By Linda Barrett Hallett. For SSA choir. Medium / Medium-Difficult (accompaniment). Octavo. Published by Jackman Music Corporation

By George Frideric Handel. For SATB Choir, Piano Accompaniment. Baroque, Sacred, Choral, Religious. Sheet Music. 264 pages. Published by Novello and Co Ltd.

(A sacred oratorio). By George Frideric Handel (1685-1759). Edited by Watkins Shaw. For soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir and piano accompaniment. Novello Handel Edition. Baroque, Choral, Christmas and Easter. Difficulty: medium. Vocal score (paperback). Choral notation and piano reduction. 257 pages. Published by Novello and Co Ltd

Chamber Music Bass Clarinet, Celesta, Cello, Flute, Mezzo-soprano voice, Oboe, Percussion, Viola, Violin

SKU: CF.FE189S

Composed by Samuel Adler. Large Score. With Standard notation. 41 pages. Duration 10 minutes. Carl Fischer Music #FE189S. Published by Carl Fischer Music (CF.FE189S).

ISBN 9780825877520. UPC: 798408077525. 9.5 x 13 inches.

Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth Testimonium, a festival to preserve Jewish heritage. The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist. It is dedicated to Recha Freier, the originator and prime mover of the festival. Nuptial Scene is based on a simple medieval poem of prenuptial instruction. Part of it is in Catalan and part in Hebrew. The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492. A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a new song for a new bride. When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty. This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction. When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills -- the dress, the party, the dancing. In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent. Therefore, during the mother's ardent pleas, instructions, admonitions, and even innuendos, the daughter's mind wanders and dreams of dancing. Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance. At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit -- with the use of improvised melodic lines for which only the gestural outlines are given -- she goes into a kind of rapturous trance. The daughter, however, seems unmoved, and she falls asleep. The mother calms down, puts her head on the daughter's shoulder, and quietly muses, then also closes her eyes. --Samuel Adler  .
Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth “Testimonium” , a festival to preserve Jewish heritage.  The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist.   It is dedicated to Recha Freier, the originator and prime mover of the festival.Nuptial Scene is based on a simple medieval poem of prenuptial instruction.  Part of it is in Catalan and part in Hebrew.  The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492.  A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a “new song” for a “new bride”.When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty.  This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction.  When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills — the dress, the party, the dancing.  In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent.  Therefore, during the mother’s ardent pleas, instructions, admonitions, and even innuendos, the daughter’s mind wanders and dreams of dancing.  Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance.  At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit — with the use of improvised melodic lines for which only the gestural outlines are given — she goes into a kind of rapturous trance.  The daughter, however, seems unmoved, and she falls asleep.  The mother calms down, puts her head on the daughter’s shoulder, and quietly muses, then also closes her eyes.—Samuel Adler .

(15 Chamber Compositions) Composed by Vincenzo Bellini. For high voice and piano. Format: piano/vocal songbook. With vocal melody, lyrics, piano accompaniment, text translations and introductory text. Classical period. Text language Italian/English. 79 pages. 8.5x11 inches. Published by Ricordi.

Low Voice. By Vincenzo Bellini. Vocal Collection. Size 8.5x11 inches. 80 pages. Published by Ricordi.

Piano

SKU: BT.VOLMB420

Composed by Franco Concina. Book Only. 44 pages. Volonte e Co #VOLMB420. Published by Volonte e Co (BT.VOLMB420).

ISBN 9788863884142. Italian.

Nella serie Pianoforte Junior, curata da Franco Concina, e dedicata ai giovani pianisti.

Flute/Oboe/Mallet Percussion. By George Frideric Handel. Arranged by James Curnow. This edition: 117406. Curnow Play-Along Book. Play Along. Softcover with CD. 20 pages. Published by Curnow Music.

Trombone/Euphonium BC/TC/Bassoon. By George Frideric Handel. Arranged by James Curnow. Curnow Play-Along Book. Play Along. Softcover with CD. 32 pages. Published by Curnow Music.

B-Flat Clarinet. Composed by George Frideric Handel (1685-1759). Arranged by James Curnow. Curnow Play-Along Book. Play Along. Softcover with CD. 20 pages. Curnow Music #117506400. Published by Curnow Music

Bb Trumpet. By George Frideric Handel. Arranged by James Curnow. Curnow Play-Along Book. Play Along. Softcover with CD. 20 pages. Published by Curnow Music.

By G.F. Handel; Chester L Alwes. For solo voice and piano. Christmas, Eastertide, General, Lent. Sacred vocal

Piano Accompaniment. By George Frideric Handel. Arranged by James Curnow. Curnow Play-Along Book. Play Along. Softcover. 56 pages. Published by Curnow Music.

Eb Alto Saxophone. By George Frideric Handel. Arranged by James Curnow. Curnow Play-Along Book. Play Along. Softcover with CD. 20 pages. Published by Curnow Music.

By Wolfgang Amadeus Mozart, George Frideric Handel. Soprano, trumpet. Level: Moderately difficult. Vocal. Published by Roger Dean.

By Larry Shackley. For piano, four-hands. Concert. Level: Level 3. Sacred piano. Published by Lorenz Publishing Company. (70/1653L)

F/Eb Horn. By George Frideric Handel. Arranged by James Curnow. Curnow Play-Along Book. Play Along. Softcover with CD. 32 pages. Published by Curnow Music.

Unison choir/voices, organ accompaniment - Beginning

SKU: GI.G-2869

Composed by John Eggert. Advent, Thanksgiving Day, Children. Choral. Sacred. Octavo. 4 pages. GIA Publications #2869. Published by GIA Publications (GI.G-2869).

Scripture: Zephania 3:14, 17.

Recorder. By George Frideric Handel. (Recorder). De Haske Play-Along Book. Book and CD Package. Size 9x12 inches. 24 pages. Published by De Haske Publications.