By Jay Althouse. (2-part). Communion, Communion and Sacred. Print Music Single (SAB). 8 pages. Published by Hope Publishing Company.

Composed by Jay Althouse. Communion, General Worship, Sacred. Octavo. 8 pages. Published by Hope Publishing Company (HP.C6034).

By Buddy Greene. Arranged by Jack Schrader. For Choir. (SAB or Three-Part). Gospel, Contemporary and Sacred. Print Music Single (SAB). Published by Hope Publishing Company.

Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, tenor voice

SKU: CF.CM9743IN

Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. Set of Score and Parts. 44+32+2 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743IN. Published by Carl Fischer Music (CF.CM9743IN).

ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the sevenÂ� �stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

Arranged by Joel Raney. For 2-part mixed choir and Unison Choir (or Soloist) with optional Rhythm. Children, Gospel, Love, Praise, Blues/Gospel/Spirituals, Hymntune, Sacred. Octavo. 12 pages. Published by Hope Publishing Company

Choral SATB Choir, Bass Guitar, Percussion, Piano

SKU: CF.CM9743

Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. 20 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743. Published by Carl Fischer Music (CF.CM9743).

ISBN 9781491161562. UPC: 680160920211. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the sevenÂ� �stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

Handbells 3-6 octave handbell choir - Level 3

SKU: HP.1685

Arranged by Cynthia Dobrinski. General Worship, Sacred. Handbell score. 8 pages. Hope Publishing Company #1685. Published by Hope Publishing Company (HP.1685).

UPC: 763628116859. Hebrews 12:3, John 12:3, John 20:1-9, Luke 9:23, Luke 14:27, Luke 23:53, Luke 24:12, Mark 8:34, Mark 10:38-39, Mark 15:42, Mark 16:8, Matthew 10:38, Matthew 16:24, Matthew 20:23, Matthew 27:57-65.

Old gospel tune The use of a lot of LV's create a harmonic richness adding depth and beauty to an old gospel tune.

Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2

SKU: CF.CM9742

Composed by Traditional African American Spiritual. Arranged by Kevin Phillip Johnson. 16 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9742. Published by Carl Fischer Music (CF.CM9742).

ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the sevenÂ� �stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

SATB choir, organ accompaniment - Beginning

SKU: GI.G-5567

Composed by Karl E. Moyer. Arranged by Karl E. Moyer. Advent 4 B, Lent 3 B, Lent 3 C, Easter Vigil, OT 3 A, OT 3 B, OT 5 C, OT 25 A, Labor Day, OT 15 A, OT 16 A. Choral. Tune name: KINGSFOLD. Sacred. Octavo. 8 pages. GIA Publications #5567. Published by GIA Publications (GI.G-5567).

English. Text Source: 1): Exodus 3:1-12, Matthew 4:18-22, Mark 1:16-20, Luke 1:26-32, 5:1-11, 2): Matthew 13:10-23, Mark 4:10-25, Luke 8:9-18. Text by Herman G. Stuempfle, Jr. Scripture: Exodus 3:1–12, Matthew 4:18–22, Mark 1:16–20, Luke 1:26–32, Luke 5:1–11, Matthew 13:10–23, Mark 4:10–25, Luke 8:9–18.

(40 Kids' Songs Straight from the Bible). Arranged by Pendleton Brown. For C Instruments, Melody/Lyrics/Chords. Lead Sheets: Melody line, lyrics and chord symbols. Softcover with CD. 72 pages. Published by Hal Leonard

By Victor C. Johnson. For SATB Choir and Piano. Cantata. Sacred. Choral score. Duration 30 minutes. Published by Lorenz Publishing Company

By Victor C. Johnson. For SATB choir. Cantata. Choral: Holy Week. Choral Score and CD. Duration 30 minutes. Published by Lorenz Publishing Company

By Victor C. Johnson. For SAB Choir and Piano. Cantata. Choral: Holy Week. Choral score. Duration 30 minutes. Published by Lorenz Publishing Company

By Mark C. Matthews. (SATB). Sacred Choral. Sacred. Published by Pavane Publishing.

By Mark C. Matthews. (SATB). Pavane Sacred. Sacred. 11 pages. Published by Pavane Publishing.

By Mark C. Matthews, Isaac Watts. (SATB). Sacred Choral. Sacred. 8 pages. Published by Pavane Publishing.

SKU: HL.49014419

Composed by John Horton. Edited by John Horton. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Student book. 58 pages. Schott Music #ED 11068-01. Published by Schott Music (HL.49014419).

ISBN 9780901938183. English.

By Marty Haugen. For Voices: SATB, solo, children's voices. Instruments: Oboe (or English horn), cello, synthesizer (instruments optional). Keyboard accompaniment. Celebration Series Sacred. Level: easy. 7 pages. Published by GIA Publications.

Composed by David Meece. Arranged by Lloyd Larson. For medium voice. Voice solo. Published by Hope Publishing Company

Composed by David Meece. Arranged by Lloyd Larson. Ring and Sing Series / Vocal Solo Sheet Music Series. Christmas, Sacred, Contemporary. Octavo. 12 pages. Published by Hope Publishing Company (HP.C6044).

SAB choir, keyboard accompaniment - Beginning

SKU: GI.G-9141

Composed by Georg Neumark. Arranged by Jennifer Kerr Breedlove-Budziak. Lent, Holy Family B, Lent 2 A, Lent 2 B, Lent 2 C, OT 19 C, Transfiguration. Choral. Tune Name: Wer Nur Den Lieben Gott. Sacred. Octavo. 8 pages. GIA Publications #9141. Published by GIA Publications (GI.G-9141).

UPC: 785147914105. English. Text by J. Michael Thompson. Scripture: Genesis 15:5, Matthew 17:3–5, Mark 9:4–7, Luke 9:30–35, Hebrews 11:12.

“Gone Forth from Home” is a tranquil SAB hymn arrangement with interesting harmonic textures and rhythms that effectively paint the text. Based on imagery drawn from the Lectionary readings for the Second Sunday of Lent, this lovely arrangement of WER NUR DEN LIEBEN GOTT can be used throughout the Lenten season.

Choir; rhythm

SKU: HP.C5343R

Composed by Charles A. Tindley. Arranged by Larry Shackley. Spirituals & Gospel, General Worship, Assurance, Christ's Presence, Promise, Spiritual, Sacred. Rhythm Parts. Hope Publishing Company #C5343R. Published by Hope Publishing Company (HP.C5343R).

UPC: 763628253431. By Charles A. Tindley. Luke 8:22-25, Mark 4:35-41, Mark 5:45-52, Matthew 14:22-32, Matthew 8:18,23-27, Psalms 71:9,18.

Gospel song by Charles A. Tindley
Arranger Larry Shackley adds this spirited setting of Charles Tindley's gospel song to his popular series of high energy blues-gospel settings for church and school choirs alike. A highlight of this arrangement is the tenor solo with chorus background that sets up the big ending.

SATB choir (SATB choir)

SKU: HP.C5158O

Composed by Geron Davis. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Hymntune, General Worship, Christ's Presence, God's Attributes/Character, Sacred. Set of Instrumental Parts. Hope Publishing Company #C5158O. Published by Hope Publishing Company (HP.C5158O).

UPC: 763628251581. By Geron Davis. Isaiah 61:1-8, Luke 22:43, Luke 9:28-36, Mark 1:13, Mark 9:2-13, Matthew 17:1-8, Matthew 4:11.

Wroship song by Geron Davis
This poignant worship song from Geron Davis has been arranged in an artistic and accessible SATB setting. Arranger Lloyd Larson inserts a verse of the classic hymn, Holy, Holy, Holy, at just the right moment making this a perfect blended worship anthem.

3-part choir, cantor, assembly, piano accompaniment, flute, guitar - Early intermediate

SKU: GI.G-10085

Go Out to the Whole World. Composed by Tony Alonso S.J. Ascension. Tu Pueblo Canta. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #10085. Published by GIA Publications (GI.G-10085).

English, Spanish. Text Source: Marcos 16:15, Isaías 61:1 y Mateo 28:19, alt. TA / Mark 16:15, Isaiah 61:1 and Matthew 28:19, alt. TA. Scripture: Mark 16:15, Isaiah 61:1, Matthew 28:19.

Arranged by John Wilson. For SATB choir. Sacred, Church, Worshipping, Mission, Outreach, General. Octavo. Published by Hope Publishing Company Octavo Sacred, Church, Worshipping, Mission, Outreach, General