2 or more Violoncelli

SKU: BT.EMBZ14728

For 4 violoncellos. Composed by Arpad Peijtsik. EMB Chamber Music for Violoncellos. Educational Tool. Set (Score & Parts). Composed 2010. 50 pages. Editio Musica Budapest #EMBZ14728. Published by Editio Musica Budapest (BT.EMBZ14728).

Volume 12 in the series contains works by great composers adapted for four cellos. They all share a festive mood. Beethoven's variations on the theme of the British nation anthem 'God Save the King' are followed by 'The Shepherds' Farewell' from Berlioz' oratorio The Childhood of Christ, and three Christmas pieces by Mendelssohn. The excerpt from Wagner's Parsifal - excellently transcribed by Hermann Jacobowsky at the end of the 19th century - is associated with Good Friday, but because of its sacred character its mood blends with that of the preceding pieces.

Inhoud:
1. Beethoven, Ludwig van: God Save the KingThema und Variationen
2. Berlioz, Hector: The shepherds farewell
3. Mendelssohn-Bartholdy, Felix: 3 Christmas pieces
4. Wagner, Richard - Jacobowsky, Hermann: Aus dem Parsifal

Im zwölften Band werden für Cello bearbeitete Werke von großen Meistern publiziert. Gemeinsam ist ihnen ihre feierliche Stimmung. Den Beethoven-Variationen auf das Thema der britischen Hymne ‚God save the King' folgen der ‚Abschiedsgesang der Hirten' aus dem Oratorium ‚Des Heilands Kindheit' von Berlioz und drei Weihnachtsstücke Mendelssohns. Der Ausschnitt aus Wagners Parsifal - in der hervorragenden Hermann Jacobowsky- Transkription vom Ende des 19. Jahrhunderts - ist mit dem Karfreitag verbunden, seine Stimmung passt jedoch durch seinen sakralen Charakter zu den vorherigen Stücken.

Sommai re:
1. Beethoven, Ludwig van: God Save the KingThema und Variationen
2. Berlioz, Hector: The shepherds farewell
3. Mendelssohn-Bartholdy, Felix: 3 Christmas pieces
4. Wagner, Richard - Jacobowsky, Hermann: Aus dem Parsifal

Conte nts:
1. Beethoven, Ludwig van: God Save the KingThema und Variationen
2. Berlioz, Hector: The shepherds farewell
3. Mendelssohn-Bartholdy, Felix: 3 Christmas pieces
4. Wagner, Richard - Jacobowsky, Hermann: Aus dem Parsifal

Concert band (Piccolo, 1st Flute, 2nd Flute, Oboe 1/2, Bassoon 1/2, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Eb Alto Saxophone 1/2, Bb Tenor Saxophone, Eb Baritone Saxophone, 1st Bb Cornet, 2nd/3rd Bb Cornet, 1) - grade 5

SKU: CN.S11158

Composed by Gordon Jacob. Band Music. Score only. Duration 15:30. Published by G & M Brand Music Publishers (CN.S11158).

A powerful work. An opening fanfare leads directly to an Allegro risoluto, which exudes determination and forthrightness. The second movement follows without a break and is a continuous plaint in which the melody seems forever seeking resolution like a troubled soul searching for respite. Only in the closing bars does peace seem to take over. The final movement, marked Allegro non troppo, starts with a cheering fanfare that leads to a bright and breezy romp, with a rustic feel about it. When the fanfare reappears we are suddenly immersed in exaltations of joy that really give a feeling of optimism as we proceed to the end of the piece via a short Coda.

With this Symphony, Gordon Jacob proclaims his absolute mastery of idiom and instrumentation with a triumphant rejoicing. Written in 1978 as a commission from Arthur Doyle (hence the AD in the title, a typical piece of Jacob wit), it lay virtually unplayed save for the efforts of his Estate, Troy Peterson and Geoffrey Brand and CBDNA (College Band Directors Association, USA), who between them ensured that it was professionally recorded in 1994 and published in 1995. There is little point in indulging in semantics as to whether the piece is a Symphony. It is Jacob's approach to his tuneful, folk-based material which is symphonic: weighty in exposition and development, sonorous and expressive in the slow movement, with a scherzo-like last movement and a giocoso coda. After a brilliant opening fanfare, the quick triple-meter first theme (Allegro Risoluto) is introduced on clarinets, punctuated with brass. It is soon followed by a contrasting melody for saxophone. In all this material the interval of a 4th is prominent, and throughout the work the 4th and 7th are important. Perhaps it is the frequent use of the 7th which gives a feeling of restlessness without resolution which pervades this movement as the themes are dissected and developed. The second movement follows directly after a horn bridge. Still the melody outlines the 7th and the ear is not satisfied until the full band (with organ), comes to rest in Bb major. This point of repose and the magic pianissimo which follows shortly after when the slow theme is re-stated, are the apex of the Symphony's construction. Soon, however, we are transported, via a fanfare, into a helter-skelter 9/8 romp: rustic, English, and almost vulgar, this theme is thrown around the group before exploding into a boisterous 2/4 coda.

SAB vocal soli, SATB choir, 4 recorders (3 recorder, bassoon), 4 viola da gamba, basso continuo - Level 3

SKU: CA.3913412

Uber die Nicht- und Fluchtigkeit des menschlichen Lebens. Kantate zum 24. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Trauer-Actus. Sacred vocal music, Cantatas, Trinity, Mourning, death. Single Part, Viola da gamba 2. TVWV 1:38. 2 pages. Duration 10 minutes. Carus Verlag #CV 39.134/12. Published by Carus Verlag (CA.3913412).

ISBN 9790007215941. Language: German/English.

The Trauer-Actus is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur indicates that this work dates from Telemann's apprentice years at Hildesheim, between about 1696/97 and 1701. It belongs to a category of cantatas in which biblical quotations are brought together to etablish a particular theme, which can be supportet by existing hymns (se also Bach's Actus tragicus). Score and part available separately - see item CA.3913400.

Grade 2

SKU: CL.011-2563-00

Composed by Huckeby. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR187). Score and set of parts. Composed 1993. Duration 5 minutes, 7 seconds. C.L. Barnhouse #011-2563-00. Published by C.L. Barnhouse (CL.011-2563-00).

Features the appealing melodies, exciting rhythms, and solid scoring that you have come to expect from Ed Huckeby. After an effective Maestoso introduction, the bright Allegro really punches out the main theme. The contrasting Andante section in 3/4 has a beautiful melody first presented in the upper woodwinds and then later with the full ensemble. Huckeby’s previous pieces at this grade level have been extremely well received and Oxford Pointe is certainly one of his nicest efforts to date.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Fanfare Band - Grade 3

SKU: BT.GOB-000652-020

Composed by Rieks van der Velde. Set (Score & Parts). 144 pages. Gobelin Music Publications #GOB 000652-020. Published by Gobelin Music Publications (BT.GOB-000652-020).

In a four-part composition Rieks van der Velde takes us to the richly varied area surrounding the university city of Cambridge.
The Dutch composer was especially inspired by the atmosphere of Cambridgeshire, the county which lies north of London.

1. The Journey.
Although on arrival the area looks peaceful and friendly, the ruggedness of its inhabitants and landscape have an unmistakable influence on the music.
In the course of the tour, which starts with an Allegro movement, we are shown the vitality, energy and freshness of the Cambridgeshire countryside.
Short themes, swift and sudden motifs and rhythmical patterns supported by the drive ofpercussion instruments give expression to this image.
The first part is concluded by two 'Calmo' movements in which the music expresses how the cathedral in the city of Ely comes into sight and is gradually approached.

2. Visit to Ely Cathedral.
The famous Norman cathedral church of Ely, which was built in 1109, has attracted tourists from all over the world apart from being a place of worship and heritage site.
A cornet solo introduces the contemplative mood of the composition at this point.
The mystical atmosphere of the cathedral runs through this lyrical part like a continuous thread.

3. The Pub.
The thirst caused by this intensive journey makes a visit to the local pub a definite must.
These “public houses”, which may be open until the early hours of the morning, offer all kinds of entertainment.
Drinks are served liberally and the atmosphere is lively.

4. The Journey Back.
Time has flown: In other words, the moment of departure has come sooner than one would have wished.
In a flashback which recaptures elements of the first part of the composition we say goodbye to Cambridgeshire in a fitting manner.
Two scintillating final measures bring us abruptly back to the present.

In een viertal delen neemt Rieks van der Velde ons mee door de zeer gevarieerde streek rond de universiteitsstad Cambridge.
De Nederlandse componist liet zich inspireren door vooral de sfeer in het graafschap Cambridgeshire tennoorden van Londen.

1. The Journey.
De aankomst in de streek is vriendelijk te noemen doch de grilligheid van de mensen en het landschap heeft een onmiskenbare invloed op de muziek.
De rondreis welke start op hetAllegro laat Cambridgeshire zien als een streek van vitaliteit, energie en frisheid.
Korte thema's, flitsende motiefjes en ritmische patroontjes gesteund door stuwend slagwerk bevestigen dit beeld.
Het eerste gedeelte besluitmet twee 'Calmo' gedeelten waarbij het zicht op de kathedraal van de stad Ely en het naderen ervan wordt aangegeven.

2. Visit to Ely Cathedral.
In 1109 werd de beroemde kathedraal van Ely gebouwd die tot op de dagvan vandaag een grote aantrekkingskracht geniet van niet alleen toeristen.
Het rustpunt van de compositie wordt ingeleid door een cornetsolo.
De mystieke sfeer van de kathedraal is de rode draad in dit lyrische gedeelte.

3. The Pub.
Een intensieve rondreis maakt dorstig en een bezoek aan de pub is uiteraard een must.
Tot 11 uur 's avonds kan men er terecht voor alle vormen van vertier. De drank vloeit rijkelijk en de sfeer is feestelijk.

4. The Journey Back.
Er is een tijd van komen en gaan, en dat moment komt eerder dan je zou willen met andere woorden de tijd is omgevlogen.
Met een flash back naar het eerste deel wordt op passende wijze afscheidgenomen van Cambridgeshire.
Twee flitsende slotmaten zetten ons in één klap weer in het hier en nu.

Brass Band - Grade 3

SKU: BT.GOB-000452-030

Composed by Rieks van der Velde. Set (Score & Parts). 62 pages. Gobelin Music Publications #GOB 000452-030. Published by Gobelin Music Publications (BT.GOB-000452-030).

In a four-part composition Rieks van der Velde takes us to the richly varied area surrounding the university city of Cambridge.
The Dutch composer was especially inspired by the atmosphere of Cambridgeshire, the county which lies north ofLondon.

1. The Journey.
Although on arrival the area looks peaceful and friendly, the ruggedness of its inhabitants and landscape have an unmistakable influence on the music.
In the course of the tour, which starts with an Allegromovement, we are shown the vitality, energy and freshness of the Cambridgeshire countryside.
Short themes, swift and sudden motifs and rhythmical patterns supported by the drive of percussion instruments give expression to this image.
Thefirst part is concluded by two Calmo movements in which the music expresses how the cathedral in the city of Ely comes into sight and is gradually approached.

2. Visit to Ely Cathedral.
The famous Norman cathedral church of Ely, whichwas built in 1109, has attracted tourists from all over the world apart from being a place of worship and heritage site.
A cornet solo introduces the contemplative mood of the composition at this point.
The mystical atmosphere of thecathedral runs through this lyrical part like a continuous thread.

3. The Pub.
The thirst caused by this intensive journey makes a visit to the local pub a definite must.
These “public houses”, which may be open until the earlyhours of the morning, offer all kinds of entertainment.
Drinks are served liberally and the atmosphere is lively.

4. The Journey Back.
Time has flown: In other words, the moment of departure has come sooner than one would havewished.
In a flashback which recaptures elements of the first part of the composition we say goodbye to Cambridgeshire in a fitting manner.
Two scintillating final measures bring us abruptly back to the present.

In een viertal delen neemt Rieks van der Velde ons mee door de zeer gevarieerde streek rond de universiteitsstad Cambridge.
De Nederlandse componist liet zich inspireren door vooral de sfeer in het graafschap Cambridgeshire ten noorden vanLonden.

1. The Journey.
De aankomst in de streek is vriendelijk te noemen doch de grilligheid van de mensen en het landschap heeft een onmiskenbare invloed op de muziek.
De rondreis welke start op het Allegro laat Cambridgeshire zienals een streek van vitaliteit, energie en frisheid.
Korte themas, flitsende motiefjes en ritmische patroontjes gesteund door stuwend slagwerk bevestigen dit beeld.
Het eerste gedeelte besluit met twee Calmo gedeelten waarbij het zicht op dekathedraal van de stad Ely en het naderen ervan wordt aangegeven.

2. Visit to Ely Cathedral.
In 1109 werd de beroemde kathedraal van Ely gebouwd die tot op de dag van vandaag een grote aantrekkingskracht geniet van niet alleentoeristen.
Het rustpunt van de compositie wordt ingeleid door een cornetsolo.
De mystieke sfeer van de kathedraal is de rode draad in dit lyrische gedeelte.

3. The Pub.
Een intensieve rondreis maakt dorstig en een bezoek aan depub is uiteraard een must.
Tot 11 uur s avonds kan men er terecht voor alle vormen van vertier. De drank vloeit rijkelijk en de sfeer is feestelijk.

4. The Journey Back.
Er is een tijd van komen en gaan, en dat moment komt eerder danje zou willen met andere woorden de tijd is omgevlogen.
Met een flash back naar het eerste deel wordt op passende wijze afscheid genomen van Cambridgeshire.
Twee flitsende slotmaten zetten ons in één klap weer in het hier en nu.

Gobelin Music Publications.

Fanfare Band - Grade 3

SKU: BT.GOB-000652-120

Composed by Rieks van der Velde. Score Only. 22 pages. Gobelin Music Publications #GOB 000652-120. Published by Gobelin Music Publications (BT.GOB-000652-120).

In a four-part composition Rieks van der Velde takes us to the richly varied area surrounding the university city of Cambridge.
The Dutch composer was especially inspired by the atmosphere of Cambridgeshire, the county which lies north of London.

1. The Journey.
Although on arrival the area looks peaceful and friendly, the ruggedness of its inhabitants and landscape have an unmistakable influence on the music.
In the course of the tour, which starts with an Allegro movement, we are shown the vitality, energy and freshness of the Cambridgeshire countryside.
Short themes, swift and sudden motifs and rhythmical patterns supported by the drive ofpercussion instruments give expression to this image.
The first part is concluded by two 'Calmo' movements in which the music expresses how the cathedral in the city of Ely comes into sight and is gradually approached.

2. Visit to Ely Cathedral.
The famous Norman cathedral church of Ely, which was built in 1109, has attracted tourists from all over the world apart from being a place of worship and heritage site.
A cornet solo introduces the contemplative mood of the composition at this point.
The mystical atmosphere of the cathedral runs through this lyrical part like a continuous thread.

3. The Pub.
The thirst caused by this intensive journey makes a visit to the local pub a definite must.
These “public houses”, which may be open until the early hours of the morning, offer all kinds of entertainment.
Drinks are served liberally and the atmosphere is lively.

4. The Journey Back.
Time has flown: In other words, the moment of departure has come sooner than one would have wished.
In a flashback which recaptures elements of the first part of the composition we say goodbye to Cambridgeshire in a fitting manner.
Two scintillating final measures bring us abruptly back to the present.

In een viertal delen neemt Rieks van der Velde ons mee door de zeer gevarieerde streek rond de universiteitsstad Cambridge.
De Nederlandse componist liet zich inspireren door vooral de sfeer in het graafschap Cambridgeshire tennoorden van Londen.

1. The Journey.
De aankomst in de streek is vriendelijk te noemen doch de grilligheid van de mensen en het landschap heeft een onmiskenbare invloed op de muziek.
De rondreis welke start op hetAllegro laat Cambridgeshire zien als een streek van vitaliteit, energie en frisheid.
Korte thema's, flitsende motiefjes en ritmische patroontjes gesteund door stuwend slagwerk bevestigen dit beeld.
Het eerste gedeelte besluitmet twee 'Calmo' gedeelten waarbij het zicht op de kathedraal van de stad Ely en het naderen ervan wordt aangegeven.

2. Visit to Ely Cathedral.
In 1109 werd de beroemde kathedraal van Ely gebouwd die tot op de dagvan vandaag een grote aantrekkingskracht geniet van niet alleen toeristen.
Het rustpunt van de compositie wordt ingeleid door een cornetsolo.
De mystieke sfeer van de kathedraal is de rode draad in dit lyrische gedeelte.

3. The Pub.
Een intensieve rondreis maakt dorstig en een bezoek aan de pub is uiteraard een must.
Tot 11 uur 's avonds kan men er terecht voor alle vormen van vertier. De drank vloeit rijkelijk en de sfeer is feestelijk.

4. The Journey Back.
Er is een tijd van komen en gaan, en dat moment komt eerder dan je zou willen met andere woorden de tijd is omgevlogen.
Met een flash back naar het eerste deel wordt op passende wijze afscheidgenomen van Cambridgeshire.
Twee flitsende slotmaten zetten ons in één klap weer in het hier en nu.

Brass Band - Grade 3

SKU: BT.GOB-000452-130

Composed by Rieks van der Velde. Score Only. 32 pages. Gobelin Music Publications #GOB 000452-130. Published by Gobelin Music Publications (BT.GOB-000452-130).

In a four-part composition Rieks van der Velde takes us to the richly varied area surrounding the university city of Cambridge.
The Dutch composer was especially inspired by the atmosphere of Cambridgeshire, the county which lies north ofLondon.

1. The Journey.
Although on arrival the area looks peaceful and friendly, the ruggedness of its inhabitants and landscape have an unmistakable influence on the music.
In the course of the tour, which starts with an Allegromovement, we are shown the vitality, energy and freshness of the Cambridgeshire countryside.
Short themes, swift and sudden motifs and rhythmical patterns supported by the drive of percussion instruments give expression to this image.
Thefirst part is concluded by two Calmo movements in which the music expresses how the cathedral in the city of Ely comes into sight and is gradually approached.

2. Visit to Ely Cathedral.
The famous Norman cathedral church of Ely, whichwas built in 1109, has attracted tourists from all over the world apart from being a place of worship and heritage site.
A cornet solo introduces the contemplative mood of the composition at this point.
The mystical atmosphere of thecathedral runs through this lyrical part like a continuous thread.

3. The Pub.
The thirst caused by this intensive journey makes a visit to the local pub a definite must.
These “public houses”, which may be open until the earlyhours of the morning, offer all kinds of entertainment.
Drinks are served liberally and the atmosphere is lively.

4. The Journey Back.
Time has flown: In other words, the moment of departure has come sooner than one would havewished.
In a flashback which recaptures elements of the first part of the composition we say goodbye to Cambridgeshire in a fitting manner.
Two scintillating final measures bring us abruptly back to the present.

In een viertal delen neemt Rieks van der Velde ons mee door de zeer gevarieerde streek rond de universiteitsstad Cambridge.
De Nederlandse componist liet zich inspireren door vooral de sfeer in het graafschap Cambridgeshire ten noorden vanLonden.

1. The Journey.
De aankomst in de streek is vriendelijk te noemen doch de grilligheid van de mensen en het landschap heeft een onmiskenbare invloed op de muziek.
De rondreis welke start op het Allegro laat Cambridgeshire zienals een streek van vitaliteit, energie en frisheid.
Korte themas, flitsende motiefjes en ritmische patroontjes gesteund door stuwend slagwerk bevestigen dit beeld.
Het eerste gedeelte besluit met twee Calmo gedeelten waarbij het zicht op dekathedraal van de stad Ely en het naderen ervan wordt aangegeven.

2. Visit to Ely Cathedral.
In 1109 werd de beroemde kathedraal van Ely gebouwd die tot op de dag van vandaag een grote aantrekkingskracht geniet van niet alleentoeristen.
Het rustpunt van de compositie wordt ingeleid door een cornetsolo.
De mystieke sfeer van de kathedraal is de rode draad in dit lyrische gedeelte.

3. The Pub.
Een intensieve rondreis maakt dorstig en een bezoek aan depub is uiteraard een must.
Tot 11 uur s avonds kan men er terecht voor alle vormen van vertier. De drank vloeit rijkelijk en de sfeer is feestelijk.

4. The Journey Back.
Er is een tijd van komen en gaan, en dat moment komt eerder danje zou willen met andere woorden de tijd is omgevlogen.
Met een flash back naar het eerste deel wordt op passende wijze afscheid genomen van Cambridgeshire.
Twee flitsende slotmaten zetten ons in één klap weer in het hier en nu.

Gobelin Music Publications.

Concert Band/Harmonie - Grade 2.5

SKU: BT.AMP-069-010

Composed by Philip Sparke. Debut Series. Festive and Solemn Music. Set (Score & Parts). Composed 2004. Anglo Music Press #AMP 069-010. Published by Anglo Music Press (BT.AMP-069-010).

English-German-French- Dutch.

The picturesque town of Mandalen lies amid snow-covered mountains and scenic fjords on the west coast of Norway. MANDALEN LANDSCAPES was commissioned by and written for MÃ¥ndalen Skule og Ungdomskorps (Mandalen School and Youth Band) for a major concert in November 2003 at the instigation of its conductor, John Hudson, a long-time friend of composer Philip Sparke.Sparke set out to capture the beauty of the area in music and the piece opens with an evocation of the crisp, clear air of a Norwegian morning. After this introduction, the main theme is stated on clarinets and saxophones. A central bridge section takes the listener through several moods until the brass reintroducethe main theme under a woodwind descant. Material from the introduction brings the work to a peaceful close.

SAB vocal soli, SATB choir, 4 recorders (3 recorder, bassoon), 4 viola da gamba, basso continuo - Level 3

SKU: CA.3913414

Uber die Nicht- und Fluchtigkeit des menschlichen Lebens. Kantate zum 24. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Trauer-Actus. Sacred vocal music, Cantatas, Trinity, Mourning, death. Single Part, Viola da gamba 4. TVWV 1:38. 2 pages. Duration 10 minutes. Carus Verlag #CV 39.134/14. Published by Carus Verlag (CA.3913414).

ISBN 9790007215965. Language: German/English.

The Trauer-Actus is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur indicates that this work dates from Telemann's apprentice years at Hildesheim, between about 1696/97 and 1701. It belongs to a category of cantatas in which biblical quotations are brought together to etablish a particular theme, which can be supportet by existing hymns (se also Bach's Actus tragicus). Score and part available separately - see item CA.3913400.

SAB vocal soli, SATB choir, 4 recorders (3 recorder, bassoon), 4 viola da gamba, basso continuo - Level 3

SKU: CA.3913415

Uber die Nicht- und Fluchtigkeit des menschlichen Lebens. Kantate zum 24. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Trauer-Actus. Sacred vocal music, Cantatas, Trinity, Mourning, death. Single Part, Double Bass. TVWV 1:38. 2 pages. Duration 10 minutes. Carus Verlag #CV 39.134/15. Published by Carus Verlag (CA.3913415).

ISBN 9790007215972. Language: German/English.

The Trauer-Actus is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur indicates that this work dates from Telemann's apprentice years at Hildesheim, between about 1696/97 and 1701. It belongs to a category of cantatas in which biblical quotations are brought together to etablish a particular theme, which can be supportet by existing hymns (se also Bach's Actus tragicus). Score and part available separately - see item CA.3913400.

SAB vocal soli, SATB choir, 4 recorders (3 recorder, bassoon), 4 viola da gamba, basso continuo - Level 3

SKU: CA.3913411

Uber die Nicht- und Fluchtigkeit des menschlichen Lebens. Kantate zum 24. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Trauer-Actus. Sacred vocal music, Cantatas, Trinity, Mourning, death. Single Part, Viola da gamba 1. TVWV 1:38. 2 pages. Duration 10 minutes. Carus Verlag #CV 39.134/11. Published by Carus Verlag (CA.3913411).

ISBN 9790007215934. Language: German/English.

The Trauer-Actus is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur indicates that this work dates from Telemann's apprentice years at Hildesheim, between about 1696/97 and 1701. It belongs to a category of cantatas in which biblical quotations are brought together to etablish a particular theme, which can be supportet by existing hymns (se also Bach's Actus tragicus). Score and part available separately - see item CA.3913400.

SAB vocal soli, SATB choir, 4 recorders (3 recorder, bassoon), 4 viola da gamba, basso continuo - Level 3

SKU: CA.3913413

Uber die Nicht- und Fluchtigkeit des menschlichen Lebens. Kantate zum 24. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Trauer-Actus. Sacred vocal music, Cantatas, Trinity, Mourning, death. Single Part, Viola da gamba 3. TVWV 1:38. 2 pages. Duration 10 minutes. Carus Verlag #CV 39.134/13. Published by Carus Verlag (CA.3913413).

ISBN 9790007215958. Language: German/English.

The Trauer-Actus is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur indicates that this work dates from Telemann's apprentice years at Hildesheim, between about 1696/97 and 1701. It belongs to a category of cantatas in which biblical quotations are brought together to etablish a particular theme, which can be supportet by existing hymns (se also Bach's Actus tragicus). Score and part available separately - see item CA.3913400.

SAB vocal soli, SATB choir, 4 recorders (3 recorder, bassoon), 4 viola da gamba, basso continuo - Level 3

SKU: CA.3913405

Uber die Nicht- und Fluchtigkeit des menschlichen Lebens. Kantate zum 24. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Trauer-Actus. Sacred vocal music, Cantatas, Trinity, Mourning, death. Choral Score. TVWV 1:38. 2 pages. Duration 10 minutes. Carus Verlag #CV 39.134/05. Published by Carus Verlag (CA.3913405).

ISBN 9790007103675. Language: German/English.

The Trauer-Actus is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur indicates that this work dates from Telemann's apprentice years at Hildesheim, between about 1696/97 and 1701. It belongs to a category of cantatas in which biblical quotations are brought together to etablish a particular theme, which can be supportet by existing hymns (se also Bach's Actus tragicus). Score available separately - see item CA.3913400.

Choral (Studiotrax CD)

SKU: HL.35031596

Composed by Charles McCartha. Shawnee Sacred. Anthem, General Worship, Missions, Sacred. CD. Duration 205 seconds. Published by Shawnee Press (HL.35031596).

UPC: 888680675790. 5.0x5.0x0.2 inches. Julie I. Myers/Charles McCartha. 2 Samuel 22:2, Isaiah 52:7, Mark 13:26, Romans 1:15.

This original anthem immediately engages both heart and spirit! Lofty words of challenge springing from scripture hold a modern application and are lifted high on the wings of a beautiful theme. The power ballad style is perfectly chosen for the pace of these lyrics, and there is a natural crescendo of purpose that drives the arc of the arrangement. A supportive piano accompaniment enables success with thoughtful voice leadings and clearly defined modulations, and the optional orchestration is truly inspired. Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, hp, bells, chm, timp, perc, vn 1-2, va, vc, db) available as a digital download.

SKU: SU.00220522

Keyboard, Piano 4-Hands/2 Pianos, Keyboard, Piano/Harpsichord. CD (PDF Scores). CD Sheet Music #00220522. Published by CD Sheet Music (SU.00220522).

This CD Sheet Musicâ?¢ collection brings together over 60 duets for every technical level by twenty-four composers from the 19th and early 20th centuries. Works include: Beethoven (Grosse Fuge, Variations on a Theme of Count von Waldstein); Bizet (Jeux d'enfants, Books IandII); Brahms (Hungarian Dances, Liebeslieder Waltzes); Clementi (Sonata in C major); Debussy (La Mer, Petite Suite); Diabelli (Twenty-eight Melodious Pieces); Dvorák (Slavonic Dances); Fauré (Dolly); Grieg (Norwegian Dances, Waltz-Caprices); Haydn (Il Masstro e Lo Scolare); Liszt (Les Preludes), Mendelssohn (Allegro Brilliant); Moszkowski (Spanish Dances); Mozart (Fugue, Sonatas); Mussorgsky (Sonata); Rachmaninoff (Six Pieces); Ravel (Mother Goose); Rimsky-Korsakov (Sheherezade), Satie (La Belle Excentrique, Parade, Trois Morceaux en forme de Poire); Schubert (Divertissement à la Hongroise, Lebensstürme, Three Military Marches); Schumann (Twelve Pieces for Large and Small Children, Kinderbal); Stravinsky (Five Easy Pieces; Le Sacre du Printemps); Weber (Mazurka, Romanza, Sonata in C), and more Also includes composer biographies and relevant articles from the 1911 edition of Groveâ??s Dictionary of Music and Musicians 1000 pages

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

by Gail Smith. For piano. solos. Classic. Level: Intermediate-Advanced. Book. Size 8.75x11.75. 56 pages. Published by Mel Bay Publications, Inc.

Orchestra - Grade 2

SKU: AP.35909S

Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Folk; Light Concert; World. Score. 8 pages. Alfred Music #00-35909S. Published by Alfred Music (AP.35909S).

UPC: 038081420080. English. English Folk Song.

This humorous folk song arrangement should be performed at a brisk tempo. The counterpoint makes it great fun to toss the theme around the sections! Correlated to Orchestra Expressions, Book 2.

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Soli SAB, SATB Choir, 2 Ob/Obda, Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119759

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. 1x 31.197/71 oboe 1, 1x 31.197/72 oboe 2, 1x 31.197/73 bassoon, 4x 31.197/81 3 trumpets and timpani. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas. Set of Orchestra Parts. BWV 197. Duration 20 minutes. Carus Verlag #CV 31.197/59. Published by Carus Verlag (CA.3119759).

ISBN 9790007210519. Language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score and parts available separately - see item CA.3119700.

For piano. Format: piano solo book. Baroque, Classical Period and Romantic Period. 208 pages. 9x12 inches. Published by Schirmer.

Piano (2-part mixed) - early intermediate

SKU: CR.984361

Composed by Jonathan Kohrs. Choral. Octavo. With music. Concordia Publishing House #984361. Published by Concordia Publishing House (CR.984361).

ISBN 9780758669032. 7 X 10.25 inches.

This text by Lisa M. Clark is set to a memorable tune and two-part mixed setting by Jonathan Kohrs. The text highlights the story of salvation, while carrying themes of outreach, the new creation, and the end times. The choral texture builds from start to finish and blossoms with a descant in the final stanza.

In paradise, You shared Your best
With us, Your children dear.
Your bounty, presence, work, and rest:
Secure from guilt or fear.
But we brought shame upon the land
And disobeyed Your clear command.
Oh, we will never understand
T he darkness we brought near.

In exile, driven from Your face,
We hid and worked in vain.
We lost the children's honored place
And earned Your just disdain.
But Jesus came to take our blame
And took away our horrid shame
And gave to us His holy name,
That we may life regain.

In restoration, we are free
And welcomed home anew.
You smile on us abundantly
A nd bless us through and through.
But as we wait for that great day,
When all dishonor melts away,
Let us, Your own beloved, say:
'Our Lord, we honor You!'

Text copyright © 2020 Concordia Publishing House.

Soli SAB, SATB Choir, 2 Ob/Obda, Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119753

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Vocal score. BWV 197. 44 pages. Duration 20 minutes. Carus Verlag #CV 31.197/53. Published by Carus Verlag (CA.3119753).

ISBN 9790007186692. Language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score available separately - see item CA.3119700.