(Serie II - France 1800-1860). Edited by Nicolas Fromageot. For Violin. Facsimil...(+)
(Serie II - France
1800-1860). Edited by
Nicolas Fromageot. For
Violin. Facsimiles.
Methodes and Traites.
Grade 0. 1157 pages.
Published by Anne Fuzeau
Productions - France
The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Com...(+)
The Greatest Love Of All
Composed by Michael
Masser, Linda Creed
Homecoming Composed by
Hagood Hardy
Weve Got Tonight Composed
by Bob Seger
Song From M*a*s*h
(Suicide Is Painless)
Composed by Johnny
Mandel, Mike Altman
Misty Composed by Erroll
Garner, Johnny Burke
Other Side Of Midnight
Composed by Michel
Legrand
The Rose Composed by
Amanda Mc Broom
Tears In Heaven Composed
by Eric Clapton, Will
Jennings
Theme From New York, New
York Composed by Fred
Ebb, John Kander
Heart Composed by Richard
Adler, Jerry Ross
Hey There Composed by
Richard Adler, Jerry Ross
Colors Of My Life
Composed by Cy Coleman,
Michael Stewart
Over The Rainbow Composed
by Harold Arlen, E.y.
Harburg
Separate Lives Love Theme
From "white Nights"
Theme From Ice Castles
Composed by Marvin
Hamlisch, Carole Bayer
Sager
Tonight I Celebrate My
Love Composed by Michael
Masser, Gerry Goffin
In This Life Composed by
Mike Reid, Allen Shamblin
Up Where We Belong
Composed by W Jennings, B
Sainte, Marie, J Nitzsche
From A Distance Composed
by Julie Gold
I Will Always Love You
Composed by Dolly Parton
Oh! What It Seemed To Be
Composed by Bennie
Benjamin, George David
Weiss, Frankie
I Believe I Can Fly
Composed by R. Kelly
Valentine Composed by Jim
Brickman, Jack Kugell
How Do I Live Composed by
Diane Warren
Colors Of The Wind
Composed by Stephen
Schwartz, Alan Menken
A Dream Is A Wish Your
Heart Makes Composed by
Mack David, Al Hoffman,
Jerry Livingston
see less... Tell Him
Composed by Linda
Thompson, David Foster
Con Te Patiro / Time To
Say Goodbye Composed by
Lucio Quarantotto,
Francesco Sartori
Karen's Theme Composed by
Richard Carpenter
The Prayer Composed by
Carole Bayer Sager, David
"babyface" Foster
My One True Friend
Composed by Carole Bayer
Sager, Carole King
Love Solo Composed by Dan
Coates
I Don't Want To Miss A
Thing Composed by Diane
Warren
As Time Goes By Composed
by Herman Hupfeld
La Vie En Rose Composed
by Louiguy, Piaf
(French), David (Eng.)
What's New? Composed by
Bob Haggart, Johnny Burke
Summer Me, Winter Me
Composed by Michel
Legrand, Alan, Marilyn
Bergman
Evergreen Composed by
Barbra Streisand, Paul
Williams
Arthur's Theme (Best That
You Can Do) Composed by
Burt Bacharach, Carole
Bayer Sager
Can You Read My Mind
Composed by John
Williams, Leslie Bricusse
Love And Marriage
Composed by Jimmy Van
Heusen, Sammy Cahn
Desperado Composed by Don
Henley, Glenn Frey
The Wind Beneath My Wings
Composed by Jeff Silbar,
Larry Henley
How Do You Keep The Music
Playing? Composed by
Michel Legrand, Alan
Bergman
Anywhere The Heart Goes
Composed by Henry
Mancini, Will Jennings
Once Before I Go Composed
by Dean Pitchford, Peter
Allen
Star Wars - Main Theme
Composed by John Williams
Open Arms Composed by
Steve Perry, Jonathan
Cain
Canon In D Composed by
Johann Pachelbel
That's What Friends Are
For Composed by Burt
Bacharach, Carole Bayer
Sager
Friends Or Lovers Both To
Each Composed by Paul
Gordon, Jay Gruska
Forever Composed by Kenny
Loggins, Eva Loggins,
David Foster
Saving All My Love For
You Composed by Gerry
Goffin, Michael Masser
Miss Celie's Blues
Composed by Quincy Jones,
Rod Temperton, And
Anne's Theme Composed by
Hagood Hardy
One Moment In Time
Composed by Albert
Hammond, John Bettis
Kei's Song Composed by
David Benoit
I Say A Little Prayer
Composed by Burt
Bacharach, Hal David
Happy Birthday To You
Composed by Mildred J.
Hill, Patty S. Hill
May You Always Composed
by Larry Marks, Dick
Charles
If My Friends Could See
Me Now Composed by Cy
Coleman, Dorothy Fields
You Can Always Count On
Me Composed by Cy
Coleman, David Zippel
Ashokan Farewell Composed
by Jay Ungar
Everything I Do I Do It
For You Composed by Bryan
Adams, Robert Lange,
Michael Kamen
Send In The Clowns
Composed by Stephen
Sondheim
She Loves Me Composed by
Sheldon Harnick, Jerry
Bock
How Could I Ever Know?
Composed by Marsha
Norman, Lucy Simon
My Unknown Someone
Composed by Cy Coleman,
Adolph Green, Betty
Comden
Favorite Son Composed by
Cy Coleman, Adolph Green,
Betty Comden
I Swear Composed by Gary
Baker, Frank Myers
I Can Love You Like That
Composed by S Diamond, M
Derry, J Kimball
Beauty And The Beast
Composed by Howard
Ashman, Alan Menken
Angel Eyes Composed by
Jim Brickman
If You Believe Composed
by Jim Brickman
Because You Loved Me
Composed by Diane Warren
Un-break My Heart
Composed by Diane Warren
Ragtime Composed by
Stephen Flaherty, Lynn
Ahrens
Complete Advanced Piano
Solos (Music for All
Occasions). Arranged by
Dan Coates. For solo
piano. Piano -
Intermediate / Advanced
Collection; Piano
Supplemental. The
Professional Touch
Series. Contemporary
Instrumental and Pop. SMP
Level 9 (Advanced).
Collection. Standard
notation (does not
include words to the
songs). 304 pages.
Published by Alfred Music
Publishing
Piano (KL) - easy SKU: HL.49032875 Folk-Songs in Easy Arrangements for...(+)
Piano (KL) - easy
SKU:
HL.49032875
Folk-Songs in Easy
Arrangements for
Piano. Composed by
Friedrich Rabl. Arranged
by Friedrich Rabl. This
edition: Saddle
stitching. Sheet music.
Edition Schott. 64 pages.
Schott Music #ED 8977.
Published by Schott Music
(HL.49032875).
ISBN
9790001126106.
9.0x12.0x0.241 inches.
Eva Balthazar.
This
collection is an
invitation to a musical
voyage of discovery
around the entire globe.
Starting with well-known
European folksongs, the
itinerary continues via
Scandinavia and the
Balkans to more exotic
destinations - with tunes
from the Congo, Mexico
and China among others -
and ends with American
Spirituals. Thanks to the
easy settings even
beginners get a good
impression of the
fascinating kaleidoscope
of folksongs of the world
and can absorb unfamiliar
styles in an easy-going
playful manner.
Tenor & String Quartet SKU: PE.EP72822 Composed by Jonathan Dove. Voice(s...(+)
Tenor & String Quartet
SKU: PE.EP72822
Composed by Jonathan
Dove. Voice(s) & Various
Instruments. Edition
Peters. Living Composer.
Score and Part(s). 164
pages. Duration 00:30:00.
Edition Peters
#98-EP72822. Published by
Edition Peters
(PE.EP72822).
ISBN
9790577011769. 232 x
303mm inches.
English.
I have
only visited Damascus
once, twenty years ago,
on the way to
Palmyra. I had a
purpose (I was writing
music for a play about
Palmyra’s Queen
Zenobia) but essentially
I was a tourist.
Like any visitor, I was
thrilled to step out of
the noisy modern city
into the magical ancient
world of the walled Old
City, its vibrant souk
leading to the
magnificent mosque, and a
labyrinth of winding,
narrow streets filled
with the smell of
unleavened
bread.
In Palmyra,
I was met with
extraordinary kindness
everywhere. On one
occasion, a little
Bedouin boy noticed that
I was risking sunstroke
wandering bare-headed
among the spectacular
ruins: he showed me how
to tie a turban, then
took me to have tea with
his family in their
tent.
Since then, I
have watched helplessly
as these places of wonder
have been devastated and
their inhabitants
scattered and
killed. When the
Sacconi Quartet suggested
that I might choose a
Syrian poet for our
collaboration, I welcomed
the idea.
I
searched for a long time
to find a contemporary
poet whose work might
gain from any music I
could imagine. I
felt it was important to
find first-hand accounts
of the Syrian experience
– but, of course, I
was always reading them
in translation. In
an anthology
called Syria
Speaks, I was
astonished to read
something that looked
like prose, but was full
of poetry. It was
Anne-Marie
McManus’s fine
translation of Ali
Safar’s A
Black Cloud in a Leaden
White Sky
– an
eloquent, thoughtful,
contained yet vivid
account of life in a
war-torn country, all the
more moving for its
restraint.
In
setting these words, I
have not attempted to
imitate Syrian
music. However,
there is what might be
called a linguistic
accommodation in my
choice of scale, or
mode. Several
movements are in a mode
that I first discovered
while writing a cantata
commemorating the First
World War: it has a
tuning that I associate
with war, its violence
and desolation.
This eight-note
mode is similar to scales
found in Syrian
music. I did not
choose it in the
abstract: it emerged from
the harmonies I was
exploring in the earlier
work, and emerged again
as I was looking for the
right musical colours to
set Ali Safar’s
words. In this
work, its Arabic aspect
is more prominent. -
Jonathan
Dove
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
Glory! Chorale Tenor seul, SATB, Clavier Hinshaw Music Inc.
SATB with Tenor Solo. Composed by Anne-Marie Hildebrandt. Hinshaw Music. C...(+)
SATB with Tenor Solo.
Composed by Anne-Marie
Hildebrandt. Hinshaw
Music.
Christmas Sacred. Octavo.
Hinshaw Music Inc.
#HMC2613.
Published by Hinshaw
Music
Inc.
Loch Lomond Chorale 3 parties SSA, Piano [Octavo] Hinshaw Music Inc.
Arranged by Anne-Marie Hildebrandt. For SSA choir and piano. Choral. Octavo. 12 ...(+)
Arranged by Anne-Marie
Hildebrandt. For SSA
choir and piano. Choral.
Octavo. 12 pages.
Duration c. 4 minutes 20
seconds. Published by
Hinshaw Music Inc.
For
marimbaphone solo and 15
instruments. Composed
by Walter Feldmann.
Feldmann: Esquisse: << le
froid >> Full score. 44
pages. Duration 10
minutes. Carus Verlag #CV
16.335/00. Published by
Carus Verlag
(CA.1633500).
ISBN
9790007181079. Language:
all languages.
The
texts of the French
author Anne-Marie Albiach
have long been the point
of departure for the
works by Feldmann. A
twofold perspective of
the text underlies the
composition Esquisse : <<
le froid >> : on the one
hand, there is a spoken
reading of the text, in
which time of recitation
is measured out, and on
the other hand, there is
a graphic measuring of
the text. The latter
serves as a foundation -
the genetic code - for
the temporal structures
of the solo marimba,
supported arally by the
harp and piano. The
reading appears int the
rhythmic surfaces of the
accompanying ensemble.
Each word of the spoken
text has its own
instrumentation, and thus
a compact network of
instrumental combinations
is created, in which,
word by word, the text is
made audible.
By Jean-Marie Leclair (1697-1764). Edited by Jean Saint-Arroman, Philippe Lescat...(+)
By Jean-Marie Leclair
(1697-1764). Edited by
Jean Saint-Arroman,
Philippe Lescat. 2
violins and continuo. For
Violin. Facsimiles. La
Musique Francaise
Classique de 1650 a 1800.
Grade 0. 84 pages
Kyrie Chorale 3 parties [Octavo] Hinshaw Music Inc.
By James E. Green And Anne-Marie Hildebrandt. Edited by Maribeth Yoder-White. Fo...(+)
By James E. Green And
Anne-Marie Hildebrandt.
Edited by Maribeth
Yoder-White. For 3-part
choir, any combination
(Accompaniment: Piano).
Accent On Young Voices.
Sacred, Concert. Medium
Advanced Jr. High/High
School or Medium Adult.
Octavo. 16 pages.
Duration c. 3 minutes 40
seconds. Published by
Hinshaw Music Inc.