Composed by
Chris De Silva. Holy
Family. Celebration
Series. Sacred. Octavo.
With guitar chord names.
8 pages. GIA Publications
#7609. Published by GIA
Publications (GI.G-7609).
UPC: 785147760900.
English. Text Source:
Based on Colossians
3:12-17. Text by Chris de
Silva. Scripture:
Colossians
3:12–17.
The
contemporary feel of this
piece has a broad
appeal—even among
those with comparatively
traditional taste! Try it
soon with your ensemble
and assembly.
You’ll be glad you
did!
29 Traditional Pieces. Edited by Jonny Dyer and Vicki Swan. String. Softcove...(+)
29 Traditional Pieces.
Edited
by Jonny Dyer and Vicki
Swan.
String. Softcover with
CD.
With guitar tablature. 40
pages. Schott Music
#ED13848.
Published by Schott Music
Performed by Pantera. For bass and voice. Format: bass tablature songbook. With ...(+)
Performed by Pantera. For
bass and voice. Format:
bass tablature songbook.
With bass tablature,
standard notation, vocal
melody, lyrics, chord
names and bass notation
legend. Metal and hard
rock. Series: Bass
Anthology Series. 116
pages. 9x12 inches.
I'll Fly Away Chorale SATB [Octavo] Hope Publishing Company
By Albert E. Brumley. Arranged by Joel Raney. For SATB choir with optional rhyth...(+)
By Albert E. Brumley.
Arranged by Joel Raney.
For SATB choir with
optional rhythm. Death
and Beyond. General.
Octavo. Published by Hope
Publishing Company
SKU: HL.438866 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0228. Pu...(+)
SKU: HL.438866
EAST SOUND RESEARCH.
Guitar Pedal. Hal Leonard
#CM0228. Published by Hal
Leonard (HL.438866).
UPC: 852940000936.
6.25x10.25x2.259
inches.
Whether you
are an international
touring musician, or a
weekend warrior, you
should be very concerned
with the power you are
supplying to your
pedals.....and because
you are, the Carl Martin
“DC Factoryâ€
Power Supply was designed
just for you! With the
constant addition of very
'power hungry' digital
pedals on the market, we
designed the DC Factory
to address that very
need. Highly powered and
totally noise free, the
DC Factory doesn't take
up too much realestate on
your pedalboard and
literally weighs about
2/3 of a kilogram (1.5
lbs). To meet these
goals, we had to forget
about the standard
toroidal transformers and
design a fully digital
switch mode power supply!
The benefits go beyond
ample power, the size and
weight are reduced and
most importantly, there
is no radiation of hum to
Wah pedals or certain
analog drive pedals.
Inside the attractive
grey anodized housing are
5, 100% isolated and
separated, 500 mA power
supplies, four with two
9v DC output jacks, and 1
with two 12v DC output
jacks. These 10 output
jacks supply a massive
2500mA of pure clean
power for your effects.
Most digital pedals
require somewhere between
300-400mA of power, and
your standard analogue
pedals somewhere around
20-50mA, so you have the
option to run up to 5
analog pedals and 5
digital pedals
simultaneously! On top of
that, using the Current
Doubler Cable, you can
plug into 2 DC Outputs
(as shown in the diagram)
for 18v of power! The DC
Factory is fine to use on
any pedal board or on
it's own, but it is also
compatible with
PedalTrain PT-VDL-MK
(mounting brackets not
included). Power supply
set up... The DC Factory
can power up to 5 digital
pedals when you plug one
of each into the five
separated and isolated
digital power supplies,
and also 5 analogue
effects when you plug
them into the second jack
in each of the 5 power
supplies, as long as the
power demand for the two
pedals in each PSU does
not exceed 500mA.
Composed by Andrae
Crouch. Arranged by Mary
McDonald. Rhythm parts:
piano, acoustic guitar,
electric bass, drums, and
fiddle. Spirituals &
Gospel, General Worship,
Assurance, Church - Final
Victory, Death and
Beyond, Eternal Life,
Heaven & Eternal Life,
Jesus Christ - King &
Lord, Saints, Second
Coming of Christ,
Spiritual. Octavo. 12
pages. Hope Publishing
Company #C6201. Published
by Hope Publishing
Company (HP.C6201).
UPC: 763628162016. By
Andrae Crouch. Revelation
1:7, Luke 21:28,
Revelation 7:17,
21:4.
Medley of a
tune by Andrae
Crouch and a
spiritual This clever,
Appalachian-style anthem
introduces the theme of
heaven and the promised
land, and then segues
into the Andrae Crouch
classic. The optional
fiddle and acoustic
guitar add just the right
amount of flavor to set
the easy flowing pace, as
the voices join to sing,
Hallelujah! Walk on the
streets of gold;
hallelujah! Heaven's
glory behold!'.
SKU: HP.C5740C Composed by Vicki Tucker Courtney. General Worship, Assura...(+)
SKU: HP.C5740C
Composed by Vicki Tucker
Courtney. General
Worship, Assurance, Death
and Beyond,
Encouragement, Eternal
Life, Promise, Saints,
Sacred.
Performance/Accompaniment
CD, Rhythm. Hope
Publishing Company
#C5740C. Published by
Hope Publishing Company
(HP.C5740C).
UPC:
763628957407. Bert
Stratton. Matthew
24:30-31, Revelation
19:11-16, Philippians
3:14, Revelation 21:21,
Revelation 5:13, 1
Thessalonians 4:16,
Matthew 25:13, 1 John
3:2, Luke 21:27,
Revelation
1:7.
Original
anthem Inspired by
Matthew 24:30-31 and
Revelation 19:11-16, this
rollicking, gospel
celebration by Bert
Stratton with music by
Vicki Courtney reminds us
that Jesus will return
again and take us to a
joyous, heavenly reunion
where we'll walk those
golden streets together.
Filled with rhythmic
energy and the promise of
eternal life - this is
sure to be an uplifting
moment in your worship.
The Rhythm packet
contains parts for
Guitar, Bass and
Drums.
Choir; rhythm SKU: HP.C5740R Composed by Vicki Tucker Courtney. General W...(+)
Choir; rhythm
SKU:
HP.C5740R
Composed by
Vicki Tucker Courtney.
General Worship,
Assurance, Death and
Beyond, Encouragement,
Eternal Life, Promise,
Saints, Sacred. Rhythm
Parts. Hope Publishing
Company #C5740R.
Published by Hope
Publishing Company
(HP.C5740R).
UPC:
763628257408. Bert
Stratton. Matthew
24:30-31, Revelation
19:11-16, Philippians
3:14, Revelation 21:21,
Revelation 5:13, 1
Thessalonians 4:16,
Matthew 25:13, 1 John
3:2, Luke 21:27,
Revelation
1:7.
Original
anthem Inspired by
Matthew 24:30-31 and
Revelation 19:11-16, this
rollicking, gospel
celebration by Bert
Stratton with music by
Vicki Courtney reminds us
that Jesus will return
again and take us to a
joyous, heavenly reunion
where we'll walk those
golden streets together.
Filled with rhythmic
energy and the promise of
eternal life - this is
sure to be an uplifting
moment in your worship.
The Rhythm packet
contains parts for
Guitar, Bass and
Drums.
Nano Legacy Floor
Series Portable Dual
Channel Floor
Amplifier. Hotone
Pedals. Guitar/Bass
Amplifier. Hal Leonard
#NLF-2. Published by Hal
Leonard (HL.276700).
UPC: 888506020216.
6.0x9.25x4.109
inches.
The
original Hotone Nano
Legacy Series Amplifier
Heads have grown to such
demand that it onlymade
sense to combine two of
them into a single
convenient floor-based
stompbox design
withincreased power, and
let it form the core of
your live or studio
guitar setup... The Nano
Legacy Floor Series
features two portable
dual-channel floor
amplifier models:
BritWind and Mojo Attack.
The BritWind houses the
sound characteristics of
Hotone's British Invasion
(inspired by the
legendary Vox® AC30*)
and Purple Wind (inspired
by legendary Marshall®
PlexiSuper Lead 1959*)
Nano Legacy Series amp
heads on separate
channels. In the same
fashion, the Mojo Attack
joins those of the Mojo
Diamond (inspired by
legendary Fender
Tweed®*) and Heart
Attack (inspired by
legendary Mesa/Boogie®
Rectifier®*) amps.
Beyond combining two Nano
Legacy Series amps in
one, the Nano Legacy
Floor Series amps feature
increased power (75 watts
each), as well as
enhanced sound quality
and dynamic range. In
addition, these amps
offer extended onboard
functions and effects,
including independent
volume/gain/3-band EQ, a
clean boost (up to
+12dB), reverb, an FX
Loop, a single speaker
output for use with
4-16omega cabinets, and a
switchable cabinet
simulator on its Line and
XLR outputs. Fusing
legendary guitar tone
with convenience and
portability, the Hotone
Nano Legacy Floor
Seriesamplifiers ensure
you're always ready to
perform or record. Simply
connect one to a cabinet,
mixer orinterface, and
you're ready to rock!
Features: •
Portable dual-channel
floor amplifier •
75 watts • Nano
Legacy Series preamp tone
with enhanced sound
quality and dynamic range
• BritWind:
Dual-channel design
combines two Nano Legacy
Series amplifiers in one:
-CH A: Hotone British
Invasion, inspired by
legendary Vox® AC30*
-CH B: Hotone Purple
Wind, inspired by
legendary Marshall®
Plexi Super Lead 1959*
• Mojo Attack:
Dual-channel design
combines two Nano Legacy
Series amplifiers in one:
-CH A: Hotone Mojo
Diamond, inspired by
legendary Fender
Tweed®* -CH B: Hotone
Heart Attack, inspired by
legendary Mesa/Boogie®
Rectifier®* •
High-quality tone with
independent volume, gain
and 3-band EQ •
Built-in boost provides
up to +12dB of clean
volume boost •
Onboard reverb with
clear, natural decay
• FX Loop for
integrating external
effects • Single
speaker output for use
with 4-16omega cabinets
• Line and XLR
outputs with switchable
cabinet simulator •
Powered by 18-20V DC
(center positive) adapter
included * VOX AC30 is an
amplifier model of Korg
Inc. * Marshall® Plexi
Super Lead 1959 is an
amplifier model of
Marshall Amplification
plc. * Fender Tweed®
is an amplifier model of
Fender Musical
Instruments Corporation.
* Mesa Boogie®
Rectifier® is an
amplifier model of
Mesa/Boogie Ltd.
Nano Legacy Floor
Series Portable Dual
Channel Floor
Amplifier. Hotone
Pedals. Guitar/Bass
Amplifier. Hal Leonard
#NLF-1. Published by Hal
Leonard (HL.276699).
UPC: 888506020209.
6.0x9.25x4.285
inches.
The
original Hotone Nano
Legacy Series Amplifier
Heads have grown to such
demand that it onlymade
sense to combine two of
them into a single
convenient floor-based
stompbox design
withincreased power, and
let it form the core of
your live or studio
guitar setup... The Nano
Legacy Floor Series
features two portable
dual-channel floor
amplifier models:
BritWind and Mojo Attack.
The BritWind houses the
sound characteristics of
Hotone's British Invasion
(inspired by the
legendary Vox® AC30*)
and Purple Wind (inspired
by legendary Marshall®
PlexiSuper Lead 1959*)
Nano Legacy Series amp
heads on separate
channels. In the same
fashion, the Mojo Attack
joins those of the Mojo
Diamond (inspired by
legendary Fender
Tweed®*) and Heart
Attack (inspired by
legendary Mesa/Boogie®
Rectifier®*) amps.
Beyond combining two Nano
Legacy Series amps in
one, the Nano Legacy
Floor Series amps feature
increased power (75 watts
each), as well as
enhanced sound quality
and dynamic range. In
addition, these amps
offer extended onboard
functions and effects,
including independent
volume/gain/3-band EQ, a
clean boost (up to
+12dB), reverb, an FX
Loop, a single speaker
output for use with
4-16omega cabinets, and a
switchable cabinet
simulator on its Line and
XLR outputs. Fusing
legendary guitar tone
with convenience and
portability, the Hotone
Nano Legacy Floor
Seriesamplifiers ensure
you're always ready to
perform or record. Simply
connect one to a cabinet,
mixer orinterface, and
you're ready to rock!
Features: •
Portable dual-channel
floor amplifier •
75 watts • Nano
Legacy Series preamp tone
with enhanced sound
quality and dynamic range
• BritWind:
Dual-channel design
combines two Nano Legacy
Series amplifiers in one:
-CH A: Hotone British
Invasion, inspired by
legendary Vox® AC30*
-CH B: Hotone Purple
Wind, inspired by
legendary Marshall®
Plexi Super Lead 1959*
• Mojo Attack:
Dual-channel design
combines two Nano Legacy
Series amplifiers in one:
-CH A: Hotone Mojo
Diamond, inspired by
legendary Fender
Tweed®* -CH B: Hotone
Heart Attack, inspired by
legendary Mesa/Boogie®
Rectifier®* •
High-quality tone with
independent volume, gain
and 3-band EQ •
Built-in boost provides
up to +12dB of clean
volume boost •
Onboard reverb with
clear, natural decay
• FX Loop for
integrating external
effects • Single
speaker output for use
with 4-16omega cabinets
• Line and XLR
outputs with switchable
cabinet simulator •
Powered by 18-20V DC
(center positive) adapter
included * VOX AC30 is an
amplifier model of Korg
Inc. * Marshall® Plexi
Super Lead 1959 is an
amplifier model of
Marshall Amplification
plc. * Fender Tweed®
is an amplifier model of
Fender Musical
Instruments Corporation.
* Mesa Boogie®
Rectifier® is an
amplifier model of
Mesa/Boogie Ltd.
SKU: HL.438850 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0205. Pu...(+)
SKU: HL.438850
EAST SOUND RESEARCH.
Guitar Pedal. Hal Leonard
#CM0205. Published by Hal
Leonard (HL.438850).
UPC: 196288079422.
4.75x11.75x3.333
inches.
Have you
ever wanted two
distinctly different
vintage 'wah' sounds at
your feet? Perhaps you
wished for a brighter wah
for rhythm work and a
deeper, darker wah for
leads; and the ability to
switch back and forth
quickly? Well, Carl
Martin has been busy
creating your wish; the 2
Wah. This familiar
looking, retro-styled
pedal, has an all-metal
casing with a non-slip
foot pad. It can be
powered by 9v battery,
but we always recommend
using a regulated power
supply (like the Carl
Martin Big John Power
Supply) for maximum
headroom and effect.
Input is on the right and
output on the left
(remember your Wah should
be the first pedal in
your chain), and the
standard effect on-off by
stepping on the front of
the rocker to engage the
true bypass on-off
switch. There are two
three-way mode switches
on the front of the 2 Wah
marked Low (red LED) and
High (green LED). These
are connected to an
on-off switch at the back
of the pedal (step on
back of rocker to engage
this switch). The three
low and the three high
settings are recreations
of six of the most
popular vintage wah
sounds since the
beginning of wah. The
Attack knob allows you to
fine-tune exactly how you
want the rocker to
modulate your guitar
signal. Six different wah
sounds, from Hendrix to
Trower to Earth Wind
& Fire and beyond,
all in one pedal. So why
didn't we call it the 6
Wah? Well you would have
to ask Carl...
Composed by Chris Tomlin,
Jesse Reeves, Louie
Giglio, and Matt Maher.
Arranged by Lloyd Larson.
Rhythm parts: piano,
acoustic guitar, electric
bass, and drums.
Contemporary, Easter
Sunday, General Worship,
Death and Beyond, Eternal
Life, God's Love, Heaven
& Eternal Life, Jesus
Christ - Reign, Jesus
Christ - Resurrection,
Lamb of God,
Resurrection, Second
Coming of Christ. Octavo.
12 pages. Hope Publishing
Company #C6208. Published
by Hope Publishing
Company (HP.C6208).
UPC: 763628162085. By
Chris Tomlin, Jesse
Reeves, Louie Giglio &
Matt Maher. Isaiah
53:3-5, John 5:24-30, I
Corinthians 15:51-57, I
Thessalonians 4:13-18,
Revelation 4-5,
Revelation
21:4.
Popular
contemporary song by
Chris Tomlin,
Jesse Reeves,
Louie Giglio &
Matt Maher This
popular, contemporary
song has a theme of
rising to heaven to be
with Jesus, and offers
assurance. The victory is
won; he is risen from the
dead. And I will rise on
eagles' wings. Worthy is
the Lamb! This powerful
arrangement brings solace
and hope to the believer
for life everlasting.
Composed
by Steven R. Janco.
Sacred. Full score. With
guitar chord names. GIA
Publications #018040.
Published by GIA
Publications
(GI.G-018040).
What has made
this Mass rise to the top
in popularity in parishes
across the
English-speaking world?
Its adaptability. From
parishes with keyboard
and/or guitar and cantor
to cathedrals with a
large SATB choir and
multiple instruments
(organ, brass quartet,
timpani, handbells), Mass
of Wisdom has proven
itself as a “Mass
for the masses.â€
Its step-wise melodic
patterns make it easy to
learn without sounding
musically trite in any
way. Music directors
agree that the
through-composed Gloria
is one of the most
finely crafted of all
the new musical settings
of the prayer. That fine
crafting extends to all
components of this Mass,
especially the
acclamations sung during
the Eucharistic Prayer.
The multi-layered
Hosannas in the Sanctus
will delight the members
of the choir as well as
the singing assembly.
This is a Mass setting
that simply soars. It
is a perfect setting for
Ordinary Time, but music
directors tell us that
the Christmas and Easter
seasons are made more
glorious and joyful when
this setting is sung,
especially when the
additional
instrumentation is added.
Dioceses and parishes
that employed Mass of
Wisdom as the first
setting during the
implementation of the new
translation have found
themselves returning to
it time and time again.
It truly has become part
of the “Catholic
musical DNA†across
the United States and
beyond.
SATB choir, keyboard accompaniment, C instrument, guitar, keyboard SKU: GI.G-...(+)
SATB choir, keyboard
accompaniment, C
instrument, guitar,
keyboard
SKU:
GI.G-017348
Composed
by Alan J. Hommerding &
Michael O'Neill McGrath.
Children. Sacred. With
guitar chord names. GIA
Publications #017348.
Published by GIA
Publications
(GI.G-017348).
A whimsical,
delightful, and dazzling
book for children and
adults, sprung from the
imagination of adored
artist Michael O'Neill
Mcgrath and poet-composer
Alan Hommerding. Follow
along with St. Cecilia on
her exciting and colorful
journey across the world
(and beyond) as she
gathers together a group
of extraordinary musician
for her heavenly
orchestra. Learn about
familiar instruments
(piano, trumpet, and
flute) and
not-so-familiar
instruments (kora, zukra,
and the didgeridoo!),
while visiting the
fascinating spaces and
places where the music of
all God's children
resounds!
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr
SKU:
PE.EP68488A
Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Part(s). 60
pages. Edition Peters
#98-EP68488A. Published
by Edition Peters
(PE.EP68488A).
ISBN
9790300758909.
English.
At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor)
As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?
--Martin Litton, for JUST
JAZZ (Feb 2011)
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr
SKU:
PE.EP68488
Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Score. 36 pages.
Edition Peters
#98-EP68488. Published by
Edition Peters
(PE.EP68488).
ISBN
9790300758893.
English.
At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor)
As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?--Martin
Litton, for JUST JAZZ
(Feb 2011)
Jazz Ensemble - Grade 3 SKU: KN.61965S Composed by Jeff Jarvis. Jazz Jour...(+)
Jazz Ensemble - Grade 3
SKU: KN.61965S
Composed by Jeff Jarvis.
Jazz Journey. Kendor
Music Inc #61965S.
Published by Kendor Music
Inc (KN.61965S).
UPC:
822795619652.
This
tuneful funk chart
grooves from start to
finish, and has all the
characteristics that
makes Jarvis' bestselling
funk charts so popular
with advancing jazz
groups. Although it was
commissioned by Chuck
Wackerman for the
McAuliffe Middle School
program, this chart is
just as appropriate for
high school groups and
beyond. It has a catchy
melody supported by solid
secondary lines and
background figures, plus
some other fun twists.
The solo section has very
accessible chord changes,
and everyone has
interesting parts to play
throughout. A guitar
chord chart by Jim
Greeson is included in
each set. Duration
4:25.
SKU: HL.1349224 Accurate Recreation of the Ultimate Ring Modulator for...(+)
SKU: HL.1349224
Accurate Recreation of
the Ultimate Ring
Modulator for
Experimental Tones.
Warm Guitar Pedals.
Guitar Pedal. Warm Audio
#WA-RB. Published by Warm
Audio (HL.1349224).
UPC: 850031640382.
6.25x8.0x4.2
inches.
From light
Lo-Fi modulation all the
way to the piercing sound
of infinity
ring-modulation, the Warm
Audio RingerBringer
accurately recreates the
ultimate all-analog ring
modulation effect used
for experimental tones.
With LFO, MOD, FREQ &
RATE controls, generate
layered frequencies and
harmonics, explore a wide
range of sonic
possibilities for guitar
& beyond, and design
your own sounds from the
ground up. Sporting
premium components
including hand-selected
op-amps and transistors,
the RingerBringer
delivers true-to-spec
performance of the
boutique original. The
ideal platform for the
sonic tinkerer,
RingerBringer brings
together a distinct set
of controls, extensive
in/out options, and rich
sonic texture to inspire
boundless sonic
experimentation.
SKU: HL.1341904 Red Panda. Guitar Pedal. Red Panda #RPL-109. Published by...(+)
SKU: HL.1341904
Red Panda. Guitar Pedal.
Red Panda #RPL-109.
Published by Red Panda
(HL.1341904).
UPC:
665760908494. 3.5x5.0x3.0
inches.
Radius goes
far beyond traditional
ring modulation. With
precise control over the
balance and frequency
ratios of both sidebands,
you'll have more advanced
control than with any
ring mod that has come
before. Organic, complex
harmonic structures,
bell-like tones, metallic
textures, frequency
shifting, soft tremolo,
and bubbly phaser sounds
are all on tap. Pitch
tracking, a push-to-tune
footswitch, and picking
dynamics make it
responsive and
predictable in concert.
In the studio, Radius has
well-spaced controls for
tabletop use and a full
MIDI implementation for
DAW integration. The
24-bit 96 kHz codec,
audiophile op amps and
stereo input/output make
it equally at home in the
studio or control room.
Radius is a musical ring
modulator and frequency
shifter that lets you
modfy the timbre of your
instrument in new ways.
With a multi-waveform
LFO, step modulator, and
MIDI-playable carrier
oscillator, Radius
modernizes classic
electronic techniques for
the future. Features:
• Stereo ring
modulator and frequency
shifter •
Continuous mix between
ring modulation and
frequency shifting
• Selectable 2X
frequency ratios for
upper and lower sidebands
• Frequency
shifting with feedback
• Three carrier
frequency ranges (low,
high, quantized) •
Carrier frequency pitch
tracking (monophonic, +/-
100%) •
Pust-to-tone carrier
oscillator •
MIDI-playable carrier
oscillator •
Multi-waveform LFO
(triangle, square,
random, intelligent
random, X mod +/-)
• Step modulator
(1-8 steps), programmable
via front panel •
Tap tempo and MIDI clock
sync • Envelope
follower •
Envelope-triggered LFO
(one-shot ramp, pulse,
random, step mod) •
Configurable AUX switch
(tap, tune, preset, LFO)
• USB and TRS MIDI
• Full MIDI
implementation • 96
kHz sampling rate •
Web editor with preset
upload/download •
User-installable firmware
updates (USB) Designed
and assembled in USA.
Requires a 9V DC 250 mA
power supply (not
included).