(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
(40 Selections from the Rolling Stone 100 Greatest Singers of All Time). For Pia...(+)
(40 Selections from the
Rolling Stone 100
Greatest Singers of All
Time). For
Piano/Vocal/Chords. This
edition:
Piano/Vocal/Chords. P/V/C
Mixed Folio. Rolling
Stone Magazine. Rock.
Book. 264 pages.
Published by Alfred Music
Publishing
(25 Selections from the Rolling Stone 100 Greatest Singers of All Time). Arrange...(+)
(25 Selections from the
Rolling Stone 100
Greatest Singers of All
Time). Arranged by Dan
Coates. For Piano. Book;
Piano - Easy Piano
Collection; Piano
Supplemental. Pop/Rock.
Easy Piano. 120 pages.
Published by Alfred Music
Publishing
Easy Piano Piano/Keyboard SKU: HL.282484 64 Popular Modern Songs. ...(+)
Easy Piano Piano/Keyboard
SKU: HL.282484
64 Popular Modern
Songs. By Various.
Easy Piano Songbook.
Modern, Pop. Softcover.
296 pages. Published by
Hal Leonard (HL.282484).
ISBN 9781540034410.
UPC: 888680789282.
9.0x12.0x0.709
inches.
64 pop hits
which have become
modern-day standards are
included in this
collection for easy
piano. Includes: Billie
Jean (Michael Jackson)
• Don't Stop
Believin' (Journey)
• Dream On
(Aerosmith) • Every
Breath You Take (The
Police) • Free Bird
(Lynyrd Skynyrd) •
Free Fallin' (Tom Petty
and the Heartbreakers)
• Hallelujah (Jeff
Buckley) • Imagine
(John Lennon) •
Landslide (Fleetwood Mac)
• Purple Rain
(Prince) • Ring of
Fire (Johnny Cash)
• Rolling in the
Deep (Adele) •
Tears in Heaven (Eric
Clapton) • With or
Without You (U2)•
You Raise Me Up (Josh
Groban) • and
more.
E-Z Play(r) Today
Volume 100. By
Various. E-Z Play Today.
Pop, Standards.
Softcover. 232 pages.
Published by Hal Leonard
(HL.282486).
ISBN
9781540034427. UPC:
888680789299.
9.0x12.0x0.597
inches.
64 popular
modern classics in our
large print E-Z Play(r)
Today notation with the
note name in the note
head. Includes: Billie
Jean * Crazy Little Thing
Called Love * Don't Stop
Believin' * Dream On *
Every Breath You Take *
Free Bird * Free Fallin'
* Hallelujah * Imagine *
Landslide * Mad World *
Purple Rain * Ring of
Fire * Rolling in the
Deep * Stand by Me *
Tears in Heaven * With or
Without You * Yesterday *
and more.
About Hal
Leonard E-Z Play
Today
For
organs, pianos, and
electronic keyboards. E-Z
Play Today is the
shortest distance between
beginning music and
playing fun. Now there
are more than 300 reasons
why you should play E-Z
Play Today. * World's
largest series of music
folios * Full-size books
- large 9 x 12 format
features easy-to-read,
easy-to-play music *
Accurate arrangements...
simple enough for the
beginner, but accurate
chords and melody lines
are maintained *
Eye-catching, full-color
covers * Lyrics... most
arrangements include
words and music * Most
up-to-date registrations
- books in the series
contain a general
registration guide, as
well as individual song
rhythm suggestions *
Guitar Chord Chart - all
songs in the series can
also be played on
guitar.
Guitare notes et tablatures [Partition] - Intermédiaire Hal Leonard
For guitar and voice. Format: guitar tablature songbook. With guitar tablature, ...(+)
For guitar and voice.
Format: guitar tablature
songbook. With guitar
tablature, standard
notation, vocal melody,
lyrics, chord names,
guitar chord diagrams and
guitar notation legend.
Rock and pop rock. 1024
pages. 8.5x11 inches.
Published by Hal Leonard.
Classic Rock Guitare notes et tablatures [Partition] Musicians Institute
Workshop Series. Musicians Institute Press (Instruction taken from the curriculu...(+)
Workshop Series.
Musicians Institute Press
(Instruction taken from
the curriculum of MI).
With notes and tablature.
Size 9x12 inches. 152
pages. Published by
Musicians Institute
Press.
Performed by Janis Joplin. For guitar and voice. Format: guitar tablature songbo...(+)
Performed by Janis
Joplin. For guitar and
voice. Format: guitar
tablature songbook. With
guitar tablature,
standard notation, vocal
melody, lyrics, chord
names, guitar chord
diagrams and guitar
notation legend. Classic
rock and blues rock.
Series: Hal Leonard
Guitar Recorded Versions.
112 pages. 9x12 inches.
Published by Hal Leonard.
Tenor Edition. Vocal Collection. Piece for the NFMC Vocal event with the Nationa...(+)
Tenor Edition. Vocal
Collection. Piece for the
NFMC Vocal event with the
National Federation of
Music Clubs (NFMC)
Festivals Bulletin
2008-2009-2010. Play
Along. Softcover Audio
Online. 96 pages.
Published by Hal Leonard
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more.
SKU:
PR.16500100F
Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F).
ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches.
Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected.
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vo...(+)
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams.
Standards, Traditional
Pop and Vocal Standards.
293 pages. 9x12 inches.
Published by Hal Leonard.
Keyboard SKU: HL.14007346 Music Sales America. Classical. Book [Softcover...(+)
Keyboard
SKU:
HL.14007346
Music
Sales America. Classical.
Book [Softcover]. Music
Sales #AM67661. Published
by Music Sales
(HL.14007346).
ISBN
9780711912885.
S
imple arrangements of
twenty-three popular
classics - includes
Sheep May Safely
Graze, La
Paloma and the
stirring William Tell
Overture. All pieces
feature full melody,
arranged for the novice
orearly player, along
with full chord guide and
suggestions for
appropriate
auto-accompaniments.