Arranged by Lloyd Conley. Woodwind Quintet. For flute, oboe, clarinet, horn in F and bassoon. Level: Grade 3-4. Score and set of parts. Published by Kendor Music Inc.

(Celebrating God's Hope, Peace, Joy, and Love). Composed by Joel Raney. Arranged by Brant Adams. Cantatas. Advent, Christmas. Full Score and Parts plus CD with Printable Parts. Lorenz Publishing Company #30/3143L. Published by Lorenz Publishing Company

Composed by John Rutter (1945-). For SATB choir and piano (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, percussion, drum, harp, strings). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Sacred. Level A (very easy). Vocal score. Duration 3.5 minutes. Published by Oxford University Press

By Spears. For woodwind quintet (flute, oboe, clarinet, horn, bassoon). Grade 4.5. Set of parts

(A Holiday Farewell for Band) Arranged by Michael Story, Robert W. Smith. Conductor's score and set of performance parts for band (8 - flute, 2 - oboe, 2 - bassoon, 4 - 1st clarinet, 4 - 2nd clarinet, 2 - bass clarinet, 5 - alto saxophone, 2 - tenor saxophone, 2 - baritone saxophone, 4 - 1st trumpet, 4 - 2nd trumpet, 4 - horn in F, 4 - trombone, 2 - baritone, 2 - baritone (treble clef), 4 - tuba, 1 - mallet percussion, 1 - optional piano/keyboard, 1 - timpani, 4 - percussion I, 2 - percussion II). Series: Band Expressions Series. Published by Alfred Publishing.

(A Christmas Cantata Celebrating Love's Perfect Light). By Lloyd Larson. Arranged by Douglas E. Wagner. For orchestra. Cantatas. Christmas. Orchestral score and parts. Published by Lorenz Publishing Company

Composed by Joseph Compello. Concert Band. For Flute, Oboe, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, Horn, Tenor, Bassoon, Tuba, Mallet Percussion, Timpani, Percussion I, Percussion II. Carl Fischer Beginning Performance Series. Classical. Grade 1. Score and Set of Parts. Standard notation. 16 pages. Published by Carl Fischer

Choir and instrumental ensemble (Choir & flute 1, 2; oboe; clarinet 1, 2; bassoon; horn 1, 2; horn 3; trumpet 1, 2; trumpet 3; trombone 1, 2; trombone 3/tuba; percussion 1, 2; percussion 3/timpani; harp; rhythm; *violin 1, 2; *viola; cello; string bass; string reduction (*simplified part)

SKU: WD.080689220470

Composed by David Clydesdale. Arranged by David Clydesdale. Choral. Sacred Anthem. Orchestration. Word Music #080689220470. Published by Word Music (WD.080689220470).

UPC: 080689220470.

(Celebrating God's Hope, Peace, Joy, and Love). Composed by Joel Raney. Arranged by Brant Adams. Choral, cantatas. Advent, Christmas. CD with printable parts. Lorenz Publishing Company #30/3142L. Published by Lorenz Publishing Company

Composed by John Rutter (1945-). For choir (SA, SATB, or TTBB) and piano/organ/small orchestra (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, glockenspiel, harp, strings). This edition: Paperback. John Rutter Anniversary Edition. Sacred. Level A (very easy). Full score. Duration 3.5 minutes. Published by Oxford University Press

(For Wind Symphony). Composed by Carter Pann (1972-). For concert band (piccolo, 2 flute 1, 2 flute 2, 2 flute 3, 2 flute 4, 2 oboes, 3 Bb clarinet 1, 3 Bb clarinet 2, 3 Bb clarinet 3, 3 Bb clarinet 4, 2 Bb bass clarinet (with low C), 2 bassoons, 2 Bb soprano saxophone, 2 Eb alto saxophone, 2 Bb tenor saxophone, 2 Eb baritone). Contemporary. Score and parts. Standard Notation. 48+280 pages. Duration 12 minutes. Published by Theodore Presser Company

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, China Cymbal, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1 and more. - Grade 3

SKU: CF.CPS210

Composed by Sean O'Loughlin. Concert Band (CPS). Set of Score and Parts. With Standard notation. 16+16+8+16+32+32+8+8+8+8+ 8+8+16+16+16+8+8+12+12+12 +16+8+4+8+32+40+8 pages. Duration 3 minutes, 57 seconds. Carl Fischer Music #CPS210. Published by Carl Fischer Music (CF.CPS210).

ISBN 9781491152362. UPC: 680160909865.

A driving composition from Sean O'loughlin,?Commence!?beg ins with a spirited theme that oscillates between triple and duple meter. After developing into a heartfelt lush brass chorale, the lilting theme returns again. The composition concludes with a dramatic return of the B theme and a rousing finale. A beautiful piece,?Commence!?is a?strong choice for any contest or festival.

Commence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn.

This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds.

This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

.

Commence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn.

This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds.

This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

.
Co mmence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn. This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds. This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, China Cymbal, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1 and more. - Grade 3

SKU: CF.CPS210F

Composed by Sean O'Loughlin. Concert Band (CPS). Full score. With Standard notation. 40 pages. Carl Fischer Music #CPS210F. Published by Carl Fischer Music (CF.CPS210F).

ISBN 9781491153048. UPC: 680160910540.

A driving composition from Sean O'loughlin,?Commence!?beg ins with a spirited theme that oscillates between triple and duple meter. After developing into a heartfelt lush brass chorale, the lilting theme returns again. The composition concludes with a dramatic return of the B theme and a rousing finale. A beautiful piece,?Commence!?is a?strong choice for any contest or festival.

Commence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn.

This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds.

This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

.

Commence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn.

This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds.

This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

.
Co mmence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn. This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds. This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

Orchestra SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]

SKU: CA.2705509

To words from the Holy Scriptures. Composed by Johannes Brahms. Edited by Gunter Graulich. 1x 27.055/21 piccolo, 1x 27.055/22 flute 1, 1x 27.055/23 flute 2, 1x 27.055/24 oboe 1, 1x 27.055/25 oboe 2, 1x 27.055/26 clarinet 1, 1x 27.055/27 clarinet 2, 1x 27.055/28 bassoon 1, 1x 27.055/29 bassoon 2, 1x 27.055/30 contrabassoon, 1x 27.055/31 horn 1, . Carus sheet music series: Vocal scores XL. German title: Ein Deutsches Requiem Kart. Innovative practice aids, Sacred vocal music, Requiem, End of the church year, Mourning, death. Set of Orchestra Parts. Op. 45. 232 pages. Duration 70 minutes. Carus Verlag #CV 27.055/09. Published by Carus Verlag (CA.2705509).

ISBN 9790007199623. Language: German.

Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther's translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. Score and parts available separately - see item CA.2705500.

SAB choir, cantor, assembly, keyboard accompaniment, C instrument, bassoon, cello, guitar - Beginning

SKU: GI.G-9483

Composed by Zack Stachowski. Advent, OT 15 C, Christ the King A. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9483. Published by GIA Publications (GI.G-9483).

UPC: 785147948308. English. Text by Zack Stachowski.

Instrum ent parts are for C instrument and cello or bassoon. Listen to the song and follow the score in the video below.  .

Band 1 Bassoon 1, 1 Bassoon 2, 1 Eb Contra-Alto Clarinet, 1 Oboe 1, 1 Oboe 2, 2 Bb Barit, 2 Bb Bass Clarinet, 2 Bb Tenor Saxophone, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Piccolo, 3 Flute 1, 3 Flute 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3

SKU: PR.11540219L

For Band. Composed by Eric Ewazen. A Time of Strife, A Time of Peace. Contemporary. Large Score. With Standard notation. Composed 2011. 448 pages. Duration 6 minutes. Theodore Presser Company #115-40219L. Published by Theodore Presser Company (PR.11540219L).

UPC: 680160633081. 11 x 14 inches.

A commission by the U.S. Air Force Band of the West allowed Ewazen to consider the ten years following the events of 9/11/2001, resulting in A Time of Strife, a Time of Peace. The first movement considers the long wars and the losses entailed through soaring lyrical lines above a rhythmic, pounding accompaniment, as Ewazen puts it. The second movement is a bittersweet celebration on the death of the perpetrator and a future of joy, peace, and life. Ewazen says, A burst of joyous energy bringing this chapter in our history to a close..

By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Conductor Full Score. Duration 10:00. Published by Manhattan Beach Music.
Level: Grade 5.