By Linda Forrest. For unison/2-part choir (2-part). General Music. Book. Published by Heritage Music Press

(22 Full Band Arrangements Correlated to Accent on Achievement (Bass Clarinet)). Arranged by John O'Reilly and Mark Williams. Concert Band. For Bass Clarinet. Band Supplement; Book; Masterworks. Accent on Performance. Masterwork Arrangement. 24 pages. Pub

Composed by Claude Debussy (1862-1918), edited by Hans Swarsenski. Instrumental solo book for solo piano. With editors notes. Composed 1900-10. 56 pages. Published by C.F. Peters.

Piano Solo. Composed by Friedrich Burgmueller. Edited by Monika Twelsiek. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Op. 109. 44 pages. Schott Music #ED175. Published by Schott Music

By Margaret Goldston. Keyboard. Level: Elementary/Late Elementary (1B/2). Published by Alfred Publishing.

(A Winning Collection of Original Solos). By Timothy Brown. For piano solo. Late elementary. Collection. 28 pages. Published by The FJH Music Company Inc

Piano Solo. By Cecile Chaminade. Piano Collection. Size 9x12 inches. 48 pages. Published by G. Schirmer, Inc.

Arranged by Timothy Brown. Book. FJH Piano Teaching Library. Book. The FJH Music Company Inc #FJH2312. Published by The FJH Music Company Inc

Arranged by Deborah Greenblatt. For String Trio (cello 3). Spiral-bound. Trios for Strings. Part book. Standard Notation. 50 pages. Published by Greenblatt & Seay

(22 Full Band Arrangements Correlated to Accent on Achievement (Trumpet 2)). Arranged by John O'Reilly and Mark Williams. Concert Band. For Trumpet 2. Band Supplement; Book; Masterworks. Accent on Performance. Masterwork Arrangement. 24 pages. Published b

Performed by Claude Bolling. Transcribed. Size 6.75x10.5 inches. Published by Hal Leonard.

By Dennis Armitage. For clarinet and piano (organ). Swiss import. Level: 3. Score and parts. Published by Editions Marc Reift. (EMR 907C)

Arranged by Calvin Custer. Arr. Calvin Custer. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Level: grade III-IV. Conductor Score. 1 pages. Published by Alfred Publishing.

For Flute, Piano. Grades 1-2. Collection & CD. Published by ABRSM (Associated Board of the Royal Schools of Music)

Tenor Voice and Piano

SKU: HL.14019832

Composed by Gian Francesco Malipiero. Music Sales America. Classical. Book [Softcover]. Composed 2002. Chester Music #CH03935. Published by Chester Music (HL.14019832).

In 1918-19, Gian Francesco Malipiero wrote a collection of seven songs, commonly known as Sette Canzoni. They were initially intended as a stand-alone work, but became incredibly popular when they wereincluded as the second act of the composer's opera L'Orfiede. However, in recent years the collection has come to be recognised in its own right as one of the composer's masterpieces.

Like all of the seven songs,the fifth, Serenata , is designed as an individual mini-opera. Scored for a solo Tenor with Piano accompaniment, it tells the story of a young lover serenading his beloved. At the same time, unknown to him, shesits inside lamenting the death of a relative.

S erenata has been translated from the original Italian into French by Henry Prunieres, and into English by Edwin Evans.

Voice, piano

SKU: BR.SON-605

Lieder 1. Composed by Jean Sibelius. Edited by K. Kilpelainen and T. Virtanen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 336 pages. Breitkopf and Haertel #SON 605. Published by Breitkopf and Haertel (BR.SON-605).

ISBN 9790004802472. 10 x 12.5 inches.

Sibelius secured his international reputation as a 20th-century classic above all with his large orchestral works. However, his vocal works, including the songs for voice and orchestra, are just as important and innovative. They combine Sibelius's masterful command of the orchestral apparatus with a uniquely sensitive feeling for the textual sources. They range from the dramatic ballad Koskenlaskijan morsiamet Op. 33 to the intimate, lyrical Arioso Op. 3, and from the post-Wagnerian Serenad JS 183 (presented here for the first time) to the boldly orchestrated vision Luonnotar Op. 70. Following the two books of songs with piano accompaniment, this volume of the Sibelius Complete Edition (JSW) will definitely make an important contribution to the international reception of Sibelius' works.

(Italian Serenades and Love Songs). Arranged by Frederic Hand, Paula Robinson. For flute, guitar. Classical. Score - Performance. Standard Notation. 24 pages. Theodore Presser Company #114-41654. Published by Theodore Presser Company

Coro SMsA

SKU: CA.336550

Composed by Guido Lopez Gavilan. Separate edition with choral collection. Secular choral music. Full score. 8 pages. Carus Verlag #CV 03.365/50. Published by Carus Verlag (CA.336550).

ISBN 9790007244026. Language: Spanish. Text: Gonzalez, Felipe.

This original work for equal voices from the composer Guido Lopez Gavilan is a virtuoso composition, full of humor and lyricism. The composer uses onomatopoeic sounds that imitate the guitar and the mandolin, inst ruments that always accompany serenades and love songs. The poem describes a bucolic landscape and the verses alternate with vocal-instrumental interludes which help to build to an extraordinary sonic climax. The colorful harmonies are reminiscent of the impressionist language.

By Mozart, Wolfgang Amadeus (1756-1791) and Schubert, Franz (1797-1828). Voice and guitar. Published by International Music Co.

Flute & String Quartet

SKU: SU.27060280

For Flute & String Quartet. Composed by Mark Carlson. Chamber Music, String Trio/Quartet/Quintet, Woodwinds, Flute/Piccolo, Chamber Music, Mixed Ensemble. Score & Parts. Subito Music Corporation #27060280. Published by Subito Music Corporation (SU.27060280).

Six Bagatelles is a set of whimsical character pieces which, in my own composer’s perception, provided balance to some of the heavier works I had written over the previous several years. The first movement, Humming, not only hums along like a well-tuned engine, but it also evokes a melody that someone might actually hum. Let Evening Come is an arrangement of a song, for baritone or mezzo-soprano, flute, and piano, on Jane Kenyon’s poem of the same name—part of a cycle from 1994 called Night Will Blossom. The title Melancholy speaks for itself, as does that of the fifth movement, Solace. Skirmish started out as a march, but when changes of meter emerged in the composing of the piece, I realized it was no longer marchable, though still martial in character. The final movement is a Mosaic in two senses: the accompaniment in the strings in the outer sections of the piece is made up of small bits of material, combining to create an overall texture; and its middle section is made up of fragments of material heard in earlier movements. —Mark Carlson Flute & String Quartet Composed: 1995 Published by: Pacific Serenades.