Concert Band - Grade 3.5 SKU: AP.24757S Composed by Robert W. Smith. Conc...(+)
Concert Band - Grade 3.5
SKU: AP.24757S
Composed by Robert W.
Smith. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Concert Band.
Score. 28 pages. Belwin
Music #00-24757S.
Published by Belwin Music
(AP.24757S).
UPC:
038081269276.
English.
The term
current is defined as a
steady flow of water, air
or electricity in a
particular direction.
Whatever form the current
takes, it is a
fascinating source of
energy that supports, yet
challenges mankind in
multiple ways. The
composition Currents by
Robert W. Smith takes its
inspiration by the
various forms of energy
used in the art of music
and in music education.
Unpredictable, yet
constantly flowing, the
interacting musical lines
of energy provide a
unique experience for
both performer and
listener alike.
SKU: CA.210400 Composed by Anonymus and John Hoybye. Edited by Volker Hem...(+)
SKU: CA.210400
Composed by Anonymus and
John Hoybye. Edited by
Volker Hempfling, Stanley
Engebretson. Choral
collections. Conductor's
score, with CD. Sacred
vocal music. Choir Book.
104 pages. Carus Verlag
#CV 02.104/00. Published
by Carus Verlag
(CA.210400).
ISBN
9790007187651.
The
choral collection
Hallelujah. Gospels and
Spirituals transports us
into the fascinating
world of African American
folk songs. 30 gospels
and spirituals have been
arranged for mixed choir,
unaccompanied or with
piano. The choral parts
sometimes divide, and
occasionally solo parts
(or even a small choral
group) are required. The
arrangements with their
catchy rhythms, groove,
their blue notes and
other elements from Jazz
and Blues and the
principles of
call-and-response will
move performers and
audiences in equal
measure. As well as
American classics (e.g.
Amazing grace, Go down
Moses, Kumbaya, Deep
river, Down by the
riverside, Good News, O
when the saints, Nobody
knows, Joshua fit the
battle of Jericho), the
collection also contains
some discoveries from the
beginnings of the genre.
Just under half the
arrangements were
specially commissioned
for the collection. Young
composers from the USA
(such as Courtney Carey,
Marques Garrett) and
arrangers from Canada,
Denmark, and Germany
(including Mark Sirett,
John Hoybye, Thomas
Gabriel, Carsten Gerlitz,
Gunther Martin Gottsche,
and Hans Ludemann) have
contributed to this
stylistically extremely
varied choral collection.
The medium difficulty
level will enable many
choirs to get to grips
with the gospel style,
something which perhaps
few of them are very
familiar with. Tips from
the editors on
performance, and a CD
recording with a
selection of the
arrangements will help
with learning the pieces.
With their deep and
emotional symbolism of
captivity and repression
on the one hand and
redemption and freedom on
the other hand, these
Gospel settings are
well-suited for many uses
in concerts and church
services. arrangements of
around 30 spirituals and
gospels for four-part
mixed choir a cappella or
with keyboard
accompaniment medium
difficulty level a good
introduction for choirs
with little previous
experience of this
repertoire includes
popular classics such as
Amazing grace, Deep
river, Go down Moses,
Good News, Nobody knows,
Joshua fit the battle of
Jericho wide variety of
styles with many new
arrangements conductor's
score with CD
Introductory price: 29.90
Euro, from 01.12.2019:
34.90 Euro.
Auld Lang Syne Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000776-010 Arranged by Menn...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000776-010
Arranged by Menno
Haantjes. Set (Score &
Parts). 81 pages. Gobelin
Music Publications #GOB
000776-010. Published by
Gobelin Music
Publications
(BT.GOB-000776-010).
Whereas ‘Auld
Lang Syne’ may be
considered the best-known
Scottish song ever, yet
at the same time it is an
obscure one, for there
are but few people who
know the complete text by
heart. After the
familiar ‘Should auld
acquaintance be forgot
.....‘ many people take
their refuge to lyrics
like ‘rum tee dum ta
dee ..... lah, lah, lah
........... for auld lang
syne’. Even in
Scotland only a handful
of persons know the
entire text and are able
to give a correct
rendering of it. The
current lyrics have been
attributed to the
Scottish poet Robert
Burns. Burns, however, he
did not write the whole
poem : after he had heard
an old man sing the
centuries-old
Scotchballad, he wrote it
down and added a number
of stanzas (1788).
Historical research
teaches us that the
ballad served many
purposes, both political
and religious.
Nowadays, ‘Auld Lang
Syne’ is sung as a
Christmas Carol and it is
also sung on New Year’s
Eve at the turning of the
year. Apart from that,
though, the song is also
sung on many other
occasions sometimes with
different lyrics, which
usually have Love,
Friendship and/or Parting
as their themes, as these
go well with the
fascinating melody.
In this arrangement
a low-sounding solo
instrument is central.
The harmonization in the
accompaniment fits in
perfectly with the
sentiments this song will
evoke.
Should
auld acquaintance be
forgot And never
brought to mind?
Should auld acquintance
be forgot. And days
of auld lang syne?
For auld lang syne, my
dear, For auld lang
syne, We’ll take a
cup of kindness yet,
For auld lang syne.
Misschien wel het
meest bekende Schotse
lied, maar tegelijkertijd
ook het minst bekende, er
zijn er maar weinig
mensen die de tekst mee
kunnen zingen. Na het
bekende ‘Should auld
acquaintaintance be
forgot and .....‘
vervallenvelen in ‘rum
tee dum ta dee ..... lah,
lah, lah ........... for
auld lang syne’.
Zelfs in Schotland is
maar een enkeling in
staat de tekst correct
weer te geven. De
huidige versie wordt
toegeschreven aan de
Schotse dichterRobert
Burns. Burns heeft echter
niet de hele tekst
gemaakt. Toen hij de
eeuwen oude Schotse
ballade door een oude man
hoorde zingen, heeft hij
enkele verzen toegevoegd
(1788). Historisch
onderzoek leert dat de
ballade voorveel
doeleinden gebruikt werd,
voor politieke als ook
religieuze doelen.
Tegenwoordig wordt
‘Auld Lang Syne’
gebruikt als Christmas
Carol en wordt het
gezongen tijdens de
jaarwisseling op
oudejaarsavond.Het lied,
soms meteen andere tekst,
wordt echter op veel meer
plaatsen gebruikt.
Liefde, Vriendschap en
Afscheid zijn dan meestal
de sentimenten die
gecombineerd worden met
de meeslepende
melodie.
In dit
arrangement staat een
‘laag’
solo-instrumentcentraal.<
br> De harmonisatie in de
begeleiding sluit
naadloos aan bij deze
gevoelens die dit lied
oproepen.
Should
auld acquaintance be
forgot And never
brought to mind?
Should auld acquintance
beforgot And days of
auld lang syne? For
auld lang syne, my
dear, For auld lang
syne, We’ll take a
cup of kindness yet,
For auld lang syne.
Violin 1 SKU: BR.OB-5560-15 Urtext. Composed by George Frideric Ha...(+)
Violin 1
SKU:
BR.OB-5560-15
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Part. 64 pages.
Duration 120'. Breitkopf
and Haertel #OB 5560-15.
Published by Breitkopf
and Haertel
(BR.OB-5560-15).
ISBN
9790004344125. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Obda, 2 Vl, Va, 2 Vg, 2 Lt, Bc SKU: C...(+)
Orchestra Soli SATB, Coro
SATB, 2 Fl, 2 Obda, 2 Vl,
Va, 2 Vg, 2 Lt, Bc
SKU: CA.3119807
Funeral ode.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Cantatas. Study
score. Composed 1727. BWV
198. 96 pages. Duration
35 minutes. Carus Verlag
#CV 31.198/07. Published
by Carus Verlag
(CA.3119807).
ISBN
9790007242435. Language:
German/English.
Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score
available separately -
see item CA.3119800.
(Songs from the Streets, Taverns, Theaters, and Countryside of 17th-Century Engl...(+)
(Songs from the Streets,
Taverns, Theaters, and
Countryside of
17th-Century England).
Edited by Lucie Skeaping.
For Piano (Medium voice).
Book; Vocal Collection.
Faber Edition. Published
by Faber Music .
Three Pieces Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] - Avancé De Haske Publications
Brass Quintet - advanced SKU: BT.DHP-1043522-070 Composed by Modest Petro...(+)
Brass Quintet - advanced
SKU:
BT.DHP-1043522-070
Composed by Modest
Petrovich Mussorgsky.
Arranged by Peter
Knudsvig. Symphonic Brass
Ensemble Series (Rekkenze
Brass). Educational Tool.
Set (Score & Parts) with
CD. Composed 2004. 28
pages. De Haske
Publications #DHP
1043522-070. Published by
De Haske Publications
(BT.DHP-1043522-070).
International.
T
hese three pieces were
originally written for
piano but have echoes of
Mussorgsky?s most famous
work ? Pictures at an
Exhibition. The intention
is to use each instrument
in a virtuosic and
solo-like manner. One can
hear moments of Pictures
in the pieces; The Hut of
Babba Yaga comes to mind
during In the Crimea and
The Village contains a
Promenade section not
unlike that of Pictures.
Still later, the muted
horn and trumpet
?clucking? remind the
listener of the Ballet of
the Chickens.
Eine
gelungene Bearbeitung der
drei Klavierstücke des
russischen Komponisten
Mussorgsky. Peter
Knudsvig lässt in
seinem Arrangement für
Blechbläserquintett
jedes Instrument virtuos
und solistisch
herausragen. Die erste
Stimme kann auch von
Trompete in Es oder
Pikkolotrompete in B
gespielt werden.
Giants Of Jazz Piano Piano seul [Partition] - Intermédiaire/avancé Warner Brothers
Edited by Carol Cuellar. Arranged by Tom Roed. Piano arrangement mixed folio (i...(+)
Edited by Carol Cuellar.
Arranged by Tom Roed.
Piano arrangement mixed
folio
(intermediate/advanced).
Level:
intermediate/advanced.
Published by Warner
Brothers.
Marching Band, Grade 2.5, 3:07 Score. Composed by Otto Schwarz. Symphonic Di...(+)
Marching Band, Grade 2.5,
3:07
Score. Composed by Otto
Schwarz. Symphonic
Dimensions.
Fanfare. Softcover.
Duration
187 seconds. Hal Leonard
#SDP1802301. Published by
Hal
Leonard
Composed
by Lowell Liebermann.
Large Score. Duration 15
minutes. Theodore Presser
Company #116-41139L.
Published by Theodore
Presser Company
(PR.11641139L).
UPC:
680160682126.
Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness.
Orchestra Solo soprano voice, solo tenor voice, SATB chorus (div.), 2 Fl, 2 Ob, ...(+)
Orchestra Solo soprano
voice, solo tenor voice,
SATB chorus (div.), 2 Fl,
2 Ob, 2 Clt, 2 Fg, 4 Cor,
2 Tr, 3 Trb, Oficleide
(Tb), Timp, Arpa, 2 Vl,
Va, Vc, Cb - Grade 3
SKU: CA.2718727
Composed by Georges
Bizet. Edited by Marc
Rigaudière. Single
Part, bassoon 1. Composed
1858. 8 pages. Duration
20 minutes. Carus Verlag
#2718727. Published by
Carus Verlag
(CA.2718727).
Latin.
As an
acclaimed opera composer,
Georges Bizet admitted
that he had no real
sensibility for sacred
music. His Te Deum is
nonetheless a truly
fascinating and highly
expressive work. From the
majestic “Te Deum
laudamusâ€, to the
skillful choral fugue of
“Fiat misericordia
tuaâ€, and the
opening's powerful
recapitulation, the
composition shows no
trace of the difficulties
that beset the young
Bizet by his own
admission before he
finally completed the
work in 1858.
In
the extensive trilingual
preface to this Urtext
edition, editor Marc
Rigaudière illuminates
the circumstances
surrounding the
composition of the Te
Deum, a work which
occupies a singular
position in
Bizet’s œuvre.
The edition is based on
the composer’s
autograph score —
the work's only surviving
source. For the first
time, this work is
available with all
performance parts.
Dan Welcher’s most enduringly and frequently played orchestral work, Prai...(+)
Dan Welcher’s most
enduringly and frequently
played orchestral work,
Prairie Light is a
fascinating musical
companion to three of
Georgia
O’Keeffe’s
most unusual paintings,
Light Coming on the
Plains, Canyon with
Crows, and Starlight
Night. This work is ideal
for performances using
visual projections of the
paintings, and is
frequently programmed for
subscription concerts as
well as those for
educational settings.
Duration: 14’
Parts available on
rental. This work for
full orchestra was
inspired by three
paintings of the noted
Americanartist Georgia
O’Keeffe. These
three watercolors were
done in 1917 while the
artist was living in
Canyon, Texas (near
Amarillo), and deal
primarily with color and
shape. Consequently, the
music is primarily
concerned with broad
lines and shapes rather
than rhythms, with subtle
washes of color rather
than constant harmonic
movement, and with
arching melody instead of
linear counterpoint.The
first movement, Light
Coming on the Plains, is
an elliptical-shaped
painting, deep blue to
indigo with a
“horizon†at
the bottom that seems
flat and unchanging. The
sun hasn’t risen
yet, although it does in
the course of this
movement, but it seems
instead to be providing
light from behind the
canvas. The music is
unmoving in terms of
rhythm or harmony
(although there is a
modulation midway
through), a color-infused
mantra of sound that is
almost Eastern.At the
height of the sun, we
proceed to the second
movement, entitled Canyon
with Crows. The canyon is
red-orange, with black
crows circling above
friendly unfolding hills.
The music is gentle but
lively and more rhythmic,
with the birds
represented by solo oboe,
clarinet, and sometimes
flute. Halfway through,
the brass have a chorale
version of the opening
motive, played very
slowly, over the unending
triplets of woodwinds and
strings. At the end of
the movement, the
birds return for a
duo-cadenza, accompanied
by the dying rays of the
sun in muted strings and
the ongoing triplets of
the solo quartet.The
stage is set for the
final movement, Starlight
Night. In
O’Keeffe’s
painting, the stars are
represented by
regularly-spaced
rectangles of bright pale
yellow on a blue-black
sky, with the same shape
to the field of vision
and the horizon that is
found in Light Coming on
the Plains. The stars
become audible: harp,
celesta, glockenspiel,
and string pizzicati all
lend a sparkle while a
solo flute introduces a
slowly unfolding theme.
After this theme has been
heard twice and the sky
has begun to really
brighten, there is a
sudden interruption: a
xylophone and a piano
begin another
“mantra†in
brittle staccato chords.
This is the same
mechanical eternity as
O’Keeffe’s
regularly-spaced square
stars, and it continues
on its own as the night
progresses. The music
builds and grows as the
moon rises and arcs, then
falls as the pre-dawn
light that opened the
work returns to bring it
to a close. Acycle of
light, changing with the
movements of sun, moon,
and stars, appearing
differently from various
points of view
Chamber Music Prepared Piano SKU: CF.FE5A Prepared Piano. Composed...(+)
Chamber Music Prepared
Piano
SKU: CF.FE5A
Prepared Piano.
Composed by Robert Ehle.
Performance score. With
Standard notation. 8
pages. Carl Fischer Music
#FE5A. Published by Carl
Fischer Music (CF.FE5A).
ISBN 9780825878534.
UPC: 798408078539. 9.5 x
13
inches.
Hypersonde
(1968) reflects the
fascination of a young
composer with the
marriage of electronics
and music. Maurice
Hinson's Guide to the
Pianist's Repertoire
notes, Five microphones
are attached close to the
strings to modify the
sound electronically.
Written so that a
particular note on the
upper staff stands for a
microphone placed closed
to the string sounding
that pitch. Performing
directions are included.
Robert Ehle is currently
Professor of Music Theory
and Composition and
Graduate Coordinator in
the School of Music at
the University of
Northern Colorado, and
has been working on a
series of compositions
which seek to translate
musical languages from
around the globe. For
advanced performers.
Wiegenlied Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Quintet - early intermediate SKU: BT.DHP-1043523-070 Composed by Jo...(+)
Brass Quintet - early
intermediate
SKU:
BT.DHP-1043523-070
Composed by Johannes
Brahms. Arranged by Peter
Knudsvig. Symphonic Brass
Ensemble Series (Rekkenze
Brass). Educational Tool.
Set (Score & Parts) with
CD. Composed 2004. 12
pages. De Haske
Publications #DHP
1043523-070. Published by
De Haske Publications
(BT.DHP-1043523-070).
International.
F
or this arrangement of
Wiegenlied, Johan Brahms?
famous melody was used as
the starting point and
combined with an alpine
horn call. The intention
here is not to undermine
the original but to pay
homage to Brahms? ability
to write a ?hit? melody.
Für diese
Bearbeitung des
Wiegenliedes wurde
die berühmte Melodie
von Johannes Brahms als
Ausgangspunkt verwendet
und mit dem Ruf eines
Alphorns vor einem eher
unüblichen Hintergrund
kombiniert. Damit soll
nicht das Originalwerk
untergraben, sondern
vielmehr Brahms’
Fähigkeit, eine
‘Hitmelodie’
zu schreiben, gehuldigt
werden.
Gospel John Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1074230-120 Composed by Jeff Steinberg...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1074230-120
Composed by Jeff
Steinberg. Arranged by
Lorenzo Bocci. Applause
Series. Pop & Rock. Score
Only. Composed 2007. 24
pages. De Haske
Publications #DHP
1074230-120. Published by
De Haske Publications
(BT.DHP-1074230-120).
9x12 inches.
English-German-French-Dut
ch.
The powerful,
dynamic number Gospel
John, by the versatile
Americancomposer,
producer and music
educator Jeff Steinberg,
is known inparticular
through performances by
Maynard Ferguson. In his
versionit seemed as if a
typical Afro-American
preacher ascended the
pulpitand impassioned an
enthusiastic congregation
with his fiery plea.This
exciting arrangement by
Lorenzo Bocci has the
same
compellingtemperament and
adds an energetic touch
to any concert.
Het stevige,
dynamische nummer
Gospel John van de
veelzijdige Amerikaanse
componist, producer en
muziekdocent Jeff
Steinberg is vooral
bekend in de uitvoering
van de in 2006 overleden
Maynard Ferguson. In zijn
versie lijkthet alsof een
typisch Afro-Amerikaanse
predikant de kansel
bestijgt en een
enthousiaste gemeente in
vervoering brengt met
zijn vurige betoog. Dit
spetterende arrangement
van Lorenzo Bocci heeft
hetzelfde meeslepende
temperament enzorgt voor
een energieke noot in elk
concert.
Gospel
John, die dynamische
Nummer aus der Feder des
amerikanischen
Komponisten und
Musiklehrers Jeff
Steinberg, wurde
besonders durch Maynard
Ferguson bekannt. In
dessen Interpretation sah
man förmlich einen
afroamerikanischen
Prediger, der die
Gemeinde begeisterte und
mit sich riss. Diese
spannende Bearbeitung von
Lorenzo Bocci
versprüht das gleiche
Temperament und verleiht
jedem Konzert einen Schub
Energie.
Edited by Helen Marlais. Arranged by Kevin Olson and Nancy Lau. For Piano. The F...(+)
Edited by Helen Marlais.
Arranged by Kevin Olson
and Nancy Lau. For Piano.
The FJH Pianist's
Curriculum. Performance.
Intermediate. Book and
CD. 47 pages
By George Gershwin and Ira Gershwin. Arranged by Mark Hayes. Choir Secular. SATB...(+)
By George Gershwin and
Ira Gershwin. Arranged by
Mark Hayes. Choir
Secular. SATB choir.
Choral Octavo. Pop
Choral. 12 pages.
Published by Alfred Music
Publishing
O Holy Night Orchestre [Conducteur] - Intermédiaire Alfred Publishing
Cantique de Noel. Arranged by Calvin Custer. Arr. Calvin Custer. For Full Orches...(+)
Cantique de Noel.
Arranged by Calvin
Custer. Arr. Calvin
Custer. For Full
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra. Level:
3.5 (grade 3.5).
Conductor Score. 20
pages. Published by
Alfred Publishing.
Violin SKU: HL.50601306 Violin. Composed by Lera Auerbach. String....(+)
Violin
SKU:
HL.50601306
Violin. Composed
by Lera Auerbach. String.
Classical. Softcover. 20
pages. Sikorski #SIK8860.
Published by Sikorski
(HL.50601306).
8.25x11.5x0.085
inches.
Lera
Auerbach's
“par.ti.taâ€
is a commissioned work by
the Bachwoche Ansbach and
received its world
premiere on 29 July 2007
at the Bachwoche,
performed by Vadim
Gluzman. Gluzman has
remarked:
“'par.ti.taâ€
is an incredible work,
projecting Lera's
lifelong fascination with
Bach ... We hear traces
and echoes of Brandenburg
Concerti, Concerto for
two violins, Sonatas and
Partitas for violin solo.
No particular work is
being quoted, yet I can't
help the feeling of being
drawn to an incredible
world of shades, echoes -
are these shades of
ourselves? (...).
Accordion - difficult SKU: HL.49008128 From Musica ricercata. Comp...(+)
Accordion - difficult
SKU: HL.49008128
From Musica
ricercata. Composed
by Gyorgy Ligeti.
Arranged by Max Bonnay.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 22 pages.
Duration 17'. Schott
Music #ED8699. Published
by Schott Music
(HL.49008128).
ISBN
9790001121491. UPC:
073999550139.
9.0x12.0x0.164
inches.
The use of
this popular instrument
adds an intriguing and
fascinating dimension to
these movements taken
from a collection of
early piano pieces.
Evil Jungle Prince Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.024-4797-00 Composed by Neeck. Young Concert Band. Score ...(+)
Grade 2
SKU:
CL.024-4797-00
Composed by Neeck. Young
Concert Band. Score and
set of parts. C.L.
Barnhouse #024-4797-00.
Published by C.L.
Barnhouse
(CL.024-4797-00).
Evil Jungle
Prince is a fascinating
and creative original
work for young band,
whose dramatic themes and
exotic colors evoke the
savage mystery of a
steamy, jungle kingdom.
Pulsating rhythms propel
bold and colorful themes,
with unique percussion
scoring providing
interest and intensity.
Take your band to the
next level, with this
highly approachable, yet
mature-sounding piece.
Unique!
Doppler Effect Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS143F Composed by Sean O'Loughlin. ...(+)
Band Concert Band - Grade
2
SKU: CF.YPS143F
Composed by Sean
O'Loughlin. Young Band.
Full score. With Standard
notation. 20 pages.
Duration 2 minutes, 37
seconds. Carl Fischer
Music #YPS143F. Published
by Carl Fischer Music
(CF.YPS143F).
ISBN
9780825896354. UPC:
798408096359. 9 x 12
inches.
The term
Doppler Effect describes
the aural phenomenon of
something changing pitch
relative to what
direction it is traveling
in relation to the
listener. An example is
when a siren coming
towards you is higher in
pitch then when it is
going away from you. Sean
O'Loughlin uses this
fascinating concept to
construct an original
composition that uses
instances of this effect.
A broad melody acts as a
connective element in the
piece, with a multitude
of teaching opportunities
for dynamics and
musicality.