Volume 1 provides the lyrics along with piano and chord arrangements for some of the greatest pop and rock hits ever written. Artists featured: 50 Cent * ABBA * Aerosmith * Avril Lavigne * the Beatles * the Bee Gees * Bruce Hornsby * Bruce Springsteen * Celine Dion * Cher * Chicago * Coldplay * Cream * Diana Ross * Dixie Chicks * Elvis Presley * Eric Clapton * Grateful Dead * Green Day * Hall and Oates * Jerry Lee Lewis * Jim Brickman * Jimmy Buffett * Joni Mitchell * Kelly Clarkson * Kenny Loggins * Madonna * Mariah Carey * Michael Jackson * Motley Crue * Neil Young * Nickelback * Pink Floyd * R.E.M. * Ray Charles * Rod Stewart * Santana * Sheryl Crow * Steppenwolf * The Cars * The Doobie Brothers * The Who * The Eagles * The Rolling Stones * Tina Turner * Van Halen * Van Morrison * Wham! * Whitney Houston, and many more! / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier

100 Years Of Popular Music chronicles the greatest music of the last century. This songbook contains more than 70 songs from the 1930s arranged for piano, voice and guitar, providing a fascinating insight into the music of the era. A listing of new inventions first seen during the 1930s is also included. / Pop, Popular / Recueil / Piano, Chant et Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

100 Years Of Popular Music chronicles the greatest music of the last century. This book contains over 70 songs from the 1970s arranged for Piano, Voice and Guitar, providing a fascinating insight into the music of the era. A listing of new inventions first seen during the 1970s is also included. / Pop, Popular / Recueil / Piano, Chant et Guitare

100 Years Of Popular Music chronicles the greatest music of the last century. This book contains more than 70 songs from the 1930s arranged for piano, voice and guitar, providing a fascinating insight into the music of the era. A listing of new inventions first seen during the 1930s is also included. / Niveau : Intermédiaire / Recueil / Piano, Chant et Guitare

Over 30 fantastic songs featured during 2007's amazing UK music festival season! Includes hits from the Arctic Monkeys, Amy Winehouse and Kasabian, classic old-timers The Who, Shirley Bassey and Chas 'n' Dave and hot newcomers The Twang, Hot Chip and Klaxons. All songs are arranged for guitar and voice. Contains explicit lyrics./ Recueil / Piano, Chant et Guitare

100 Years Of Popular Music chronicles the greatest music of the last century. This book contains more than 70 songs from the 1950s arranged for Piano, Voice and Guitar, providing a fascinating insight into the music of the era. / Niveau : 4 / Post-1900, Pop, Popular, Rock N Roll / Recueil / Piano, Chant et Guitare

75 grandes chansons de chansons folkloriques à Tin Pan Alley favoris, y compris ' Danny Boy ', ' The Irish blanchisseuse ', ' Jug de Punch ', ' Molly Malone ' et ' Peg o'My cardiaque. Arrangé pour voix et piano (avec les symboles de corde de guitare en boîte). / Piano/Vocal/Guitare (PVG)