SATB Choir SKU: HP.8944 Composed by Joel Raney. Cantata. Instrumental par...(+)
SATB Choir
SKU:
HP.8944
Composed by
Joel Raney. Cantata.
Instrumental parts. 153
pages. Hope Publishing
Company #8944. Published
by Hope Publishing
Company (HP.8944).
UPC:
763628189440.
Lent
& Easter Musical Not
'Who Was Jesus?' but 'Who
Is Jesus?' The question
is asked in the present
tense because it's
Christ's interaction with
our lives in the here and
now that is the focus of
this 30 minute Tenebrae
service. The events of
Holy Week are presented
through enticing
arrangements of familiar
hymns and spirituals plus
narration, culminating
with the crucifixion
story in a moving
rendition of 'O Sacred
Head, Now Wounded. '
There are opportunities
to include vocal solos,
as well as,
congregational singing.
The accompaniment can be
provided by piano, CD
track, or a chamber
ensemble of five
instruments. A further
option is an organ part
that can work with just
piano or can be added to
the chamber instruments.
Finally, there are
instructions for lighting
and extinguishing seven
candles ending in
darkness with all softly
singing of the first
verse of 'Fairest Lord
Jesus.
'
Instrumental
Parts: Conductor's Score,
Organ, Flute, Oboe,
Violin,Cello and Horn in
F.
Urtext. Composed
by Jan Dismas Zelenka.
Edited by David Erler.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Royal Funeral
Music
Requiem;
Baroque. Part. 20 pages.
Breitkopf and Haertel #OB
5593-15. Published by
Breitkopf and Haertel
(BR.OB-5593-15).
ISBN
9790004344316. 10 x 12.5
inches.
For the
funeral rites after the
death of King Augustus I.
of Saxony (Augustus the
Strong), Zelenka composed
the Requiem in D (ZWV 46)
and the Officium
Defunctorum (ZWV 47),
both integral parts of
the exequies for the
Saxon-Polish ruler.
Zelenka had to finish
this work in a great
hurry, and implemented -
suitable to the occasion
- an impressing abundance
of sound colors and
inventiveness: muted
trumpets and horns,
chalumeau, obligate
fagotti as well as
extremely virtuoso solo
parts and fully developed
counterpoints in the
choral settings. With the
present Urtext edition
David Erler is closing
one of the last gaps in
the series of large-scale
sacred works of Zelenka
in Breitkopf & Hartel's
catalog.Have a look into
the piano vocal
score.
SATB choir SKU: HP.8947 Composed by Joel Raney. Cantata. Listening CD. Ho...(+)
SATB choir
SKU:
HP.8947
Composed by
Joel Raney. Cantata.
Listening CD. Hope
Publishing Company #8947.
Published by Hope
Publishing Company
(HP.8947).
UPC:
763628189471.
Lent
& Easter Musical Not
'Who Was Jesus?' but 'Who
Is Jesus?' The question
is asked in the present
tense because it's
Christ's interaction with
our lives in the here and
now that is the focus of
this 30 minute Tenebrae
service. The events of
Holy Week are presented
through enticing
arrangements of familiar
hymns and spirituals plus
narration, culminating
with the crucifixion
story in a moving
rendition of 'O Sacred
Head, Now Wounded. '
There are opportunities
to include vocal solos,
as well as,
congregational singing.
The accompaniment can be
provided by piano, CD
track, or a chamber
ensemble of five
instruments. A further
option is an organ part
that can work with just
piano or can be added to
the chamber instruments.
Finally, there are
instructions for lighting
and extinguishing seven
candles ending in
darkness with all softly
singing of the first
verse of 'Fairest Lord
Jesus.
'
Instrumental
Parts: Conductor's Score,
Organ, Flute, Oboe,
Violin,Cello and Horn in
F.
Solo voices, choir,
orchestra (SATB voice
Solos, SATB Choir,
4Fl(Flote 3 muta in
Piccolo-Flote), 2 Ob,
EnglHn, 3clar, clar-B,
3bsn, bsn-Co, 4Hn, 4Trp,
3tbn, Tb, timp, Tri,
Tr-Kl, Be, Be-Hang, Tam,
Glsp, Gl, Cel, 2 harp,
Org, 2 Violin, Viola,
Cello, Double Bass)
SKU: BA.BA06862
Final version.
Composed by Leos Janacek.
Edited by JirÃ
Zahrádka and Leoš
Faltus. This edition:
complete edition, urtext
edition. Linen. Complete
Critical Edition of the
Works of Leos Janacek.
Series B, Volume 5-I.
Complete edition, Score.
Duration 40 minutes.
Baerenreiter Verlag
#BA06862_00. Published by
Baerenreiter Verlag
(BA.BA06862).
ISBN
9790260105300. 34.2 x
27.3 cm inches. Text
Language: Church
Slavic.
The
Glagolitic Mass, one of
the 20th century
masterpieces of sacred
music, has a very complex
genesis and constitutes
an intricate editorial
challenge.
The
recently published
scholarly-critical
edition presents two
different versions of the
work in two separate
volumes: the
“September
1927†version (BA
6863) which the composer
completed before the
first rehearsals and
subsequent premiere in
Brno and the version he
partly reworked for the
first Prague performance
in April 1928 (BA 6862).
This second version was
then revised further and
published after
Janácek’s death
by Universal Edition Wien
in 1930. Known as the
“final authorised
versionâ€, it has
been newly edited for
this publication which is
based on the
engraver’s copy of
the score prepared by
Janácek’s
regular copyist Václav
Sedlácek.
The
“final authorised
version†is the
significant version and
most suited to
performance purposes. The
instrumentation is
richer, it is more
straightforward to
rehearse and several
important passages are
more coherent than in the
earlier version. It is
the later version that is
presented in the vocal
score. The Old Church
Slavonic text has been
prepared by the slavicist
Radoslav Vecerka.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SATB choir SKU: HP.8948 Composed by Joel Raney. Cantata. Accompaniment CD...(+)
SATB choir
SKU:
HP.8948
Composed by
Joel Raney. Cantata.
Accompaniment CD. Hope
Publishing Company #8948.
Published by Hope
Publishing Company
(HP.8948).
UPC:
763628189488.
Lent
& Easter Musical Not
'Who Was Jesus?' but 'Who
Is Jesus?' The question
is asked in the present
tense because it's
Christ's interaction with
our lives in the here and
now that is the focus of
this 30 minute Tenebrae
service. The events of
Holy Week are presented
through enticing
arrangements of familiar
hymns and spirituals plus
narration, culminating
with the crucifixion
story in a moving
rendition of 'O Sacred
Head, Now Wounded. '
There are opportunities
to include vocal solos,
as well as,
congregational singing.
The accompaniment can be
provided by piano, CD
track, or a chamber
ensemble of five
instruments. A further
option is an organ part
that can work with just
piano or can be added to
the chamber instruments.
Finally, there are
instructions for lighting
and extinguishing seven
candles ending in
darkness with all softly
singing of the first
verse of 'Fairest Lord
Jesus.
'
Instrumental
Parts: Conductor's Score,
Organ, Flute, Oboe,
Violin,Cello and Horn in
F.
Urtext. Composed
by Jan Dismas Zelenka.
Edited by David Erler.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Royal Funeral
Music
Requiem;
Baroque. Part. 16 pages.
Breitkopf and Haertel #OB
5593-16. Published by
Breitkopf and Haertel
(BR.OB-5593-16).
ISBN
9790004344323. 10 x 12.5
inches.
For the
funeral rites after the
death of King Augustus I.
of Saxony (Augustus the
Strong), Zelenka composed
the Requiem in D (ZWV 46)
and the Officium
Defunctorum (ZWV 47),
both integral parts of
the exequies for the
Saxon-Polish ruler.
Zelenka had to finish
this work in a great
hurry, and implemented -
suitable to the occasion
- an impressing abundance
of sound colors and
inventiveness: muted
trumpets and horns,
chalumeau, obligate
fagotti as well as
extremely virtuoso solo
parts and fully developed
counterpoints in the
choral settings. With the
present Urtext edition
David Erler is closing
one of the last gaps in
the series of large-scale
sacred works of Zelenka
in Breitkopf & Hartel's
catalog.Have a look into
the piano vocal
score.
Solo Instrument - Moderately Advanced SKU: WD.080689316586 Instrumenta...(+)
Solo Instrument -
Moderately Advanced
SKU:
WD.080689316586
Instrumental Solos for
the Church Musician.
Composed by Keith
Wilbanks. Arranged by
Keith Wilbanks. Sacred
Instrumental, Christmas.
Solo instrumental score.
Word Music #080689316586.
Published by Word Music
(WD.080689316586).
UPC:
080689316586.
On
the heels of two
best-selling instrumental
solo books,
Contemporary
Praise and
Contemporary
Hymns, comes
Contemporary
Christmas, a
unique collection of
popular Christmas carols
and songs written
specifically for each
family of instruments.
The Brass book
contains solo pages for
Trumpet, Trombone, French
Horn and Euphonium. The
Woodwind/String
book contains solo pages
for Flute, Oboe,
Clarinet, Alto and Tenor
Saxophone, Violin, Viola
and Cello. The book also
includes piano
accompaniment as well as
CD Trax to use during
performances or for
listening enjoyment.
SATB choir SKU: HP.8943 Composed by Joel Raney. Cantata. Accompaniment CD...(+)
SATB choir
SKU:
HP.8943
Composed by
Joel Raney. Cantata.
Accompaniment CD. Hope
Publishing Company #8943.
Published by Hope
Publishing Company
(HP.8943).
UPC:
763628189433.
Lent
& Easter Musical Not
'Who Was Jesus?' but 'Who
Is Jesus?' The question
is asked in the present
tense because it's
Christ's interaction with
our lives in the here and
now that is the focus of
this 30 minute Tenebrae
service. The events of
Holy Week are presented
through enticing
arrangements of familiar
hymns and spirituals plus
narration, culminating
with the crucifixion
story in a moving
rendition of 'O Sacred
Head, Now Wounded. '
There are opportunities
to include vocal solos,
as well as,
congregational singing.
The accompaniment can be
provided by piano, CD
track, or a chamber
ensemble of five
instruments. A further
option is an organ part
that can work with just
piano or can be added to
the chamber instruments.
Finally, there are
instructions for lighting
and extinguishing seven
candles ending in
darkness with all softly
singing of the first
verse of 'Fairest Lord
Jesus.
'
Instrumental
Parts: Conductor's Score,
Organ, Flute, Oboe,
Violin,Cello and Horn in
F.
SATB Choir SKU: HP.8949 Composed by Joel Raney. Cantata. Instrumental par...(+)
SATB Choir
SKU:
HP.8949
Composed by
Joel Raney. Cantata.
Instrumental parts. 24
pages. Hope Publishing
Company #8949. Published
by Hope Publishing
Company (HP.8949).
Lent & Easter
Musical Not 'Who Was
Jesus?' but 'Who Is
Jesus?' The question is
asked in the present
tense because it's
Christ's interaction with
our lives in the here and
now that is the focus of
this 30 minute Tenebrae
service. The events of
Holy Week are presented
through enticing
arrangements of familiar
hymns and spirituals plus
narration, culminating
with the crucifixion
story in a moving
rendition of 'O Sacred
Head, Now Wounded. '
There are opportunities
to include vocal solos,
as well as,
congregational singing.
The accompaniment can be
provided by piano, CD
track, or a chamber
ensemble of five
instruments. A further
option is an organ part
that can work with just
piano or can be added to
the chamber instruments.
Finally, there are
instructions for lighting
and extinguishing seven
candles ending in
darkness with all softly
singing of the first
verse of 'Fairest Lord
Jesus.
'
Instrumental
Parts: Conductor's Score,
Organ, Flute, Oboe,
Violin,Cello and Horn in
F.
SATB Choir SKU: HP.8942 Composed by Joel Raney. Cantata. Listening CD. Ho...(+)
SATB Choir
SKU:
HP.8942
Composed by
Joel Raney. Cantata.
Listening CD. Hope
Publishing Company #8942.
Published by Hope
Publishing Company
(HP.8942).
UPC:
763628189426.
Lent
& Easter Musical Not
'Who Was Jesus?' but 'Who
Is Jesus?' The question
is asked in the present
tense because it's
Christ's interaction with
our lives in the here and
now that is the focus of
this 30 minute Tenebrae
service. The events of
Holy Week are presented
through enticing
arrangements of familiar
hymns and spirituals plus
narration, culminating
with the crucifixion
story in a moving
rendition of 'O Sacred
Head, Now Wounded. '
There are opportunities
to include vocal solos,
as well as,
congregational singing.
The accompaniment can be
provided by piano, CD
track, or a chamber
ensemble of five
instruments. A further
option is an organ part
that can work with just
piano or can be added to
the chamber instruments.
Finally, there are
instructions for lighting
and extinguishing seven
candles ending in
darkness with all softly
singing of the first
verse of 'Fairest Lord
Jesus.
'
Instrumental
Parts: Conductor's Score,
Organ, Flute, Oboe,
Violin,Cello and Horn in
F.
Kantate zum 1.
Advent. Composed by
Georg Philipp Telemann.
Edited by Traugott
Fedtke, Klaus Hofmann.
Arranged by Traugott
Fedtke. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Machet die
Tore weit. Innovative
practice aids, Sacred
vocal music, Cantatas,
Psalms, German, Advent,
Praise and thanks. Single
Part, Viola. TVWV 1:1074.
8 pages. Duration 16
minutes. Carus Verlag #CV
39.105/13. Published by
Carus Verlag
(CA.3910513).
ISBN
9790007055240. Language:
German/English.
The
Advent cantata Machet die
Tore weit has long been
one of the most
frequently performed of
Telemann's sacred works.
Among the copies of this
cantata which have been
handed down is a copy by
J. S. Bach which bears
testimony to the high
respect he paid to his
then more celebrated
colleague from Hamburg:
It is a copy of the score
in the hand of the
Thomaskantor which was
made for a performance in
Leipzig on Avent Sunday
in 1734 (therefore during
the same period as the
first performance of
Bach's Christmas
Oratorio). Of the four
solo singers the soprano
and bass, each of whom
has an aria, are
indispensable. The brief
alto solos in the opening
chorus can be sung by a
member of the choir, and
the tenor recitative can
be sung by the soprano
soloist. This work is now
available in carus music,
the choir app! Score and
part available separately
- see item
CA.3910500.
Kantate zum 1.
Advent. Composed by
Georg Philipp Telemann.
Edited by Traugott
Fedtke, Klaus Hofmann.
Arranged by Traugott
Fedtke. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Machet die
Tore weit. Innovative
practice aids, Sacred
vocal music, Cantatas,
Psalms, German, Advent,
Praise and thanks. Single
Part, Cello/Double Bass.
TVWV 1:1074. 8 pages.
Duration 16 minutes.
Carus Verlag #CV
39.105/14. Published by
Carus Verlag
(CA.3910514).
ISBN
9790007055257. Language:
German/English.
The
Advent cantata Machet die
Tore weit has long been
one of the most
frequently performed of
Telemann's sacred works.
Among the copies of this
cantata which have been
handed down is a copy by
J. S. Bach which bears
testimony to the high
respect he paid to his
then more celebrated
colleague from Hamburg:
It is a copy of the score
in the hand of the
Thomaskantor which was
made for a performance in
Leipzig on Avent Sunday
in 1734 (therefore during
the same period as the
first performance of
Bach's Christmas
Oratorio). Of the four
solo singers the soprano
and bass, each of whom
has an aria, are
indispensable. The brief
alto solos in the opening
chorus can be sung by a
member of the choir, and
the tenor recitative can
be sung by the soprano
soloist. This work is now
available in carus music,
the choir app! Score and
part available separately
- see item
CA.3910500.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Single
Part, Viola 1. Warb CW E
4. 28 pages. Duration 55
minutes. Carus Verlag #CV
38.109/14. Published by
Carus Verlag
(CA.3810914).
ISBN
9790007054342. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and part
available separately -
see item CA.3810900.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Single
Part, Cello/Double Bass.
Warb CW E 4. 28 pages.
Duration 55 minutes.
Carus Verlag #CV
38.109/16. Published by
Carus Verlag
(CA.3810916).
ISBN
9790007054366. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and part
available separately -
see item CA.3810900.
Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Facile Carus Verlag
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Gloria. Innovative
practice aids, Sacred
vocal music, Mass
sections, Christmas. Set
of Orchestra Parts.
Composed 1821/22. MWV A
1. Duration 21 minutes.
Carus Verlag #CV
40.483/19. Published by
Carus Verlag
(CA.4048319).
ISBN
9790007137953. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
parts available
separately - see item
CA.4048300.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Set of
Orchestra Parts. Warb CW
E 4. Duration 55 minutes.
Carus Verlag #CV
38.109/19. Published by
Carus Verlag
(CA.3810919).
ISBN
9790007134334. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and parts
available separately -
see item CA.3810900.
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn.
Violoncello/double bass.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Cello/Double
Bass. Composed 1821/22.
MWV A 1. 8 pages.
Duration 21 minutes.
Carus Verlag #CV
40.483/14. Published by
Carus Verlag
(CA.4048314).
ISBN
9790007218799. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300.
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. Viola.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Viola.
Composed 1821/22. MWV A
1. 8 pages. Duration 21
minutes. Carus Verlag #CV
40.483/13. Published by
Carus Verlag
(CA.4048313).
ISBN
9790007218782. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300.
Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Facile Carus Verlag
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext. 1x
40.483/21 flute 1, 1x
40.483/22 flute 2, 1x
40.483/23 oboe 1, 1x
40.483/24 oboe 2, 1x
40.483/25 clarinet 1, 1x
40.483/26 clarinet 2, 1x
40.483/27 bassoon 1, 1x
40.483/28 bassoon 2, 1x
40.483/31 horn 1, 1x
40.483/32 horn 2, 1x
40.483/33 trumpet 1, 1x
40. Stuttgart Urtext
Edition: Mendelssohn.
Harmony parts. Innovative
practice aids, Sacred
vocal music, Mass
sections, Christmas. Set
of Orchestra Parts.
Composed 1821/22. MWV A
1. 42 pages. Duration 21
minutes. Carus Verlag #CV
40.483/09. Published by
Carus Verlag
(CA.4048309).
ISBN
9790007218751. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
parts available
separately - see item
CA.4048300.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gloria In G E. Sacred
vocal music, Mass
sections. Full score.
Warb CW E 4. 296 pages.
Duration 55 minutes.
Carus Verlag #CV
38.109/00. Published by
Carus Verlag
(CA.3810900).
ISBN
9790007054281. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Choral
Score. Warb CW E 4.
Duration 55 minutes.
Carus Verlag #CV
38.109/05. Published by
Carus Verlag
(CA.3810905).
ISBN
9790007054298. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score available
separately - see item
CA.3810900.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext. 1x
38.109/21 flute 1, 1x
38.109/22 flute 2, 1x
38.109/23 oboe 1, 1x
38.109/24 oboe 2, 1x
38.109/25 bassoon, 1x
38.109/31 horn 1, 1x
38.109/32 horn 2.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Set of
Orchestra Parts. Warb CW
E 4. 88 pages. Duration
55 minutes. Carus Verlag
#CV 38.109/09. Published
by Carus Verlag
(CA.3810909).
ISBN
9790007054304. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and parts
available separately -
see item CA.3810900.
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. Innovative
practice aids, Sacred
vocal music, Mass
sections, Christmas.
Study score. Composed
1821/22. MWV A 1.
Duration 21 minutes.
Carus Verlag #CV
40.483/07. Published by
Carus Verlag
(CA.4048307).
ISBN
9790007092597. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score
available separately -
see item CA.4048300.