Par MOREL JORGE. Morel de Jorge maître argentin combine ses années d'expérience de la vie à Cuba et de Porto Rico et de connaissances avec grands musiciens latins avec son talent pour la performance de la guitare dans la composition de cette charmante danse étendue pour guitare classique. Ecrit en éditions notation et tablature standards distinctes au sein de la même folio (13 pages chacun), du Morel hommage rend utilisation intensive du motif rythmique clave syncopées et l'attaque anticipée des notes bass si typique de salsa. L'édition de notation standard est soigneusement doigts de la main gauche faciliter la performance, avec seulement un minimum suggestions pour la main droite. Audio disponible en ligne. / Niveau : Intermédiaire / Latin American - Solos / Tablatures / Guitare Tablatures Classique

Jazz Play-Along Vol.69. Par PARKER CHARLIE. La popularité du Latin Jazz a été considérable ces dernières années, et maintenant cette novatrice play-a-long vous offre ces originaux de Charlie Parker dans le style Salsa/Latin Jazz. Ce traitement rythmiquement unique des classiques de l'oiseau beboop inspire wholeirections dans votre jeu ! Une toute nouvelle façon de penser à la musique des oiseaux ! Mark Levine-piano - David Belove-bass - John Santos-Timbales et percussions diverses - Harold Muniz-Congas et diverses percussions. / Rép International / Recueil / Tout Instrument

The Blues Scale For Guitar by Andrew D. Gordon is an invaluable guide to the blues scale, explaining how it is used to improvise in many styles of contemporary music.Both the Blues scale and relative minor Blues scale are explained in detail, and how they are used either separately or together in the patterns for each style (the relative minor Blues scale is generally not used in minor keys) is discussed. Each of the 20 grooves in this book contains over 150 patterns in total, using notes solely from the blues scale. Each of the 20 grooves utilizes a chord progression that is commonly used for that style of music. The patterns generally start off fairly simply and become more complex as the groove progresses.The audio files contain recordings of all the blues patterns that are notated in the book, recorded along with a rhythm section of Piano, Organ, Guitar, Bass and Drums and, on certain grooves, Percussion. Also included are extended 2-3 minute play-a-long MP3 files of all 20 grooves, enabling you to practice playing the blues patterns or creating your own for an extended period of time. MIDI files are also available. / Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Par VINITSKY ALEXANDER. L'interprétation exacte du rythme swing est l'élément le plus important dans la musique jazz. Cette collection de 7 etudes jazz et 11 exercices pour guitare solo donne la pratique de l'étudiant en jouant ce schéma rythmique ainsi que sur les autres compétences importantes. Les etudes sont écrites en notation uniquement dans différents styles de jazz : Swing, Latino, Bossa Nova, Blues et Jazz Rock. Ces etudes développent la capacité de la main droite au son comme si les deux ou trois instruments jouent simultanément. Toutes les etudes ont des mélodies brillantes et riche harmonie jazz. Ce sont des intermédiaires en difficulté. Les exercices comportent de nombreuses compétences, y compris le Swing style, walking bass, style Latin, vitesse de doigt, diverses combinaisons rythmiques et lignes brisées. / Niveau : Intermédiaire / Classic - Solos / Recueil / Guitare Classique

Andrew D. Gordon has created 30 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more.Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music.Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisational solos.Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice.Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the blues. / Guitare

Par NELSON GONZALEZ. World-renowned tresero (tres player) Nelson Gonzalez explains tuning and playing of the Cuban tres guitar, offering tips for beginning to advanced players. As the instrument's name implies, the tres has three courses of double or triple strings and is used both as a lead and an accompaniment instrument. The author thoughtfully includes instructions for converting a normal 6-string guitar to a tres guitar, offering suggestions for appropriate string gauges. This may be the first book of its kind published outside of Cuba. The method contains Latin folksongs arranged for the beginning tres player plus examples of repeated, often syncopated underlying vamps called montunos. The book also presents all principal chords and scale patterns plus notation fundamentals- all beautifully illustrated with clear photos, diagrams and explanations. Written in standard notation only. Nelson Gonzalez is singularly qualified to write this book. Known in Latin music circles as the 'Ambassador of the Cuban Tres Guitar”, he has toured or recorded with a virtual Who's Who of Latin stars not to mention his own band, Son Mudano. His tres mastery is featured on dozens of recordings with such artists as Tito Puente, Gloria Estefan, Andy Garcia, Paul Simon, and Marc Anthony to name only a few. / Niveau : Tous Niveaux / Latin American - Methods / Méthode / 3 Guitares

Par BAY WILLIAM. Maîtriser la guitare est une méthode novatrice, complète pour apprendre la guitare. Niveau 2 livre c comprend une foule de contester et solos de guitare créative, les duos et les études dans les clés de la bémol, fa mineur, G-mineur, ré bémol et si bémol mineur. Spéciales concepts présentés dans le présent volume comprennent : base improvisation, variations rythmiques, barre chords, clés de position A-plat/fermé, études de ton passage, échelles harmonisées, western swing, fingerstyle performance, études de progression de corde, blues, accords, communs licks rock et blues, chords chaîne basse, rythmes latins et comping. Matériau solo de guitare fourni dans le rock, de jazz, de bluegrass, latine, blues, Baroque, Renaissance et d\'une grande variété de périodes historiques et les styles de musique contemporaines. Maîtriser la guitare 2 C coffret Double CD est un enregistrement d\'accompagner le volume du même titre. Ces CD contiennent plus de tous les paramètres solo et en duo, trouvé dans le livre effectuée par William Bay, Mike Christiansen et John McClellan. / Niveau : Intermédiaire / All Styles - Methods / Méthode / Guitare

Description In Comping Standards For Jazz Guitar renowned Guitar guru and author Jim Ferguson helps you to take your playing to the next level. Using common jazz chord progressions, this book takes you through three primary comping approaches: straight-four, moving bass lines and combo variants. In the process, you'll learn numerous chord voicings, ways to organize them and a wide variety of dynamic rhythmic figures used in jazz. Other highlights include the use of guides and pivots, chord substitution, mastering rootless chords, playing with a pianist, inverting partial harmonic structures, Latin comping, chord scales, handling modal tunes and mixing voicings. The highly detailed music examples cover most of the common jazz keys and the material comes to life on the accompanying 17-track CD. The pieces featured in Comping Standards For Jazz Guitar are in both standard notation and tablature. All The Things You Want Always Autumn Confirmation Blues Deep Blue Bossa Five Minus One Gnawing On The Apple Into Somewhere Minor Blues Rhythm Changes Un Peu Blues We Can't Be Parted

Par BAY WILLIAM. Absolument la meilleure, plus complète nouvelle méthode disponible pour guitare. Présentant le nouveau ' Zone Concept novateur ' pour apprendre à jouer au poste. Plus de 150 solos et des duos dans les clés de C, G, D et b mineur. Disque compact de compagnon est disponible. Styles musicaux : bossa nova, Latin, violon/tunes/hornpipes/moulinets, musique celtique, ragtime, swing jazz, baroque, jazz ballades, American ballades folkloriques, rock, early American hymnodie, be bop, blues, samba et tango. Concepts présentés : improvisation base, variations rythmiques, les études de vitesse, orchestres, études de ton passage, études de la progression de la corde, études de l'Arpège, largué-D tuning, blues, blues demi-tours, licks/remplissages/pauses, bass s'exécute, les principes de mémorisation, études de corde, pentatonique mineure, principes de pratique réussie, règles de performance réussie, mobiliers power chords et compilation de roche. Nouveaux compositeurs en vedette : J.S. Bach, Carcassi, Moaazni, Giuliani, Carulli, Vivaldi, Handel, DORS, Galilei, Tarrega, Debussy, H... / Niveau : Débutant à Intermédiaire / All Styles - Methods / Méthode / Guitare

Category: Jazz Ensemble CollectionFormat: BookInstrument: GuitarInstrumentation: GuitarTwelve outstanding arrangements for the young jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos is included: swing, ballad, Latin, holiday, rock, and the classic Take Five with a 5/4 time signature. This collection of charts is written for full instrumentation -- five saxophones, four trumpets, four trombones and four rhythm -- but designed to sound full and complete with reduced instrumentation of just twelve players -- four saxes, five brass, piano, bass and drums. Optional parts are available for flute, clarinet, horn, baritone horn and tuba. Rhythm section parts offer suggestions for rhythms and piano voicings, and guitar chords are included to assist young guitarists. Solos are written out for improvised sections, and there is plenty of full-sounding ensemble. The conductor's book includes full-length CD recordings. Titles are: Blues in the Night * Burritos to Go * Have Yourself a Merry Little Christmas * Jumpin' at the Woodside * Jungle Boogie * Misty * Night and Day * On Green Dolphin Street * Sax to the Max * Summertime * Take Five * Tastes Like Chicken.