Jazz Ensemble standard jazz ensemble (Kendor Konvertible for 9-17 players) - Gra...(+)
Jazz Ensemble standard
jazz ensemble (Kendor
Konvertible for 9-17
players) - Grade 2
SKU: KN.00661
Composed by Mike Lewis.
Jazz Gateway. Easy Swing.
Kendor Music Inc #00661.
Published by Kendor Music
Inc (KN.00661).
UPC:
822795006612.
Great
writing in the Basie
tradition is presented
here for developing jazz
musicians, featuring
accessible brass ranges,
notated rhythm section
parts, and flexible
instrumentation
requirements. It even has
Count Basie's signature
piano figure at the end!
A guitar chord chart by
Jim Greeson is included
in each set. Duration
4:10. Available in
SmartMusic.
Jazz Ensemble Kendor Konvertible for 9-17 players - Grade 2 SKU: KN.00661S(+)
Jazz Ensemble Kendor
Konvertible for 9-17
players - Grade 2
SKU:
KN.00661S
Composed by
Mike Lewis. Jazz Gateway.
Kendor Music Inc #00661S.
Published by Kendor Music
Inc (KN.00661S).
UPC:
822795006612.
Great
writing in the Basie
tradition is presented
here for developing jazz
musicians, featuring
accessible brass ranges,
notated rhythm section
parts, and flexible
instrumentation
requirements. It even has
Count Basie's signature
piano figure at the end!
A guitar chord chart by
Jim Greeson is included
in each set. Duration
4:10. Available in
SmartMusic.
Flute - Grade 4 SKU: OT.23054 Composed by Daniel Akiva. Published by OR-T...(+)
Flute - Grade 4
SKU:
OT.23054
Composed by
Daniel Akiva. Published
by OR-TAV Music
Publications (OT.23054).
ISBN
9789655050042.
Dani
el Akiva is an
internationally known
composer and guitar
artist. Like many of his
works, the Three Pieces
for Solo Flute relates to
music of the Sephardic
(Spanish) Jewish
tradition.
Keyboard, guitar SKU: GI.G-9700 Sacred. GIA Publications #9700. Published...(+)
Keyboard, guitar
SKU:
GI.G-9700
Sacred. GIA
Publications #9700.
Published by GIA
Publications (GI.G-9700).
ISBN
9781622773930.
Sant
o, Santo, Santo / Holy,
Holy, Holy equips
Spanish-speaking and
English-speaking
Christians to sing
together in congregations
and parishes, seminaries
and schools, care
facilities and homes,
offering communities a
comprehensive collection
of songs that span the
full range of worship
elements, occasions, and
pastoral and theological
themes. A symbol of unity
of the church, this
hymnal assists leaders in
finding beautifully
crafted translations of
songs they already know
and love, and in
discovering compelling
new songs from a variety
of cultures and Christian
traditions.
Bridal Chorus from Lohengrin. (String Trio - Violin, Viola, Cello). By Richard W...(+)
Bridal Chorus from
Lohengrin. (String Trio -
Violin, Viola, Cello). By
Richard Wagner
(1813-1883). For String
Trio. String. Score and
parts. 20 pages. Schott
Music #ED20376. Published
by Schott Music
Bridal Chorus from Lohengrin. Composed by Richard Wagner (1813-1883). Arranged b...(+)
Bridal Chorus from
Lohengrin. Composed by
Richard Wagner
(1813-1883). Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Cello-Bibliothek (Cello
Library). Classical,
Wedding. Score and parts.
16 pages. Schott Music
#CB 207. Published by
Schott Music
Bridal Chorus from Lohengrin. Composed by Richard Wagner (1813-1883). Arranged b...(+)
Bridal Chorus from
Lohengrin. Composed by
Richard Wagner
(1813-1883). Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Cello-Bibliothek (Cello
Library). Classical,
Wedding. Score and parts.
16 pages. Schott Music
#CB 207. Published by
Schott Music
Jazz Ensemble trumpets double on flugelhorn - Grade 3 SKU: KN.62310S Comp...(+)
Jazz Ensemble trumpets
double on flugelhorn -
Grade 3
SKU:
KN.62310S
Composed by
Fred Sturm. Jazz Journey.
Kendor Music Inc #62310S.
Published by Kendor Music
Inc (KN.62310S).
UPC:
822795623109.
Kendo
r continues its tradition
of publishing accessible
charts that have
integrity and style with
this cleverly titled
original for advancing
groups. Set in a warm,
contemporary feel, this
straight eighth ballad
features the pianist on
written figures and a
flugelhorn soloist that
improvises over lush
chord changes. Voicings
are clearly notated for
the pianist and bass
lines are provided to
assist student players.
This piece should be
approached like a wind
chorale with bucket-muted
brass playing smooth
legato articulations.
Strategically placed
dynamic contrasts add to
the appeal of this
innovative work. A guitar
chord chart by Jim
Greeson is included in
each set. Duration
4:50.
Jazz Ensemble Jazz Band - Grade 4 SKU: FJ.HX9015S Score Only. Comp...(+)
Jazz Ensemble Jazz Band -
Grade 4
SKU:
FJ.HX9015S
Score
Only. Composed by
Jamie Roth. Jazz
Ensemble; Performance
Music Ensemble; Single
Titles. HXmusic. Jazz;
Swing. Score. The FJH
Music Company Inc
#98-HX9015S. Published by
The FJH Music Company Inc
(FJ.HX9015S).
English.
Brimmin
g with optimism, this
original chart from Jamie
Roth pulls from gospel
tradition in a bright and
cheerful full-band
setting. After a
straight-eighth-note
introduction builds to a
huge plagal cadence, the
band emerges in shuffle
swing time with each
section featured in turn.
Solo changes are provided
for Piano, Alto 1, Tenor
1, Trumpet 2, Trombone 2,
and Guitar. A
transcription of the
Tenor Sax solo from the
recording is provided.
Detailed rhythm section
parts include written
bass lines and suggested
piano voicings. Great
writing with lots of
tasty lines for every
part in the band! (Top
trumpet note: C6).
SKU: BR.EB-9397 (Plainte sur la perte de la reflexion musicale). C...(+)
SKU: BR.EB-9397
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9397.
Published by Breitkopf
and Haertel (BR.EB-9397).
ISBN 9790004188712. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109.
True North Ensemble Jazz [Conducteur et Parties séparées] Kendor Music Inc.
By Mike Dana. For jazz ensemble with optional vocal. Jazz Journey Series. Even-E...(+)
By Mike Dana. For jazz
ensemble with optional
vocal. Jazz Journey
Series. Even-Eighth ECM
Feel. Medium. Score and
set of parts. Duration 3
minutes, 25 seconds.
Published by Kendor Music
Inc
Jazz Ensemble standard Jazz ensemble (Kendor Konvertible for 9-17 players) with ...(+)
Jazz Ensemble standard
Jazz ensemble (Kendor
Konvertible for 9-17
players) with opt. flute,
clarinet, F horn, tuba
and vibes - Grade 2
SKU: KN.KEN60061
Composed by David
Springfield. Jazz
Gateway. Medium Swing.
Score and Parts. Kendor
Music Inc #KEN60061.
Published by Kendor Music
Inc (KN.KEN60061).
UPC:
822795600612.
This
medium swing original for
developing groups is a
riff-based blues in the
tradition of the Count
Basie and Duke Ellington
bands. The solo section
is playable by any
instrument with solo
sheets provided in all
keys, along with scales
to assist students in
improvisation. Featuring
Kendor Konvertible
scoring for 9-17 players,
each set includes a
guitar chord chart by Jim
Greeson and optional
flute, clarinet, horn in
f, tuba and vibes parts.
Duration 3:45.
Chorale SATB SATB, Piano [Octavo] Alfred Publishing
sa Criolla by Ariel Ramirez (1921-). Choir Sacred. For SATB choir, piano (or har...(+)
sa Criolla by Ariel
Ramirez (1921-). Choir
Sacred. For SATB choir,
piano (or harpsichord),
guitar, string bass and
percussion (3 players)
(SATB choir). Choral
(Sacred); Choral Worship
Cantata; Larger Works;
Worship Resources.
Lawson-Gould. Folk Mass
based on the rhythms and
traditions of Hispanic
America. Choral, Sacred
and Spanish. Octavo. 64
pages. Published by
Alfred Music Publishing
Finders Keepers Ensemble Jazz [Conducteur] - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.032-0338-01 Composed by Lawn. Jazz Ensemble. Extra full s...(+)
Grade 3
SKU:
CL.032-0338-01
Composed by Lawn. Jazz
Ensemble. Extra full
score. Composed 1986.
C.L. Barnhouse
#032-0338-01. Published
by C.L. Barnhouse
(CL.032-0338-01).
Good ballads in
any style are difficult
to find and this
contemporary funk groove
is definitely a keeper.
Alto sax is showcased in
the popular David Sanborn
tradition and a
contrasting bossa nova
solo section spotlights
piano or guitar.
Fantasia Espanola Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire/avancé FJH
By Soon Hee Newbold. Arranged by Soon Hee Newbold. String Orchestra. FJH String ...(+)
By Soon Hee Newbold.
Arranged by Soon Hee
Newbold. String
Orchestra. FJH String
Orchestra. Score for this
title: ST6095S. Extra
part for this title:
ST6095P. Level: 4.
Published by The FJH
Music Company Inc.
Voice and Guitar (BR) SKU: HL.49023848 33 spanische Lieder und Leben, ...(+)
Voice and Guitar (BR)
SKU: HL.49023848
33 spanische Lieder
und Leben, Land und
Leute. Composed by
Sell. Edited by Stefan
Sell. Arranged by Stefan
Sell. This edition:
Paperback/Soft Cover.
Sheet music.
Kunter-bund-edition.
Songbook. 96 pages.
Schott Music #BUND 71137.
Published by Schott Music
(HL.49023848).
ISBN
9783766311375.
6.0x8.5x0.238 inches.
Spanish -
German.
Dieser
Pocket-Guide der
spanischen Volksmusik
fuhrt mit 33 Lieder auf
eine Reise durch eine
ganz besondere sudliche
Welt. Sie handelt von der
Liebe, der Arbeit, der
Religion, vom Kindsein,
von Melancholie und
Leidenschaft - und von
der sudlichen
Lebensfreude. Vielleicht
wurde das spanische Lied
auf dem Rucken eines
Maultieres geboren ...Auf
jeden Fall lebt es auch
heute noch durch sein
temperamentvolles
Zusammenspiel von Musik,
Tanz und Gesang. Alle
Lieder wurden ins
Deutsche ubersetzt und
teilweise mit kleinen
Geschichten, Kuriositaten
und passenden
Informationen
belebt.Stefan Sell hat
sie fur Gitarre neu
arrangiert und bewusst
leicht spielbar gehalten.
Es gibt viele nutzliche
Tipps fur die Begleitung
auf diesem Instrument,
das sehr eng mit der
Tradition des Landes
verbunden, ja fast der
Resonanzkorper der
spanischen Seele ist.
Finders Keepers Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.032-0338-00 Composed by Lawn. Jazz Ensemble. Score and se...(+)
Grade 3
SKU:
CL.032-0338-00
Composed by Lawn. Jazz
Ensemble. Score and set
of parts. Composed 1986.
C.L. Barnhouse
#032-0338-00. Published
by C.L. Barnhouse
(CL.032-0338-00).
Good ballads in
any style are difficult
to find and this
contemporary funk groove
is definitely a keeper.
Alto sax is showcased in
the popular David Sanborn
tradition and a
contrasting bossa nova
solo section spotlights
piano or guitar.
Jazz Ensemble standard Jazz ensemble (Kendor Konvertible for 9-17 players) with ...(+)
Jazz Ensemble standard
Jazz ensemble (Kendor
Konvertible for 9-17
players) with opt. flute,
clarinet, F horn, tuba
and vibes - Grade 2
SKU: KN.60830S
Composed by Greg
Yasinitsky. Jazz Gateway.
Kendor Music Inc #60830S.
Published by Kendor Music
Inc (KN.60830S).
UPC:
822795608304.
Here
is a fun chart that
provides the perfect
vehicle to spotlight the
unsung hero of the big
band - the drummer.
Mindful of the traditions
established by such
legends as Mel Lewis,
Louis Bellson, Sonny
Payne, Buddy Rich, and
Harold Jones, great
learning material is
presented for developing
groups by including a
variety of textures and
making effective use of
softer dynamics, roaring
ensemble work, and
saxophone soli passages.
Each set includes a
guitar chord chart by Jim
Greeson. Duration 4:50.
Available in
SmartMusic.
Tunnel Traffic Ensemble Jazz - Intermédiaire Kendor Music Inc.
Jazz Ensemble standard jazz ensemble - Grade 3 SKU: KN.61781 Composed by ...(+)
Jazz Ensemble standard
jazz ensemble - Grade 3
SKU: KN.61781
Composed by Scott Ninmer.
Jazz Journey. Swing.
Score and parts. Kendor
Music Inc #61781.
Published by Kendor Music
Inc (KN.61781).
UPC:
822795617818.
This
burning swing/shuffle
chart maintains the blues
tradition while mixing in
some contemporary
harmonies, with nice
shout sections for the
entire ensemble. Written
or ad lib solo space is
included for trumpet and
alto saxophone. Written
for advancing groups,
each set includes a
guitar chord chart by Jim
Greeson. Duration
5:20.
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.