For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

By Hal Hopson / Various authors. For Unison choir. Devotion, Hymntune, Sacred. Hymn Collection. Author's Collections. 114 pages

By russian. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 4000 pages. Published by Subito Music.

By Andre Gouzes. For Voices: SATB, assembly. See front matter of the edition for details of text !. Collection Sacred. 28 pages. Published by GIA Publications.
Level: easy.

By Healey Willan. For Unison choir, 2-part choir and 3-part choir. Collection. Published by Concordia Publishing House.

Performed by Various. Guitar. Size 9x12 inches. 168 pages. Published by Centerstream Publications.

Chamber Music voice and piano

SKU: PR.111401100

Composed by Stanley Walden. Score. With Standard notation. 12 pages. Theodore Presser Company #111-40110. Published by Theodore Presser Company (PR.111401100).

UPC: 680160002474.

'Coro nach' is a Scottish and Irish lament for the dead. 'Kaddish' is the most solemn and one of the oldest of all Jewish prayers. One is gently superimposes over the other in eery beauty. For colleges,conservatories, professionals, libraries. Difficult.

Clarinet, double bass and piano - advanced

SKU: HL.49044715

Composed by Wilfried Hiller. This edition: Saddle stitching. Sheet music. Ensemble. Softcover. Composed 2010-2011. 28 pages. Duration 8'. Schott Music #KLB88. Published by Schott Music (HL.49044715).

ISBN 9790001191968.

'Kad dish (Aramaic: 'holy') is the Jewish mourning prayer recited for the dead. My Kaddisch fur David Stahl was conceived to honour the memory of the long-serving chief musical director of the Staatstheater am Gartnerplatz in Munich and begins with a lyrically flowing lament on the clarinet which towards the end rears up in a despairing wail of grief. The piano and double bass punctuate the arching structure of the melody with an aggressive and urgent three-note phrase which should sound as if 'hammered in steel', symbolising the three syllables 'Da-vid Stahl'. The work culminates with an original Jewish melody for Psalm 119 with the following text: 'Your word is a lamp to my feet, shadows and light reveal the width and depth of the path of my life.' Wilfried Hiller.

The Best Step-by-Step Guide to Start Playing. Do It Yourself. Instruction, Method. Softcover Media Online. 128 pages. Published by Hal Leonard

Performed by Iron Maiden. Guitar Recorded Versions (Authentic note-for-note transcriptions). With notes and tablature. Published by Hal Leonard.

Choir Secular Double Choir and Violoncello

SKU: PE.EP73479

Composed by Francis Pott. Choral Works (inc. Oratorios). Edition Peters. Living Composer. Vocal Score. 164 pages. Edition Peters #98-EP73479. Published by Edition Peters (PE.EP73479).

ISBN 9790577019888. 297 x 210mm inches. English.

At First Light was commissioned by Eric Bruskin, a resident of Philadelphia, USA, in memory of his mother. Eric had a longstanding enthusiasm for my work, and I was touched to be the person he approached for a task which is both a privilege and a daunting responsibility. In a sense, no music can ever measure up to the weight of love or the hope of consolation vested in it under such circumstances - but in memory I carry the deaths of both my own parents, and I was able to draw upon that. Eric's fondness for my Cello Sonata (itself written in memoriam) led him to ask that I include a solo 'cello part in the new work - but his attachment also to my polyphonic sacred choral writing meant that he wanted a centrepiece which would be both a showcase of that approach and the celebration of a life well lived. Therefore, the seven movements of At First Light arrange themselves as a series of slow meditations surrounding an exuberant 9-minute motet in which the lamenting cello falls temporarily silent.

Eric's Jewish faith meant that approaching an agnostic humanist brought up within the Anglican tradition was hardly free of problems! Gradually, though, I was able to win his approval for a collated mosaic of texts. This embraces some liturgical Latin (necessary for the motet) as the shared preserve of broad western culture in general, but balances it with a secular approach to loss, celebration, remembrance and the many shades of our mourning those whom we see no longer. Eric was adamant that he did not want the title Requiem; but what has emerged is still a form of semi-secular Requiem in all but name, taking its title instead from a phrase in the poem by Thomas Blackburn set as the third movement. This seemed to suggest succinctly how the loss of one very close to us is an awakening into an unfamiliar world where everything is changed. Following the exuberant central movement, the texts by the Lebanese-born Kahlil Gibran and the US, Kentuckian poet Wendell Berry first address the departed loved one directly, then place us within an imaginary funeral cortege, where the perennial and universal in human experience become personal without subscribing explicitly to any particular faith (or lack of it). The final text of all is a translation of a Hebraic prayer, requested and provided by Eric Bruskin, which serves to mirror its Latin counterpart heard at the outset.

Throughout , the lamenting cello represents a commentary on the experience articulated in the text. It evokes and, in a sense, tries to embrace and sanctify the individual existential journeys of the bereft, as they in turn seek to make their own sense of what the short-lived Second World War poet Alun Lewis called 'the unbearable beauty of the dead' (movement 5).

In a modern world hostage to ever greater menace, displacement, bloodshed and anguish, I hope fervently that this music not only brings a measure of solace to the person who commissioned it, but also makes its own small contribution to bailing out the sinking ship of humanity.

By Normand Gouin. For cantor, SATB choir, congregation, optional soprano descant, organ, optional C instrument. Memorial, Communion. Moderately Easy. Octavo. Published by MorningStar Music Publishers

Performed by Bon Jovi. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 208 pages. Published by Hal Leonard.

Paperback Lyrics. By Various. Paperback Lyrics. Softcover. Size 4.25x6.75 inches. 256 pages. Published by Hal Leonard.