SKU: AP.1-ADV6403 For String Quartet. Arranged by Dennis C. Anders...(+)
SKU: AP.1-ADV6403
For String
Quartet. Arranged by
Dennis C. Anderson.
Quartet; Solo Small
Ensembles; String
Quartet. Advance Music:
Holiday Celebration
Series. Form: Medley.
Christmas; Sacred;
Secular; Traditional;
Winter. Score and
Part(s). Advance Music
#01-ADV6403. Published by
Advance Music
(AP.1-ADV6403).
UPC:
805095064032. English.
Traditional 18th Century
Carols.
Featuring
God Rest Ye Merry
Gentlemen, and Deck the
Halls with Bows of Holly,
this well-crafted
coupling of two popular
Christmas carols has been
arranged for string
quartet. Ideal for
holiday programming or as
an encore piece.
2 violins, viola and
basso continuo (Score) -
intermediate
SKU:
HL.49002005
Composed
by Evaristo Felice
Dall'Abaco. Edited by
Guenter Kehr. This
edition: Saddle
stitching. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Score. Op. 2/5. 14 pages.
Duration 8'. Schott Music
#CON41. Published by
Schott Music
(HL.49002005).
ISBN
9790001021753. UPC:
884088134846.
9.0x12.0x0.071
inches.
This
concerto represents, as
most of the com-poser's
works, the fully matured
Italian music of the 17th
to 18th century. Even
nowadays, this music
still fascinates by its
expressive character and
the elaborate and
artistic counterpuntal
work.
Performed by Cat Stevens. For voice, piano and guitar chords. Format: piano/voca...(+)
Performed by Cat Stevens.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Folk
Rock. 328 pages. 9x12
inches. Published by
Music Sales.
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB
choir, and piano (E-flat
Soprano saxophone, 2
Horns in F, Piano, Organ
(or digital keyboard),
Double String Quartet,
Double Bass) - Beginning
SKU: MN.56-0106
Composed by Howard
Goodall. Lent, Holy Week,
Triduum/Three Days,
Tenebrae, 21st Century.
Score & instrument parts.
Duration 6 minutes, 47
seconds. MorningStar
Music Publishers
#56-0106. Published by
MorningStar Music
Publishers (MN.56-0106).
UPC: 688670221231.
English,
Latin.
Invictus: A
Passion addresses one of
the world’s most
powerful stories through
the lens of the modern
world. The texts, written
or inspired by women,
describe not only human
suffering and persecution
but also the human
capacity for love and
humility in the face of
tyranny. Composer Howard
Goodall is uniquely
suited to bring these
texts to life with music
of emotional clarity and
sweeping force. This
movement, scored for
soprano solo, SATB choir
and piano, expresses the
unimaginable pain felt by
a mother seeing her child
torn away from her at a
slave auction. To this
harrowing account are
appended the words of
William Wilberforce,
spoken in the House of
Commons on 18th April
1791, “You may
choose to look the other
way but you can never say
again that you did not
know.†Duration
6:47.
By Katherine Hoover (1937-). For Piano. The first performance of Thin Ice was ...(+)
By Katherine Hoover
(1937-). For Piano. The
first performance of
Thin Ice was given by
Gloria Chuang in a
recital at the hong Kong
Institute of Education,
in Hong Kong. Four days
later, on April 18th,
2010 the American
premiere was given by
Mirian Conti at St.
Peter's Church in New
York City. 11 pages.
Published by Papagena
Press
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Herr, deine
Augen sehen nach dem
Glaube. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
1726. BWV 102. Duration
24 minutes. Carus Verlag
#CV 31.102/19. Published
by Carus Verlag
(CA.3110219).
ISBN
9790007136529. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and parts available
separately - see item
CA.3110200.
Composed by Dora Ann
Purdy and Matthias
Claudius. Harold Flammer
WorshipSongs Jr.
Children, Children'S
Choir, Concert, Festival,
General Worship, Sacred,
Youth Choir. Octavo. 8
pages. Duration 232
seconds. Published by
Shawnee Press
(HL.345972).
Reminding
us of God's abundant
blessings, this anthem of
gratitude combines a
stirring 18th century
text with a beautiful new
melody perfectly suited
for treble voices. The
addition of Praise God,
from Whom All Blessings
Flow makes the piece an
excellent selection for
any Sunday of the year or
Thanksgiving worship.
Available separately:
Unison/opt. 2-Part
Treble. Duration: ca.
3:52.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: paperbound. BWV
102. Sacred vocal music,
Cantatas. Study score.
Composed 1726. BWV 102.
84 pages. Duration 24
minutes. Carus Verlag #CV
31.102/07. Published by
Carus Verlag
(CA.3110207).
ISBN
9790007047382. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score available
separately - see item
CA.3110200.
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Herr, deine
Augen sehen. Sacred vocal
music, Cantatas. Single
Part, Violin 1. Composed
1726. BWV 102. 8 pages.
Duration 24 minutes.
Carus Verlag #CV
31.102/11. Published by
Carus Verlag
(CA.3110211).
ISBN
9790007047405. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and part available
separately - see item
CA.3110200.
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Herr, deine
Augen sehen. Sacred vocal
music, Cantatas. Single
Part, Viola. Composed
1726. BWV 102. 8 pages.
Duration 24 minutes.
Carus Verlag #CV
31.102/13. Published by
Carus Verlag
(CA.3110213).
ISBN
9790007047429. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and part available
separately - see item
CA.3110200.
Soli ATB, SATB Choir, Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3110249 Cantata f...(+)
Soli ATB, SATB Choir, Fl,
2 Ob, 2 Vl, Va, Bc
SKU: CA.3110249
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Organ.
Sacred vocal music,
Cantatas. Single Part,
Organ. Composed 1726. BWV
102. 28 pages. Duration
24 minutes. Carus Verlag
#CV 31.102/49. Published
by Carus Verlag
(CA.3110249).
ISBN
9790007240585. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and part available
separately - see item
CA.3110200.
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Herr, deine
Augen sehen. Sacred vocal
music, Cantatas. Single
Part, Violin 2. Composed
1726. BWV 102. 8 pages.
Duration 24 minutes.
Carus Verlag #CV
31.102/12. Published by
Carus Verlag
(CA.3110212).
ISBN
9790007047412. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and part available
separately - see item
CA.3110200.
SATB Double Choir a cappella Choral (SATB a cappella) SKU: HL.14043326 Co...(+)
SATB Double Choir a
cappella Choral (SATB a
cappella)
SKU:
HL.14043326
Composed
by John Tavener. Choral.
Classical, Contemporary.
Octavo. Composed 2014. 15
pages. Chester Music
#CH82236. Published by
Chester Music
(HL.14043326).
UPC:
888680046651.
10.0x6.75x0.078
inches.
John
Tavener's Preces and
Responses for Double
Choir were commissioned
by Cathedral Commissions
of Wells Cathedral and
were first performed on
Sunday 18th May 2014
during New Music Wells
74-14, by Wells Cathedral
Choir conducted by
Matthew Owens.
Cantatas BWV 96, 169/
BWV 5, 48, 56.
Composed by Johann
Sebastian Bach. Edited by
Matthias Wendt. This
edition: Complete
edition. Linen. New Bach
Edition (NBA) I/24.
Complete edition,
Critical commentary,
anthology. BWV 96, 169,
BWV 5, 48, 56. 192 pages.
Baerenreiter Verlag
#BA05074_41. Published by
Baerenreiter Verlag
(BA.BA05074-41).
ISBN
9790006463688. 24.7 x
17.5 cm
inches.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.102/21 flute, 1x
31.102/22 oboe 1, 1x
31.102/23 oboe 2. German
title: Herr, deine Augen
sehen 3. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
1726. BWV 102. 16 pages.
Duration 24 minutes.
Carus Verlag #CV
31.102/09. Published by
Carus Verlag
(CA.3110209).
ISBN
9790007047399. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and parts available
separately - see item
CA.3110200.
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Herr, deine
Augen sehen. Sacred vocal
music, Cantatas. Single
Part, Cello/Double Bass.
Composed 1726. BWV 102.
12 pages. Duration 24
minutes. Carus Verlag #CV
31.102/14. Published by
Carus Verlag
(CA.3110214).
ISBN
9790007047436. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and part available
separately - see item
CA.3110200.
Composed by Christian Gregor. Arranged by James Christian Pfohl. For Choral (2-P...(+)
Composed by Christian
Gregor. Arranged by James
Christian Pfohl. For
Choral (2-Part any
combination). Fred Bock
Publications. 4 pages.
H.T. FitzSimons Company
#F2370. Published by H.T.
FitzSimons Company
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
(Medium High Voice and Piano). Composed by Rosephanye Powell. For Voice. Gentry ...(+)
(Medium High Voice and
Piano). Composed by
Rosephanye Powell. For
Voice. Gentry
Publications. 20 pages.
Gentry Publications
#JG0730. Published by
Gentry Publications