Par SETH F.ORTSAO JOSEL. This book, co-written by guitarist Seth F. Josel and composer Ming Tsao, provides a comprehensive survey of contemporary performance techniques on the classical guitar. It was inspired by a new generation of solo guitarists whose extraordinary technical and virtuosic skills have paved the way for a new understanding of instrumental performance practice. Detailed explanations are given for the instrument's technical potential within the historical context of traditional guitar technique. Composers will be interested in the in-depth analyses of contemporary guitar literature, featuring many examples of chamber and ensemble music. Four main chapters describe: - Techniques of the right and left hands - Special harmonies and percussive techniques - The main instruments of the guitar family and their potential - Possible ways of notating contemporary guitar literature The examples discussed in the book are complemented by an enclosed CD and detailed charts on multiphonics, bitones, and percussion techniques. Seth F. Josel is among the leading figures of his generation in modern guitar performance and has taken part in the premieres of more than 100 works as a soloist and ensemble member. A regular guest at Europe's major contemporary music festivals, he has worked with composers of the stature of Mauricio Kagel, Helmut Lachenmann, Tristan Murail and James Tenney and has played with such leading orchestras and ensembles as the New York Philharmonic, the BBC Symphony Orchestra and the Berlin Staatskapelle. From 1991 to 2000 he was a permanent member of the Ensemble musikFabrik. Today he lives in Berlin. Ming Tsao (b. Berkeley, CA, 1966) is professor of composition at Gothenburg University. His compositions have been performed amongst others by the Arditti Quartet, ensemble recherche and the Stuttgart Opera (premiere of 'Die Geisterinsel” in 2011). He is regularly involved in the Donaueschingen Festival, the Witten Days of New Chamber Music, the Darmstadt Contemporary Music Holiday Courses and Wien Modern. His works are published by C.F. Peters (Frankfurt am Main and Leipzig). He, too, lives in Berlin./ Recueil / Guitare

Par ANDRIACCIO MICHAEL. The guitar duo of Joanne Castellani and Michael Andriaccio is regarded as one of the elite chamber ensembles on the classic music scene today. Praised by critics internationally, The New York Times hailed them as 'First rate and a pleasure to hear. The performances were consistently fine and the rapport just about perfect.' The duo frequently appears at music festivals throughout North America, Europe, and Latin America. They have also acquired a reputation for varied and innovative programming, and their recordings of the Fleur De Son Classics and Etcetera labels have been broadcast over BBC, CBC, Radio France, Magyar Radio, Radio La Plata Argentina, and other situations around the world. Their Danzas and More disc was named 'Best of the Year' by the American Record Guide. Joanne Castellani and Michael Andriaccio are artists-in-residence at the State University of New York at Buffalo and with the Rome Festival Orchestra. / Classic - Concert/Documentary / Accessoire / Guitare Classique

The Hungarian Dance Csárdás is the best known work by Vittorio Monti (1868-1922) an Ita - lian composer born in Naples, who worked extensively as a conductor and composer in Paris. Originally written for Violin, or Mandolin, with piano or orchestra accompaniment Csárdás was immediately selected by numerous virtuosos who adopted it as a showpiece. Nowadays, it is still widely heard for just about every instrumental combination from various solo instruments, particularly solo violin, to versions for many instrumental combinations from gypsy orchestras through to marching bands. We are proud to publish this fine solo guitar arrangement by the virtuoso Russian guitarist Dimitri Lavrentiev, who resides and teaches in Augsburg, Germany. / Guitare

Par LAGANELLA DAVID. Guide du compositeur à la guitare électrique est un ouvrage essentiel pour les compositeurs, arrangeurs et les guitaristes électriques. Il est le seul livre sur le marché qui offre une couverture approfondie sur la façon de composer pour tous les aspects de la guitare électrique. L'ouvrage présente notation pour toutes les pratiques de rendement standard plectre, harmoniques et techniques étendues. Il compare les éléments clés qui permettent de distinguer les types communs de guitares électriques. Il y a aussi des renseignements importants sur les processeurs sonores et comment elles affectent le ton et le timbre de la guitare. Le livre est accompagné d'un disque compact qui fournit audio correspondant aux exemples des musique. Il s'agit d'un ouvrage précieux pour les compositeurs de tout genre musical. Elle est aussi un grand livre de référence pour les guitaristes électriques qui souhaitent avoir le profil complet de leur instrument. / Niveau : Débutant / All Styles - Arranging and Orchestrating / Méthode / Guitare Electrique

Oh, joy.. Par ELFMAN DANNY. Danny Elfman and Tyler, the Creator reimagine a classic soundtrack for Illumination Entertainment's Dr. Seuss' The Grinch . The film features some classic tracks from Run-D.M.C. and The Brian Setzer Orchestra alongside new material which includes a complete re-working of 'You're a Mean One, Mr. Grinch' by Tyler, the Creator. Each song is arranged for Piano, Voice and Guitar with chord symbols, chord diagrams and full lyrics, alongside stunning full-colour imagery from the film. Danny Elfman and Tyler, the Creator reimagine a classic soundtrack for Illumination Entertainment's Dr. Seuss' The Grinch. The film features some classic tracks from Run-D.M.C. and The Brian Setzer Orchestra alongside new material which includes a complete re-working of 'You're a Mean One, Mr. Grinch' by Tyler, the Creator. Each song is arranged for Piano, Voice and Guitar with chord symbols, chord diagrams and full lyrics, alongside stunning full-colour imagery from the film. / TV, Film, Comédie musicale / Recueil / Piano, Chant et Guitare

Miguel Alcdzar was born in Mexico City on April 26 1942. He followed a professional career which involved activities in the fields of performance, pedagogy, musicology and composition. He gave the first performances of the Concertino by Blas Galindo, with the composer himself conducting the National Symphony Orchestra of Mexico, the Concierto of Manuel Ponce, in its original version, the Concerto of Michael Horvit, which was dedicated to Alcázar, the Concierto of Enrique Santos, with the American Wind Symphony Orchestra, and the 24 Preludios of Ponce. His recorded output includes music for baroque guitar of music in the manuscript 1560 in the Biblioteca Nacional, works by Bach and Weiss for lute, as well as unpublished music by Ponce and other Latin-American composers. Alcázar has been a faculty member of the Cleveland Institute of Music, the Conservatorio Nacional de Música, where he received his degree with honors in 1972, and later at the University of Veracruz. His publications of Mexican music were published by the Liga de Compositores de Mexico, the University of Veracruz, Tecla Editions of London and Editions Orphée. miguel.jpg (6157 bytes)The 12 Preludios were written by Miguel Alcázar as the result of his first two trips to the Soviet Union. During the first trip, in November-December of 1983, he met Nikita Koshkin during the presentation of Alcázar's work at the Union of Composers in Moscow. A few days later, he promised to write something for him, as a way of commemorating the beginning of their friendship, if Alcázar would write also something for Koshkin. Both agreed upon this and when Alcázar went back to the Soviet Union, for the International Music Festival held in May of 1984, Koshkin gave him The Elves, a suite in five movements. The composition of the 12 Preludios was started during the Christmas vacation of 1984 and terminated by mid-January of 1985. Both works, The Elves and the 12 Preludios were premiered by Alcázar at the Ponce Hall of the Fine Arts Palace in Mexico City on March 15 of 1988.

Un délicieux mélange de musique, d'humour, d'apprentissage et de plaisir pour les professeurs de musique, des enseignants, des prestataires de services de garde ... et les enfants! A travers les chansons enchanteresses, musique orchestrale, et des activités dans Mon voyage dans les montagnes, les enfants pourront profiter de l'apprentissage de faire de la musique, le mouvement, l'écoute et la vie dans les montagnes à travers ce programme de classe engageante. Mon voyage dans les montagnes est totalement reproductible, et toutes les chansons sont inclus sur le CD de taper du pied. Artisanat et idées de collations sont inclus pour les étudiants plongent dans une joyeuse expérience d'apprentissage créatif. Instructeur primé et la petite enfance innovateur Lynn Kleiner partage ses idées de leçons créatives pour les jeunes enfants qui capturent le pouvoir merveilleux et l'excitation de l'apprentissage musical interactif. / Chant Et Guitare

Nombre de pages : 71 Niveau : 5 S'il est un domaine où abondent les idées reçues, c'est assurément celui de la technique guitaristique. L'approche proposée par Abel Carlevaro est résolument novatrice dans la mesure où elle conduit à remanier nombre de notions qui semblaient évidentes parce qu'incontestées en dépit de leurs bases défaillantes. De plus, elle ouvre de multiples possibilités expressives grâce à l'exploitation de ressources jusqu'alors insoupçonnées, restituant à la guitare sa vocation polyphonique et orchestrale. Cet ouvrage s'adresse aussi bien aux débutants qu'aux guitaristes confirmés et aux enseignants.

Par BAY MEL. Communément appelée la 'bible du guitariste rythmique', cet ouvrage novateur est un système de formation de corde de guitare qui maximise l'accordage de puissance tout en minimisant le mouvement de la gauche ! Initialement écrit par Mel Bay en 1947, cette publication phare a été rééditée dans sa composition originale en 1973 pour devenir le texte définitif sur les accords de jazz dans les studios de l'enseignement privé et départements de guitare jazz universitaires du monde entier. Analytique approche la baie de m. pratique à la touche produit ce système complet pour l'apprentissage des accords de guitare jazz orchestrale de pleine consonance. / Niveau : Intermédiaire à Avancé / Jazz - Chord Book / Etude / Guitare

Par BRAHMS JOHANNES. Alors qu'initialement conçu comme piano duos, danses hongroises de Johannes Brahms (opus 39) ont été transcrits pour divers ensembles instrumentaux, y compris la version orchestrale fournie par le compositeur lui-même. Dans cette édition, exceptionnel guitariste hongrois József Eötvös a transcrit tous les vingt et un des danses pour guitare solo, en notation standard uniquement avec les doigtés suggérées. Alors que beaucoup de ces transcriptions se trouvent bien sur l'idéogramme, ce volume est recommandé pour le guitariste classique avancé. / Niveau : Intermédiaire à Avancé / Classic - Solos / Répertoire / Guitare Classique

Par BROUWER LEO. Does not include score or parts of the string orchestra, only score and parts of the guitar quartet. / Niveau : Avancé / Répertoire / 4 Guitares

Par ALBINONI TOMASO. Guy Cuyvers is a very versatile musician. As a classical guitar player he has been acclaimed by Angel Romero and the international press unanimously praises his film scores. After graduating at the Royal Flemish Conservatory in Antwerp and supplementing his training in guitar, advanced composition and orchestra conducting at The American University in Washington D.C., Guy received his Master of Arts at the LUCA School of Arts. As a composer, Guy wrote several books for classical guitar and film music for Warner Bros. Besides writing for film and guitar, he composed numerous works in all domains of music. For more information on Guy Cuyvers: www.guycuyvers.com / Date parution : 2022-11-29/ Répertoire / Guitare

Par MORSCHECK PETER. Classics Forever is a collection of famous classical works that are arranged for acoustic guitar. You know many of these beautiful melodies from radio and TV advertisements. In transcribing these pieces special attention has been given to preserving the 'original” composition as much as possible. In spite of this, the pieces have been kept at a level between easy and medium in difficulty. Through the duets and the ability to divide up the parts in the solo compositions, this book can also be used for group instruction. In order to give an impression of an almost authentic rendition of the work, the pieces on the CD have been recorded so that you play along with an orchestra. In English and German. / Niveau : Débutant à Intermédiaire / Classic - Solos / Recueil / Guitare Classique

Par PAVAN CARLOS. Fantasias Concertantes for Bassoon and Guitar by Carlos Pavan. Composer and guitarist Carlos Pavan was born in Argentina and has lived in New York City since the year 2000. In three movements, After Bartók is inspired by Concerto for Orchestra's first movement (the trumpet's theme/quartal harmony/octatonic scale), After Hindemith is based on Symphonic Metamorphosis (2nd movement 'Turandot') using pentatonic/whole tone scale/contrary motion counterpoint, and After Stravinsky is inspired by The Rite of Spring and Symphonies of Wind Instruments, using mostly octatonic harmony and jazz concepts. / Date parution : 2022-11-29/ Répertoire / Basson et Guitare