Piano Accompaniment, Tenor, Vocal (Tenor) SKU: HL.293735 Tenor Book/On...(+)
Piano Accompaniment,
Tenor, Vocal (Tenor)
SKU: HL.293735
Tenor Book/Online
Audio. Composed by
Various. Vocal
Collection. Broadway,
Musicals. Softcover Audio
Online. 268 pages.
Published by Hal Leonard
(HL.293735).
ISBN
9781540051943. UPC:
888680939052. 9x12
inches.
A
collection of songs from
the musical stage
presented in their
authentic settings,
excerpted from the
original vocal scores.
There is no duplication
from prior
volumes!
This
edition features access
to online recorded
accompaniments.
Au
dio is accessed online
using the unique code
inside the book and can
be streamed or
downloaded. The audio
files include PLAYBACK ,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or
right.
Contents:
AMÉLIE: Thin Air ?
ANASTASIA: My Petersburg
? Still ? ANNIE: You're
Never Fully Dressed
Without a Smile ? THE
BAND'S VISIT: Papi Hears
the Ocean ? Answer Me ?
BE MORE CHILL: Michael in
the Bathroom ? THE BOOK
OF MORMON: I Believe ?
CANDIDE: Bon Voyage ?
CATCH ME IF YOU CAN:
Goodbye ? DEAR EVAN
HANSEN: Waving Through a
Window ? For Forever ?
Words Fail ? EVER AFTER:
Right Before My Eyes ?
FINDING NEVERLAND: If the
World Turned Upside Down
? Neverland ? FROZEN THE
BROADWAY MUSICAL: Hans of
the Southern Isles ? In
Summer ? Kristoff Lullaby
? A GENTLEMAN'S GUIDE TO
LOVE and MURDER: Stop!
Wait! What?! ? HAMILTON:
You'll Be Back ? THE
HUNCHBACK OF NOTRE DAME:
Made of Stone ? KINKY
BOOTS: Step One ? A
LITTLE NIGHT MUSIC: Later
? THE MAD ONES: Run Away
With Me ? MEANGIRLS: Stop
? THE PAJAMA GAME: A New
Town Is a Blue Town ?
PARADE: Pretty Music ?
THE SECRET GARDEN: Race
You to the Top of the
Morning ? SOMETHING
ROTTEN!: Hard to Be the
Bard ? SUNDAY IN THE PARK
WITH GEORGE: Lesson #8 ?
TOOTSIE: Waddya Do ? TUCK
EVERLASTING: Top of the
World ? Time.
Mixed choir (SSSAAATTTBBB) - difficult SKU: HL.49043945 For mixed choi...(+)
Mixed choir
(SSSAAATTTBBB) -
difficult
SKU:
HL.49043945
For
mixed choir. Composed
by Steve Martland. This
edition: Saddle
stitching. Sheet music.
Choral. Softcover.
Composed 2011-2012. 106
pages. Duration 23'.
Schott Music #ED13369.
Published by Schott Music
(HL.49043945).
ISBN
9790220133503.
8.25x12.0x0.3 inches.
English.
Sea Songs,
commissioned jointly by
Ars Nova Copenhagen and
Glasgow Concert Halls, is
a kind of sequel to
Martland's Street Songs
(originally written for
the Kings Singers and
Evelyn Glennie). As with
the earlier piece,
Martland made use of to
the library of the
English Folk Song and
Dance Society at Cecil
Sharp House in north
London.I wanted
specifically to find
texts that were not just
the usual nautical
heave-ho sort of thing,
but instead explored the
dangers and hardships
still being experienced
by sailors as recently as
the early 19th century. I
was also very happy to
see in these texts the
sense of camaraderie and
mutual support that
existed between the
sailors. (Steve
Martland)Dance to your
Daddy sets the scene of a
sailor's wife at home,
dandling her baby son and
singing to him about his
daddy away fishing, and
about the future. Both
the tune and the words
come from the
Northumberland area
around Newcastle. This
song is very well known
in the UK and gave the
title to a famous
television series When
the boat comes in.Fire
Down Below is about the
effects of fire - a
constant danger on board
wooden ships. At the end
of this song the words
take on an extended
meaning: Fire in our
hearts for the friends
that we love.The Dead
Horse is about the
initial month of work
without pay in which all
seamen had to take part.
They referred to it as
the dead horse - hence
the expression to flog a
dead horse when something
is a waste of time. The
seamen resented this
unpaid time, and the text
expresses their
frustrations
metaphorically by listing
what they would do to the
horse! The music's
frantic gallop alludes to
the horse's
desperation.Although The
Sea Martyrs presents
itself as a ballad, this
text has a more literary
feel, and unlike the
other songs it doesn't
include a chorus refrain.
It concerns the sailors'
lack of pay, the
consequences of asking
for pay (being hanged!),
and the poverty of their
families at home. The
poem portrays the
sailors' deaths as an
almost religious
sacrifice to help future
seamen.At the end of the
work, the opening of
Dance to your Daddy
returns as a kind of
descant, sung by an angel
calling to the hanged
men. Paul Hillier,
2012.
Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For Voice, Piano Ac...(+)
Composed by Richard
Wagner (1813-1883).
Edited by Egon Voss. For
Voice, Piano
Accompaniment (Vocal
Score). This edition:
Urtext edition. Schott.
Vocal score. 416 pages.
Schott Music #ED20542.
Published by Schott Music
Violin, Cello SKU: PE.EP14580 Duo lyrique in three acts. Composed ...(+)
Violin, Cello
SKU:
PE.EP14580
Duo
lyrique in three
acts. Composed by
Fabrice Bollon and
Leoš Janácek.
Chamber Duo Score &
Parts. Classical;
Contemporary. Score and
Part(s). 64 pages.
Edition Peters
#98-EP14580. Published by
Edition Peters
(PE.EP14580).
ISBN
9790014137847.
Šárka by
Fabrice Bollon is a lyric
duo for Violin and Cello,
based on Leoš
Janácek's opera of the
same name. The work
condenses the original
opera and is in three
parts. The duo follows
the dramaturgy of the
opera and tells, without
any words, the dramatic
love story of the female
warrior Šárka. The
result is a highly
dramatic instrumental
chamber music
work.
This product
is Printed on Demand and
may take several weeks to
fulfill. Please order
from your favorite
retailer.
Festival Overture -
Urtext. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Polina Vajdman. Folder.
Orchester-Bibliothek
(Orchestral Library). The
piece is a masterful
example of program music
that seemingly casually
interweaves two Russian
folk songs, a liturgical
melody of the Russian
Orthodox Church and two
national anthems, the
Marseillaise and the
Czar's Hymn. Overture;
Romantic. Set of parts.
168 pages. Duration 16'.
Breitkopf and Haertel #OB
5528-30. Published by
Breitkopf and Haertel
(BR.OB-5528-30).
ISBN
9790004341100. 10 x 12.5
inches.
A
Tchaikovsky Urtext is no
longer a rarity in
Breitkopfs orchestral
catalogue. Polina Vajdman
has edited a very popular
repertoire work that the
composer personally did
not think very highly of.
He even confessed to
having written the work
without the warmth of
love. Nevertheless, the
piece is a masterful
example of program music
that seemingly casually
interweaves two Russian
folk songs, a liturgical
melody of the Russian
Orthodox Church and two
national anthems, the
Marseillaise and the
Czars Hymn. The work was
written for the
consecration of the
Christ the Savior
Cathedral in Moscow,
which was erected in
memory of the victory
over Napoleon in 1812.
The first edition of the
score, which was
carefully corrected three
times by Tchaikovsky, is
the principal source for
this Urtext edition. The
wording of the title The
Year 1812 corresponds to
the composers words, but
was oddly never included
in the first edition.
Festival Overture -
Urtext. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Polina Vajdman. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piece is a masterful
example of program music
that seemingly casually
interweaves two Russian
folk songs, a liturgical
melody of the Russian
Orthodox Church and two
national anthems, the
Marseillaise and the
Czar's Hymn. Overture;
Romantic. Part. 8 pages.
Duration 16'. Breitkopf
and Haertel #OB 5528-15.
Published by Breitkopf
and Haertel
(BR.OB-5528-15).
ISBN
9790004341056. 10 x 12.5
inches.
A
Tchaikovsky Urtext is no
longer a rarity in
Breitkopfs orchestral
catalogue. Polina Vajdman
has edited a very popular
repertoire work that the
composer personally did
not think very highly of.
He even confessed to
having written the work
without the warmth of
love. Nevertheless, the
piece is a masterful
example of program music
that seemingly casually
interweaves two Russian
folk songs, a liturgical
melody of the Russian
Orthodox Church and two
national anthems, the
Marseillaise and the
Czars Hymn. The work was
written for the
consecration of the
Christ the Savior
Cathedral in Moscow,
which was erected in
memory of the victory
over Napoleon in 1812.
The first edition of the
score, which was
carefully corrected three
times by Tchaikovsky, is
the principal source for
this Urtext edition. The
wording of the title The
Year 1812 corresponds to
the composers words, but
was oddly never included
in the first edition.
Festival Overture -
Urtext. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Polina Vajdman. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piece is a masterful
example of program music
that seemingly casually
interweaves two Russian
folk songs, a liturgical
melody of the Russian
Orthodox Church and two
national anthems, the
Marseillaise and the
Czar's Hymn. Overture;
Romantic. Part. 8 pages.
Duration 16'. Breitkopf
and Haertel #OB 5528-16.
Published by Breitkopf
and Haertel
(BR.OB-5528-16).
ISBN
9790004341063. 10 x 12.5
inches.
A
Tchaikovsky Urtext is no
longer a rarity in
Breitkopfs orchestral
catalogue. Polina Vajdman
has edited a very popular
repertoire work that the
composer personally did
not think very highly of.
He even confessed to
having written the work
without the warmth of
love. Nevertheless, the
piece is a masterful
example of program music
that seemingly casually
interweaves two Russian
folk songs, a liturgical
melody of the Russian
Orthodox Church and two
national anthems, the
Marseillaise and the
Czars Hymn. The work was
written for the
consecration of the
Christ the Savior
Cathedral in Moscow,
which was erected in
memory of the victory
over Napoleon in 1812.
The first edition of the
score, which was
carefully corrected three
times by Tchaikovsky, is
the principal source for
this Urtext edition. The
wording of the title The
Year 1812 corresponds to
the composers words, but
was oddly never included
in the first edition.
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Set of Orchestra
Parts. Composed 1852. Op.
147. Duration 40 minutes.
Carus Verlag #4068719.
Published by Carus Verlag
(CA.4068719).
ISBN
9790007311384. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences â
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannâs time with
the pragmatism of its
intended use by a local
choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be âfashioned with
great loveâ. The
demanding orchestral mass
can be realized with
limited means. The solo
parts can be filled from
the choir. The work,
which the composer
himself did not have
published, is here
reissued on the basis of
Schumannâs partial
autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
.
Score and parts available
separately - see item
CA.4068700.
Broadway Today Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
42 Songs from 15 Hit Musicals and Revivals. Piano/Vocal/Chords Songbook (Arrange...(+)
42 Songs from 15 Hit
Musicals and Revivals.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 264 pages.
Published by Hal Leonard.
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Choral Score.
Composed 1852. Op. 147.
Duration 40 minutes.
Carus Verlag #4068706.
Published by Carus Verlag
(CA.4068706).
ISBN
9790007239725. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences â
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannâs time with
the pragmatism of its
intended use by a local
choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be âfashioned with
great loveâ. The
demanding orchestral mass
can be realized with
limited means. The solo
parts can be filled from
the choir. The work,
which the composer
himself did not have
published, is here
reissued on the basis of
Schumannâs partial
autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
.
Score available
separately - see item
CA.4068700.
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Carus digital:
Extra digital products.
Full Score. Composed
1852. Op. 147. Duration
40 minutes. Carus Verlag
#4068700. Published by
Carus Verlag
(CA.4068700).
ISBN
9790007239701. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences â??
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannâ??s time with
the pragmatism of its
intended use by a local
choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be â??fashioned with
great loveâ?. The
demanding orchestral mass
can be realized with
limited means. The solo
parts can be filled from
the choir. The work,
which the composer
himself did not have
published, is here
reissued on the basis of
Schumannâ??s partial
autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Vocal score.
Composed 1852. Op. 147.
Duration 40 minutes.
Carus Verlag #4068703.
Published by Carus Verlag
(CA.4068703).
ISBN
9790007239718. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences
ââ¬â after
all, Schumann is not
generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannââ¬â¢s
time with the pragmatism
of its intended use by a
local choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be
ââ¬Åfashioned
with great
loveââ¬Â.
The demanding
orchestral mass can be
realized with limited
means. The solo parts can
be filled from the choir.
The work, which the
composer himself did not
have published, is here
reissued on the basis of
Schumannââ¬â¢s
partial autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
Book/Online Audio Electronic Keyboard; Keyboards; Organ SKU: HL.302741 (+)
Book/Online Audio
Electronic Keyboard;
Keyboards; Organ
SKU:
HL.302741
E-Z Play
Today Book A. E-Z
Play Today. Instruction,
Method. Softcover Audio
Online. 48 pages.
Published by Hal Leonard
(HL.302741).
ISBN
9781540065261. UPC:
888680967468.
9.0x12.0x0.182
inches.
Introducing
the E-Z way to reading
music notes, chords, and
learning musical terms!
Keyboards are among the
most versatile of all
musical instruments, and
many electronic keyboards
today have special
automatic features and
automatic rhythms. These
features make making
music even more fun and
versatile! If you've
always wanted to learn
how to play the keyboard,
this book is your first
step to success!
Beginnings Book A
provides
easy-to-understand
instructions with popular
songs and favorite tunes
so you can start playing
music you know and love
while learning to play!
In practically no time,
you'll be performing some
of your favorite
standards, including:
Aura Lee • Danny
Boy • He's Got the
Whole World in His Hands
• Kumbaya •
Lullaby (Cradle Song)
• On Top of Old
Smoky • Simple
Gifts • When the
Saints Go Marching In
• Yankee Doodle
• and more. This
book also includes access
to online recordings of
demonstration and backing
tracks, so you can listen
to the demos to hear how
the piece should sound,
then play along with the
backing tracks to sound
like a pro! Audio is
accessed online using the
unique code inside the
book and can be streamed
or downloaded. The audio
files include PLAYBACK+,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
About Hal
Leonard E-Z Play
Today
For
organs, pianos, and
electronic keyboards. E-Z
Play Today is the
shortest distance between
beginning music and
playing fun. Now there
are more than 300 reasons
why you should play E-Z
Play Today. * World's
largest series of music
folios * Full-size books
- large 9 x 12 format
features easy-to-read,
easy-to-play music *
Accurate arrangements...
simple enough for the
beginner, but accurate
chords and melody lines
are maintained *
Eye-catching, full-color
covers * Lyrics... most
arrangements include
words and music * Most
up-to-date registrations
- books in the series
contain a general
registration guide, as
well as individual song
rhythm suggestions *
Guitar Chord Chart - all
songs in the series can
also be played on
guitar.
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Set of Orchestra
Parts. Composed 1852. Op.
147. Duration 40 minutes.
Carus Verlag #4068709.
Published by Carus Verlag
(CA.4068709).
ISBN
9790007311322. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences â
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannâs time with
the pragmatism of its
intended use by a local
choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be âfashioned with
great loveâ. The
demanding orchestral mass
can be realized with
limited means. The solo
parts can be filled from
the choir. The work,
which the composer
himself did not have
published, is here
reissued on the basis of
Schumannâs partial
autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
.
Score and parts available
separately - see item
CA.4068700.