By J. Jason Charnesky, music by Jean Paul Martini. Arranged by Bruce Trinkley. F...(+)
By J. Jason Charnesky,
music by Jean Paul
Martini. Arranged by
Bruce Trinkley. For
Choir. (SATB). Choral
Octavo. Level: Level 5
(grade L5). Choral
Octavo. 12 pages.
Published by Alfred
Publishing.
Come Back to Sorrento Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Schott
8 Popular String Quartets Score & Parts. By Various Composers. Arranged by Barri...(+)
8 Popular String Quartets
Score & Parts. By Various
Composers. Arranged by
Barrie Carson Turner.
(String Quartet). Schott.
Book only. Size 9x12
inches. 68 pages.
Published by Schott.
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Strings. Combination.
Sheet music. Yamaha Music
Media #GPW01096340.
Published by Yamaha Music
Media (YM.GPW01096340).
ISBN
9784636963403.
24
arrangements for two
violins. 24Shou Xiao
Ti Qin Er Zhong Zou Le Qu
.
1. Amazing
Grace; 2. Amapola; 3. The
Path of the Wind from My
Neighbor Totoro; 4. I Got
Rhythm/Gershwin; 5. Le
Temps des cerises; 6.
Someday My Prince Will
Come; 7. A Town with an
Ocean View from Kiki's
Delivery Service; 8. My
Grandfather's Clock; 9.
Hamabe no Uta(At the
Shore); 10. The Last Rose
of Summer; 11. Joy to the
World; 12. Happy Birthday
to You; 13. Salut d'amour
Op.12/Elgar; 14. Minuet
in G Major BWV anh.
114/Petzold(J. S. Bach);
15. Songs My Mother
Taught Me from
Lusalka/Dvorak; 16.
String Quartets
Op.76/3/Haydn; 17. Lascia
ch'io pianga from
Rinaldo/Handel; 18. O mio
babbino caro from Gianni
Schicchi/Puccini; 19.
Plaisir d'amour/Martini;
20. Auf Flugeln des
Gesanges
Op.34/2/Mendelssohn; 21.
Beautiful Dreamer/Foster;
22. Liebestraume
No.3/Liszt; 23. Ave
Maria/Caccini; 24.
Siciliana from Antiche
arie e danze per
liuto/Respighi 1. Qi
Yi En Dian ; 2. Ying Su ;
3. Feng Zhi Yong Dao Xuan
Zi Long Mao ; 4. Wo De
Jie Zou /Ge Shi Wen ; 5.
Ying Tao Cheng Shou Shi ;
6. Zong You Yi Tian Wang
Zi Hui Chu Xian ; 7. Neng
Kan Jian Huan De Jie Dao
Xuan Zi Mo Nu Zhai Ji
Bian ; 8. Wo Ye Ye De Luo
Di Zhong ; 9. Hai Bin Zhi
Ge (At the Shore); 10.
Xia Ri Zui Hou De Mei Gui
; 11. Ju Shi Huan Teng ;
12. Sheng Ri Kuai Le Ge ;
13. Ai De Li Zan Op.12/Ai
Er Jia ; 14. GDa Diao
Xiao Bu Wu Qu /Petzold(J.
S. Bach); 15. Mu Qin Jiao
Wo De Ge Xuan Zi Shui
Xian Nu /De Wo Xia Ke ;
16. Xian Le Si Zhong Zou
Op.76/3/Hai Dun ; 17.
Rang Wo Tong Ku Ba Xuan
Zi Li Na Er Duo /Heng De
Er ; 18. A !Wo Qin Ai De
Ba Ba Xuan Zi Jia Ni *Si
Ji Ji /Pu Qi Ni ; 19. Ai
De Xi Yue /Ma Di Ni ; 20.
Cheng Zhao Ge Sheng De
Chi Bang Op.34/2/Men De
Er Song ; 21. Mei Li Meng
Zhong Ren /Fu Si Te ; 22.
Ai Zhi Meng No.3/Li Si Te
; 23. Sheng Mu Song /Qia
Qi Ni ; 24. Xi Xi Li Wu
Qu Xuan Zi Gu Dai Feng Ge
Wu Qu /Lei Si Bi Ji.
Keyboard - easy SKU: HL.49007270 32 New Arrangements. Arranged by ...(+)
Keyboard - easy
SKU:
HL.49007270
32 New
Arrangements.
Arranged by Steve
Boarder. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 46 pages.
Schott Music #ED 7474.
Published by Schott Music
(HL.49007270).
ISBN
9783795750404.
9.0x12.0x0.198
inches.
Keine
Frage! Zu einem modernen,
komfortabel
ausgestatteten Keyboard
gehoren auch zeitgemasse,
ansprechende
Notenausgaben. Diese
Serie ist fur die
Keyboards der neuen
Generation
massgeschneidert, die die
leicht spielbaren
Arrangements im
Supersound erklingen
lassen. Die Ausstattung
der Hefte durfte alle
Erwartungen eines
Keyboarders erfullen. Sie
finden: Vorschlage zur
Registrierung, zum Tempo,
zur Begleitautomatik, zum
Einsatz von Effekten,
leicht spielbare
Fingersatze, Hinweise zur
Ausfuhrung jedes Stuckes
und je eine Tabelle, in
die Sie Ihre personlichen
Gestaltungsideen
eintragen konnen. Die
doppelseitige Einlage:
zeigt Ihnen alle Griffe
fur den Einsatz der
Einfinger-Akkord-Automati
k, gibt Ihnen
grundlegende
Informationen uber die
Moglichkeiten Ihres
Instruments, enthalt
speziell auf das Keyboard
zugeschnittene Tipps zum
Uben, mit deren Hilfe Sie
jedes dieser Stucke
vorfuhrreif spielen
lernen und erklart und
ubersetzt im Mini-Lexikon
mehr als 60 Begriffe aus
der Fachsprache des
Keyboarders.
Voice, guitar or piano SKU: LM.BOOK065 Composed by Charles Aznavour. Best...(+)
Voice, guitar or piano
SKU: LM.BOOK065
Composed by Charles
Aznavour. Best of 50
titres. Pop, jazz. Score.
Bookmakers International
#BOOK065. Published by
Bookmakers International
(LM.BOOK065).
ISBN
9790231308259.
A ma
femme - A ma fille - Ave
Maria - Bon anniversaire
- Comme ils disent -
Desormais - Emmenez-moi -
Et moi dans mon coin - Et
pourtant - Etre - For me,
formidable - Hier encore
- Il faut savoir - Ils
sont tombes - J'aime
Paris au mois de mai -
J'en deduis que je t'aime
- Je bois - Je m'voyais
deja - Je n'ai pas vu le
temps passer - Je
n'oublierai jamais -
L'amour c'est comme un
jour - L'amour et la
guerre - La boheme - La
Mamma - Le cabotin - Le
temps - Les comediens -
Les deux guitares - Les
jours - Les plaisirs
demodes - Mes emmerdes -
Mourir d'aimer - Non je
n'ai rien oublie - Nous
nous reverrons un jour ou
l'autre - Parce que -
Paris au mois d'aout -
Plus bleu que tes yeux -
Pour essayer de faire -
une chanson - Pour faire
une jam - Pour toi
Armenie - Que c'est
triste Venise - Qui ? -
Reste - Sa jeunesse - Sur
ma vie - Toi et moi -
Tous les visages de
l'amour (She) - Tout s'en
va - Trousse-chemise - Tu
t'laisses aller - Va -
Viens au creux de mon
epaule.
Piano Solo SKU: BU.EBR-A100 Composed by Richard Wagner. Anacrouse. Transc...(+)
Piano Solo
SKU:
BU.EBR-A100
Composed
by Richard Wagner.
Anacrouse. Transcription
pour piano Biographie
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A100. Published by
Editions Bourges
(BU.EBR-A100).
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.