With Online Audio. Par NIER SVEN. This guitar method focuses on playing engaging rhythmic themes entirely on open strings. What seems at first to be a simple task quickly becomes a real challenge, requiring a high level of accuracy and an excellent sense of rhythm. While the picking hand can only play what the other hand has prepared, nothing musical will happen unless you pluck the right string. Sven Nier's exercises and tunes offer motivating, effective training to facilitate hitting the correct string with precision, winning half the coordination battle. While the audio examples are recorded on an electric instrument, guitar teachers and beginning students in all styles will appreciate this innovative book. Includes access to outstanding play-along online audio with and without the solo part. / Pédagogie / Date parution : 2018-05-04/ Etude / Guitare

Par PUJOL MAXIMO DIEGO. Quinteto del Olivo for guitar and string quartet by Argentine composer Maximo Diego Pujol. Published by Editions Henry Lemoine./ Répertoire / Guitare et Quatuor à Cordes

Learning to play Rock Guitar is a highly rewarding experience, but getting started can be a challenge! Here at last is a book that helps you choose the right instrument and accessories and then gets you playing - fast! Full colour pictures, clear diagrams and genuinely practical advice combine to make Start-Up Rock Guitar do exactly what is says on the cover. You'll start off on the right track and that makes everything else come more easily. Contents include: Choosing equipment Tuning Playing chords The 12-bar blues Bar chords Reading tablature Playing lead Guitar Blues scales String-bending Power chords / Guitare

Play In A Day. Par WEEDON BERT. In this remarkable DVD the world-renowned master guitarist unlocks the secrets of the guitar. Highly regarded for his versatility, Bert's glittering career (including being voted Britain's top guitarist nine times!) has been a strong influence on virtually every famous name linked with the instrument. Play in a Day means just that. After just the first 25 minutes video tuition a complete beginner with nay six string guitar will be able to join in with Bert Weedon and his group and play their first tune. Each selection ends with you playing one of fifteen tunes of varying styles and rhythms, with Bert and his group. Previously only available in VHS format, the video has now been reworked into DVD format and is not restricted by territory allowing it to be viewed in any country. Bert Weedon's expert tuition and straightforward advice will not only help you learn basic skills but also give you the confidence and encouragement to go on to more advanced guitar playing.  / Accessoire / Guitare

La collection Guitar Play-Along vous permettra d'apprendre facilement et rapidement vos titres favoris. Suivez la tablatures en écoutant le CD qui contient une démo intégrale du morceau et un play back. Les utilisateur de Mac ou de PC pourront baisser le tempo sans changer de tonalité en jouant le CD sur leur ordinateur.La ligne mélodiques et les paroles sont incluses dans le recueil.Chaque recueil contient 8 titres d'un artiste ou d'un genre musical. Retrouvez une selection des plus grands titres de l'un des inventeurs du style Nashville blues. Titres : Country Gentleman - Dizzy Strings - Down Hill Drag - Galloping On The Guitar - Mr. Bojangles - Mister Sandman - Trambone - Yakety Axe / Guitare

Par HINDSON MATTHEW. Matthew Hindson's Rush for guitar and string quartet takes its influence from the music of Felix Mendelssohn. The fast and technically challenging passages found in the final movement of the Mendelssohn String Octet influenced Hindson's decision to compose a work for the Goldner String Quartet that is highly virtuosic in nature. Hindson remarks, 'it is much more the spirit of Mendelssohn's string writing that was influential, particularly the last movements of his string quartets and the String Octet, rather than any sort of harmony or melodic invention.' This nine minute piece also features the playful, up-beat and repetitive rhythms found in popular music. The fast and mostly accelerating tempo of Rush reinforces both the title of the piece and the influence of 'techno' music. Rush also features a series of catchy and vibrant melodies, making the work accessible to a wide audience. Although the piece is scored for guitar and string quartet, it is regarded by Hindson as a guitar quintet, where the guitarist and the string quartet are treated not as soloists performing with accompaniment, but as integral and equally important entities in the work as a whole. The guitarist and the instruments comprising the quartet each have the opportunity to assume the playful motifs and feature as virtuosic soloists. / Ensemble Music, Instrumental Music / Répertoire / Guitare et Quatuor à Cordes

String Skipping And Wide Interval Soloing For Guitar. Par QUINN TIM. String Soloing ignoré and Wide intervalle : 212 études mélodique et patrons pour guitare est guide du guitariste indispensables pour maîtriser la large intervalle isolation. Cette collection d'études de mouvement répétitifs, continus montre le guitariste comment développer des patrons mélodiques qui sont caractérisés par des sauts plus grandes de pitch, d'une note à l'autre, en succession constante. Ce livre présente quatre approches uniques à développer un large intervalle isolation, qui tous utilisent les cordes à sauter: 1) doubles pentatonique écailles, qui sont des modèles trois note-chaîne pentatonique - 2) octave coulissant, qui utilise les formes octave dans une variété de façons - 3) empilées cinquièmes, qui sont des formes de large intervalle dérivés de balances pentatonique - et des arpèges 4) large intervalle de glissement dérivée de l'échelle diatonique de major. Le bruit qui résulte de ces techniques est passionnant et imprévisible, car c'est tel un départ d'écoulement mélodique conventionnel, qui tend à être scalaire, passer par étapes d'un n... / Niveau : Intermédiaire / Rock - Technic / Etude / Guitare Electrique

Get ready to turn it up to 11 and go 7. Learn the styles and sounds of the most impressive rock artists to ever use seven-string guitar. This book covers the characteristics of four of the most important tunings, with related chord forms, rhythm guitar riffs, scales and licks. You'll learn the significance of each tuning and the reasons different artists use them. Plenty of usable riffs, licks, and solos emulating their styles are included. All music is written in both standard music notation and tablature. The CD contains all the music featured in the book. This is a must-have title for the modern rock guitarist who is always looking to go to that extra step.

Music from the Full Length Feature Production. Par HARLINE LEIGH / SMITH PAUL J.. Ten selections from the 1940 Walt Disney film which was presented in Multiplane Technicolor in arrangements for piano, voice and guitar. Songs: Give a Little Whistle - Hi-Diddle-Dee-Dee (An Actor's Life for Me) - Honest John - I've Got No Strings - Jiminy Cricket - Little Wooden Head - Monstro the Whale - Three Cheers for Anything - Turn on the Old Music Box - When You Wish upon a Star. Ten selections from the 1940 Walt Disney film which was presented in Multiplane Technicolor in arrangements for piano, voice and guitar. Songs: Give a Little Whistle - Hi-Diddle-Dee-Dee (An Actor's Life for Me) - Honest John - I've Got No Strings - Jiminy Cricket - Little Wooden Head - Monstro the Whale - Three Cheers for Anything - Turn on the Old Music Box - When You Wish upon a Star. / TV, Film, Comédie musicale / Recueil / Piano, Chant et Guitare

Rock Strings contient des pièces écrites dans d'authentiques styles de rock, présentés simplement et de manière accessible. Adaptées pour la guitare acoustique à cordes nylon ou à cordes métalliques, ces pièces ont été classées dans l'ordre croissant du degré de difficulté. Une version tablature de chaque pièce est également proposée. / Guitare Acoustique / Partition

Beginning guitarists will love the opportunity to play the top-notch Disney songs in this collection for easy guitar with tab. Includes: Be Our Guest - Friend like Me - Hakuna Matata - Heigh Ho - I've Got No Strings - In Summer - Supercalifragilisticexpialidocious - Under the Sea - Winnie the Pooh - Yo Ho (A Pirate's Life for Me) - You're Welcome - and more. / Niveau : Facile / Tablatures / Guitare Tablatures

Agustin Pio Barrios Ferreyra, a Paraguayan composer and guitarist, is nowadays known as the creator of the Mangorean or Indo-American school of the Guitar. 'The name, Mangoré, was adopted in honor of the great chieftain Mangoré, an important personage of the Paraguayan jungles'.Mangoré used for his works popular folkloristic themes of South America as well as sounds of nature ('the still waters of ['] the Amazon', 'the song of the birds'). But Magnoré also was inspired by European music: He composed gavottes, minuets and waltzes: 'It was in J.S.Bach where Barrios discovered the source of his universality [']'.Admired by many but despised by more was his way of stringing his guitar: '['] the way he attacked the strings with the fingers sideward, with very little use of the fingernails'. He also invented some kind of a muffler: He put 'small balls of rubber on the Pirastro steel string'. Jesus Benites R. who collected Magnoré's works for this edition says about him: 'Magnore is the genius of South America'. He was a strong influence for many composers and musicians, such as Heitor Villa-Lobos, Manuel Ponce and Andres Segovia. Vol. 1 of this 4 book collection contains 23 pieces, including Chôro da saudade, Danza Paraguaya, La Catedral and Madrigal (Gavota). Contenu - El sueno de la muneca - Estudio No. 2 und 3 - Minueto en La - Arabescos - Medallón antiguo - Vals Estudio No. 1 - Oración - Escala y Preludio - Confesión - London carapé - Tú y yo - Madrigal - Vals No. 3 - Canción de la Hilandera - Choro da saudade - Jha, che valle - Preludio en Do menor - Estudio de Concierto No. 2 - Caazapá - Danza paraguaya No. 1 (1. u. 2. versión) - La Catedral

Agustin Pio Barrios Ferreyra, a Paraguayan composer and guitarist, is nowadays known as the creator of the Mangorean or Indo-American school of the Guitar. ?The name, Mangoré, was adopted in honor of the great chieftain Mangoré, an important personage of the Paraguayan jungles?.Mangoré used for his works popular folkloristic themes of South America as well as sounds of nature (?the still waters of [?] the Amazon?, ?the song of the birds?). But Magnoré also was inspired by European music: He composed gavottes, minuets and waltzes: ?It was in J.S.Bach where Barrios discovered the source of his universality [?]?.Admired by many but despised by more was his way of stringing his guitar: ?[?] the way he attacked the strings with the fingers sideward, with very little use of the fingernails?. He also invented some kind of a muffler: He put ?small balls of rubber on the Pirastro steel string?. Jesus Benites R. who collected Magnoré?s works for this edition says about him: ?Magnore is the genius of South America?. He was a strong influence for many composers and musicians, such as Heitor Villa-Lobos, Manuel Ponce and Andres Segovia. Vol. 1 of this 4 book collection contains 23 pieces, including Chôro da saudade, Danza Paraguaya, La Catedral and Madrigal (Gavota).
Contenu
- El sueno de la muneca
- Estudio No. 2 und 3
- Minueto en La
- Arabescos
- Medallón antiguo
- Vals Estudio No. 1
- Oración
- Escala y Preludio
- Confesión
- London carapé
- Tú y yo
- Madrigal
- Vals No. 3
- Canción de la Hilandera
- Choro da saudade
- Jha, che valle
- Preludio en Do menor
- Estudio de Concierto No. 2
- Caazapá
- Danza paraguaya No. 1 (1. u. 2. versión)
- La Catedral / Partitions classique / Guitare - luth / Guitare / ZEN-ON

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Par KOSKELIN OLLI. In Olli Koskelin's 7 Haiku for flute and guitar the haiku gets three different interpretations: intertwined with the composed version the performers improvise it and read it out loud. The texts of haiku are included in English and in Finnish. Duration: c. 15' This product is a B4 sized folder with two copies of the performance score (loose pages). Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings. / Date parution : 2023-01-24/ Recueil / Flûte Traversière et Guitare