Percussion and Orchestra SKU: BT.MUSGSP27471SET Chamber Version. C...(+)
Percussion and Orchestra
SKU:
BT.MUSGSP27471SET
Chamber Version.
Composed by Avner Dorman.
Score Only. G. Schirmer
#MUSGSP27471SET.
Published by G. Schirmer
(BT.MUSGSP27471SET).
For
Percussion duo (not the
concerto of the same
title).
What
determines the special
character of a piece of
music written for
percussion instruments is
the very choice of sets
of instruments.
InUdacrepAkubrad<
/strong>, I have chosen a
similar set of
instruments for each of
the players: a marimba,
two Darbuka, and a
tom-tom. This piece draws
its inspiration from the
“Easternâ€
music, extending the
boundaries of theregion
as faras the Indian
sub-continent. The main
source materials in this
piece are scales and the
rhythms emanating from
the traditional classical
music of the peoples of
the Mediterranean; and
repetitive minimalism,
from themusictradition of
the Middle East, as well
as the recently developed
techniques in western
music. —
Avner
Dorman
String orchestra; wind
instruments ad libitum
(V3(VA)) - easy
SKU:
HL.49000216
C-Dur. Composed by
Carl Heinrich Graun.
Edited by Helmut
Moenkemeyer. This
edition: Saddle
stitching. Sheet music.
Antiqua (Chamber Music).
Classical. Individual
part. 8 pages. Schott
Music #ANT 50-13.
Published by Schott Music
(HL.49000216).
Piano Quintet Piano Quintette: piano, 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music Violin 1, Violin 2, Viola, Cello, Piano SKU: PR.114419410 C...(+)
Chamber Music Violin 1,
Violin 2, Viola, Cello,
Piano
SKU:
PR.114419410
Composed
by Adolphus Hailstork.
Sws. Set of Score and
Parts. 68+24+24+24+24
pages. Duration 20
minutes. Theodore Presser
Company #114-41941.
Published by Theodore
Presser Company
(PR.114419410).
UPC:
680160681358. 9 x 12
inches.
Detroit,
for several decades, was
a city where I received
many important composing
and performance
opportunities in the
early and middle part of
my career. The Detroit
Symphony Orchestra even
commissioned my second
symphony. My cantata DONE
MADE MY VOW has been
performed there more
times than any place
else. The chorus for
those performances was
always the outstanding
BRAZEAL DENNARD CHORALE.
He loved his city and was
a great mentor to me. The
final movement of this
quintet is dedicated to
his memory.
Opera solo voices, orchestra SKU: PR.11642010L A Chamber Opera in One ...(+)
Opera solo voices,
orchestra
SKU:
PR.11642010L
A
Chamber Opera in One
Act. Composed by
Ricky Ian Gordon. Large
Score. Theodore Presser
Company #116-42010L.
Published by Theodore
Presser Company
(PR.11642010L).
Chamber Music Soprano Voice, Piano SKU: PR.111403210 A Song Cycle for ...(+)
Chamber Music Soprano
Voice, Piano
SKU:
PR.111403210
A
Song Cycle for Soprano
and String Quartet.
Composed by Nkeiru Okoye.
24 pages. Duration 15
minutes. Theodore Presser
Company #111-40321.
Published by Theodore
Presser Company
(PR.111403210).
UPC:
680160687947.
With
an original text by the
composer, Nkeiru
Okoye’s WE MET AT
THE SYMPHONY is a
monodrama in three songs
for soprano and string
quartet or piano. The
songs tell the story of a
Black woman surprised to
find a Black man in the
sea of white faces at an
orchestra concert, their
subsequent romance, and
her struggle to trust
another Black man after
betrayal and heartbreak.
Okoye’s poignant,
insightful, and
sharp-witted poetry is
set to dramatic and
striking music that
blends sensibilities from
jazz, Broadway, and
contemporary classical
styles, with an
unforgettable solo role
for the soprano.
Trombone and Organ - advanced SKU: CY.CC2730 Composed by Jeremy Kempton. ...(+)
Trombone and Organ -
advanced
SKU:
CY.CC2730
Composed by
Jeremy Kempton.
Contemporary. Solo part
and Organ accompaniment.
Published by Cherry
Classics (CY.CC2730).
Lament for
Trombone and Organ by
composer Jeremy Niles
Kempton is a serious and
lyrical work of about 6
minutes in length for
advanced
performers.
The
original version is for
trombone and string
orchestra. It was
composed and performed
within a 2 week period at
a memorial concert given
for Helen Manheim, a
violist in Mr. Kempton's
Island Chamber Symphony
on Long Island, NY. Ms
Manheim died rather
suddenly and her passing
left the composer with a
deep feeling of regret at
having taken her and so
many other ICS musicians
for granted.
The
piece consists of 3
lengthy phrases. The
first epitomizes the
grief at her passing. The
2nd presents her life and
consists of 3 phrases,
all starting the same but
each striving higher. The
final section is her
legacy, what she leaves
behind. Orchestral score
and parts are available
form Cherry
Classics.
The
live performance features
Mr. Kempton on the
trombone.
Harp SKU: FG.55011-912-3 Composed by Tauno Marttinen. Classical, contempo...(+)
Harp
SKU:
FG.55011-912-3
Composed by Tauno
Marttinen. Classical,
contemporary. Score.
Fennica Gehrman
#55011-912-3. Published
by Fennica Gehrman
(FG.55011-912-3).
ISBN
9790550119123.
Luon
nonjumala (God of Nature)
is Tauno Marttinen’s
adaption for harp of his
piano suite Taara op. 34.
The manuscript for harp
was found in January 2024
by Rauno Marttinen,
composer’s
son.
Duration: c.
15’ Movements: 1.
Virran ääniä | The
Voices of the
Stream 2.
Luonnonjumalan lähde |
The Spring of God of
Nature 3. Metsässä
tuulee |The Wind Blows
through the
Forest
Tauno
Marttinen (1912–2008)
studied in Viipuri and
later in Helsinki at the
Helsinki Conservatoire.
His piano teachers were
Ilmari Hannikainen and
Selim Palmgren, but he
soon became increasingly
interested in composing.
Marttinen was also the
conductor of the
Hämeenlinna City
Orchestra in 1949−1958
and the founder and
principal of the
Hämeenlinna Music
Institute.
Marttin
en started his composing
career in late Romantic
vein. However, his first
concerts in the 1940s met
with criticism since the
winds of Modernism had
already landed in
Finland. He then became
interested in Dodecaphony
and studied under
Vladimir Vogel in Ascona
but later abandoned
strict dodecaphony and
found his own, personal
style incorporating
elements from
Neo-classicism and
free-tonality with a hint
of mysticism – he was
called the Shaman of
Hämeenlinna (his
hometown).
Tauno
Marttinen was an
incredibly productive
composer; he wrote around
four hundred works with
opus numbers as well as a
wealth of other pieces.
His oeuvre includes 10
symphonies, concertos for
various solo instruments,
operas as well as vocal,
chamber and instrumental
works. Many of
Marttinen’s pieces have
become popular standard
repertoire, such as the
piano piece Kimalluksia
(Gleams).
SATB choir and piano reduction SKU: CA.5422903 Lambacher Messe. Missa ...(+)
SATB choir and piano
reduction
SKU:
CA.5422903
Lambacher Messe. Missa
Lambacensis. Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Amandi Mh 229.
Sacred vocal music,
Masses, Latin. Vocal
score. Composed 1776. MH
229. 64 pages. Duration
35 minutes. Carus Verlag
#CV 54.229/03. Published
by Carus Verlag
(CA.5422903).
ISBN
9790007140755. Language:
Latin.
With the
Missa Sancti Amandi,
composed in 1776, Michael
Haydn created a festive
mass in pieno, i.e.
scored for choir and
orchestra without vocal
soloists. Although richly
worked, this composition
possesses a remarkable
transparency of effect
akin to chamber music.
Score available
separately - see item
CA.5422900.
Composed by Erik Satie.
Arranged by Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
Duration 4 minutes, 5
seconds. FLEX Editions
#FX073148. Published by
FLEX Editions
(FL.FX073148).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Folder.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Set of parts.
100 pages. Duration 35'.
Breitkopf and Haertel #OB
16104-30. Published by
Breitkopf and Haertel
(BR.OB-16104-30).
ISBN
9790004339466. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Aus:
Symphoniae sacrae
III. Composed by
Heinrich Schutz. Edited
by Gunter Graulich.
Arranged by Paul Horn.
This edition: urtext.
Cycles: Schutz:
Symphoniae sacrae III SWV
398-418. Stuttgart Urtext
Edition: Schutz. German
title: Der Herr ist mein
Hirt 7. Sacred, Motets,
Psalms, German; Stuttgart
Urtext editions;
Occasions: Psalms. Set of
Orchestra Parts. Composed
1650. SWV 398. 20 pages.
Duration 7 minutes. Carus
Verlag #CV 20.398/09.
Published by Carus Verlag
(CA.2039809).
ISBN
9790007035181. Key: D
dorian. Language:
German/English.
Sco
re available separately -
see item CA.2039800.
Gleichnis vom
vierfachen Ackerfeld.
Aus: Symphoniae Sacrae
III. Composed by
Heinrich Schutz. Edited
by Gunter Graulich.
Arranged by Paul Horn.
This edition: urtext.
Cycles: Schutz:
Symphoniae sacrae III SWV
398-418. Stuttgart Urtext
Edition: Schutz. German
title: Es ging ein Samann
aus 8. Sacred vocal
music, Holy Week,
Reformation day. Set of
Orchestra Parts. Composed
1650. SWV 408. 32 pages.
Duration 12 minutes.
Carus Verlag #CV
20.408/09. Published by
Carus Verlag
(CA.2040809).
ISBN
9790007035518. Key: G
mixolydian. Language:
German/English.
Sco
re available separately -
see item CA.2040800.
A
Chamber Opera in One
Act. Composed by
Ricky Ian Gordon. Full
score. 168 pages.
Theodore Presser Company
#116-42010S. Published by
Theodore Presser Company
(PR.11642010S).
String Quartet SKU: IS.CM7585EM Composed by Guy Cuyvers. Chamber Music. M...(+)
String Quartet
SKU:
IS.CM7585EM
Composed
by Guy Cuyvers. Chamber
Music. Metropolis Music
Publishers #CM7585EM.
Published by Metropolis
Music Publishers
(IS.CM7585EM).
ISBN
9790365075850.
Guy
Cuyvers is a very
versatile musician. As a
classical guitar player
he has been acclaimed by
Angel Romero and the
international press
unanimously praises his
film scores. After
graduating at the Royal
Flemish Conservatory in
Antwerp and supplementing
his training in guitar,
advanced composition and
orchestra conducting at
The American University
in Washington D.C., Guy
received his Master of
Arts at the LUCA School
of Arts. As a composer,
Guy wrote several books
for classical guitar and
film music for Warner
Bros. Besides writing for
film and guitar, he
composed numerous works
in all domains of music.
For more information on
Guy Cuyvers:
www.guycuyvers.com.
Three Dances Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114419480 For Flute and Piano. ...(+)
Chamber Music flute,
piano
SKU:
PR.114419480
For
Flute and Piano.
Composed by Gary
Schocker. Sws. Set of
Score and Parts. 20+8
pages. Duration 8:30.
Theodore Presser Company
#114-41948. Published by
Theodore Presser Company
(PR.114419480).
ISBN
9781491131428. UPC:
680160677313. 9 x 12
inches.
Gary
Schocker’s THREE
DANCES FOR TWO FLUTES has
long been a staple of the
flute repertoire –
in its original voicing
with piano, as well as in
transcriptions with
string orchestra or band
accompaniment, for alto
saxophone duo with piano,
and even in the
composer’s flute
quartet version of the
famous Coffee Nerves
movement. Schocker has
arranged THREE DANCES for
one solo flute with
piano, incorporating all
of the original
work’s
counterpoint, beauty, and
spice, into this
practical and concise
instrumentation.