| Czerny Scuola Della Velocita 40 Studie Op. 299 Volume Iii Pf Bk Piano seul Carisch
Piano SKU: HL.14046182 Trascrizione Ed Elaborazione Per Fisarmonica A ...(+)
Piano SKU:
HL.14046182
Trascrizione Ed
Elaborazione Per
Fisarmonica A Piano
E. Composed by Carl
Czerny. CARISCH - MUSIC
SALES. General
Merchandise. Carisch
Edition #MK3393.
Published by Carisch
Edition (HL.14046182).
ISBN 9788850729654.
9.25x12.5x0.111 inches.
Italian. $16.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Il Flauto Dolce. Dallo scolaro al virtuoso Ut Orpheus
Books and Journals; Recorder; Early Music SKU: UT.LB-1 Edited by Vittorio...(+)
Books and Journals;
Recorder; Early Music
SKU: UT.LB-1
Edited by Vittorio
Nicolucci. Paperback
(Soft Cover). Classical.
Books and Journals. Ut
Orpheus #LB 1. Published
by Ut Orpheus (UT.LB-1).
ISBN 9788881094417.
6.5 x 9.5
inches. Scritti
di Sergio Balestracci,
Andrea Bornstein, Peter
Hauge, Francesco Li
Virghi, Gerd
Lünenburger, Patricio
Portell, Pietro Sopranzi,
Karel van Steenhoven,
Giovanni Toffano, John
Tyson, Angelo
Zaniol
Lâ€
idea del volume Il
flauto dolce. Dallo
scolaro al virtuoso nasce
nel ’94 grazie al
prezioso contributo di
Marcos Volonterio che
nella fase iniziale cura
con Vittorio Nicolucci il
progetto e la scelta
degli autori. La
contemporaneità di
questo lavoro con la
nascita della
manifestazione Musica
Umanità , con la
preparazione
dell’Annuario
Italiano della Musica
Antica e Danza Storica e
con la partenza
dall’Italia di
Marcos Volonterio ne
avevano posticipato la
pubblicazione. Il
Convegno Nazionale sul
Flauto Dolce, organizzato
dall’Associazione
Consort Veneto, avvenuto
a Padova il 6-7 giugno
’98, costituì
l’occasione per
presentare questa
monografia in una forma
ormai quasi definitiva.
Rimanendo quanto
più possibile fedeli
alla forma giÃ
esistente, priva sin
dall’origine di
una prefazione tecnica,
si è lavorato, da
aprile a oggi, a una
nuova stesura definitiva,
dando
l’opportunità a
tutti gli autori di
rivedere i testi. Le sole
modifiche riguardano
aggiornamenti,
integrazioni e
post-scriptum. Per quanto
concerne invece alcuni
contributi stranieri, gli
adattamenti delle
traduzioni sono stati
curati e, dove
necessario, completati da
Giuliana
Montanari.
Vitt
orio Nicolucci,
laureato in ingegneria ed
esperto in elaborazione
dati, ha sempre
coltivato, sin
dall’epoca degli
studi universitari,
interessi diversificati e
interdisciplinari. Ha
studiato pianoforte,
violoncello e flauto
dolce, ha seguito corsi e
seminari di organo,
teoria del temperamento,
basso continuo, danza
storica. Diplomato a
Parigi in Analisi della
scrittura si è
dedicato, oltre al
proprio lavoro
professionale, a ricerche
sulla Psicologia dei
colori e a 415
Associazione Italiana per
la Musica e la Danza
Antiche che ha fondato
nel 1990 e di cui
è stato il
Presidente. . $17.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Juveniles 1 Piano seul Editorial de Musica Boileau
Piano SKU: BO.B.3305 Composed by De Larrocha Granados. Published by Edito...(+)
Piano SKU:
BO.B.3305 Composed by
De Larrocha Granados.
Published by Editorial de
Musica Boileau
(BO.B.3305). ISBN
9788480206792. Engl
ish comments: Given
that Granados' creative
periods continually
overlap, in order to
organize the works of
Granados' Juvenilia this
edition has grouped the
works according to their
chronological-biographica
l order and/or to their
style. The majority of
the works in this section
were composed between his
student years in Paris
(1887-1889) and the
founding of the Academia
Granados in 1901. Many of
these works are quite
similar to one another
being sketches and brief
compositions
characterised by an
unfocused formal
structure, harmonic
ambiguity and a tendency
to place the final
cadence on the dominant.
The fact that many of
these works were not
highly developed would
tend to suggest that they
were never revised by the
composer. Typical of a
young composer focusing
on his own personal
inspirations, Granados
concentrated on themes of
nature, oriental motifs,
exploration of emotions,
frequently making use of
the salonnier (salon)
genre.
Comentarios del
Espanol: Para
organizar la edicion de
los apartados
correspondientes a las
obras juveniles de
Granados se ha partido de
los criterios cronologico
- biograficos y de estilo
dado que, aunque los
periodos creativos del
compositor se mezclan
continuamente, la mayor
parte de las obras de
este apartado fueron
escritas entre su etapa
de estudiante en Paris y
la fundacion de la
Academia Granados en 1901
y, a pesar de presentar
una gran heterogeneidad
entre ellas, se trata de
esbozos y breves
composiciones
caracterizadas por una
estructura formal poco
destacada, marcada por la
ambiguedad armonica y por
una tendencia a colocar
la cadencia final en la
dominante. La poca
elaboracion de la mayor
parte de estas obras
delata que probablemente
ni tan siquiera fueran
revisadas posteriormente
por el compositor. Todas
ellas son propias de un
compositor joven y
responden a los temas
propios del momento como
son la naturaleza, los
motivos orientales o la
exaltacion de los
sentimientos. El recurso
al genero salonnier
(obras de salon) y las
dedicatorias a senoras y
senoritas son tambien
recursos propios de la
epoca. $25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| De Pedro Dionisio Teoria Completa De La Musica Volume 1 Revised Bk Piano seul Real Musical
Piano SKU: HL.14046101 CARISCH - MUSIC SALES. Tuition. General Merchandis...(+)
Piano SKU:
HL.14046101 CARISCH -
MUSIC SALES. Tuition.
General Merchandise.
Composed 2014. Real
Musical #MK19123.
Published by Real Musical
(HL.14046101). ISBN
9788438712573. 9.0x0.645
inches. La Teoria
Completa De La Musica en
esta nueva edicion
revisada, ha mantenido
intactas todas aquellas
cuestiones
teorico-practicas que son
inamovibles, al tiempo
que conserva por su
probada eficacia, su
estructura tematica, lo
que la convierte tantoen
una obra de consulta como
en una obra capaz de ser
estructurada y adaptada
tanto al curriculo de
Conservatorios como al de
las Escuelas de musica,
sean estas regladas o no.
Tampoco se ha olvidado al
aficionado autodidacta,
por lo que el
lenguajeempleado procura
ser directo, sin
ambiguedades ni retoricas
que dificulten su
entendimiento. Como toda
obra viva y en constante
evolucion tambien se ha
procurado revisar
aquellosconceptos,
definiciones, ejemplos,
etc., susceptibles de
modificacion,al tiempo
que se han ampliado,
incorporado y en algun
caso modificado materias
y apartados que asi lo
requerian. Este libro
aspira a cumplir el
proposito que lo inspiro,
es decir, facilitar los
medios teoricos
suficientes (dentro del
limitado espaciode una
obra de estas
caracteristicas), que
justifican y corroboran
el fenomeno musical. $20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spanische Suite für Klavier op. 47 Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ13591 By Jozsef Sarmai. By Isaac Albeniz. Book Only. Co...(+)
Piano SKU:
BT.EMBZ13591 By
Jozsef Sarmai. By Isaac
Albeniz. Book Only.
Composed 1990. 48 pages.
Editio Musica Budapest
#EMBZ13591. Published by
Editio Musica Budapest
(BT.EMBZ13591).
International. I
saac Albéniz
(1860-1909), the renowned
pianist and composer, was
one of the most
significant Spanish
masters of the second
half of the 19th century.
Following studies in
Paris and Brussels he
went on a world tour and
earned great success as a
pianist. From 1880
onwards he belonged to
Ferenc Liszt's circle and
improved his piano
technique as a pupil of
the Hungarian master.
Besides his operas,
orchestral works and
songs he also composed a
considerable number of
piano works. One of his
most popular cycles for
the piano is the Op. 47
Suite espagnola (1886),
the movements of which he
named after Spanish towns
and provinces. The
composition is thus an
enthusiastic tribute to
hishomeland: a
fascinating embodiment of
Spanish folk music
elaborated with Lisztian
virtuosity. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Musica Incerta - Un?introduzione alla musica contemporanea per Chitarra. Guitare (partie séparée) Ut Orpheus
Guitar SKU: UT.CH-64 6 Compositions for Guitar by Mauro Bortolotti, Ma...(+)
Guitar SKU:
UT.CH-64 6
Compositions for Guitar
by Mauro Bortolotti,
Mauro Cardi, Fabrizio
Casti, Agostino Di
Scipio, Fausto Razzi,
Italo Vescovo. Edited
by Arturo Tallini. Saddle
stitching. Classical. Ut
Orpheus #CH 64. Published
by Ut Orpheus (UT.CH-64).
ISBN 9790215305649. 9
x 12
inches. Mauro
Bortolotti:
Lâ??impervia, pervia
via Mauro
Cardi:
Impromptu Fabrizio
Casti: Lâ??Anima
Visionaria Agostino
Di Scipio:
Ektopos Fausto
Razzi:
Invenzione Italo
Vescovo: Come la
quiete
notturna
Perch
é un libro sulla musica
contemporanea? Spesso
capita di sentire allievi
che, come ?brano
contemporaneo?, suonano
La Catedral di Barrios,
qualche Estudio Sencillo
di Brouwer o un Preludio
di Villa-Lobos. Il valore
di questi brani è
indiscutibile, ma è
altrettanto certo che
essi appartengono, pur
con le dovute differenze,
a un linguaggio
tradizionale. È
convinzione del curatore
che non possa più
bastare il semplice dato
anagrafico («In fondo
Barrios è nato nel
?900...» è la tipica
motivazione di quegli
allievi) per definire
contemporaneo un brano:
è necessario possedere
strumenti adatti a
orientarsi nei linguaggi
che gli autori elaborano
ogni giorno. Il
rapporto di diffidente
estraneità instaurato da
Andrés Segovia con la
nuova musica può oggi
evolversi in qualcosa di
diverso: a distanza di 50
anni i chitarristi sono
in grado di porsi in un
atteggiamento di maggior
ricettività e, non più
costretti a procurarsi
una ?visibilità? nel
mondo musicale, possono
rivolgersi più
serenamente alla musica
dei loro
contemporanei. â??Mus
ica Incertaâ?? cerca di
rendere possibile questo
mutamento di prospettiva:
Arturo Tallini si è
rivolto a Enrico Fubini,
al musicologo Filippo
Poletti e a sei
compositori italiani,
progettando il presente
volume che è così
costituito: ? uno
scritto di Enrico Fubini
sul rapporto fra
linguaggio e storici
della musica; ? un
ponderoso scritto di
Filippo Poletti che
sviscera in profondità
tutti gli aspetti grafici
della simbologia usata
negli ultimi decenni, non
solo fornendo spiegazioni
sull?esecuzione, ma
aiutandoci a scorgere il
significato del rapporto
fra segno e oggetto
musicale, partendo
dall?impostazione del
filosofo e linguista
nordamericano Charles
Pierce; ? sei brani
scritti per questa
occasione da Mauro
Bortolotti, Mauro Cardi,
Fabrizio Casti, Agostino
Di Scipio, Fausto Razzi e
Italo Vescovo, tra i più
rappresentativi
compositori italiani dei
nostri anni. Ogni
brano è corredato da
note dell?autore, note
del curatore, indicazioni
tecniche e diteggiature
che aiutano l?esecutore
nello studio. $34.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Gitaar Starter deel 2 Guitare [Partition + CD] Alsbach
Guitar SKU: BT.ALB10655 Composed by Cees Hartog. Tuition. Book with CD. 6...(+)
Guitar SKU:
BT.ALB10655 Composed
by Cees Hartog. Tuition.
Book with CD. 64 pages.
Alsbach #ALB10655.
Published by Alsbach
(BT.ALB10655). ISBN
9789043145305.
Dutch. Following
on from the material in
Gitaar Starter
1, this book/CD set
covers even more
techniques that are vital
for the beginning
guitarist to learn. It
discusses, amongst other
topics, playmaking,
legato, positionchanges,
harmonics and chords.
In addition to the
individual exercises, the
techniques are mainly
used in the playing
materials, which contains
pieces in many different
styles from all around
the world. When
thewhole Gitaar Starter
series has been worked
through, the student will
have mastered the most
important basics of
Guitar playing. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| For Roscoe Mitchell Orchestre Peters
Orchestra SKU: PE.EP68783 For Cello and Orchestra. Composed by Tys...(+)
Orchestra SKU:
PE.EP68783 For
Cello and Orchestra.
Composed by Tyshawn
Sorey. Edition Peters.
Book. 48 pages. Edition
Peters #98-EP68783.
Published by Edition
Peters (PE.EP68783).
ISBN 9790300762296.
English. Like
his subsequent non-certo
For Marcos
Balter – also
composed during the
upheavals, political and
otherwise, of the year
2020 – Tyshawn
Sorey's For Roscoe
Mitchell for cello
and orchestra is a
single-movement work that
imagines a
non-adversarial,
non-hierarchical
relationship between the
soloist and the ensemble.
The 20-minute piece is
named in admiration of
Sorey's friend and
collaborator Roscoe
Mitchell, the
Chicago-based bandleader,
composer, educator, and
performer. Cellist Seth
Parker Woods gave the
world premiere in
November 2020 alongside
conductor David Robertson
and the Seattle Symphony,
who commissioned the
piece. This full
score is available for
purchase as part of the
Peters Contemporary
Library, with solo and
orchestral parts
available on
hire. This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer. $79.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Marcel Tournier: Intermediate Pieces for Solo Harp, Volume II Harpe Carl Fischer
Chamber Music harp SKU: CF.H84 Composed by Marcel Tournier. Edited by Car...(+)
Chamber Music harp
SKU: CF.H84
Composed by Marcel
Tournier. Edited by Carl
Swanson. Collection -
Score. Carl Fischer Music
#H84. Published by Carl
Fischer Music (CF.H84).
ISBN 9781491165539.
UPC:
680160924530. Marce
l Tournier
(1879–1951) was
one of the most important
harpist/composers in the
history of the harp. Over
his long career, he added
a significant catalogue
of very beautiful works
to the harp repertoire.
Many of his solo works,
almost one hundred, have
been consistently in
print since they were
first published. But in
recent years harpist Carl
Swanson has discovered a
treasure trove of pieces
by Tournier heretofore
unknown and unpublished.
These include the
Déchiffrages in this
edition, as well as songs
set for voice, harp, and
string quartet, and
ensemble arrangements of
some of his most beloved
works.All of the works
that Carl Swanson found
were in manuscript only.
With the help of the
great harpist Catherine
Michel, he has put these
pieces into playable
form, and they are being
published for the very
first time. He and
Catherine often had to
re-notate passages to
show clearly how they
could be played, adding
fingerings and musical
nuances, tempos, pedals,
and pedal
diagrams.Tournier wrote
these pieces when he was
in his 20s, and before he
became the
impressionistic composer
those familiar with his
work know so well. They
are written in the late
nineteenth-century
romantic style that was
being taught at that time
at the Paris
Conservatory. They are
beautiful short,
intermediate level pieces
by a first rate composer,
and add much needed
repertoire to that level
of playing. Marcel
Tournier
(1879–1951) was
one of the most important
harpist/composers in the
history of the harp. He
graduated from the Paris
Conservatory with a first
prize in harp in 1899. He
also studied composition
there and won a second
prize in the prestigious
Prix de Rome competition,
as well as a first prize
in the Rossini
competition, another
major composition
competition of the day.
From 1912 to 1948 he
taught the harp class at
the Paris Conservatory.
But composition, and
almost entirely,
composition for the harp,
was the main focus of his
life. His published
works, including many
works for solo harp, a
few for harp and other
instruments, and several
songs, number around one
hundred pieces.In 2019,
while researching
Tournier for my edition
MARCEL TOURNIER: 10
Pieces for Solo Harp, I
discovered that there was
a significant list of
pieces by this composer
that had never been
published and were not
included on any inventory
of his music. Principal
on this list were his
déchiffrages
(pronounced
day-she-frahge, like the
second syllable in the
word garage).The word
déchiffrage means
sight-reading exercise,
and that was their
original purpose.
Tournier numbered and
dated these pieces, with
dates ranging from 1900
to 1910, indicating that
they were in all
likelihood written for
Alphonse
Hasselmans’ class
at the Paris
Conservatory. Tournier
was probably told how
long to make each one,
and how difficult. They
range in length from two
to four pages, with only
one in the whole series
extending to five, and
from thirty to fifty-five
measures, with only one
extending to eight-five.
The level of difficulty
for the whole series is
intermediate, with some
at the easier end, and
others at the middle or
upper end.We don’t
know if they were
intended to test students
trying to enter the harp
class, or if they were
used to test students in
the class as they played
their exams. The fact
that they were never
published means that
students had to not only
sight read them, but
sight read them in
manuscript form!I worked
from digital images of
the original manuscripts,
which are in the private
music library of a
harpist in France. She
had twenty-seven of these
pieces, and this edition
is the second in a series
of three that will
publish, for the first
time, all of the ones
that I have found thus
far. The manuscripts
themselves consist of
little more than notes on
the page: no pedals
written in, no
fingerings, few if any
musical nuances and tempo
markings, and no clear
indication as to which
hand plays which notes.
These would have been
difficult to sight read
indeed! My collaborator
Catherine Michel and I
added musical nuances,
fingerings, pedals and
pedal diagrams, and tempo
indications to put them
into their current
condition.At the time
these were written,
Tournier would have been
in his twenties, having
just graduated from the
harp class himself
(1899), and might still
have been in the
composition class. These
are the earliest known
pieces that he wrote, and
they were written at the
very beginning of a
cultural revolution and
upheaval in Paris that
was to completely and
profoundly alter musical
composition. Tournier
himself would eventually
be caught up in this new
way of composing. But not
yet.All of the
déchiffrages are
written in the late
romantic style that was
being taught at that time
at the Paris
Conservatory. Each one is
built on a clear musical
idea, and the variety
over the whole series
makes them wonderful to
listen to as well as to
learn. They are also
great technical lessons
for intermediate level
players.The obvious
question is: Why
didn’t Tournier
publish these pieces, and
why didn’t he list
them on his own inventory
of his music? Actually,
four of them were
published, with small
changes, as his
collection Four Preludes,
Op. 16. These came from
the ones that will be in
volume three of this
series from Carl Fischer.
His first large piece,
Theme and Variations, was
published in 1908, and
his two best known and
frequently played pieces,
Féerie and Au Matin,
followed in 1912 and 1913
respectively. We can only
speculate because there
is so much still unknown
about Tournier and about
these unpublished pieces.
He may have looked at
them, fresh out of school
as he was, as simply a
way to make some quick
money. The first several
pieces that he did
publish are much longer
than any of the
déchiffrages. So it
could be that, because of
their shorter length, as
well as the earlier
musical style that he was
moving away from, he
chose not to publish any
more of them. We may
never know the full
story. But all these
years later, more than a
century after they were
composed, we can listen
to them for their own
merits, and not measured
against whatever else was
going on at the time. The
numbers on these pieces
are the ones that
Tournier assigned to
them, and the gaps
between some of the
numbers suggest that
there are perhaps thirty
or more of these pieces
still to be found, if
they still exist. They
will, in all likelihood,
be found, as these were,
in private collections of
harp music, not in
institutional libraries.
We can only hope that
more of them will be
located in years to
come.—Carl
SwansonGlossary of French
Musical TermsTournier was
very precise about how he
wanted his pieces played,
and carefully
communicated this with
many musical indications.
He used standard Italian
words, but also used
French words and phrases,
and occasionally mixed
both together. It is
extremely important to
observe and understand
everything that he put on
the page.Here is a list
of the French words and
phrases found in the
pieces in this edition,
with their
translation.bien
chanté well sung,
melodiousdécidé
firm, resolutediminu peu
à peu becoming softer
little by littleen
diminuant becoming
softeren riten. slowing
downen se perdant dying
awayGaiement gayly,
lightlygracieusement
gracefully,
elegantlyLéger light,
quickLent slowmarquez le
chant emphasize the
melodyModéré at a
moderate tempopeu Ã
peu animé more lively,
little by littleplus lent
slowerRetenu held
backsans lenteur without
slownesssans retinir
without slowing downsec
drily, abruptlysoutenu
sustained, heldtrès
arpegé very
arpeggiatedTrès
Modéré Very
moderate tempoTrès peu
retenu slightly held
backTrès soutenu very
sustainedun peu retenu
slightly held back. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Orchestra Musician's CD-ROM Library, Volume 7 Harp/Keyboard/Other CD Sheet Music
SKU: SU.00220181 Composed by Maurice Ravel. Harp, Harp with other Instrum...(+)
SKU: SU.00220181
Composed by Maurice
Ravel. Harp, Harp with
other Instruments,
Keyboard,
Piano/Harpsichord,
Keyboard, Organ. CD (PDF
Scores). CD Sheet Music
#00220181. Published by
CD Sheet Music
(SU.00220181).
The complete
Harp, Keyboard (Piano,
Organ, etc.) and
auxiliary parts
[CD-ROM] for the 46
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 7:
Ravel, Elgar and more. If
these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
CHADWICK Symphonic
Sketches; DELIUS Brigg
Fair, In a Summer Garden,
On Hearing the First
Cuckoo in Spring, Summer
Night on the River;
D'INDY Symphony on a
French Mountain Air;
DUKAS Symphony in C, La
Péri, Sorcerer's
Apprentice; ELGAR
Cockaigne Overture,
Enigma Variations,
Falstaff, Froissart, In
the South, Introduction
and Allegro, Pomp and
Circumstance Marches 1-4,
Serenade for Strings,
Cello Concerto, Violin
Concerto, Symphonies 1 &
2; GRIFFES Pleasure Dome
of Kubla Khan, Poem for
Flute, White Peackock;
HOLST The Planets;
NIELSEN Symphonies 1-5,
Violin Concerto, Helios
Overture, Maskarade
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| Adina - Intermédiaire Ricordi
Vocal, Piano Accompaniment (Vocal Score) - intermediate SKU: HL.50601634 ...(+)
Vocal, Piano
Accompaniment (Vocal
Score) - intermediate
SKU: HL.50601634
Vocal Score based on
the Critical Edition by
Fabrizio Della Seta.
Composed by Gioachino
Rossini. Edited by
Fabrizio Della Seta.
Vocal Score. Classical,
Opera. Softcover.
Composed 2018. 173 pages.
Ricordi #CP13825900.
Published by Ricordi
(HL.50601634). ISBN
9788881920457. UPC:
888680932381. 8x11
inches. Italian-English.
- Rossini
-. Composed in 1818
on commission from an
unknown individual in
Lisbon, Adina was left to
languish some years until
its premiere in 1826,
with a single performance
in that city remaining
virtually the only one on
record until the opera's
revival in 1963. The
present vocal score is
based on the critical
edition of the orchestral
full score prepared by
Fabrizio Della Seta and
published by the
Fondazione Rossini of
Pesaro in collaboration
with Casa Ricordi. This
Edition reconstructs for
the first time the
structure of the
autograph score, which
reflects the collective
contributions of at least
five different hands:
having composed only four
entirely new numbers and
repurposed another three
from Sigismondo, Rossini
relied upon collaborators
and copyists for the
remainder of the music.
Della Seta's detailed
examination of this
fundamental document
(housed at the Fondazione
Rossini) together with an
informed assessment of
the secondary sources,
including a complete
manuscript copy (housed
at the British Library in
London), various
manuscript vocal parts
with Rossini's autograph
interventions (housed in
the Royal Conservatory of
Brussels), and the first
edition of the vocal
score published by
Ricordi between 1855 and
1859, additionally
reveals how the libretto
printed in Lisbon for
that single historic
performance in 1826
differed substantially
from the narrative
disposition of the
autograph score, with
ample cuts and
modifications (among
those the suppression of
the Aria Alì and
the addition of a Coro).
While neither
attributable to Rossini
himself nor pertaining to
his original conceptual
design of the opera, this
Coro, the music of which
survives in the first
vocal score, is included
as an Appendix to the
edition. $32.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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