Composed by Peter Ilyich Tchaikovsky (1840-1893). Instrumental Play-Along. Chris...(+)
Composed by Peter Ilyich
Tchaikovsky (1840-1893).
Instrumental Play-Along.
Christmas, Classical.
Softcover Audio Online.
16 pages. Published by
Cherry Lane Music
Ooohs
and ahhhs will emerge
from the audience when
this lovely gem is heard.
The message of peace and
justice are stated as a
gentle prayer based on
Psalm 85:10. Melodic and
painted with subtle
harmonic hues, this is
simply a gorgeous anthem
or concert closer that
will melt your heart.
Easy to medium in
difficulty.
Keyboard SKU: GI.G-3930K Composed by John B. Foley. This edition: Keyboar...(+)
Keyboard
SKU:
GI.G-3930K
Composed
by John B. Foley. This
edition: Keyboard
edition. Sacred.
Instrumental part(s). 54
pages. GIA Publications
#3930K. Published by GIA
Publications
(GI.G-3930K).
CONTENTS: THE
CARPENTER (G-3931)
• PSALM 104: GOD,
SEND OUT YOUR SPIRIT
(G-3932) •
HALLELUIA, BLESS THE LORD
(G-3934) • PSALM
84: HOW LOVELY IS YOUR
DWELLING (G-3935) •
PSALM 16: KEEP ME SAFE, O
GOD (G-3936) • LET
JUSTICE ROLL DOWN
(G-3937) • LITTLE
HEART OF AGES (G-3938)
• MOTHERING GOD,
YOU GAVE ME BIRTH
(G-3940) • OUR GOD
HAS DONE GREAT THINGS FOR
US (G-3941) •
PRAISE TO YOU, LORD OF
ETERNAL GLORY (G-3942)
• WE KNOW YOU ARE
THE LAMB (G-3943)
• WHEN EVERY
GATE (G-3944) •
WHEN IN OUR MUSIC GOD IS
GLORIFIED (G-3945).
Intermezzo Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114738-140 From the opera...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1114738-140
From the opera Notre
Dame. Composed by
Franz Schmidt. Arranged
by Wil van der Beek.
Great Classics.
Classical. Score Only.
Composed 2011. 12 pages.
De Haske Publications
#DHP 1114738-140.
Published by De Haske
Publications
(BT.DHP-1114738-140).
9x12 inches.
English-German-French-Dut
ch.
The
Intermezzo from
the Romantic opera Notre
Dame, based on Victor
Hugo’s novel The
Hunchback of Notre Dame,
is in fact Franz
Schmidt’s
best-known work. The
charm of this lovely
composition lies in its
Hungarian and Romantic
influences. Wil van der
Beek’s sensitive
arrangement does justice
to this great work,
putting Franz
Schmidt’s
masterpiece back in the
spotlight once more!
Het
Intermezzouit de
romantische opera Notre
Dame is waarschijnlijk
wel het beroemdste werk
van Franz Schmidt. Het is
gebaseerd op Notre Dame
de Paris (De
klokkenluider van de
Notre Dame), een roman
van Victor Hugo. De
herkomstvan de componist
is goed te herleiden,
want deze lieflijke
compositie kent zowel
romantische als ook
Hongaarse invloeden. Wil
van der Beek plaatst met
zijn geslaagde bewerking
deze
Oostenrijks-Hongaarse
componist weer even
terugin de
spotlights.
Das
Intermezzo aus der
romantischen Oper Notre
Dame, die auf Victor
Hugos Roman Notre Dame de
Paris (Der Glöckner
von Notre Dame) basiert,
ist wohl das
berühmteste Werk
von Franz Schmidt. Der
Reiz dieser lieblichen
Komposition weist ganz
eindeutig sowohl
ungarische als auch
romantische
Einflüsse auf. Wil
van der Beek holt diesen
zu Unrecht etwas in
Vergessenheit geratenen
ungarisch-österreichis
chen Komponisten mit
seiner gelungenen
Bearbeitung wieder ins
Rampenlicht
zurück.
L’Inter
mezzo
dell’opera
romantica Notre Dame, a
sua volta ispirata dal
romanzo Notre Dame de
Paris di Victor Hugo,
è senza dubbio
l’opera più
prestigiosa di Franz
Schmidt, compositore
austro-ungherese poco
conosciuto. Wil van der
Beek ha realizzato uno
splendido arrangiamento
di questo pezzo caduto
nell’oblio,
conservando
l’espressivit e il
romanticismo di questa
melodiosa
composizione.
Intermezzo Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114738-010 From the opera...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1114738-010
From the opera Notre
Dame. Composed by
Franz Schmidt. Arranged
by Wil van der Beek.
Great Classics.
Classical. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1114738-010. Published by
De Haske Publications
(BT.DHP-1114738-010).
9x12 inches.
English-German-French-Dut
ch.
The
Intermezzo from
the Romantic opera Notre
Dame, based on Victor
Hugo’s novel The
Hunchback of Notre Dame,
is in fact Franz
Schmidt’s
best-known work. The
charm of this lovely
composition lies in its
Hungarian and Romantic
influences. Wil van der
Beek’s sensitive
arrangement does justice
to this great work,
putting Franz
Schmidt’s
masterpiece back in the
spotlight once more!
Het
Intermezzouit de
romantische opera Notre
Dame is waarschijnlijk
wel het beroemdste werk
van Franz Schmidt. Het is
gebaseerd op Notre Dame
de Paris (De
klokkenluider van de
Notre Dame), een roman
van Victor Hugo. De
herkomstvan de componist
is goed te herleiden,
want deze lieflijke
compositie kent zowel
romantische als ook
Hongaarse invloeden. Wil
van der Beek plaatst met
zijn geslaagde bewerking
deze
Oostenrijks-Hongaarse
componist weer even
terugin de
spotlights.
Das
Intermezzo aus der
romantischen Oper Notre
Dame, die auf Victor
Hugos Roman Notre Dame de
Paris (Der Glöckner
von Notre Dame) basiert,
ist wohl das
berühmteste Werk
von Franz Schmidt. Der
Reiz dieser lieblichen
Komposition weist ganz
eindeutig sowohl
ungarische als auch
romantische
Einflüsse auf. Wil
van der Beek holt diesen
zu Unrecht etwas in
Vergessenheit geratenen
ungarisch-österreichis
chen Komponisten mit
seiner gelungenen
Bearbeitung wieder ins
Rampenlicht
zurück.
L’Inter
mezzo
dell’opera
romantica Notre Dame, a
sua volta ispirata dal
romanzo Notre Dame de
Paris di Victor Hugo,
è senza dubbio
l’opera più
prestigiosa di Franz
Schmidt, compositore
austro-ungherese poco
conosciuto. Wil van der
Beek ha realizzato uno
splendido arrangiamento
di questo pezzo caduto
nell’oblio,
conservando
l’espressivit e il
romanticismo di questa
melodiosa
composizione.
By Anton Bruckner. Edited by Kreuels, Matthias. Hymn settings, Masses, Latin, Ma...(+)
By Anton Bruckner. Edited
by Kreuels, Matthias.
Hymn settings, Masses,
Latin, Mass Sections,
Motets, Psalms, Latin;
Choral Collections, Mixed
Choir, Choral
Collections, Men's Choir,
Music for Casuals;
Occasions: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Tantum ergo,
Mourning, Death; Use
during church year:
Advent, Special Days,
Lent and Passiontide, Ho
(Study Score). Composed by Ludwig van Beethoven (1770-1827). Edited by Bathia Ch...(+)
(Study Score). Composed
by Ludwig van Beethoven
(1770-1827). Edited by
Bathia Churgin. For Score
(Study Score). Henle
Study Scores. Softcover.
G. Henle #HN9811.
Published by G. Henle
Chamber Music Flute, Piano, Piccolo SKU: PR.114418820 For Piccolo, Flu...(+)
Chamber Music Flute,
Piano, Piccolo
SKU:
PR.114418820
For
Piccolo, Flute, and
Chamber Orchestra (or
Piano), TWV 52:e1.
Composed by Georg Philipp
Telemann. Arranged by
Valerie Shields Zart
Dombourian-Eby. Set of
Score and Parts. With
Standard notation.
32+12+12 pages. Duration
14 minutes. Theodore
Presser Company
#114-41882. Published by
Theodore Presser Company
(PR.114418820).
ISBN
9781491113998. UPC:
680160667697.
Compo
sed by Telemann as a
double concerto for
recorder and transverse
flute, Zart
Dombourian-Eby’s
new edition is prepared
for piccolo, flute, and
piano — remaining
compatible with available
orchestral editions, and
respectfully faithful to
Telemann’s
detailed nuances. Cast in
the slow-fast, slow-fast
four-movement mold
typical of Baroque
concert works, the
CONCERTO IN E MINOR is at
once among the most
beautiful and
exhilarating works of
Telemann’s
formidable
output.__________________
____________________Text
from the scanned back
cover:ZART DOMBOURIAN-EBY
is the Principal
Piccoloist of the
SeattleSymphony and is
regularly featured as
both a soloist and
clinician in Seattle and
across the world. Her
performances consistently
receive highest praise
from both critics and
audiences. A native of
New Orleans, she received
B.A. and M.M. degrees
from Louisiana State
University. After a year
of study with Albert
Tipton she attended
Northwestern University
earning a Doctor of Music
degree under the tutelage
of Walfrid Kujala. She
has been a member of the
New Orleans Pops, Baton
Rouge Symphony, Colorado
Philharmonic, and the
Civic Orchestra of
Chicago. She has
performed with the
Chicago Symphony and
served on the faculties
of the University of
Washington and Pacific
Lutheran University. She
was the founding editor
of Flute Talk and ison
the Editorial Board for
The Flutist Quarterly.
Zart is the immediate
past president of the
National Flute
Association, and been a
featured soloist and
presenter at numerous NFA
conventions. Zart has
commissioned numerous
works, including two for
piccolo and piano by
Martin Amlin, sonatas by
Gary Schocker and Levente
Gyongyosi, and a chamber
work by Ken Benshoof. She
can be heard in over 100
recordings by the Seattle
Symphony, and her solo
CD, in shadow, light, is
available on Crystal
Records. Her
award-winning edition of
the three Vivaldi piccolo
concertos is published by
Theodore Presser.A native
of Seattle, VALERIE
SHIELDS received her B.M.
summa cum laude in organ
and violin from St. Olaf
College. While completing
her M.M. from
Northwestern University,
she became increasingly
interested and skilled in
the art of improvisation.
She served as Director of
Music at St.
Luke’s Lutheran
Church in Park Ridge,
Illinois, where she
developed a music program
involving over 150
participants in choirs
and chamber music
groups.Upon her return to
Seattle, she served for
12 years as director of
adivision of the
Northwest Girlchoir. She
became organist and
developed a vibrant Youth
Choir at Phinney Ridge
Lutheran Church, where
she served for over 30
years, as well as
enjoying a 20-year tenure
as Music Director and
Composer-in-Residence of
Temple De Hirsch Sinai.
Valerie’s work
with children’s
choirs,churches, and
synagogues has inspired
over 100 published
compositions. When I
was invited to perform a
Vivaldi piccolo concerto
in Italy a few years ago,
my host, Luisa Sello,
wrote that Carol Wincenc
was going to be on the
same concert, and was
there any piece that we
could play together? I
looked and asked around,
and my colleague Joanna
Bassett recommended the
Telemann Concerto in E
Minor for Traverso and
Recorder. I didn’t
know the piece, but as I
listened to a recording
of it, I immediately
loved it and could easily
envision how beautifully
it could work, with a few
“adjustments,â€
for flute and piccolo.
I got to work, and the
current publication is
the result. I have
performed it many times,
and enjoy it even more
every time. It fits a
unique place in our
repertoire, and works
equally well with piano
as with the string
orchestra
setting.According to
Steven D. Zohn,
pre-eminent Telemann
scholar, and author of
Music for a Mixed Taste:
Style, Genre, and Meaning
in Telemann’s
Instrumental Works, much
is unknown about the
concerto itself; it
likely dates from the
1720s, soon after
Telemann moved to
Hamburg. Only an
eighteenth-century
copyist’s set of
parts is extant, that of
Johann Samuel Endler, who
was engaged at the
Darmstadt court as a
singer and violinist,
later becoming
Vice-Kapellmeister and
Kapellmeister, and who
had a large collection of
Telemann’s
works.As in my Vivaldi
concertos edition
(Presser 414-41190), I
have added virtually all
of the articulations and
dynamics that appear
here, and have inserted
quite a bit of
ornamentation. Unlike the
Vivaldi edition, I have
not included any
indication of the
original Telemann in
those passages, nor have
I included any
pedagogical markings,
such as
fingerings.Finally, I
would like to
acknowledge, with
gratitude, Joanna
Bassett, Daniel Dorff,
Benton Gordon, Evan
Pengra-Sult, Sandra
Saathoff, Valerie
Shields, Carol Wincenc,
and Steven Zohn, for the
various roles they played
in the making of this
publication.— Zart
Dombourian-EbyJune
2018.
Piano, Violin, and Horn (with viola or cello instead of horn). Composed b...(+)
Piano, Violin, and
Horn (with viola or cello
instead of horn).
Composed by Johannes
Brahms (1833-1897).
Edited by Katharina
Loose-Einfalt. Henle
Music Folios. Classical.
Softcover. G. Henle
#HN811. Published by G.
Henle (HL.51480811).
Composed by Gordon
Lightfoot. Arranged by
Justine Sasanfar and
Michael Hanawalt.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Christmas; Holiday Pops;
Pop; Radio; Secular;
Winter. Choral Octavo. 12
pages. Alfred Music
#00-50265. Published by
Alfred Music (AP.50265).
UPC: 038081574356.
English.
Songsmith
Gordon Lightfoot's ballad
expresses the longing to
be with loved ones on a
cold, snowy night. This
artistic concert setting
is a beautiful feature
for your collaborative
pianist with an elegant
accompaniment that ebbs
and flows beneath the
light and airy melody. In
the middle, this
distinctive arrangement
softens to a rubato a
cappella section,
garnering chills.
Choir Secular (SATB choir) SKU: AP.50264 Composed by Gordon Lightfoot. Ar...(+)
Choir Secular (SATB
choir)
SKU:
AP.50264
Composed by
Gordon Lightfoot.
Arranged by Justine
Sasanfar and Michael
Hanawalt. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Christmas;
Holiday Pops; Pop; Radio;
Secular; Winter. Choral
Octavo. 12 pages. Alfred
Music #00-50264.
Published by Alfred Music
(AP.50264).
UPC:
038081574349.
English.
Songsmith
Gordon Lightfoot's ballad
expresses the longing to
be with loved ones on a
cold, snowy night. This
artistic concert setting
is a beautiful feature
for your collaborative
pianist with an elegant
accompaniment that ebbs
and flows beneath the
light and airy melody. In
the middle, this
distinctive arrangement
softens to a rubato a
cappella section,
garnering chills.
By Douglas E. Wagner. For Choral, Handbells (SATB). Fred Bock Publications. 8 pa...(+)
By Douglas E. Wagner. For
Choral, Handbells (SATB).
Fred Bock Publications. 8
pages. Fred Bock Music
Company #BG2584.
Published by Fred Bock
Music Company
Tender Mercy Chorale SATB SATB, Piano Lorenz Publishing Company
SATB choir, piano SKU: LO.10-5644L Composed by Lee Dengler. Choral. Sacre...(+)
SATB choir, piano
SKU:
LO.10-5644L
Composed
by Lee Dengler. Choral.
Sacred Anthem. Octavo.
Lorenz Publishing Company
#10/5644L. Published by
Lorenz Publishing Company
(LO.10-5644L).
ISBN
9780787776060.
The
writing team of Lee and
Susan Dengler offer us a
compelling new anthem
that takes a fresh look
at the infinite mercy of
Christ, and then
encourages us to work for
social justice in our
fallen world. Susan's
inspired words,
punctuated by haunting
cries of Kyrie eleison,
have been lovingly set by
the composer, and the
result will inspire your
congregation. This one is
not to be missed.