100 % tubes Lignes mélodiques avec chiffrages et grilles guitare. 135 succès/ Recueil / Chant et Guitare

Voici une partition musicale pour Flûte Traversière et plus spécialement pour Flûte Et Guitare que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est 9 PIECES VOLUME 1 : 4 PIECES a été composée par le célèbre compositeur Dowland John. C'est l'éditeur Billaudot sous la référence GB6972 qui a les droits pour éditer cette partition. / Flûte Et Guitare / Partition

Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

The New Decade Series provides great synopses of the musical decades, including the most iconic songs from each era presented for Piano, Vocal and Guitar. Songs of the 2010s includes hits from Adele, Ed Sheeran, Taylor Swift and many more! 1. All About That Bass [Meghan Trainor] 2. All Of Me [John Legend] 3. Bad Guy [Billie Eilish] 4. Budapest [George Ezra] 5. Call Me Maybe [Carly Rae Jepsen] 6. Chandelier [Sia] 7. Cheap Thrills [Sia] 8. City Of Stars (from La La Land) 9. Cups (When I?m Gone) (from Pitch Perfect) 10. Despacito [Luis Fonsi] 11. Firework [Katy Perry] 12. Forget You [Cee Lo Green] 13. Gangnam Style [PSY] 14. Get Lucky [Daft Punk] 15. God?S Plan [Drake] / Piano voix guitare / Hal Leonard

Par . La nouvelle collection The New Decade Series propose une compilation des meilleurs tubes pop-rock par décennies musicales arrangés pour Piano, Voix et Guitare. Découvrez les 4 premiers volumes de cette collection contenant environs 80 morceaux chacun : - les années 90 des Spice Girls à Oasis - les années 80 de Madonna à David Bowie - les années 70 d'ABBA à Queen - les années 60 des Beatles à Jimi Hendrix / Date parution : 2022-10-25/ Recueil / Piano/Vocal/Guitare (PVG)

Teach yourself to play your favorite songs on guitar with this multi-media learning experience! Each song in the book includes a comprehensive online video lesson with an interactive song transcription, slow-down features, looping capabilities, track choices, play-along functions, and more. The price of this book includes access to all of these online features! This edition will teach you 10 acoustic classics: Angie (The Rolling Stones) - Daughters (John Mayer) - Drive (Incubus) - Iris (Goo Goo Dolls) - Layla (Eric Clapton) - Mr. Jones (Counting Crows) - More Than Words (Extreme) - Patience (Guns N' Roses) - Wonderwall (Oasis) - You Were Meant for Me (Jewel). / Guitare

Jazz Play-Along Vol.60. Par HUBBARD FREDDIE. 11 Favoris du kiosque à musique composée et enregistrée par un des plus grands innovateurs de trompette du Jazz de niveau intermédiaire et avancé. Une direction différente que la plupart de nos autres pièce-a-longs en ce que bon nombre des airs incorporent de nouvelles influences musicales et styles comme le rock, latine et fusioerfect définie pour quiconque souhaite 'pimenter' leur répertoire. Un total de huit musiciens professionnels de l'agrégat vous sauvegarder les sur cet ensemble dans une variété de combinaisons de donner à chaque chanson un toucher légèrement différent et rendre l'ensemble s'animent ! Rhyttion est le Dan Haerle, Mark Levine-Piano - Todd Coolman ou John Goldsby-basse - Ed Soph ou Barry Ries - batterie / Rép International / Recueil / Tout Instrument

Jazz Play-Along Vol.75. Cela pourrait ont été intitulé mesures de bébé pour géant étapes.' Enfin, il existe une méthode étapes-par-étape d'apprentissage non seulement un pas de géant et le compte à rebours, mais aussi comment remplacer ces changements de corde insaisissable des changements de corde standard dans la célèbre Standards.econd CD se décompose en simples segments tempos confortables, le cycle de Giant Steps. Plusieurs normes bien connus avec harmonie Giant Steps substitué à l'harmonie traditionnel sont également inclus ! La meilleure façon d'apprendre l'harmonie d'un pas de géant ! Rythme n comprend Andy LaVerne, Piano - John Patitucci, basse - Steve Davis, batterie. / Rép International / Recueil / Tout Instrument

Jazz Play-Along Vol.69. Par PARKER CHARLIE. La popularité du Latin Jazz a été considérable ces dernières années, et maintenant cette novatrice play-a-long vous offre ces originaux de Charlie Parker dans le style Salsa/Latin Jazz. Ce traitement rythmiquement unique des classiques de l'oiseau beboop inspire wholeirections dans votre jeu ! Une toute nouvelle façon de penser à la musique des oiseaux ! Mark Levine-piano - David Belove-bass - John Santos-Timbales et percussions diverses - Harold Muniz-Congas et diverses percussions. / Rép International / Recueil / Tout Instrument

Jazz Play-Along Vol.64. Enfin, une collection authentique des favoris de la Salsa/Latin, avec des figures syncopations, voicings et basse garanti pour vous faire jouer de manière tout à fait nouveau et développez votre conscience musicale. Il n'y a aucun ensemble de tambour sur cet enregistrement ! Tous les percussions est purtin/américaine et la section rythmique est serrée ! Veillez à consulter celui-ci. C'est comme aucune autre pièce-a-long dans la série. Section rythmique est Mark Levine-Piano - David Belove-Bass - John Santos-Timbales et percussions diverses - percussions de Harold Muniz-Congas scellaneous. / Rép International / Recueil / Tout Instrument