Orchestra

SKU: BR.PB-5432

Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432).

ISBN 9790004212790. 10 x 12.5 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

By Brian Tate. For SATB choir and piano. Octavo. Published by Cypress Choral Music

Transcontinental Music Folios. Size 8.5x11 inches. 308 pages. Published by Transcontinental Music Publications.

By Franz Schubert (1797-1828). Arranged by Ralph Sauer. For Trombone, Horn and Piano. Romantic Duo. Advanced. Solo parts and Piano. Published by Cherry Classics

Concert Band - Grade 4

SKU: AP.85201C

Composed by Leroy Anderson. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Symphonic Band. Score. 16 pages. Belwin Music #00-85201C. Published by Belwin Music (AP.85201C).

UPC: 029156210125. English.

Enjoy the musical clock whose familiar tick-tock is not always on an even keel. Leroy Anderson's melodies have reached millions and can be whistled or sung by just about everyone. Here is the original for concert band freshly engraved with a new full score. For audience-pleasing programming, this one's timeless. This title is available in MakeMusic Cloud.

Concert Band Symphonic Band - Grade 4

SKU: FJ.B1767

Composed by Brian Balmages. Concert Band; MakeMusic Cloud. FJH Symphonic Band. Patriotic. Score and Part(s). Duration 7:45. The FJH Music Company Inc #98-B1767. Published by The FJH Music Company Inc (FJ.B1767).

UPC: 241444399156. English.

This dramatic work follows a hiker from the base of Pikes Peak to the summit, encountering all the legend and history along the way. From the numerous reported signs of Big Foot to spectacular views, the opening embodies many different moods. An energetic section introduces small elements of America, the Beautiful before being fully realized in a powerful moment reflective of when Katharine Lee Bates reached the summit herself in 1883 and penned the words shortly thereafter. Ideal as a festival work while also perfect for directors looking for a different kind of patriotic piece.

About FJH Symphonic Band

Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2

SKU: CF.YAS220

A Greensleeves Fantasy. Composed by Traditional. Arranged by Nicolás Humberto Repetto. Set of Score and Parts. Duration 2 minutes, 24 seconds. Carl Fischer Music #YAS220. Published by Carl Fischer Music (CF.YAS220).

ISBN 9781491162682. UPC: 680160921430. Key: E minor.

Heart of Gold (A Greensleeves Fantasy) is a fresh take on a traditional favorite, drawing its name from the lyrics of the original secular song, “Greensleeves was my delight, Greensleeves was my heart of gold.” The piece starts with an introduction that flows into the familiar poignant melody, using beautiful and unexpected harmonies for a contemporary sound. The Second Violins and Viola have an opportunity to shine as well as they take over the theme with a wonderful swelling crescendo leading to the heart of the piece. A Solo Violin and Solo Cello restate the melody against the pizzicato accompaniment motif established in the beginning. The Optional Piano part adds magic and enhances the orchestration throughout.Performance Notes: Start the introduction very quietly. Exaggerate the dynamics throughout. Make the pizzicato nice and full while staying under the melody in the first violins. At measure 13, this countermelody in the first violins should be felt and not obscure the Greensleeves melody played by the second violins and violas, so make sure to balance it accordingly. At measure 20, exaggerate the crescendo and once forte is reached, maintain that intensity all the way to the decrescendo at measure 36. The solo violin line should be played with lots of expression and soar above the pizzicato figures. Pizzicato figures should be light and full, played closer to the fingerboard. At measure 45, the cello solo should be strong and connected singing high above the rest of the sections. Make sure the arco strings in this section do not overpower the cello line.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2

SKU: CF.YAS220F

A Greensleeves Fantasy. Composed by Traditional. Arranged by Nicolás Humberto Repetto. Full score. 8 pages. Duration 2 minutes, 24 seconds. Carl Fischer Music #YAS220F. Published by Carl Fischer Music (CF.YAS220F).

ISBN 9781491163023. UPC: 680160921775. Key: E minor.

Heart of Gold (A Greensleeves Fantasy) is a fresh take on a traditional favorite, drawing its name from the lyrics of the original secular song, “Greensleeves was my delight, Greensleeves was my heart of gold.” The piece starts with an introduction that flows into the familiar poignant melody, using beautiful and unexpected harmonies for a contemporary sound. The Second Violins and Viola have an opportunity to shine as well as they take over the theme with a wonderful swelling crescendo leading to the heart of the piece. A Solo Violin and Solo Cello restate the melody against the pizzicato accompaniment motif established in the beginning. The Optional Piano part adds magic and enhances the orchestration throughout.Performance Notes: Start the introduction very quietly. Exaggerate the dynamics throughout. Make the pizzicato nice and full while staying under the melody in the first violins. At measure 13, this countermelody in the first violins should be felt and not obscure the Greensleeves melody played by the second violins and violas, so make sure to balance it accordingly. At measure 20, exaggerate the crescendo and once forte is reached, maintain that intensity all the way to the decrescendo at measure 36. The solo violin line should be played with lots of expression and soar above the pizzicato figures. Pizzicato figures should be light and full, played closer to the fingerboard. At measure 45, the cello solo should be strong and connected singing high above the rest of the sections. Make sure the arco strings in this section do not overpower the cello line.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

For voice and piano. From the motion picture 'Chicago'. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Movies. 96 pages. 9x12 inches. Published by Hal Leonard.

Concert Band Symphonic Band - Grade 4

SKU: FJ.B1788S

Score Only. Composed by Brian Balmages. Concert Band. FJH Symphonic Band. Score. Duration 9:00. The FJH Music Company Inc #98-B1788S. Published by The FJH Music Company Inc (FJ.B1788S).

English.

Written over a several month period when the composer's father was dying, the composer states: Throughout this entire experience, I have reached my own breaking point. Over and over again. So I fall apart, put myself together, and am then broken all over again. One of the most emotional and powerful pieces Balmages has ever written, there are moments of untamed beauty, anger, rage, hope, despair, and frustration. Once you perform this one, you will never forget it.

About FJH Symphonic Band

Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5

By John Kander, lyrics by Fred Ebb. Arranged by Dan Coates. For Piano. Piano - Easy Piano Collection. Movie. Level: Easy Piano. Book. 48 pages. Published by Alfred Publishing.

Cello and Piano. Composed by Georges Boulanger (1893- 1958). Boosey & Hawkes Chamber Music. Classical. Softcover. 12 pages. Boosey & Hawkes #M202535264. Published by Boosey & Hawkes

Concert Band Symphonic Band - Grade 4

SKU: FJ.B1788

Composed by Brian Balmages. Concert Band; MakeMusic Cloud. FJH Symphonic Band. Score and Part(s). Duration 9:00. The FJH Music Company Inc #98-B1788. Published by The FJH Music Company Inc (FJ.B1788).

UPC: 241444405390. English.

Written over a several month period when the composer's father was dying, the composer states: Throughout this entire experience, I have reached my own breaking point. Over and over again. So I fall apart, put myself together, and am then broken all over again. One of the most emotional and powerful pieces Balmages has ever written, there are moments of untamed beauty, anger, rage, hope, despair, and frustration. Once you perform this one, you will never forget it.

About FJH Symphonic Band

Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5