Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Choir Sacred SA (SSATB) Soli, SSATB ATB Choir, Piano (SSATB ATB) SKU: PE.EP73...(+)
Choir Sacred SA (SSATB)
Soli, SSATB ATB Choir,
Piano (SSATB ATB)
SKU:
PE.EP73044A
For
Soprano, Alto, Choir and
Orchestra, First Edition,
Urtext. Composed by
Francesco Durante. This
edition: Urtext. Choral
Works (inc. Oratorios).
Edition Peters. Book. 116
pages. Duration 00:00:00.
Edition Peters
#98-EP73044A. Published
by Edition Peters
(PE.EP73044A).
ISBN
9790577013428. 190 x
272mm inches.
English.
The
Requiem in C minor by
Francesco Durante
(1684–1755) is one
of the most important
works of this genre
written in the first half
of the 18th century. In
his Messa de’
morti, Durante shows
great creativity in
combining traditional
elements of church music
with new ideas
originating from
instrumental writing and
opera. The quality and
originality of his
Requiem make it an
exciting rediscovery with
the potential to
establish itself as a
core repertoire work of
sacred choral
music.
Mainly known
today as the teacher of
Pergolesi and Paisiello,
Durante spent much of his
life working as music
director at various
conservatories in Naples
and enjoyed great renown
as a church composer well
into the 19th century.
Despite its widespread
popularity, indicated by
the number of manuscript
copies to be found across
Europe, his Requiem never
appeared in print. For
this first publication,
editor and leading
British choral director
Stephen Darlington has
consulted many of the
approximately 50
surviving sources of the
work, presenting a
critical edition which
for the first time makes
Durante’s Requiem
available to a wider
musical
audience.
First
publication
Urtex
t
edition
Particula
rly suitable for smaller
choirs and ensembles:
soprano and alto solo,
double choir (SSATB ATB)
and strings (plus 2 horns
in the Tuba
mirum)
Full score
and orchestral material
also available
(EP73044)
This edition of
Durante’s Requiem
has been recorded by
Stephen Darlington, with
Oxford’s Christ
Church Cathedral Choir,
soloists from The Sixteen
and Oxford Baroque.
Fra Diavolo Orchestre d'harmonie De Haske Publications
Concert Band SKU: BT.DHP-1043529-040 The Great Classics. Transcription. S...(+)
Concert Band
SKU:
BT.DHP-1043529-040
The Great Classics.
Transcription. Set (Score
& Parts). Composed 2004.
16 pages. De Haske
Publications #DHP
1043529-040. Published by
De Haske Publications
(BT.DHP-1043529-040).
English-German-French-
Dutch.
French
composer Daniel
François Esprit Aubers
extensive outputconsisted
mainly of operas, but
unfortunately today only
two of theseare still
well known, including the
comic opera Fra Diavolo.
The storyconcerns Fra
Diavolo, a famous Italian
bandit and soldier from
the late 18th and early
19th centuries, and is
one of crime, lust and
treachery. The overture
has a classical structure
filled with striking
themes and motifs with a
particularly unusual
introduction (for the
time) with the snare drum
taking the leading
role!
De ouverture
van Fra Diavolo,
een komische opera van de
Franse componist Daniel
François Esprit Auber
(1782-1871), heeft een
klassieke opbouw. De
gebruikte thema’s
zijn zeer herkenbaar en
roepen duidelijke beelden
op. Signaalmotievenzijn
rijkelijk aanwezig - en
deze mogen natuurlijk ook
niet ontbreken als het in
de handeling gaat over
rovers en gendarmes. De
inleiding is voor Aubers
tijd bijzonder ge
nstrumenteerd: de kleine
trom speelt een
solistischerol!
Di
e Ouvertüre zu Aubers
komischer Oper Fra
Diavolo hat eine
klassische Form mit
leicht wieder erkennbaren
Themen, klaren Bildern
und deutlichen Motiven -
sehr passend zu einer
ebenfalls
einprägsamen,
turbulenten Handlung voll
von Gerichtsvollziehern
und Dieben!
Unsentimentale, reizvolle
Musik, die auch in der
Transkription von Wil van
der Beek das Publikum in
ihren Bann ziehen wird!
Guitar SKU: BT.SY-2224 Englische Meister. Composed by Heinz Teuche...(+)
Guitar
SKU:
BT.SY-2224
Englische Meister.
Composed by Heinz
Teuchert. Book Only.
Composed 2005. Ricordi
#SY 2224. Published by
Ricordi (BT.SY-2224).
In this series
European Guitar and Lute
Music, seven albums will
be published on original
16th to 18th century
music. Each album will be
devoted to music from one
country. Choice of pieces
for transcription for the
guitar, selected from the
vast amount of tablature
available, has been made
with consideration for
their particular musical
merit and for their
suitability for the
instrument in use today.
In der Reihe
Europa sche Gitarren- und
Lautenmusik erscheinen
originale Werke des 16.
bis 18. Jahrhunderts in
sieben nach Ländern
geordneten Heften. Aus
der Fülle
überlieferter
Gitarren- und
Lautentabulaturen wurden
solche Werke
ausgewählt, die
musikalisch wertvoll sind
und sich ohne
Schwierigkeit auf der
heutigen Gitarre spielen
lassen.
Nella
serie Musica europea per
chitarra e liuto appaiono
composizioni originali
del 16°, 17° e
18° secolo raccolte in
sette fascicoli ordinati
secondo i paesi. Dalle
numerose intavolature
disponibili per chiatarra
e liuto sono state scelte
le opere musicalmente
più valide e che si
possono suonare senza
difficolt sulle chitarre
d'oggi.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Arranged by J.R.Phelps.
Yuletide carol. Holiday
Cheer Series. 18th
century. Score and parts.
With Language: English.
Published by Loux Music
Company (L1.HCS-7).
4 Saxophones SATBar SKU: AP.1-ADV7655 For SATBar Saxophone Quartet...(+)
4 Saxophones SATBar
SKU: AP.1-ADV7655
For SATBar Saxophone
Quartet. Arranged by
Bill Perconti. Quartet;
Solo Small Ensembles;
Woodwind - Saxophone
Quartet. Advance Music:
Holiday Celebration
Series. Christmas;
Sacred; Traditional;
Winter. Score and
Part(s). Advance Music
#01-ADV7655. Published by
Advance Music
(AP.1-ADV7655).
ISBN
9783892217190. UPC:
805095076554. English.
Traditional.
Dating
from the 18th century, He
Is Born, Holy Child is a
traditional French carol.
The composer and lyricist
are anonymous, but
translations of the texts
have resulted in many
references to music,
including Sound the
pipes, let the trumpets
play, Play the oboes and
bagpipes merrily, and
Bells are ringing, we are
singing.
This
arrangement for saxophone
quartet (SATBar) strives
to include all the
players in the music
making, particularly by
distributing melodic
material. All dynamics
and articulations,
minimally marked, should
be taken as suggestions
only, as performers are
encouraged to make their
own interpretations.
4 Saxophones SATBar SKU: AP.1-ADV7423 For SATBar Saxophone Quartet...(+)
4 Saxophones SATBar
SKU: AP.1-ADV7423
For SATBar Saxophone
Quartet. Arranged by
Bill Perconti. Quartet;
Solo Small Ensembles;
Woodwind - Saxophone
Quartet. Advance Music:
Holiday Celebration
Series. Christmas;
Secular; Traditional;
Winter. Score and
Part(s). Advance Music
#01-ADV7423. Published by
Advance Music
(AP.1-ADV7423).
ISBN
9783892215776. UPC:
805095074239. English.
Traditional.
Glouce
stershire Wassail is
associated with an
English custom that was
observed at Christmas
time. A large, decorated
bowl of spiced ale was
hoisted through town by a
group of carolers---Yule
serenaders---in a
tradition that has its
roots in the beggars of
the Middle Ages and Pagan
festivals. The tune is
therefore associated with
Christmas revelry and
joy. Gloucestershire
Wassail probably dates
from the 18th century,
and is considered a
traditional English tune.
This arrangement
for saxophone quartet
(SATBar), rather than
favoring a soprano solo
with accompaniment,
strives to include all
the players in the music
making, particularly by
distributing the melodic
material. In addition,
all dynamics and
articulations should be
taken as suggestions
only, as performers are
encouraged to make their
own interpretations.
He Is Born. Composed by French carol. Arranged by Lynn Bailey Christopher ...(+)
He Is Born. Composed by
French carol. Arranged by
Lynn Bailey Christopher
Pillsbury. Sws. Octavo.
16
pages. Duration 2
minutes.
Carl Fischer Music
#CM9636.
Published by Carl Fischer
Music
Choral Piano, Violin, Voice 1, Voice 2, Voice 3 SKU: CF.CM9641 He Is B...(+)
Choral Piano, Violin,
Voice 1, Voice 2, Voice 3
SKU: CF.CM9641
He Is Born.
Composed by French carol.
Arranged by Lynn Shaw
Bailey Christopher
Pillsbury. Sws.
Performance Score. 16
pages. Duration 0:02:32.
Carl Fischer Music
#CM9641. Published by
Carl Fischer Music
(CF.CM9641).
ISBN
9781491157138. UPC:
680160915699. 6.875 x
10.5 inches. Key: G
major. English, English.
Traditional 18th Century
French
Carol.
Delightfully
fresh and fun, this
Celtic-style arrangement
of the beloved French
carol He Is Born, is a
lively Christmas anthem.
Featuring a driving piano
accompaniment and
optional Celtic fiddle,
it is the perfect piece
for any occasion where
spirited holiday music is
desired. An optional
string ensemble
accompaniment is also
available on demand
(CM9503IN). Also
available for SATB Voices
(CM9503), TBB Voices
(CM9636), and SSA Voices
(CM9528). A Celtic
French Carol (He is Born)
is a spirited English
arrangement of the
traditional French Carol
Il est ne', le divin
Enfant. One of the most
famous songs of the
French repertoire, the
melody is derived from an
Eighteenth-Century Air de
Chasse (or hunting tune),
entitled La Tete Bizarde
(The Bizard Head). The
oldest known publication
of the tune is an organ
arrangement by Romary
Grosjean (1815-1888),
musicologist and organist
of the Cathedral of
Saint-Die'-des-Vosges, in
an 1862 collection of
carols entitled Airs des
Noels Lorrains. The
French text for the carol
was first published in
Dom Georges Legeay's
collection of ancient
carols, Noels anciens
(1875-1876). Il est ne',
le divin Enfant has been
translated into many
languages throughout the
world. One of the best
English translations
appeared in Walter Ehret
and George K. Evans'
collection The
International Book of
Christmas Carols
(1963). A Celtic
French Carol (He is Born)
is a spirited English
arrangement of the
traditional French Carol
Il est ne´, le divin
Enfant. One of the most
famous songs of the
French repertoire, the
melody is derived from an
Eighteenth-Century Air de
Chasse (or hunting tune),
entitled La Tete Bizarde
(The Bizard Head). The
oldest known publication
of the tune is an organ
arrangement by Romary
Grosjean (1815-1888),
musicologist and organist
of the Cathedral of
Saint-Die´-des-Vosges,
in an 1862 collection of
carols entitled Airs des
Noels Lorrains.The French
text for the carol was
first published in Dom
Georges Legeay's
collection of ancient
carols, Noels anciens
(1875-1876). Il est
ne´, le divin Enfant
has been translated into
many languages throughout
the world. One of the
best English translations
appeared in Walter Ehret
and George K. Evans'
collection The
International Book of
Christmas Carols
(1963).
Veni Jesu Chorale 3 parties SSA A Cappella Alfred Publishing
Choir (Women's Choir) SKU: AP.47603 Composed by Luigi Cherubini. Arranged...(+)
Choir (Women's Choir)
SKU: AP.47603
Composed by Luigi
Cherubini. Arranged by
Russell L. Robinson.
Masterworks; Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Masterwork
Arrangement; Sacred.
Choral Octavo. 8 pages.
Alfred Music #00-47603.
Published by Alfred Music
(AP.47603).
UPC:
038081542966.
English.
Cherubini'
s 18th-century
composition has become
one of the most recorded
and performed masterworks
of our time. Dr.
Robinson's well-conceived
arrangement can be
performed either a
cappella or with the
supportive piano
accompaniment, providing
flexibility for concert
or contest programming.
An accessible Latin text
(with just four words in
total) and sensible voice
leading make this an
ideal choice for
developing choirs.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
For Baritone Solo and SSAATTBB. By Voces8. By Ken Burton. Choral Works (inc. ...(+)
For Baritone Solo and
SSAATTBB. By Voces8. By
Ken
Burton. Choral Works
(inc.
Oratorios). Voces8
Singles.
Octavo. Edition Peters
#EP73558. Published by
Edition Peters
Choir (SAB choir/3-Part choir Mixed) SKU: AP.47602 Composed by Luigi Cher...(+)
Choir (SAB choir/3-Part
choir Mixed)
SKU:
AP.47602
Composed by
Luigi Cherubini. Arranged
by Russell L. Robinson.
Masterworks; Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Masterwork
Arrangement; Sacred.
Choral Octavo. 8 pages.
Alfred Music #00-47602.
Published by Alfred Music
(AP.47602).
UPC:
038081542959.
English.
Cherubini'
s 18th-century
composition has become
one of the most recorded
and performed masterworks
of our time. Dr.
Robinson's well-conceived
arrangement can be
performed either a
cappella or with the
supportive piano
accompaniment, providing
flexibility for concert
or contest programming.
An accessible Latin text
(with just four words in
total) and sensible voice
leading make this an
ideal choice for
developing choirs.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
