By Traditional. Arranged by Ramsey. For Brass Quartet (2 Bb cornets, trombone/french horn, euphonium). Published by BrassWorks4

By Traditional. Arranged by Suba. Concert Band. Swiss import. Level: 3+. Score and parts. Published by Editions Marc Reift. (EMR 10392)

4 Saxophones SATBar

SKU: AP.1-ADV7603

For SATBar Saxophone Quartet. Composed by Mike Curtis. Quartet; Solo Small Ensembles; Woodwind - Saxophone Quartet. Advance Music. Form: Dance. Jewish Heritage; Wedding. Score and Part(s). Advance Music #01-ADV7603. Published by Advance Music (AP.1-ADV7603).

UPC: 805095076035. English.

A Klezmer Wedding is a set of four dances, newly-composed but based on traditional models. The Doina is an expressive chant for three successive soloists; it twists and turns with the wailing lament of a shepherd's pipe. Next follows the Hora, a slow Rumanian dance in three with a mood that reflects the wedding's solemn vows. A Chusidl, with a moderate speed and bouncy rhythms, gets the party to the dance floor. The concluding Freylach (happy, but still in a minor key!) takes the bride, groom, and guests to the edge of frenzy.

Titles: Chusidl * Doina * Hora * Freylach.

By Traditional. Arranged by David Marlatt. For 2 Flutes, 2 Clarinets. Quartet; Woodwind - Quartet. Sacred, Christmas. Duration 00:02:05

By Traditional Folk Spiritual. Arranged by Keith Christopher. SATB. Sacred Choral. 12 pages. Published by Hal Leonard

By Rich Heffler. For Woodwind Ensemble. Trio for Woodwind Ensemble. Traditional. Grade 5. Published by Rich Heffler Music

By Traditional. Arranged by David Marlatt. For Woodwind Quintet. Woodwind - Quintet. Duration 00:02:10

A Christmas Cantata for Easy Choir. By Joseph Linn. Christmas and Sacred. Level: Easy. 44 pages. Published by Lillenas Music.

Chorus (with soloists) and piano (solo: T - choir:TTB - 1.2.1.0 - 2.0.0.0 - org - str)

SKU: BR.EB-8667

Cantata based on the Autograph Completed by Franz Beyer - Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Choir; stapled. Edition Breitkopf.

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

Cantata; Requiem; Classical. Piano/Vocal Score. 16 pages. Duration 10'. Breitkopf and Haertel #EB 8667. Published by Breitkopf and Haertel (BR.EB-8667).

ISBN 9790004180877. 7.5 x 10.5 inches.

Thanks to the Mozart specialist Franz Beyer, the cantata Dir, Seele des Weltalls has been completed in its original scoring and with an unerring feeling for stylistic accuracy. One already finds echoes of the Magic Flute in this fragment, which Mozart wrote in 1785. The two introductory and two closing bars added by Beyer along with the full orchestration of the piece allow musicians to discover a Mozart cantata that will ring familiar with many modern-day listeners. - The traditional version by Maximilian Stadler (for soprano solo, mixed chorus and orchestra without organ) continues to remain available

One already finds echoes of the 'Magic Flute' in this fragment, which Mozart wrote in 1785.

Trombone. Curnow Play-Along Book. Play Along. BOOK W/CD. Size 9x12 inches. 16 pages. Published by Curnow Music.

(Traditional Ghanian Folk Song). Arranged by Raymond Wise. For SATB choir (piano accompaniment). Andre Thomas Series. Main Key: E Flat Major. Secular. Difficulty: Medium Advanced (Jr. High/High School) or Medium (Adult). Octavo. 12 pages. Duration 2 minutes 45 seconds. Published by Hinshaw Music Inc.

Arranged by Jack Bullock. Traditional. For Concert Band. Concert Band. Belwin Concert Band. Level: 3 (Medium Easy) (grade 3). Conductor Score. 24 pages. Published by Alfred Publishing.

By Traditional Welsh Carol. Arranged by John Leavitt. Choir Secular. For SoundPax. This edition: SoundPax. Choral Octavo. Choral Designs. Christmas; Multicultural; Secular; Winter. Instrumental Accompaniment. 6 pages. Published by Alfred Music . Instrumental Accompaniment. Christmas; Multicultural; Secular; Winter.

Full Orchestra Piano Accompaniment (Full Score)

SKU: HL.291942

Composed by Kevin A. Memley. Pavane Choral. Softcover. Pavane Publishing #P9095D. Published by Pavane Publishing (HL.291942).

UPC: 888680928575. Traditional/Kevin Memley.

Brilliant! Exciting! Fresh! are words that describe Memley's GLORIA – a 10 minute work in 3 continuous sections for voices with brass quintet, piano, timpani and percussion. Excellent for concert by a good high school to college choirs to community groups, this work makes a fabulous pairing with his MAGNIFICAT, released in 2012. Memley's rhythmic vitality and captivating melodies have been described as “when Rutter meets Bernstein.”.

By Traditional. Arranged by Tailor. Concert Band. Swiss import. Level: 3+. Score and parts. Published by Editions Marc Reift. (EMR 10470)

Composed by Robert Lehman. Catholic Year C Ordinary26; Year C Pentecost19;. 21st Century. Octavo. MorningStar Music Publishers #50-5220. Published by MorningStar Music Publishers

SATB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 trombones, timpani, violin solo, 2 violins, basso continuo

SKU: CA.2703549

Composed by Karl Ditters von Dittersdorf. Edited by Johannes Kirner. This edition: Paperbound. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed circa 1769. KreD 326. 36 pages. Duration 42 minutes. Carus Verlag #CV 27.035/49. Published by Carus Verlag (CA.2703549).

ISBN 9790007023256. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist). Score and part available separately - see item CA.2703500.

By Randall Johnson. For TTBB choir, piano (with optional timpani). Randy and Rachel Stenson Choral Series. Concert. Octavo. 19 pages. Duration 3 minutes 30 seconds. Published by Santa Barbara Music Publishing

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1125313-140

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Original Light Music. Score Only. Composed 2012. 28 pages. De Haske Publications #DHP 1125313-140. Published by De Haske Publications (BT.DHP-1125313-140).

9x12 inches. English-German-French-Dut ch.

Sa Música - ‘Our Music’ - is the music from Mallorca, an island with a long and difficult past. The work tells of the Greeks, who once erected a temple on the island; of the Romans who occupied the island; and of traditional processions that continue to take place. A Spanish fiesta and a lyrical section, which is inspired by a famous pirate poem, bring this work to a close with Spanish flair. This theme can also be sung in the original Spanish with one or more singers or choir (available separately: DHP 1125313-050).

S a Música, ‘Haar’ muziek, de muziek van Mallorca, een eiland met een bewogen geschiedenis. Het werk verhaalt van de Grieken die een tempel oprichtten op het eiland. En van de Romeinen die het eiland bezetten. Maar ook van de traditionele rooms-katholieke processies die daar nog steeds in ere worden gehouden. Een Spaanse fiesta en een lyrisch deel, gebaseerd op een beroemd piratengedicht, besluit dit werk met Spaanse flair. Dit thema kan worden gewzongen in het Spaans, met een of meer zangers/zangeressen of een koor (koorpartijen zijn separaat verkrijgbaar: DHP 1125313-050).

S a Música - ‘Ihre Musik’ - ist die Musik der Insel Mallorca, die auf eine bewegte Geschichte zurückblicken kann. Das Werk erzählt von den Griechen, die einst einen Tempel auf der Insel errichteten, von den Römern, die die Insel besetzten und von den traditionellen Prozessionen, die heute noch in Ehren gehalten werden. Eine spanische Fiesta und ein lyrischer Teil, der von einem berühmten Piratengedicht inspiriert ist, runden dieses Werk mit spanischem Flair ab. Dieses Thema kann auch von einem oder mehreren Sängern oder einem Chor zum originalen spanischen Text gesungen werden. Chorstimmen erhältlich: DHP 1125313-050.

Sa Música évoque l’histoire et l’ambiance de l’île espagnole de Majorque, l’une des îles Baléares. L’oeuvre débute avec une introduction majestueuse s’inspirant de motifs grecs. Peu peu, les influences espagnoles se distinguent clairement dans le thème rapide qui vient ensuite, une véritable fiesta. A cette ambiance festive succède le calme, avec un lent passage lyrique que Jacob de Haan a composé sur le texte du célèbre poème sur les pirates, Canción del pirata. Une pièce pétillante ! Ce thème peut être interprété dans sa version espagnole d'origine ou chanté par un ou plusieurs chanteurs ou un choeur (voix disponibles séparément: DHP 1125313-050).

S a Música si ispira alla storia e alle atmosfere dell’isola di Mallorca nell’arcipelago delle Baleari. Il brano apre con una maestosa introduzione che vuole ricordare le gesta dei colonizzatori greci; segue un tema che riprende le tradizionali processioni che si tengono sull’isola e che anticipa un tema tipicamente spagnolo. A questa atmosfera festiva segue la calma con un passaggio lirico che Jacob de Haan ha composto sul testo del celebre poema Cancion del pirata. (This theme can also be sung in the original Spanish with one or more singers or choir (available separately: DHP 1125313-050)).

SATB choir, voice solo, keyboard accompaniment - Beginning

SKU: GI.G-7376

Composed by Darrell Crawford. Advent. Choral. Sacred. Octavo. 8 pages. GIA Publications #7376. Published by GIA Publications (GI.G-7376).

UPC: 785147737605. English. Text Source: Charles Wesley, 1707–1788, alt. Text by Charles Wesley.

A reflective composition that is not challenging and features an attractive part for a soloist at the beginning and end. The men’s parts provide a supportive, gently rocking accompaniment throughout, except for a unison verse and a lovely 4-part a cappella verse. This is a wonderful new tune to pair with Wesley’s timeless text when you want to venture beyond the traditional pairings (e.g., HYFRYDOL, STUTTGART).

Composed by Traditional. Arranged by Larry Nickel. Folk song. Octavo. Published by Cypress Choral Music (C3.CP1483).

Composed by Thomas Kelly. Arranged by Dana F. Everson. For flute solo with piano accompaniment. Traditional. Main key: Eb, F, Bb. Sacred instrumental music. Grade 3.5. Score and parts. Composed 2013. Duration 2'00 . Published by David E. Smith

By Micahel Barrett; Lloyd Larson. For SATB choir. Sacred. Octavo. Published by Shawnee Press.

Orchestra String Orchestra - Grade 1; Grade 1.5; Grade 2; Grade 2.5; Grade 3; Grade 3.5

SKU: FJ.ST6488

Composed by Brian Balmages. Series; String Orchestra. FJH String Orchestra. Score and Part(s). The FJH Music Company Inc #98-ST6488. Published by The FJH Music Company Inc (FJ.ST6488).

UPC: 241444422052. English.

Commission ed by the National String Project Consortium, this gorgeous lyrical work can be performed alone as an intermediate level piece, or with multi-level supplemental parts (available separately) for beginning and developing string students. Orchestrated to celebrate inclusion and diversity, the multi-level option is designed to sound far greater than the intermediate version alone. Not your traditional festival orchestra piece by any means.

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

Handbells 3-5 octave handbells and choir, with optional flute - Level 2

SKU: HP.2894

Composed by Dona Nobis Pacem. Arranged by Brenda Austin. Hymntune, Hymn Arrangements, General Worship, Service Music. Handbell score. 8 pages. Hope Publishing Company #2894. Published by Hope Publishing Company (HP.2894).

UPC: 763628128944.

Tradi tional hymn tune This enchanting Level 2 arrangement includes options to add flute and three-part, any combination, choir. A gentle plea for 'peace,' this is the perfect closer to a combined concert or poignant moment in worship during the Christmas season, or any time of year.

Guitar

SKU: PR.ZM24840

Memories of Borneo. Composed by Siegfried Behrend. With Standard notation. Zimmermann #ZM24840. Published by Zimmermann (PR.ZM24840).

Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2

SKU: CF.CM9742

Composed by Traditional African American Spiritual. Arranged by Kevin Phillip Johnson. 16 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9742. Published by Carl Fischer Music (CF.CM9742).

ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the sevenÂ� �stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

(Partner Songs Based on Traditional Spirituals and Gospel Music). By Jill Gallina. Book and CD. Text language: English