By Daniel Gottlob Turk. Edited by Howard Ferguson. For Piano solo Harpsichord ...(+)
By Daniel Gottlob Turk.
Edited by Howard
Ferguson. For Piano solo
Harpsichord Keyboard.
Level: 1, 2, 3, 4, 5. 40
pages. Published by ABRSM
(Associated Board of the
Royal Schools of Music).
The Decade Series. E-Z Play Today (Easy big-note right-hand-only arrangements fo...(+)
The Decade Series. E-Z
Play Today (Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 160 pages.
Published by Hal Leonard.
(25 Sing-Along Songs to Cheer You Up!). By Ian Whitcomb. For Ukulele (Soprano). ...(+)
(25 Sing-Along Songs to
Cheer You Up!). By Ian
Whitcomb. For Ukulele
(Soprano). Solos. Bill's
Music Shelf. Bluegrass.
Intermediate. Book
Online Audio. 52 pages.
Published by Mel Bay
Publications, Inc
Keyboard (KEYB) - easy SKU: HL.49032559 11 neue Arrangements. Comp...(+)
Keyboard (KEYB) - easy
SKU: HL.49032559
11 neue
Arrangements.
Composed by Keyboard.
Arranged by Steve
Boarder. This edition:
Saddle stitching. Sheet
music. Edition Schott. 24
pages. Schott Music #ED
8235. Published by Schott
Music (HL.49032559).
ISBN 9783795753023.
9.0x12.0x0.096
inches.
Keine
Frage! Zu einem modernen,
komfortabel
ausgestatteten Keyboard
gehoren auch zeitgemasse,
ansprechende
Notenausgaben. Diese
Serie ist fur die
Keyboards der neuen
Generation
massgeschneidert, die die
leicht spielbaren
Arrangements im
Supersound erklingen
lassen. Die Ausstattung
der Hefte durfte alle
Erwartungen eines
Keyboarders erfullen. Sie
finden: Vorschlage zur
Registrierung, zum Tempo,
zur Begleitautomatik, zum
Einsatz von Effekten,
leicht spielbare
Fingersatze, Hinweise zur
Ausfuhrung jedes Stuckes
und je eine Tabelle, in
die Sie Ihre personlichen
Gestaltungsideen
eintragen konnen. Die
doppelseitige Einlage:
zeigt Ihnen alle Griffe
fur den Einsatz der
Einfinger-Akkord-Automati
k, gibt Ihnen
grundlegende
Informationen uber die
Moglichkeiten Ihres
Instruments, enthalt
speziell auf das Keyboard
zugeschnittene Tipps zum
Uben, mit deren Hilfe Sie
jedes dieser Stucke
vorfuhrreif spielen
lernen und erklart und
ubersetzt im Mini-Lexikon
mehr als 60 Begriffe aus
der Fachsprache des
Keyboarders.
Country, Saddle-stitched.
Folk. Book and online
audio. Mel Bay
Publications, Inc
#30906M. Published by Mel
Bay Publications, Inc
(MB.30906M).
ISBN
9781513476643. 8.75X11.75
inches.
This solo
collection presents 19
iconic melodies from the
American traditional song
book plus 6 modern
original compositions by
William Bay, president of
Mel Bay Publications; all
selections have been
arranged in tablature for
the 5-string banjo in
gDGBD tuning by
Catalonian
multi-instrumentalist and
bluegrass specialist,
Llu?s G?mez.Any
collection of American
ballads would be
incomplete without
settings of the beautiful
melodies penned by
Stephen Foster, several
of which appear here
including Beautiful
Dreamer, Darling Nellie
Gray, I Dream of Jeanie
with the Light Brown
Hair, and Hard Times,
Come Again No More. Some
of these tunes are
arranged in uncommon
banjo keys, all without
retuning the banjo or
using a capo. These keys
may be challenging at
first but will teach you
a lot about the banjo
fretboard.The authorÃ?s
generous preface offers
tips on practice,
performance and
interpretation rarely
found in tablature
collections such as
these, but this book has
it all, including online
recordings of each
arrangement.
Composed by Johann Sebastian Bach (1685-1750). Guitar. Classical. Softcover Audi...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Guitar.
Classical. Softcover
Audio Online. With guitar
tablature. 88 pages.
Published by Cherry Lane
Music
(100 Songs Excerpted for Successful Auditions). Edited by Michael Dansicker. For...(+)
(100 Songs Excerpted for
Successful Auditions).
Edited by Michael
Dansicker. For baritone
voice solo, bass voice
solo and piano
accompaniment. Vocal
Collection. Broadway,
Movies and Pop.
Difficulty: medium.
Songbook. Vocal melody,
lyrics, piano
accompaniment, chord
names and introductory
text. 172 pages.
Published by Hal Leonard
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 192 pages.
Published by Hal Leonard.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #YPS212F.
Published by Carl Fischer
Music (CF.YPS212F).
ISBN 9781491152997.
UPC:
680160910496.
Takin
g its title from a poem
about grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
Composed by Larry Clark.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+2+2+4+10+20+4
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS212.
Published by Carl Fischer
Music (CF.YPS212).
ISBN 9781491152317.
UPC: 680160909810. Key: C
minor.
Taking its
title from a poem about
grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate
SKU: OT.26114
Composed by Ariel
Lazarus. A short suite
for classical guitar
based on themes from the
Spanish and Portuguese
tradition. Classical.
Score. OR-TAV Music
Publications #26114.
Published by OR-TAV Music
Publications (OT.26114).
ISBN 9789655051049.
8.27 x 11.69
inches.
Ariel
Lazarus Guitarra
Liturgia Two pieces
based on music from the
Spanish and Portuguese
tradition.
Contents: Jerusalem
de Sefarad - Suite for
Guitar Contrapunto
Sefardi The composer
writes: For many
years I wanted to compose
a piece for guitar which
would inspire interested
students to expand their
repertoire in the
direction of Jewish
music. The most natural
thing for me was to write
a suite based on themes
from the synagogue in
which I grew up –
the Spanish and
Portuguese synagogue of
Gibraltar. My beloved
grandfather served all
his life as hazzan
(cantor) of this
synagogue, and I always
felt as a composer and
educator that I had a
special obligation to
continue his tradition
and pass it on to a new
generation. In this
composition, I let the
guitar echo the piyyutim
(semi-liturgical poems)
that were part of my
childhood: Adon Olam,
Sh'charchoret, Achot
K'tana, Yigdal, Borei ad
Ana, all of which are
sung in the Spanish and
Portuguese tradition from
Gibraltar to London, and
from New York to
Jerusalem. I let myself
dream the piyyutim, take
them apart and
reconstruct them as a
short suite for guitar,
the results of which you
are invited to hear here.
As a conceptual idea for
the suite, I choose to
suggest about the
cultural continuation
between the Diaspora and
the land of Israel by way
of referencing the
well-known melody of
Naomi Shemer, which is
also popular among the
hazzanim. Dr. Ariel
Lazarus is a unique voice
among Israeli
composer-performers
today. Brought up in a
family with Jewish
musical roots both in
Gibraltar and Westphalia,
he began composing and
playing the guitar in his
teens, and has been
committed to developing
his own compositional
language ever since,
always maintaining an
open dialogue with his
traditions. Lazarus
received his BMus and
MMus degrees from
Oklahoma City University
in classical guitar
performance and
composition where he
studied with American
composer Dr. Edward
Knight. He earned his PhD
from Bar Ilan University,
studying composition with
Prof. Betty Olivero and
Prof. Gideon Lewensohn
and conducting research
under the supervision of
Prof. Edwin Seroussi from
the Hebrew University.
His symphonic works have
been premiered by the
Raanana Symphonette
Orchestra, and his
chamber works have been
performed by various
ensembles in the United
States, Central Europe,
Portugal, Gibraltar,
Scandinavia and Israel.
Lazarus performs
regularly as Art
Ambassador on behalf of
the Israeli Ministry of
Diaspora affairs Amiel
BaKehila program. His
solo album A Hebrew
Capriccio was released by
the German boutique label
SmoothFactor and was
awarded critical acclaim,
among others, in Haaretz,
and Neue Westfalishe.
Dr. Lazarus is the
musical director and
co-founder of the Israeli
Ladino Orchestra. His
work with the orchestra
has been recognized by
the official Carta de
España. He teaches at
the Academic College for
Education Givat
Washington, and the Rimon
School of Music.
Lazarus’s work has
been awarded by the
Israeli Pais Art council
and ACUM.
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Voice, recorder, piano and guitar - Moderate to Intermediate SKU: FP.FPT02(+)
Voice, recorder, piano
and guitar - Moderate to
Intermediate
SKU:
FP.FPT02
Composed by
Thomas Pitfield.
Published by Forsyths
Publications (FP.FPT02).
ISBN
979-0-57050-253-0.
Selected songs spanning
50 years demonstrating
Pitfield's distinctive
voice, to be cherished
for its precision of
technique and delicacy of
effect. John McCabe
writes if Pitfield had
written only the first
song in the book, Cuckoo
and Chestnut Time, he
would have earned our
gratitude for that
perfect little gem alone!
Also contains the
composer's own
illustrations. Thomas
Pitfield had the gift for
memorable tunes, often
couched in somewhat
French-sounding harmonic
and decorative idiom. He
admired Vaughan Williams,
Grainger and Delius and
their influence can be
felt in his works.