Par JONES STEPHEN. This is not just another book of Irish session tunes. It represents the relatively unknown repertoire of a single Irish traditional musician, Packie Manus Byrne of Donegal. There has been considerable interest in the music of Donegal over the past 10 years or so, especially with the rise of groups such as Altan. Packie Manus Byrne is a familiar name to traditional-music lovers in Ireland and the UK, where he enjoyed a successful career as a folk performer for more than 20 years. Almost all these tunes were being played in Packie's home area between 1925 and 1935 - the collection is thus something of a 'time capsule' with a unity of origin and style that sets it apart from other collections. The 85 genuine old traditional tunes are being made public for the first time. This unique collection, with all the background information and stories, gives the reader a real sense of the community out of which the music came and the characters who played it. Suitable for fiddle, tin whistle, flute and other traditional instruments. The CD includes 33 of the tunes performed by Jean Duval, Stephen Jones, Johanne St. Laurent, Lynda Dowker, and Reinhard Görner on a variety of instruments. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Songbooks / Recueil / Tout Instrument

Réélement complet ! La bible des fans de U2) Ce livre est entièrement illustré, et inclus une discographie et une vidéographie intégrale, la liste complète des concerts s'étendant sur toute la carrière du groupe, et un essai en introduction de Bill Flanagan, le biographe du groupe...Superbe !

Par BEATLES THE. Every song written and recorded by John Lennon, Paul McCartney, George Harrison and Ringo Starr in melody line arrangements with complete lyrics and Guitar chord boxes. Suitable for all melody instruments, vocalists, keyboard players and guitarists. Includes two free Guitar tutorials on DVD of the songs I Saw Her Standing There and Here There And Everywhere . / Niveau : Elémentaire / Rép International / Recueil / Chant et Guitare

À travers plus de mille pages, l?intégralité des musiques et des textes, entièrement transcrits dans leur version `Rock` des 203 chansons qu?ils ont écrites et enregistrées en tant que Beatles ainsi que neuf autres écrites par d?autres auteurs et qu?ils ont interprétées à leurs débuts. Toutes sont transcrites avec des portées séparées pour les parties vocales, chaque guitare (en tablature et notation standard) et tous les autres instruments...Une collection essentielle des Beatles.

Pratiquement toutes les chansons composées et jouées par les Beatles avec en plus les photos originales et des illustrations couleur. Inclus Let it Be , Give Peace A Chance , Penny Lane , All You Need is Love et Yesterday . Arrangements en ligne mélodique avec accords de guitare.

Par BEATLES THE. Jouez et chantez 200 de vos chansons préférées des Beatles ! Ce recueil contient les diagrammes d'accords de guitare, les informations sur le capodastre, les paroles complètes et les indications de mélodie vocale pour la première phrase de chaque chanson afin de vous mettre sur la voie. La reliure permet de tourner facilement les pages et de rester à plat sur le pupitre. / Date parution : 2023-07-31/ Recueil / Accords de Guitare

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Another bumper selection of classics from the final decade of the 20th century! Featuring a total of 70 rad Rock tunes and pukka Pop classics by artists that broke away from the materialism and shameless exuberance of the 80s to bring us a more hedonistic, yet introspective take on the pop and rock genres. This is superb bunch of nineties greats, with every song presented in the key of the original hit recording and arranged with full lyrics and guitar chords. / Paroles Et Accords

Featuring lyrics, chord boxes and melody line, text, as well as black and white photos, these handy books are an ideal size for stuffing in your gig bag. Glance inside and you'll see they're super-sized packages of hit after hit for all musicians. With a hard-wearing PVC cover, each book in the series is designed to be carried around and used... over and over again! / Chant Et Guitare

Sample the spirit of the British Music Hall with this collection of music hall songs arranged for Piano and vocal with Guitar chord symbols. One hundred of the best known songs dating from the 1860s to the 1930s./ Recueil / Piano, Chant et Guitare

Par . La nouvelle collection The New Decade Series propose une compilation des meilleurs tubes pop-rock par décennies musicales arrangés pour Piano, Voix et Guitare. Découvrez les 4 premiers volumes de cette collection contenant environs 80 morceaux chacun : - les années 90 des Spice Girls à Oasis - les années 80 de Madonna à David Bowie - les années 70 d'ABBA à Queen - les années 60 des Beatles à Jimi Hendrix / Date parution : 2022-10-25/ Recueil / Piano/Vocal/Guitare (PVG)

Par BEATLES THE. A fantastic collection of 101 Beatles Songs For Buskers , featuring some of your favourite Beatles songs, presented with melody Line, lyrics, and chords with chord boxes. Includes: Love Me Do , Michelle , Paperback Writer , Yesterday - and these are just some of the hits featured in this book. / Niveau : Assez Facile / Rép International / Recueil / Chant et Guitare

Par SOLOMON BARRY. Learn to play bluegrass jazz Guitar with this instructional book and 3 x CD set. When first listening to flatpicking Guitar legends Doc Watson and Clarence White, Barry Solomon was particularly attracted to their use of swing and jazz licks and phrasing, and their choices of songs straight from Tin Pan Alley and the Great American Songbook. Tunes like Limehouse Blues, All of Me, and Honeysuckle Rose were exciting challenges to explore after becoming comfortable with bluegrass and fiddle tunes. Barry Solomon always thought that bluegrass and jazz were a wonderful combination, and the most gratifying challenge has been to create arrangements that meld both styles in a tasteful and exciting manner. This volume includes the songs Lady Be Good, Take the A Train, Solly's Blues, Back Home In Indiana, There'll Never Be Another You and Georgia On My Mind. Accompanying audio is included./ Recueil / Guitare

Featuring lyrics, chord boxes and melody line, text, as well as black and white photos, these handy books are an ideal size for stuffing in your gig bag. Glance inside and you'll see they're super-sized packages of hit after hit for all musicians. With a hard-wearing PVC cover, each book in the series is designed to be carried around and used... over and over again! This edition includes 68 classics by pop icons, Abba . / Ligne De Mélodie, Paroles Et Accords

Par BEATLES THE. Pop/Rock / Rép International / Recueil / Piano, Chant et Guitare