Timpani

SKU: BT.DHP-0991683-401

By Gert Bomhof. By Gert Bomhof. De Haske Percussion Series. Educational Tool. Book Only. Composed 1999. 48 pages. De Haske Publications #DHP 0991683-401. Published by De Haske Publications (BT.DHP-0991683-401).

ISBN 9789043139182. French.

La collection DE HASKE PERCUSSION SERIES est constituée de quatre méthodes en deux volumes qui vous permettront dâ??apprendre les techniques de base dans un contexte ludique et motivant. Le contenu est présenté de façon claire et précise. Chaque chapitre sâ??ouvre sur la présentation dâ??une nouvelle figure ou combinaison rythmiques suivie dâ??exercices techniques. Parallèlement au travail du rythme et des techniques fondamentales, les élèves interpréteront de nombreux morceaux (solos, duos et canons) qui leur permettront de se concentrer sur la musicalité.

La Collezione De HASKE PERCUSSION SERIES è costituita da quattro metodi in due volumi per apprendere ai giovani percussionisti le tecniche di base in un contesto ludico e motivante. Gli obiettivi sono facilmente realizzabili e quindi realisti, il contenuto è presentato in modo chiaro e preciso. Ogni capitolo si apre con una presentazione di una nuova figura o combinazione ritmica, seguita da una pagina di esercizi tecnici nei quali si applicano gli elementi studiati. Parallelamente al lavoro del ritmo e delle tecniche fondamentali, gli allievi interpretano numerosi brani (soli, duetti e canoni) che permettono di concentrarsi in modo particolare sullamusicalit . IN FRANCESE.

Snare Drum

SKU: BT.DHP-1104962-401

Composed by Gert Bomhof. De Haske Percussion Series. Method. Book Only. Composed 2010. 48 pages. De Haske Publications #DHP 1104962-401. Published by De Haske Publications (BT.DHP-1104962-401).

ISBN 9789043134453. 9x12 inches. Italian.

La collana DE HASKE PERCUSSION SERIES è costituita da quattro metodi di percussioni divisi in due volumi per ogni strumento, pensati espressamente per far apprendere ai giovani percussionisti le tecniche di base in un contesto ludico e motivante. Gli obiettivi sono facilmente realizzabili e a portata di tutti, il contenuto è presentato in modo chiaro e preciso. Ogni capitolo si apre con una presentazione di una nuova figura o combinazione ritmica, seguita da una pagina di esercizi tecnici nei quali si applicano gli elementi studiati. Parallelamente al lavoro del ritmo e delle tecniche fondamentali, gli allievi interpretano numerosi brani (soli, duetti e canoni) chepermettono di concentrarsi in modo particolare sulla musicalit .

Guitar (Guitar)

SKU: HL.50586677

Composed by Jan Depreter. Ricordi Germany. Book Only. Hal Leonard #SY2886. Published by Hal Leonard (HL.50586677).

You are an intermediate guitar student or player? Get to know the Belgian Jan Depreter then, a young but much renowned composer and guitar virtuoso, famous for his excellent concertworks. The selection of intermediate pieces presented here will be manageable for many.

De Belg Jan Depreter is een jonge, maar inmiddels gerenommeerde gitaarvirtuoos. Zijn composities zijn uitstekende concertwerken. De stukken in dit boek zijn van middelmatige moeilijkheidsgraad. Daardoor voor vele gitaristen geschiktdus!

Der Belgier Jan Depreter ist ein noch junger, aber schon sehr renommierter Gitarrenvirtuose. Seine Kompositionen sind ausgezeichnete Konzertwerke. Die Stucke in diesem Band sind mittelschwer und somit fur viele Gitarristen zuganglich.

Il belga Jan Depreter (1975) e un chitarrista dalla solida formazione accademica, insignito di numerosi premi. Sebbene abbia anche studiato elementi di composizione, in questo campo puo dirsi ampiamente autodidatta. Ha tuttavia prodotto alcune composizioni per chitarra classica degne di nota, tra cui nel 2009 WIT, per chitarra sola.

Books and Journals; Recorder; Early Music

SKU: UT.LB-1

Edited by Vittorio Nicolucci. Paperback (Soft Cover). Classical. Books and Journals. Ut Orpheus #LB 1. Published by Ut Orpheus (UT.LB-1).

ISBN 9788881094417. 6.5 x 9.5 inches.

Scritti di Sergio Balestracci, Andrea Bornstein, Peter Hauge, Francesco Li Virghi, Gerd Lünenburger, Patricio Portell, Pietro Sopranzi, Karel van Steenhoven, Giovanni Toffano, John Tyson, Angelo Zaniol

L� ��idea del volume Il flauto dolce. Dallo scolaro al virtuoso nasce nel ’94 grazie al prezioso contributo di Marcos Volonterio che nella fase iniziale cura con Vittorio Nicolucci il progetto e la scelta degli autori. La contemporaneità di questo lavoro con la nascita della manifestazione Musica Umanità, con la preparazione dell’Annuario Italiano della Musica Antica e Danza Storica e con la partenza dall’Italia di Marcos Volonterio ne avevano posticipato la pubblicazione. Il Convegno Nazionale sul Flauto Dolce, organizzato dall’Associazione Consort Veneto, avvenuto a Padova il 6-7 giugno ’98, costituì l’occasione per presentare questa monografia in una forma ormai quasi definitiva.
Rimanendo quanto più possibile fedeli alla forma già esistente, priva sin dall’origine di una prefazione tecnica, si è lavorato, da aprile a oggi, a una nuova stesura definitiva, dando l’opportunità a tutti gli autori di rivedere i testi. Le sole modifiche riguardano aggiornamenti, integrazioni e post-scriptum. Per quanto concerne invece alcuni contributi stranieri, gli adattamenti delle traduzioni sono stati curati e, dove necessario, completati da Giuliana Montanari.

Vitt orio Nicolucci, laureato in ingegneria ed esperto in elaborazione dati, ha sempre coltivato, sin dall’epoca degli studi universitari, interessi diversificati e interdisciplinari. Ha studiato pianoforte, violoncello e flauto dolce, ha seguito corsi e seminari di organo, teoria del temperamento, basso continuo, danza storica. Diplomato a Parigi in Analisi della scrittura si è dedicato, oltre al proprio lavoro professionale, a ricerche sulla Psicologia dei colori e a 415 Associazione Italiana per la Musica e la Danza Antiche che ha fondato nel 1990 e di cui è stato il Presidente. .

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1185858-140

Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Opening Pieces. Score Only. Composed 2018. 7 pages. De Haske Publications #DHP 1185858-140. Published by De Haske Publications (BT.DHP-1185858-140).

English-German-French- Dutch.

This work was commissioned by the Miyazaki Prefectural Police Band from Kyushu, Japan, and was premièred in 2017. Bandmaster Sano is an elder alumni of Musashino Academia Musicae, Toyko, where Satoshi Yagisawa also studied. He asked Yagisawa to write a brilliant one-minute fanfare that could be played as an opening piece for any concert. It will be perfect for yours!

Dit werk is geschreven in opdracht van de Miyazaki Prefectural Police Band uit Miyazaki, gelegen op het Japanse eiland Kyushu. Sano, de muzikaal leider van het orkest, is afgestudeerd aan de Musashino Academia Musicae, waar ook Satoshi Yagisawa studeerde. Hij vroeg Yagisawa een meeslepende fanfare van ongeveer één minuut te schrijven. Omdat dirigent Sano een gerenommeerd koperblazer is, heeft Yagisawa de welluidende klanken van het koper ten volle benut. Fanfare Exuberante kan als openingswerk voor elk concert dienen.

Ein Dirigent gab dem Komponisten eine brillante einminütige Fanfare in Auftrag, die man bei jedem Anlass als Eröffnungsstück spielen können sollte. Um dies zu erfüllen, verwendete Yagisawa die ganze Palette der Klangmöglichkeiten der Blechblasinstrumente. Und das Resultat ist eine sehr abwechslungsreich gestaltete, kurze Fanfare, die den gewünschten Zweck bestens erfüllt!

Fanfare Exuberante est une courte fanfare faisant la part belle aux cuivres, instrument de prédilection du commanditaire. Elle convient parfaitement comme pièce d’ouverture de votre concert.

Questo lavoro, commissionato dalla Banda della Polizia della Prefettura di Miyazaki, è stato eseguito per la prima volta nel 2017. Il direttore della banda, Maestro Sano, è stato allievo della Musashino Accademia Musicae di Tokyo, conservatorio presso il quale ha studiato anche Satoshi Yagisawa. Fanfare Exuberante è un brano brillante, adatto come brano di apertura per qualsiasi concerto.

Snare Drum

SKU: BT.DHP-1002309-401

Composed by Gert Bomhof. De Haske Percussion Series. Educational Tool. Book Only. Composed 2000. 68 pages. De Haske Publications #DHP 1002309-401. Published by De Haske Publications (BT.DHP-1002309-401).

ISBN 9789043112253. French.

La collection DE HASKE PERCUSSION SERIES est constituée de quatre méthodes en deux volumes qui vous permettront dâ??apprendre les techniques de base dans un contexte ludique et motivant. Le contenu est présenté de façon claire et précise. Chaque chapitre sâ??ouvre sur la présentation dâ??une nouvelle figure ou combinaison rythmiques suivie dâ??exercices techniques. Parallèlement au travail du rythme et des techniques fondamentales, les élèves interpréteront de nombreux morceaux (solos, duos et canons) qui leur permettront de se concentrer sur la musicalité.

La Collezione De HASKE PERCUSSION SERIES è costituita da quattro metodi in due volumi per apprendere ai giovani percussionisti le tecniche di base in un contesto ludico e motivante. Gli obiettivi sono facilmente realizzabili e quindi realisti, il contenuto è presentato in modo chiaro e preciso. Ogni capitolo si apre con una presentazione di una nuova figura o combinazione ritmica, seguita da una pagina di esercizi tecnici nei quali si applicano gli elementi studiati. Parallelamente al lavoro del ritmo e delle tecniche fondamentali, gli allievi interpretano numerosi brani (soli, duetti e canoni) che permettono di concentrarsi in modo particolare sullamusicalit . IN FRANCESE.

Bass Guitar

SKU: BT.MI0375

Composed by Bruno Tazzino. Tuition. Book and DVD. Composed 2018. Play Music Italy #MI0375. Published by Play Music Italy (BT.MI0375).

Italian.

Questo metodo si propone d’insegnarvi le basi del blues per il basso tramite lo studio e la pratica di linee e grooves specifici. Composto da 7 capitoli, vi permetter di scoprire non solo la struttura tipica del blues, ma anche come accompagnarla, dal punto di vista ritmico (ternario o binario) nonché armonico (note degli accordi, sesta, cromatismi, scale pentatoniche…). Ogni nozione studiata sar perciò applicata su numerosi giri che s’ispirano ai più grandi maestri di blues. Si tratta di standards molto piacevoli da suonare che arricchiranno la vostra cultura musicale, facendovi nello stesso tempo progredire nella pratica del basso. Inoltre, tutto quello che imparerete in queste pagine vi sar utile anche altrove, cioè per altri stili musicali (rock, pop, metal, jazz…), poiché il blues è alla base di tutto! Sul disco dati allegato al metodo, troverete numerosi file audio e video. I video (mp4) presentano tramite l’immagine le numerose linee di basso così come devono essere suonate, a velocit normale poi ridotta. Le registrazioni audio (mp3) invece propongono le basi musicali corrispondenti, a due velocit diverse. Potrete in questo modo suonarci sopra le linee proposte ed in un secondo tempo sviluppare liberamente i vostri propri accompagnamenti.

Drum Kit

SKU: BT.DHP-1115106-400

Composed by Gert Bomhof. De Haske Percussion Series. Method. Book with CD. Composed 2011. 64 pages. De Haske Publications #DHP 1115106-400. Published by De Haske Publications (BT.DHP-1115106-400).

ISBN 9789043142250. 9x12 inches. Italian.

La collana DE HASKE PERCUSSION SERIES è costituita da quattro metodi di percussioni divisi in due volumi per ogni strumento, pensati espressamente per far apprendere ai giovani percussionisti le tecniche di base in un contesto ludico e motivante. Gli obiettivi sono facilmente realizzabili e a portata di tutti, il contenuto è presentato in modo chiaro e preciso. Ogni capitolo si apre con una presentazione di una nuova figura o combinazione ritmica, seguita da una pagina di esercizi tecnici nei quali si applicano gli elementi studiati. Parallelamente al lavoro del ritmo e delle tecniche fondamentali, gli allievi interpretano numerosi brani (soli, duetti e canoni) chepermettono di concentrarsi in modo particolare sulla musicalit .

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1206227-010

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2020. De Haske Publications #DHP 1206227-010. Published by De Haske Publications (BT.DHP-1206227-010).

English-German-French- Dutch.

Rosa Gallica has been written to commemorate the centenary of the First World War. The work focuses largely on France as a lot of the fighting took place there. With the title Rosa Gallica (French rose), the composer wishes to emphasize the poetic image of the rose. The stem represents the years gone by such as those taken up by the First World War - and the thorns refer to the conflict and the pain that the victims had to endure. The rose itself forms the picture of beauty and symbolises opening up to a peaceful world. The piece depicts France from the end of the 19th century through to its role at the heart of the First World War and beyond. A spectacular anddramatic new work by Jacob de Haan.

Rosa Gallica is geschreven ter gelegenheid van de honderdjarige herdenking van de Eerste Wereldoorlog. Het werk gaat met name over Frankrijk, waar een groot deel van de strijd zich afspeelde. Met de titel Rosa Gallica (Franse roos) wilde de componist de poëtische symboliek van de roos benadrukken. De stengel staat voor het verstrijken van de jaren, een dramatische periode die de Eerste Wereldoorlog besloeg. De doornen verwijzen naar de oorlogen, conflicten en de pijn van slachtoffers. De bloem van de roos vormt het beeld van schoonheid en symboliseert het openstaan voor een vreedzame wereld. De compositie presenteert het Frankrijk van eind 19e eeuw, geeftdaarna een belangrijke rol in het hart van de Eerste Wereldoorlog weer tot de jaren nadien. Een spectaculair en dramatisch nieuw werk van Jacob de Haan.

Rosa Gallica wurde zum Gedenken an den hundertsten Jahrestag des Ersten Weltkriegs geschrieben. In diesem Werk steht Frankreich im Mittelpunkt, da ein Großteil der Kämpfe dort stattfand. Mit dem Titel Rosa Gallica (Französische Rose“) möchte der Komponist das poetische Bild einer Rose hervorheben. Der Stamm steht für die vergangenen Jahre wie sie der Erste Weltkrieg mit sich brachte und die Dornen verweisen auf den Konflikt und den Schmerz, den die Opfer erdulden mussten. Die Rose selbst steht für die Schönheit und symbolisiert die Möglichkeit einer friedlichen Welt. Das Stück beschreibt Frankreich vom Ende des 19. Jahrhunderts über seine Rolle im Zentrumdes Ersten Weltkriegs bis in die Zeiten danach. Dies ist ein großartiges und dramatisches neues Werk von Jacob de Haan.

Rosa Gallica est une composition qui commémore le centenaire de la Première Guerre mondiale. Elle est axée principalement sur la France, où se sont déroulés de nombreux combats. En choisissant le titre Rosa Gallica (rose française), le compositeur souhaitait souligner l’image poétique d’une rose. La tige représente les années passées comme celles assombries par la guerre tandis que les épines symbolisent les conflits et la douleur que les victimes ont endurés. La rose elle-même exprime la beauté, ainsi que le concept d’un monde vivant en paix. Cette pièce dépeint la France la fin du XIXe siècle, puis son rôle au cœur de la Première Guerre mondiale et au-del .Une nouvelle œuvre dramatique et originale de Jacob de Haan.

Clarinet, piano

SKU: FG.55011-733-4

Suite for clarinet and piano. Composed by Ilkka Kuusisto. Classical. Score & part. Fennica Gehrman #55011-733-4. Published by Fennica Gehrman (FG.55011-733-4).

ISBN 9790550117334.

Ilkk a Kuusisto's raucous and technically somewhat challenging suite for clarinet and piano Kissalan Aapelin soitteita (Aapeli of Kissala plays the Clarinet) is a musical portrait gallery of the Seven Brothers by playwright Aleksis Kivi. They all get musical pictures played by Aapeli, a character also appearing in the play. Musical motives are derived from the characteristics of the main persons, ie. the movement Tuomas is in slow tempo, as if portraying the trustworthiness of stable Tuomas. Aapo's Menuetto may refer to the characters abilities to tell stories. Simeoni wrestles with the Devil, as he does in the book with both alcohol and in his religious beliefs. Eero, the youngest of the brothers is portrayed in a fast polka. The suite was commissioned by Tapio Lotjonen for specifically for piccolo clarinet. In this volume the solo part is published both in B-flat and E-flat transpositions, as prepared by the composer. Contents: 1. Jussin polska * Jussi's polska 2. Tuomas 3. Menuetti Aapolle * A Menuetto for Aapo 4. Simeoni ja Perkele * Simeoni and the Devil 5. Timon Masurkka * Timo's mazurka 6. Laurin marssi * Lauri's march 7. Eeron polkka * Eeros's polka.

Piano - Level 1

SKU: GR.GRM-9941010

Composed by Hans Cafmeyer. Golden River Music #GRM 9941010. Published by Golden River Music (GR.GRM-9941010).

For Orchestra. Composed by Narong Prangcharoen. Contemporary. Full score (study). With Standard notation. Composed 2007. 42 pages. Duration 7 minutes. Theodore Presser Company #416-41486. Published by Theodore Presser Company (PR.416414860).

Guitar solo - Advanced

SKU: DZ.DZ-4308

Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308).

ISBN 9782898522253.

Foll owing a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.

FRANCE SCO BIRAGHI

Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprèt e et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.

FRANCESCO BIRAGHI.

Clarinet and Piano

SKU: BT.SINF209

Composed by Giuseppe Colardo. Book Only. Sinfonica #SINF209. Published by Sinfonica (BT.SINF209).

ISBN 9788884001153.

By Roger Emerson, John Jacobson. (Teacher/10 Sgr/PerfAcc CD). Expressive Art (Choral). Children's Musical. Published by Hal Leonard.

Timpani

SKU: BT.DHP-1002338-401

Composed by Gert Bomhof. De Haske Percussion Series. Educational Tool. Book Only. Composed 2000. 68 pages. De Haske Publications #DHP 1002338-401. Published by De Haske Publications (BT.DHP-1002338-401).

ISBN 9789043112277. French.

La collection DE HASKE PERCUSSION SERIES est constituée de quatre méthodes en deux volumes qui vous permettront d’apprendre les techniques de base dans un contexte ludique et motivant. Le contenu est présenté de façon claire et précise. Chaque chapitre s’ouvre sur la présentation d’une nouvelle figure ou combinaison rythmiques suivie d’exercices techniques. Parallèlement au travail du rythme et des techniques fondamentales, les élèves interpréteront de nombreux morceaux (solos, duos et canons) qui leur permettront de se concentrer sur la musicalité.

La Collezione De HASKE PERCUSSION SERIES è costituita da quattro metodi in due volumi per apprendere ai giovani percussionisti le tecniche di base in un contesto ludico e motivante. Gli obiettivi sono facilmente realizzabili e quindi realisti, il contenuto è presentato in modo chiaro e preciso. Ogni capitolo si apre con una presentazione di una nuova figura o combinazione ritmica, seguita da una pagina di esercizi tecnici nei quali si applicano gli elementi studiati. Parallelamente al lavoro del ritmo e delle tecniche fondamentali, gli allievi interpretano numerosi brani (soli, duetti e canoni) che permettono di concentrarsi in modo particolare sullamusicalit . IN FRANCESE.

Chamber Music Piano

SKU: PR.140401280

Composed by Sydney F. Hodkinson. Sws. Performance Score. 20 pages. Duration 17 minutes. Merion Music #140-40128. Published by Merion Music (PR.140401280).

UPC: 680160682942. 9 x 12 inches.

My Souvenir Chestaareminders of the pastaais an ongoing collection of short, contrasting studies ranging in duration from about one to seven minutes. They celebrate pianists whose artistry I respect and whose friendships I relish. In addition, each segment of the full set is individually dedicated to young colleagues and friends with whom I work. Their collective energy, knowledge and wit continue to foster my own love for the art I revere. The emotional nature of each piece changes extensively andawhether they dress in garb that is comical, angry, jazz-pop inflected, aacademica or sedateathey are all musics instigated by the sounds of my personal remembrances. Book 2 was commissioned by Mr. Barry Snyder of New York City, New York. Additional financial support was provided by the School of Music at Stetson University, Timothy Peter, Dean.

Piano

SKU: PR.510014780

Composed by Carl Czerny. With Standard notation. Berben #510-01478. Published by Berben (PR.510014780).

UPC: 680160131327.

Piano

SKU: FG.55009-791-9

Composed by Paavo Heininen. Published by Fennica Gehrman (FG.55009-791-9).

ISBN 979-0-55009-791-9.

Chamber Music Piano

SKU: PR.140401270

Composed by Sydney F. Hodkinson. Sws. Performance Score. 26 pages. Duration 20 minutes. Merion Music #140-40127. Published by Merion Music (PR.140401270).

UPC: 680160682935. 9 x 12 inches.

My Souvenir Chestaareminders of the pastaais an ongoing collection of short, contrasting studies ranging in duration from about one to seven minutes. They celebrate pianists whose artistry I respect and whose friendships I relish. In addition, each segment of the full set is individually dedicated to young colleagues and friends with whom I work. Their collective energy, knowledge and wit continue to foster my own love for the art I revere. The emotional nature of each piece changes extensively andawhether they dress in garb that is comical, angry, jazz-pop inflected, aacademica or sedateathey are all musics instigated by the sounds of my personal remembrances. Book I was commissioned by Mr. Sean Kennard of Deland, Florida. Additional financial support was provided by the School of Music at Stetson University, Timothy Peter, Dean.

Accelerated Piano Adventures for the Older Beginner. (Technique and Artistry Book 2). By Nancy Faber and Randall Faber. For Piano. Faber Piano Adventures®. Methods. 2A-2B. Softcover. 72 pages. Faber Music #FF1746. Published by Faber Music