Toutes les chansons de l'album. Piano, voix et symboles d'accords. Inclus des interviews avec le groupe. Les titres incluent `Shine On You Crazy Diamonds (Parts I-IX)`, `Have A Cigar` et `Welcome To The Machine`.

Score And Parts. Par SCHILLINGS GUNTER M. / Niveau : Intermédiaire / Répertoire / 4 Guitares

Par LIEBMAN DAVID. Each volume of this unique jazz improvisation method includes: State of the art recordings (multi-track digital), recorded in the excellent Bauer Studios, where many of the productions for the record label ECM have been done, and in the Skyline Studios in New York City. Each set contains six complete performances, including opening and closing theme statements, improvised solos and six play-along tracks which feature the rhythm section without soloist. Many performances use the original arrangements from classic jazz recordings (So What, Equinox, A Night In Tunisia, 'Round Midnight, Con Alma, Webb City, Joshua etc.). Because the complete performances were approached as in a professional recording session the play-along versions sound fresh and spontaneous, with much interaction between the rhythm section instruments and the soloists. Piano and bass are clearly separated. Book with helpful commentary and analysis of each recorded performance in English, français and deutsch. Transcribed solos: Each book contains at least one complete solo transcription, many excerpts from other solos (piano and bass solos as well as horn and guitar solos are included) plus appropriate chord/scale information, including modes of the major, harmonic minor, melodic minor and symmetrical scales. Individual instrumental parts in C, B flat, E flat and bass clef: The detachable instrumental parts are extremely practical for both classroom and professional use. Completely notated piano and bass parts: Volume 1, 2, 5, 6, 7 and 8 contain detachable piano (or guitar) and bass parts for all six compositions, volume 3 on 3 tunes (A Night In Tunisia, 'Round Midnight and Embraceable You). Transcribed excerpts from piano and bass accompaniments: Excerpts from piano and bass accompaniments have been selected in order to illustrate the most important techniques for developing accompaniments on these instruments. This includes piano chord voicings, harmonic substitution and embellishment, developing bass lines, interaction with other instruments, etc./ Recueil / Tout Instrument

The songs in Hal Leonard's Essential Elements Guitar Ensembles series are playable by multiple guitars. Each arrangement features the melody (lead), a harmony part, and a bass line. Chord symbols are also provided if you wish to add a rhythm part. For groups with more than three or four guitars, the parts may be doubled. Play all of the parts together, or record some of the parts and play the remaining part along with the recording. All of the songs are printed on two facing pages - no page turns are required. This series is perfect for classroom guitar ensembles or other group guitar settings. This edition features 14 Disney favorites, including: Beauty and the Beast - Can You Feel the Love Tonight - Circle of Life - It's a Small World - Supercalifragilisticexpialidocious - Under the Sea - You'll Be in My Heart - Zip-A-Dee-Doo-Dah - and more. / Ensemble De Guitares

This book allows you to learn and play seven classic songs from Pink Floyd using top quality backing tracks. Each song is fully transcribed in both standard music notation and in guitar tab. The included CD enables you to learn how to play each piece by following the `full track,` note-for-note version, and then to perfect your skills with the play-along `minus one` tracks - like performing with a live band. The guitar parts have been highlighted on the musical scores to make it easier for the player to follow along and perform the pieces with the play-along tracks of the CD. The highlighting also immediately shows you all the critical parts for each song - exactly as you would play them live. The book however, contains complete transcriptions of all the guitar parts contained on the recording so you can learn every nuance. Have fun !

The Easy Funk Play-Along series for wind and brass instruments now also contains parts for the rhythm section. Now it is possible to provide live accompaniment to a varied wind ensemble consisting of flutes, clarinets, saxophones, trumpets and/or trombones (4 parts in each tune book with CD) on piano/keyboards, guitar, electric bass and percussion - ideal for school and music school ensembles.The score and all parts are available individually and can be used simultaneously in instrumental lessons. / Guitare

Par BROUWER LEO. Does not include score or parts of the string orchestra, only score and parts of the guitar quartet. / Niveau : Avancé / Répertoire / 4 Guitares

The ?organ plus brass? series presents original works and arrangements for organ and brass choir specially tailored to meet the needs of amateur ensembles and non-professional organists. The pieces may be played by any constellation of brass ensemble. Volume IV contains arrangements of church music by Charles Villiers Stanford, both chorale-based and freely composed. The original works for choir and organ can be appropriately transferred to the festive scoring for brass ensemble and organ. - Repertoire for brass ensemble and organ - Suitable for amateur ensembles and non-professional church musicians - A variety of instrumental parts allow many performance options Edition no.: BA 11204 ISMN: 9790006558629 Volume / Series: organ plus brass 4 Editor: Klomp, Carsten / Petersen, Heiko Arranger: Klomp, Carsten Language(s) of text: German, English Product format: Performance score(s), Wind instruments score Includes the following individual parts: Wind instruments, Organ Binding: Stapled Pages / Format: 25/12 S. - 30,0 x 23,0 cm

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ MĂ©thode / Guitare

Additional Editing and Transcription by David Rosenthal. Par JOEL BILLY. Billy Joel\'s keyboardist and music director David Rosenthal has attentively arranged all the tracks from Joel\'s final pop studio album to combine the piano parts and vocal melodies into playable arrangements with accurate transcriptions of those classic piano parts that are integral to each song. It also includes a foreword by David Rosenthal, some thoughts from Billy Joel about the lyrics to the title track, and great photos of Billy. Songs include: All About Soul · Blonde over Blue · Famous Last Words · The Great Wall of China · Lullabye (Goodnight, My Angel) · A Minor Variation · No Man\'s Land · The River of Dreams · Shades of Grey · Two Thousand Years. / Date parution : 2022-11-29/ Recueil / Piano/Vocal/Guitare (PVG)

Over 150 pages of authentic transcriptions, original guitar parts as well as parts not included in the original mix. / Tablatures guitare (avec les accords)

Christmas for Guitar: in TAB gives you the most options for playing all of your favorite Christmas songs. You can play the solo part or the chords for singing along. And if you have friends that can play, this book provides you with two guitar parts and two C-instrument parts (flute, violin, recorder, keyboard, etc.) for any combination of four players. And of course, lyrics are included for sing-along fun. / Guitare

Arrangeur: David Rosenthal. Par JOEL BILLY. Billy Joel's keyboardist and Music Director David Rosenthal has attentively arranged all the tracks from Joel's 1989 album to combine the piano parts and vocal melodies into playable arrangements while maintaining those classic piano parts. The huge hit We Didn't Start the Fire is included along with 9 other classics: And So It Goes - The Downeaster Alexa - I Go to Extremes - Leningrad - Shameless - State of Grace - Storm Front - That's Not Her Style - When in Rome. Includes a foreword by David Rosenthal./ Recueil / Piano, Chant et Guitare

Arrangeur: David Rosenthal. Par JOEL BILLY. All 9 songs from the iconic 1978 album by the Piano Man, arranged for piano, voice and guitar by David Rosenthal, Billy's keyboardist and Music Director. He has combined the piano parts and vocal melodies into playable arrangements while transcribing those classic piano parts that are integral to each song. Guitar chord frames are also included. Includes black and white photos and a foreword by Rosenthal. Includes: Big Shot - 52nd Street - Half a Mile Away - Honesty - My Life - Rosalinda's Eyes - Stiletto - Until the Night - Zanzibar./ Recueil / Piano, Chant et Guitare