Incidental music for a radio production of William Shakespeare\'s play....(+)
Incidental music for a
radio
production of William
Shakespeare\'s play.
Composed
by Ralph Vaughan Williams
(1872-1958). Full score.
Promethean Editions
#PME16S.
Published by Promethean
Editions
Symphony No. 6 Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
2nd Movement. Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by R...(+)
2nd Movement. Composed by
Peter Ilyich Tchaikovsky
(1840-1893). Arranged by
Richard Meyer (ASCAP).
Full
Orchestra; Performance
Music
Ensemble; Single Titles.
Highland/Etling First
Philharmonic. Masterwork
Arrangement. Part(s);
Score.
Alfred Music #00-49045.
Published by Alfred Music
Symphony No. 6 Orchestre [Conducteur] - Facile Alfred Publishing
2nd Movement. Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by ...(+)
2nd Movement. Composed by
Peter Ilyich Tchaikovsky
(1840-1893). Arranged by
Richard Meyer (ASCAP).
Full
Orchestra; Performance
Music
Ensemble; Single Titles.
Highland/Etling First
Philharmonic. Masterwork
Arrangement. Score.
Alfred
Music #00-49045S.
Published
by Alfred Music
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
366 More Great Songs for Better Living. Arranged by Jim Beloff, Liz Belof...(+)
366 More Great Songs
for Better Living.
Arranged by Jim Beloff,
Liz Beloff. Fake Book.
Country, Pop,
Standards. Softcover. 416
pages. Published by Hal
Leonard (HL.212971).
Written by Michael Mueller. Instructional book (guitar excerpts only, complete s...(+)
Written by Michael
Mueller. Instructional
book (guitar excerpts
only, complete songs not
included) and
accompaniment CD for
guitar. With guitar
tablature, standard
notation, chord names,
guitar chord diagrams,
instructional text,
guitar notation legend
and introductory text.
Series: Hal Leonard
Guitar Method. 64 pages.
Published by Hal Leonard.
(A Simple Service for Choir and Congregation). By Anna Laura Page; Jean Anne Sha...(+)
(A Simple Service for
Choir and Congregation).
By Anna Laura Page; Jean
Anne Shafferman. For SAB
choir (2-part mixed
choir), piano 4-hands
(with optional
percussion, digital
keyboard, 3 octave
handbells). Christmas,
Sacred. Cantata
Piano seul [Partition] - Facile Faber Music Limited
Written by Nancy Faber, Randall Faber. Instructional book for piano. Level 2A-2B...(+)
Written by Nancy Faber,
Randall Faber.
Instructional book for
piano. Level 2A-2B. With
musical examples and
illustrations. 95 pages.
Published by The FJH
Music Company Inc..
(A Simple Service for Choir and Congregation). By Anna Laura Page; Jean Anne Sha...(+)
(A Simple Service for
Choir and Congregation).
By Anna Laura Page; Jean
Anne Shafferman. For SATB
choir, piano (piano
4-hand) (with optional
percussion, digital
keyboard, 3 octave
handbells). Christmas,
Sacred. Cantata
Composed by Francois Couperin (1668-1733). Edited by Margery Halford. Masterwork...(+)
Composed by Francois
Couperin (1668-1733).
Edited by Margery
Halford. Masterworks;
Piano Collection. Alfred
Masterwork Edition.
Baroque; Masterwork.
Book. 84 pages. Alfred
Music #00-580. Published
by Alfred Music
Composed
by Johann Sebastian Bach.
Score. Lucks Music
Library #A2501. Published
by Lucks Music Library
(TM.01751SC).
Sandra Dackow
Little Known Gem - Grade
IV+. Ed. by Hoffmann.
This delightful set of
works in the keys of G,
A, and B-flat major takes
full advantage of
multiple stops, chords,
and fiddle writing that
lays easily under the
hand and is fun to play.
The fast movements are
vigorous and the
contrasting slow
movements are not
particularly fussy or
florid, though they
include some
ornamentation. In the
Allegro sections,
musicians should approach
the playing as they would
a work by Haydn or
Mozart: eighth and
quarter notes off the
string and at the frog,
and sixteenth notes on
the string. Stamitz's
players would have
followed the general rule
of the down bow, where
the strong beat would
begin with a down bow. In
Concerto No. 1 in G, the
Violin I parts reach to
sixth position, requiring
high G's. Unusual writing
for its time, these
passages are both logical
and easy for players to
find and hear. Cello and
bass parts reach high F's
on occasion and require
third, fourth and fifth
positions. The second
violin and viola parts do
not require extended
ranges, making this work
practical for an upper
intermediate orchestra.
The slow movements
transition between
different keys and
requires the low strings
to use extension notes
such as G-sharp and
A-sharp.
Composed by Carl
Strommen. Young String
Orchestra. Set of Score
and Parts. With Standard
notation. 8+8+2+5+5+5+3+8
pages. Duration 2:15.
Carl Fischer Music
#YAS160. Published by
Carl Fischer Music
(CF.YAS160).
ISBN
9781491143766. UPC:
680160901265. Key: G
major.
The cakewalk
is a dance that was
popular in the late
nineteenth-century and
indicative of the ragtime
style, which was the
precursor to Jazz. This
piece contains the
well-known cakewalk
rhythm as the basis of
all of the melodic and
accompanying material. In
typical Carl Strommen
fashion, the piece is
tuneful, well-scored and
fun!. The
“Cakewalkâ€,
also known as the
“Walkaroundâ€
or “Prize
Walks,†was a late
nineteenth-century
Southern dance form set
to the infectious, even
eighth-note pulse of
Ragtime. A partner dance,
judges would evaluate the
elegant bearing of the
men, the gracefulness of
the women and the
inventiveness of the pair
of dancers. The last
remaining pair
(“winnersâ€)
would often be presented
with an elaborately
decorated cake.Devoted
exclusively to the sixth
grade, the Silas Wood
school is named after
Silas Wood
(1769–1847), who
was elected to the United
State Congress for five
terms representing the
Long island, New York
district within Suffolk
County and the Town of
Huntington.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Piano seul [Partition] - Facile Faber Music Limited
(Theory Book 2). By Nancy Faber and Randall Faber. For Piano. Faber Piano Advent...(+)
(Theory Book 2). By Nancy
Faber and Randall Faber.
For Piano. Faber Piano
Adventures®. Methods.
SMP Level 2 (Late
Elementary). Softcover.
64 pages. Faber Music
#FF1474. Published by
Faber Music
Composed by Rob Haines. Guitar: Pedal and Lap Steel,Style,Featured Product...(+)
Composed by Rob Haines.
Guitar: Pedal and Lap
Steel,Style,Featured
Products,Country,Method.
Book
and Online Video. 72
pages.
Published by Mel Bay
Publications, Inc
(A Technical Guitar Method and Introduction to Music). By Juan Serrano and Corey...(+)
(A Technical Guitar
Method and Introduction
to Music). By Juan
Serrano and Corey
Whithead. For Guitar
(Classical). Methods.
Flamenco. Multiple
Levels. Book. 176 pages.
Published by Mel Bay
Publications, Inc
Composed
by Johann Sebastian Bach.
Set Type: A. Set of
parts. Lucks Music
Library #A2501. Published
by Lucks Music Library
(TM.01751SET).
Sandra Dackow
Little Known Gem - Grade
IV+. Ed. by Hoffmann.
This delightful set of
works in the keys of G,
A, and B-flat major takes
full advantage of
multiple stops, chords,
and fiddle writing that
lays easily under the
hand and is fun to play.
The fast movements are
vigorous and the
contrasting slow
movements are not
particularly fussy or
florid, though they
include some
ornamentation. In the
Allegro sections,
musicians should approach
the playing as they would
a work by Haydn or
Mozart: eighth and
quarter notes off the
string and at the frog,
and sixteenth notes on
the string. Stamitz's
players would have
followed the general rule
of the down bow, where
the strong beat would
begin with a down bow. In
Concerto No. 1 in G, the
Violin I parts reach to
sixth position, requiring
high G's. Unusual writing
for its time, these
passages are both logical
and easy for players to
find and hear. Cello and
bass parts reach high F's
on occasion and require
third, fourth and fifth
positions. The second
violin and viola parts do
not require extended
ranges, making this work
practical for an upper
intermediate orchestra.
The slow movements
transition between
different keys and
requires the low strings
to use extension notes
such as G-sharp and
A-sharp.