Magnificat - Piano/vocal score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Schirmer
By Stephen Chatman. For Soprano Voice Solo, SATB choir, string Orchestra. Choral...(+)
By Stephen Chatman. For
Soprano Voice Solo, SATB
choir, string Orchestra.
Choral, advent,
christmas. Piano/vocal
score. Published by E.C.
Schirmer Publishing
In Terra Pax, Op. 39 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Boosey and Hawkes
In terra pax, Op. 39. (Christmas Scene). By Gerald Finzi (1901-1956). For Choral...(+)
In terra pax, Op. 39.
(Christmas Scene). By
Gerald Finzi (1901-1956).
For Choral, Chorus,
Orchestra, Piano (Vocal
Score). BH Large Choral.
Book only. 23 pages.
Boosey and Hawkes
#M060030307. Published by
Boosey and Hawkes
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Helmut Eder. K. 427 (...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791), edited by
Helmut Eder. K. 427
(417a). Vocal score for
SSATB solos, 2 SATB
choirs and piano
accompaniment. Urtext of
the New Mozart Edition.
With choral notation,
piano reduction and
introductory text. C
Minor. Text language
Latin. 112 pages.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006456932.
Membra Jesu nostri Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
By Dietrich Buxtehude. Edited by Schlage, Thomas. For Soli SSATB, SSATB Choir, 2...(+)
By Dietrich Buxtehude.
Edited by Schlage,
Thomas. For Soli SSATB,
SSATB Choir, 2 Violins,
Violone (Violoncello), 5
Viola da Gamba, Basso
continuo. BuxWV 75. Full
score available
separately - see item
CA.3601300. Oratorios;
Use during church year:
Lent and Passiontide.
Piano/Vocal score.
Language: Latin. 80
pages. Duration 63 min.
Published by Carus Verlag
(German import).
By Johann Sebastian Bach (1685-1750). Edited by Leisinger, Ulrich. Arranged by P...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Leisinger, Ulrich.
Arranged by Paul Horn.
For Soli SSATB, SSATB
Choir, 3 Trumpets,
Timpani, 2 Flutes, 2
Oboes, 2 Violins, Viola,
Basso continuo. This
edition: paperbound. BWV
243. Full score available
separately - see item
CA.3124300. Magnificat;
Stuttgart Urtext
editions; Use during
church year: Christmas.
Piano/Vocal score.
Language: Latin. 52 pages
For
Soli, SATB Chorus &
Orchestra. Composed
by Paul Moravec.
Vocal/Choral, Opera,
Orchestra, Piano
Reduction. Piano Vocal
Score. Subito Music
Corporation #91770971.
Published by Subito Music
Corporation
(SU.91770971).
An oratorio
based on the writings of
William Still, a
conductor for the
Underground
Railroad.Libretti by Mark
CampbellInstrumentation:
Soli, SATB Chorus &
Orchestra [2,1 222; 4331;
timp, perc, hp; stgs]
Duration: 46'
Composed: 2017
Published by: Subito
Music Publishing Also
available:CHORUS SCORE -
$12.95 (Item
#91770972)STUDY SCORE -
$75.00 (Item
#91770970)Discount
(CHORUS SCORE only)
available to
organizations renting the
orchestra materials. For
more information call
(973) 857-3440 or email
rental@subitomusic.com.
p>
Steadfast Soli, choeur mixte et accompagnement - Facile MorningStar Music Publishers
Soprano voice or tenor voice solo, SATB choir, and piano/keyboard - Early Interm...(+)
Soprano voice or tenor
voice solo, SATB choir,
and piano/keyboard -
Early Intermediate
SKU: MN.56-0038
Composed by Howard
Goodall. Wedding,
Classical. Instrument
parts. MorningStar Music
Publishers #56-0038.
Published by MorningStar
Music Publishers
(MN.56-0038).
UPC:
688670220432.
English.
Set for
SATB voices, a soprano or
tenor soloist, and piano,
Goodallââ¬â¢s
original text is a
promise of constancy from
one person to another.
Through many kinds of
situations and
circumstances it is
assured that
ââ¬ÅWeââ
â¢ll walk together
stride by
stride.ââ¬Â The
choral parts are
homophonic and
approachable, the piano
part a bit challenging
(there is one section
which is essentially a
beautiful piano solo with
the chorus accompanying
on a neutral syllable).
An uplifting piece
suitable for school,
community, or
professional
choruses.
Compassion from Invictus: A Passion Soli, choeur mixte et accompagnement [Conducteur et Parties séparées] - Facile MorningStar Music Publishers
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB
choir, and piano (E-flat
Soprano saxophone, 2
Horns in F, Piano, Organ
(or digital keyboard),
Double String Quartet,
Double Bass) - Early
Intermediate
SKU:
MN.56-0108
Composed
by Howard Goodall. Lent,
Holy Week, Triduum/Three
Days, Tenebrae, 21st
Century. Score &
instrument parts.
Duration 6 minutes, 19
seconds. MorningStar
Music Publishers
#56-0108. Published by
MorningStar Music
Publishers (MN.56-0108).
Lamentation from Invictus: A Passion Soli, choeur mixte et accompagnement [Conducteur et Parties séparées] - Débutant MorningStar Music Publishers
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB
choir, and piano (E-flat
Soprano saxophone, 2
Horns in F, Piano, Organ
(or digital keyboard),
Double String Quartet,
Double Bass) - Beginning
SKU: MN.56-0106
Composed by Howard
Goodall. Lent, Holy Week,
Triduum/Three Days,
Tenebrae, 21st Century.
Score & instrument parts.
Duration 6 minutes, 47
seconds. MorningStar
Music Publishers
#56-0106. Published by
MorningStar Music
Publishers (MN.56-0106).
UPC: 688670221231.
English,
Latin.
Invictus: A
Passion addresses one of
the world’s most
powerful stories through
the lens of the modern
world. The texts, written
or inspired by women,
describe not only human
suffering and persecution
but also the human
capacity for love and
humility in the face of
tyranny. Composer Howard
Goodall is uniquely
suited to bring these
texts to life with music
of emotional clarity and
sweeping force. This
movement, scored for
soprano solo, SATB choir
and piano, expresses the
unimaginable pain felt by
a mother seeing her child
torn away from her at a
slave auction. To this
harrowing account are
appended the words of
William Wilberforce,
spoken in the House of
Commons on 18th April
1791, “You may
choose to look the other
way but you can never say
again that you did not
know.†Duration
6:47.
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB
choir, and piano (E-flat
Soprano saxophone, 2
Horns in F, Piano, Organ
(or digital keyboard),
Double String Quartet,
Double Bass) - Early
Intermediate
SKU:
MN.56-0109
Composed
by Howard Goodall. Holy
Week, Triduum/Three Days,
Tenebrae, 21st Century.
Score & instrument parts.
Duration 6 minutes, 57
seconds. MorningStar
Music Publishers
#56-0109. Published by
MorningStar Music
Publishers (MN.56-0109).
UPC: 688670221262.
English, Latin. John
20:1.
Invictus: A
Passion addresses one of
the world’s most
powerful stories through
the lens of the modern
world. The texts, written
or inspired by women,
describe not only human
suffering and persecution
but also the human
capacity for love and
humility in the face of
tyranny. Composer Howard
Goodall is uniquely
suited to bring these
texts to life with music
of emotional clarity and
sweeping force. This
excerpt is scored for
soprano solo, tenor solo,
SATB choir and piano. The
text is by Christina
Georgina Rossetti, Isaac
Watts (“When I
survey the wondrous
cross,â€) and drawn
from John 20:1 (this text
in Latin). The music is
serene, acknowledging the
grief of those who are
left to mourn. Duration
6:57.
Soprano voice solo, SATB choir, and piano - Intermediate SKU: MN.56-0055 ...(+)
Soprano voice solo, SATB
choir, and piano -
Intermediate
SKU:
MN.56-0055
Composed
by Howard Goodall. Lent,
Triduum/Three Days,
Tenebrae, 21st Century,
Heaven,
Lament/Grief/Sorrow.
Duration 4 minutes, 4
seconds. MorningStar
Music Publishers
#56-0055. Published by
MorningStar Music
Publishers (MN.56-0055).
UPC: 688670220586.
English.
Arranged
for SATB choir, two
keyboards, strings, and
optional harp, with
soprano, tenor (optional)
and baritone soloists,
this fresh and unorthodox
interpretation reflects
on the words of the Latin
Mass by juxtaposing them
with poems in English.
For soprano solo and SATB
choir, this movement
begins with the choir on
the English text by
Phineas Fletcher (1633).
A 32-measure soprano solo
follows, which covers the
majority of the English
text. The soloist then
begins the
ââ¬ÅRecordare,
¢â¬Â a calm,
descending melodic line
with the choir singing
the opening
ââ¬ÅDrop,
dropââ¬Â motif
as accompaniment. The
choir then concludes with
the slow, descending
lines ââ¬ÅJesu
pie, Jesu
pie.ââ¬Â
Duration 4:04.
By Felix Bartholdy Mendelssohn. Edited by Todd, R. Larry. For Soli SATB, SATB/SA...(+)
By Felix Bartholdy
Mendelssohn. Edited by
Todd, R. Larry. For Soli
SATB, SATB/SATB Choir, 2
Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Cello,
Contrabass, Organ, Harp.
Full score available
separately - see item
CA.4007500. Psalms,
German; Stuttgart Urtext
editions; Occasions:
Praise and thanks,
Psalms; Use during church
year: Easter and
Eastertide. Piano/Vocal
score. Language:
German/English. Composed
1843. 91. 16 pages.
Duration 8 min. Published
by Carus Verlag (German
import).
Composed by Wolfgang
Amadeus Mozart. Edited by
Michael Ostrzyga. This
edition: urtext edition.
Paperback. New
Completion. Vocal Score.
Baerenreiter Verlag
#BA11310_90. Published by
Baerenreiter Verlag
(BA.BA11310-90).
ISBN
9790006569267. 27 x 19 cm
inches. Text Language:
Latin.
This
publication offers a
source-critical edition
of Mozartâ??s
fragmentary
â??Requiemâ? as well
as an alternative to the
traditional Sü�mayr
version. It makes it
possible to perform 1)
the fragment, identified
in print in both the
score and the parts, 2)
the authentic sections
left incomplete by
Mozart, now in a
stylistically appropriate
orchestration, and 3)
those sections missing
entirely in the fragment,
newly added in
Mozartâ??s idiom taking
into account historical
additions by Sü�mayr
and Eybler.
When
completing the fragment,
the editor drew on
comprehensive comparative
and analytical studies of
Mozartâ??s church style
and compositional
workmanship. The
influence of Handel and
Bach manifested in his
final years, particularly
in the â??Requiemâ?
fragment, is taken into
account in those sections
requiring completion or
fresh
composition.
At
two points readers may
choose between
alternative movements (or
sections), since
proceeding from
SüÃ?mayrâ??s
historical version, two
divergent options cannot
be weighed against each
other but each one may
well reflect Mozartâ??s
intentions: the
â??Lacrimosaâ? may
end with or without
â??Amenâ? fugue, and
the â??Sanctusâ? may
begin in the customary D
major or in D minor.
Above all, this makes it
possible to retain the
B-flat major
â??Hosannaâ? from
SüÃ?mayrâ??s
autograph, a movement
which, until now, has not
been appreciated as
compositionally
flawless.
â?¢
Scholarly-critical
edition of the
â??Requiemâ?
fragment â?¢ With
performance material for
presentation of 1) the
fragment, 2) a version
with completions of the
authentic Mozart sections
or 3) a full
completion consistent
with Mozartâ??s musical
idiom â?¢ Missing
sections were completed
by drawing from other
fragmentary sacred works
by Mozart â?¢ Added
or completed sections
incorporate influences
from Bach and Handel
already detectable in the
fragment â?¢
Alternative performance
options for the
â??Lacrimosaâ?,
â??Sanctusâ? and
â??Benedictusâ? â
?¢ Easy-to-play piano
reduction â?¢
Extensive foreword
(Ger/Eng) on the
workâ??s history,
reception and modern
completions, with
analytical stylistic
critique â?¢
Detailed Critical
Commentary (Eng), partly
available on the
Bärenreiter
website â?¢ Tried
and tested on many
occasions, e.g. at
Harvard University, the
Rheingau Music Festival,
the Monadnock Music
Festival (New Hampshire),
in Salt Lake City (Utah),
as well as in radio
broadcasts (NDR, SWR,
WDR) and CD recordings
with Concerto Köln,
Chorwerk Ruhr and Florian
Helgath (â??Le Disque
classique du jourâ?
from francemusique.fr and
three nominations for
Opus Klassik 2021 in the
categories
â??Ensembleâ?,
â??Choral Recordingâ?
and â??Editorial
Achievementâ?)
Die Tageszeiten Soli, choeur mixte et accompagnement [Conducteur] - Intermédiaire Carus Verlag
By Georg Philipp Telemann (1681-1767). Edited by Reipsch, Brit. For SATB Soli, S...(+)
By Georg Philipp Telemann
(1681-1767). Edited by
Reipsch, Brit. For SATB
Soli, SATB Choir, 2
Flute, 2 Oboe, Bassoon, 2
Violin, Viola, Viola da
gamba, Basso Continuo.
This edition: paperbound.
TVWV 20:39. Full score
available separately -
see item CA.3913700.
Cantatas. Level 3.
Piano/Vocal score.
Language: German. 52
pages. Duration 55 min
Soprano voice solo, SATB choir, and piano - Intermediate SKU: MN.56-0049 ...(+)
Soprano voice solo, SATB
choir, and piano -
Intermediate
SKU:
MN.56-0049
Composed
by Howard Goodall. Lent,
Triduum/Three Days,
Tenebrae, 21st Century,
Heaven,
Lament/Grief/Sorrow.
Duration 9 minutes, 13
seconds. MorningStar
Music Publishers
#56-0049. Published by
MorningStar Music
Publishers (MN.56-0049).
UPC: 688670220524.
English.
Arranged
for SATB choir, two
keyboards, strings, and
optional harp, with
soprano, tenor (optional)
and baritone soloists,
this fresh and unorthodox
interpretation reflects
on the words of the Latin
Mass by juxtaposing them
with poems in English.
The “Kyrieâ€
uses Francis
Quarles’
“Close now thine
eyes and rest
secure†as the
opposing English text.
After the choir begins
the requiem text in Latin
(“Requiem
aeternam†through
the “Kyrie
eleison,â€) the
soprano soloist has a
27-measure solo in which
the English text appears.
Then the solo is repeated
over choir accompaniment
and the opening Latin
text reappears to close
the movement. Duration
9:13.
Composed by Bobbi
Fischer. Choral Score.
Duration 35 minutes.
Carus Verlag #2800705.
Published by Carus Verlag
(CA.2800705).
ISBN
9790007338657.
Latin.
The Missa
latina is a complete
setting of the Latin Mass
for solo soprano, large
mixed choir (SATB divisi
as well as soloists from
the choir) and a band
consisting of violin,
bandoneon (accordion),
piano, double bass, drums
and percussion. The word
latina not only refers to
the Latin text, but also
to the musical style
which makes use of
Latin-American rhythms.
Thus elements from
Argentinian tangos stand
side by side with
Caribbean rhythms and
Latin jazz with enough
space provided for
instrumental
improvisations. Score
available separately -
see item CA.2800700.
Composed by Camille
Saint-Saens. Edited by
Christina M. Stahl. This
edition: urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11305. Published by
Baerenreiter Verlag
(BA.BA11305).
ISBN
9790006567027. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Stahl,
Christina M.
Psalm
137 Super flumina
Babylonis also known as
By the rivers of Babylon
was an inspiration for
many composers including
Camille Saint-Saëns.
He repeatedly occupied
himself with his psalm
motet for solo soprano,
mixed choir, saxophone
quartet, string orchestra
and organ, originally
composed in 1854. Two of
the four versions â??
the first version in
Latin and a much later
version in English for
alto solo, SATB choir and
piano â?? are now
available for the first
time in Urtext performing
editions taking a
meticulous account of all
the
sources.
Saint-Sa
«ns lived up to his
reputation as an
innovative composer by
exploring the use of the
saxophone family in
sacred music just a few
years after the invention
of these instruments. The
successful combination of
voice and saxophone
creates a special sound
experience.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Dominic Has A Doll Soli, choeur mixte et accompagnement [Octavo] Theodore Presser Co.
Two Part Chorus and Piano (SA, TB, SB, or SATB). By Vincent Persichetti. Text: E...(+)
Two Part Chorus and Piano
(SA, TB, SB, or SATB). By
Vincent Persichetti.
Text: E.E. Cummings.
Mixed choir. For 2-part
voices, piano. (2-part).
Four Cummings Choruses:
For Two-Part Mixed
Voices. Choral.
Piano/Vocal Score. Opus
98. 6 pages. Published by
Theodore Presser Company.