(An All-Purpose Marching Band/Pep Band Book for Stands, Time-Outs, Pep Rallies a...(+)
(An All-Purpose Marching
Band/Pep Band Book for
Stands, Time-Outs, Pep
Rallies and a Host of
Other Uses). Arranged by
Victor Lopez. Marching
Band. For Mallet
Percussion
(Bells/Xylophone). Book;
Marching Band Collection.
Grade 2.5; Grade 3. 12
pages. Published by
Alfred Music
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Randb and classic
soul. Series: Hal Leonard
Fake Books. 437 pages.
9x12 inches. Published by
Hal Leonard.
Composed
by Zachary Cairns. Sws.
Yps. Full score. 24
pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #YPS217F.
Published by Carl Fischer
Music (CF.YPS217F).
ISBN 9781491156551.
UPC: 680160915095. 9 x 12
inches.
Hope
Remains Within was
commissioned by and
composed for the Mount
Nittany Middle School 7th
and 8th Grade Concert
Bands. Having heard the
students of Mount Nittany
perform another work of
mine, I was very excited
when their director,
Johanna Steinbacher,
approached me about
writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn't exactly sure
how, or what. Johanna
talked to some of her
students and learned
that, in 7th grade, the
students spend a good
deal of time studying
mythology in their
English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora. As
such, I decided to use
that story as the basis
of this composition. Hope
Remains Within doesn't
attempt to re-tell the
story, event by event, in
musical terms. Instead,
my goal was to address
what seems to be one of
the central issues of the
Pandora myth. Though
there are some
variations, we probably
all know the basics as
told by the ancient Greek
poet Hesiod. Zeus decides
to punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus's brother
Epimetheus as a bride.
Pandora is herself given
a jar (according to many
sources, jar seems to be
a more accurate
translation for what we
commonly call Pandora's
box) which contained
numerous evils, diseases,
and other pains. Out of
curiosity, Pandora opens
the jar and releases all
of these evils into the
world. But one thing
remains in the jar: hope.
The issue of hope seems
to be one of the big
interpretive questions of
the Pandora myth. Why
does hope remain within
the jar? Why doesn't it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place? I'm not enough of
a mythological scholar to
claim to have definitive
answers to those
questions, but these are
the questions that I've
tried to engage from a
musical perspective in
Hope Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed. Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope's
beginning played by alto
saxophones and chimes,
comes from the opening
measures of Skyrabin's
work. Given the important
role that Prometheus
plays in the Pandora
myth, this seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key. Additionally,
I have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the piece's
slow opening, I have
allowed these minor key
pitches to mingle freely
within the Bb major
tonality, adding extra
color and (I hope!)
beauty. As the piece
progresses, though, the
tempo increases, and we
lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn't
resist.). Hope Remains
Within was commissioned
by and composed for the
Mount Nittany Middle
School 7th and 8th Grade
Concert Bands. Having
heard the students of
Mount Nittany perform
another work of mine, I
was very excited when
their director, Johanna
Steinbacher, approached
me about writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn’t
exactly sure how, or
what. Johanna talked to
some of her students and
learned that, in 7th
grade, the students spend
a good deal of time
studying mythology in
their English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora.As such,
I decided to use that
story as the basis of
this composition. Hope
Remains Within
doesn’t attempt to
re-tell the story, event
by event, in musical
terms. Instead, my goal
was to address what seems
to be one of the central
issues of the Pandora
myth. Though there are
some variations, we
probably all know the
basics as told by the
ancient Greek poet
Hesiod. Zeus decides to
punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus’s
brother Epimetheus as a
bride. Pandora is herself
given a jar (according to
many sources,
“jar†seems
to be a more accurate
translation for what we
commonly call
“Pandora’s
boxâ€) which
contained numerous evils,
diseases, and other
pains. Out of curiosity,
Pandora opens the jar and
releases all of these
evils into the world. But
one thing remains in the
jar: hope.The issue of
hope seems to be one of
the big interpretive
questions of the Pandora
myth. Why does hope
remain within the jar?
Why doesn’t it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place?I’m not
enough of a mythological
scholar to claim to have
definitive answers to
those questions, but
these are the questions
that I’ve tried to
engage from a musical
perspective in Hope
Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed.Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope’s
beginning played by alto
saxophones and chimes,
comes from the opening
measures of
Skyrabin’s work.
Given the important role
that Prometheus plays in
the Pandora myth, this
seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key.Additionally, I
have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the
piece’s slow
opening, I have allowed
these minor key pitches
to mingle freely within
the Bb major tonality,
adding extra color and (I
hope!) beauty. As the
piece progresses, though,
the tempo increases, and
we lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn’t
resist.).
Piano SKU: BT.VOLMB411 Antologia Di Brani Moderni Facilitati Per Piano...(+)
Piano
SKU:
BT.VOLMB411
Antologia Di Brani
Moderni Facilitati Per
Pianoforte. Composed
by Franco Concina. Book
Only. Volonte e Co
#VOLMB411. Published by
Volonte e Co
(BT.VOLMB411).
ISBN
9788863884050.
Italian.
Titulos
incluidos: Seconda
antologia di brani
facilitati curador Franco
Concina. (Meet) The
Flintstones - My Heart
Will Go On (Celine Dion)
- Hedwigs Theme (Harry
Potter) - What A
Wonderful World (Louis
Armstrong) - When A Man
Loves A Woman
(PercySledge) - Hanno
Ucciso Luomo Ragno (883)
- Tanta Voglia Di Lei
(Pooh) - 50 Special
(LunaPop) - The
Entertainer (Scott
Joplin) - The Addams
Family (Main Title) - The
Pink Panther (Henry
Mancini) - Unemozione Per
Sempre (Eros Ramazzotti)
- Theme FromThe Simpsons
- Marcia Di Radetzky (J.
Strass Sr.) - Albachiara
(Vasco Rossi) - Maple Le
(Scott Joplin).
Made Easy for Piano, 4 Hands. By Amilcare Ponchielli; Anton Rubenstein; Claude D...(+)
Made Easy for Piano, 4
Hands. By Amilcare
Ponchielli; Anton
Rubenstein; Claude
Debussy; Frederic Chopin;
Gioacchino Rossini; Igor
Fyodorovich Stravinsky;
Jacques Offenbach; Johann
Strauss; Johannes Brahms;
Ludwig Van Beethoven;
Nikolai Rimsky-Korsakov;
Richard Wagner; Robert
Schumann. Arranged by
John Brimhall. 1 piano,
4-hands. For Piano I,
Piano II. Great Music
Made Easy: Duet Series.
Performance score. 63
pages. Published by Carl
Fischer.
Selections by Brahms, Elgar, Grieg, Handel, Haydn, Mozart, and Purcell Arranged ...(+)
Selections by Brahms,
Elgar, Grieg, Handel,
Haydn, Mozart, and
Purcell Arranged for
Intermediate Piano.
Arranged by Virginia
Speiden Carper. For
Piano. This edition: 2
copies included. Piano
Quartet (2 Pianos, 8
Hands). Alfred's Classic
Editions. Level:
Intermediate. 116 pages.
Published by Alfred
Publishing.
by Costel Puscoiu. For Recorder (Soprano). solos. Classic. Level: Intermediate. ...(+)
by Costel Puscoiu. For
Recorder (Soprano).
solos. Classic. Level:
Intermediate. Book. Size
8.75x11.75. 96 pages.
Published by Mel Bay
Publications, Inc.
For Clarinet in B-flat. Includes a newly engraved, authoritative printed solo pa...(+)
For Clarinet in B-flat.
Includes a newly
engraved, authoritative
printed solo part, and
two compact discs,
containing a complete
version with soloist, in
digitally recorded
stereo; then a digital
stereo version of the
accompaniment, minus the
soloist. Published by
Music Minus One.
Combo Edition of Books 1 and 2 with Online Audio. Guitar Tab Method. Instructi...(+)
Combo Edition of Books 1
and 2
with Online Audio. Guitar
Tab
Method. Instruction,
Method.
Softcover Audio Online.
64
pages. Published by Hal
LeonISBN 9781705141724.
9.0x12.0 inches.
Get started quickly and
easily, and with songs
you
want to play! Learn the
notes
of the bass with riffs
like
"Day Tripper" and "Stand
by
Me," reading rhythms and
tab
with classics by the Who
and
Red Hot Chili Peppers,
fingerstyle and pick
technique with songs like
"Roxanne" and "Low
Rider,"
beginning slap technique
with
songs like "Higher
Ground"
and "Fly Away," and much
more. The method's
unique,
well-paced, and logical
teaching sequence will
get
students playing more
easily
than ever before, and
music
from popular artists like
the
Beatles, Nirvana, and
Green
Day will keep them
playing
and having fun. This
special
combo edition includes
books
one and two of the series
plus online audio
access.ard
Flute Repertoire 2 Flûte traversière - Débutant The Frederick Harris Music Company
Flute - Beginner SKU: FH.FLR02 2010 Edition. Composed by The Royal...(+)
Flute - Beginner
SKU:
FH.FLR02
2010
Edition. Composed by
The Royal Conservatory.
Overtones: A
Comprehensive Flute
Series. Book/Piano
Accompaniment/CD. The
Frederick Harris Music
Company #FLR02. Published
by The Frederick Harris
Music Company (FH.FLR02).
ISBN
978-1-55440-290-8.
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
repertoire and supporting
materials such as
Studies, Compact Discs,
Orchestral Excerpts, and
Technique. The richness
of music carefully
selected for this
compilation will resonate
with teachers and
students at every level
of study.This compilation
of standard orchestral
passages for flute is an
indispensable resource
for the developing years
and beyond. Teachers and
students will find this
unrivalled volume
essential for examination
or audition
preparation. Greenslee
ves Traditional English,
arr. Akiko and Forrest
Kinney Menuet
Christoph Willibald
Gluck, arr. Stephen
Chatman Theme in B
flat Major Ludwig van
Beethoven Bourree
anglaise George Frideric
Handel, arr. Stephen
Chatman Gavotta
Jean-Baptiste Loeillet
(de Gant), arr. Kathleen
Wood I am the Bird
Catcher, from Die
Zauberfloete Wolfgang
Amadeus Mozart, arr.
Stephen
Chatman L'Armement,
TWV 50:35 Georg Philipp
Telemann, arr. Ernst
Patzold Sicilienne
Antonio Vivaldi, arr.
Kathleen Wood Little
Suite: Third movement
Hendrik
Andriessen Canoeing
Violet Archer The
Groovy Witch Louise
Chamberlain Sun Shower
Robert Dick Hazelnote
Crunch Paul
Harris Rumballade
Thierry Masson Flowers
Elizabeth Raum Theme
from ballet d'Ascanio
Camille Saint-Saens
Suite of Israeli Folk
Songs: Third movement
Yoav Talmi.
About
Overtones
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
Repertoire and supporting
materials such as Etudes,
Compact Discs, Orchestral
Excerpts, and Technique.
The richness of music
carefully selected for
this compilation will
resonate with teachers
and students at every
level of study and is the
official series for those
using The Royal
Conservatory Music
Development program.
For the Later Beginner. By Willard A. Palmer, Morton Manus, and Amanda Vick Leth...(+)
For the Later Beginner.
By Willard A. Palmer,
Morton Manus, and Amanda
Vick Lethco. For Piano.
Piano Method. Alfred's
Basic Piano Library.
Book. 48 pages. Published
by Alfred Publishing.