Piano - Level 2 SKU: LM.27281 Composed by Hans Gunter Heumann. Classical....(+)
Piano - Level 2
SKU:
LM.27281
Composed by
Hans Gunter Heumann.
Classical. Score.
Editions Henry Lemoine
#27281. Published by
Editions Henry Lemoine
(LM.27281).
ISBN
9790230972819.
TRAD
ITIONNEL : Greensleeves -
Joshua Fit the Battle Of
Jericho - Nobody's Knows
the Trouble I've Seen -
AZNAVOUR / GALL : La
Mamma - BARBELIVIEN /
MEHDI : Mademoiselle
chante le blues - BETTI /
HORNEZ / SEELEN : C'est
si bon - BOCCHERINI :
Menuet - BRAHMS : Danse
hongroise n. 7 - CHOPIN :
Polonaise heroique -
DELIBES : Valse lente
(Coppelia) - DVORAK :
Humoresque - GAINSBOURG :
La Javanaise - HASSLER :
Prelude varie - HEUMANN :
Feelin' The Blues -
That's Real Boogie -
KARAS : Le Troisieme
homme - LAI / SIGMAN :
Love Story - LEGRAND /
MARNAY : Les Moulins de
mon coeur (L'Affaire
Thomas Crown) - MANCINI :
Baby Elephant Walk
(Hatari) - PUCCINI :
Nessun Dorma - REVAUX /
FRANCOIS / THIBAUT / ANKA
: My Way (Comme
d'habitude) - ROSSINI :
La Danza.
Song of David Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135481-140 Based on Dies ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135481-140
Based on Dies
Irae. Arranged by Jan
de Haan. Musica Sacra.
Festive and Solemn Music.
Score Only. Composed
2013. 60 pages. De Haske
Publications #DHP
1135481-140. Published by
De Haske Publications
(BT.DHP-1135481-140).
9x12 inches.
English-German-French-Dut
ch.
This work is
based on the 13th Century
Dies irae (Day of
Wrath) attributed to
Thomas von Celano. Many
famous composers have
already employed this
originally Gregorian
chant in their works,
including Berlioz,
Saint-Saëns, Mahler
and Lizst. In Jan de
Haan’s Song of
David - the title of
which is taken from the
third line of the Dies
Irae text - the theme
is presented in unison
initially and then
reappears in various
guises.
Dit werk
is gebaseerd op het 13e
eeuwse Gregoriaanse
Dies Irae zoals we
dit ook kennen uit werken
van Berlioz,
Saint-Saëns, Mahler en
Liszt. Voor de titel van
dit werk waarin hij het
thema verschillende
gedaantes meegeeft,
haalde Jan de Haan zijn
inspiratie in de derde
zin van het Dies
Irae, waarin verwezen
wordt naar David.
Dieses Werk
basiert auf dem Dies
Irae (Tag des Zorns)
aus dem 13. Jahrhundert,
das Thomas von Celano
zugeschrieben wird.
Bereits mehrere
berühmte
Komponisten, wie Berlioz,
Saint-Saëns, Mahler
und Liszt, haben den
ursprünglichen
gregorianischen Choral in
ihren Werken verwendet.
In Jan de Haan Song of
David, dessen Titel
auf die dritte Textzeile
von Dies Irae
verweist, wird das Thema
zunächst einstimmig
präsentiert und
erscheint dann in
verschiedenen
Gewändern.
Ques
to brano si ispira a
Dies Irae
attribuito a Tommaso da
Celano, considerato
l’autore della
versione
de_x001E_finitiva di
questo poema scritto nel
XIII secolo. Numerosi
celebri compositori quali
Berlioz, Saint-Saëns,
Mahler e Liszt hanno
integrato passaggi di
questo canto gregoriano
nelle loro opere. In
Song Of David (il
titolo fa riferimento
alla terza strofa del
testo originale), Jan de
Haan presenta un tema
all’unisono
ripreso in seguito con
diverse dinamiche.
Piano SKU: HL.288419 Piano. Composed by Thomas Simaku. Music Sales...(+)
Piano
SKU:
HL.288419
Piano. Composed by
Thomas Simaku. Music
Sales America. Classical.
Softcover. 6 pages.
University of York Music
Press #M570368419.
Published by University
of York Music Press
(HL.288419).
Song of David Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135481-010 Based on Dies ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135481-010
Based on Dies
Irae. Arranged by Jan
de Haan. Musica Sacra.
Festive and Solemn Music.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135481-010. Published by
De Haske Publications
(BT.DHP-1135481-010).
9x12 inches.
English-German-French-Dut
ch.
This work is
based on the 13th Century
Dies Irae (Day of
Wrath) attributed to
Thomas von Celano. Many
famous composers have
already employed this
originally Gregorian
chant in their works,
including Berlioz,
Saint-Saëns, Mahler
and Lizst. In Jan de
Haan’s Song of
David - the title of
which is taken from the
third line of the Dies
Irae text - the theme
is presented in unison
initially and then
reappears in various
guises.
Dit werk
is gebaseerd op het 13e
eeuwse Gregoriaanse
Dies Irae zoals we
dit ook kennen uit werken
van Berlioz,
Saint-Saëns, Mahler en
Liszt. Voor de titel van
dit werk waarin hij het
thema verschillende
gedaantes meegeeft,
haalde Jan de Haan zijn
inspiratie in de derde
zin van het Dies
Irae, waarin verwezen
wordt naar David.
Dieses Werk
basiert auf dem Dies
Irae (Tag des Zorns)
aus dem 13. Jahrhundert,
das Thomas von Celano
zugeschrieben wird.
Bereits mehrere
berühmte
Komponisten, wie Berlioz,
Saint-Saëns, Mahler
und Liszt, haben den
ursprünglichen
gregorianischen Choral in
ihren Werken verwendet.
In Jan de Haan
David’s Song,
dessen Titel auf die
dritte Textzeile von
Dies Irae
verweist, wird das Thema
zunächst einstimmig
präsentiert und
erscheint dann in
verschiedenen
Gewändern.
Ques
to brano si ispira a
Dies Irae
attribuito a Tommaso da
Celano, considerato
l’autore della
versione definitiva di
questo poema scritto nel
XIII secolo. Numerosi
celebri compositori quali
Berlioz, Saint-Saëns,
Mahler e Liszt hanno
integrato passaggi di
questo canto gregoriano
nelle loro opere. In
Song Of David (il
titolo fa riferimento
alla terza strofa del
testo originale), Jan de
Haan presenta un tema
all’unisono
ripreso in seguito con
diverse dinamiche.
Piano SKU: BT.MUSM570368419 Composed by Thomas Simaku. Classical. Score O...(+)
Piano
SKU:
BT.MUSM570368419
Composed by Thomas
Simaku. Classical. Score
Only. University of York
Music Press
#MUSM570368419. Published
by University of York
Music Press
(BT.MUSM570368419).
Thom
as Simaku's
L'image
Oubliée
D'après
Debussy for solo
Piano.
Stadium Fever Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1834-12-010-MS Fair play for B...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1834-12-010-MS
Fair play for
Band. Composed by
Thomas Doss. Ovation
Series. Original Light
Music. Set (Score &
Parts). Composed 2012.
Music Sales #1834-12-010
MS. Published by Music
Sales
(BT.1834-12-010-MS).
9x12 inches.
The
stands are packed, two
world-class teams are on
the field, the smell of
hotdogs fills the air and
fans chant and scream.
All of these contribute
to create stadium fever.
The composer has conveyed
these elements in the
composition including the
aspect integral to the
fever: an atmosphere full
of excitement.
De
tribunes zitten stampvol,
er staan twee teams van
wereldklasse op het veld,
de geur van hotdogs hangt
in de lucht, de
toeschouwers juichen -
allemaal factoren die
horen bij het
verschijnsel
‘stadionkoortsâ€
™. De componist heeft
indit uitbundige werk dan
ook al deze elementen
verklankt. Het
meeslepende Stadium
Fever zal in de
concertzaal absoluut een
opgetogen stemming
creëren!
Volle
Zuschauerränge, zwei
Spitzenteams auf dem
Rasen, der Duft von
Imbissständen, Jubel
und Gesänge - das sind
Faktoren, die
unweigerlich
Stadionfieber“
auslösen. All diese
Elemente - und das
eindeutige Symptom der
Krankheit“: eine
tolle,
überschäumende
Stimmung - übertrug
der Komponist in sein
Stück Stadium
Fever. Ein
mitreißendes
Stück, dessen
Atmosphäre sich auch
im Konzertsaal garantiert
keiner entziehen kann!
Thomas Doss
descrive
l’atmosfera unica
di uno stadio prima e
durante un incontro al
vertice. Non solo il
gioco, ma anche e
soprattutto i tanti
striscioni, e i canti
provenienti dalle curve
fanno da padroni in
Stadium Fever, un
brano dall’energia
travolgente.
By Various. Edited by Meuser, Michael / Berning, Thomas / Kohlmann, Mathias / De...(+)
By Various. Edited by
Meuser, Michael /
Berning, Thomas /
Kohlmann, Mathias /
Degott, Matthias / Kolle,
Martin / Walter, Meinrad
/ Geismann, Wilm.
Occasions: Eucharist,
Communion, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Mourning,
Death; Use during church
year: Advent, Lent and
Passiontide, Easter and
Eastertide, Christmas.
Collection. 224 pages.
Published by Carus Verlag
(German import).
By Various. Edited by Reich, Bernhard / Roller, Ernst / Gindele, Thomas. Unison ...(+)
By Various. Edited by
Reich, Bernhard / Roller,
Ernst / Gindele, Thomas.
Unison hymns; Choral
Collections, Mixed Choir,
Music for Casuals;
Occasions: Wedding, First
Communion, Confirmation,
Praise and thanks,
Baptism, Mourning, Death;
Use during church year:
Easter and Eastertide.
Collection. 88 pages.
Published by Carus Verlag
(German import).
By Various. Edited by Sibylle Cada, Thomas Peter-Horas. For piano. Piano Music f...(+)
By Various. Edited by
Sibylle Cada, Thomas
Peter-Horas. For piano.
Piano Music for
Discoverers - Contains 72
easy and intermediate
original p iano
compositions,from
Couperin to Chick Cor
ea.Das Pianobuch presents
piano music from f our
centuries in a novel
mixture of standard
literature and pieces in
mint" condition. " It
contains not only minor
masterpieces by l ess
well-known composers, but
little known g ems by
great masters." Some of
the titles w" ere written
specifically for our
collection. Published by
C.F. Peters.
Kentish Dances Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-246-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-246-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2008. 80 pages.
Anglo Music Press #AMP
246-140. Published by
Anglo Music Press
(BT.AMP-246-140).
9x12
inches.
English-German-French-Dut
ch.
Kentish
Dances is een suite
op basis van dansen uit
het Engelse graafschap
Kent. Dit graafschap
heeft zijn eigen
dansmelodieën, wat in
Engeland bekend is
geworden als
‘country
dancing’. Deze
danswijsjes waren de bron
van ditdriedelige werk
van Philip Sparke, waarin
levendige en opgewekte
melodieën worden
afgewisseld door
melancholische en
zangerige passages. Een
betoverend
werk!
Wie der
Titel schon andeutet,
besteht Kentish
Dances aus
traditionellen
Tanzmelodien aus der
englischen Grafschaft
Kent. Die seit dem 17.
Jahrhundert beliebten
Volkstänze sind
zahlreich überliefert
und boten Philip Sparke
eine reichhaltige Quelle
für dieses
dreisätzige Werk, in
dem sich lebhafte und
beschwingte Melodien, mit
melancholischeren Weisen
und lieblichen Passagen
abwechseln. Bezaubernd!
Kentish Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-246-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-246-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2008.
Anglo Music Press #AMP
246-010. Published by
Anglo Music Press
(BT.AMP-246-010).
9x12
inches.
English-German-French-Dut
ch.
Kentish
Dances is een suite
op basis van dansen uit
het Engelse graafschap
Kent. Dit graafschap
heeft zijn eigen
dansmelodieën, wat in
Engeland bekend is
geworden als
‘country
dancing’. Deze
danswijsjes waren de bron
van ditdriedelige werk
van Philip Sparke, waarin
levendige en opgewekte
melodieën worden
afgewisseld door
melancholische en
zangerige passages. Een
betoverend
werk!
Wie der
Titel schon andeutet,
besteht Kentish
Dances aus
traditionellen
Tanzmelodien aus der
englischen Grafschaft
Kent. Die seit dem 17.
Jahrhundert beliebten
Volkstänze sind
zahlreich überliefert
und boten Philip Sparke
eine reichhaltige Quelle
für dieses
dreisätzige Werk, in
dem sich lebhafte und
beschwingte Melodien, mit
melancholischeren Weisen
und lieblichen Passagen
abwechseln. Bezaubernd!
String Quartet (Parts) SKU: HL.4492994 Set of Parts. By Brods...(+)
String Quartet
(Parts)
SKU:
HL.4492994
Set of
Parts. By Brodsky
Quartet and Elvis
Costello. Edited by
Jacqueline Thomas and
Paul Cassidy. Music for
String Quartet.
Classical. Softcover.
Published by Hal Leonard
(HL.4492994).
ISBN
9781705186466. UPC:
196288119203. 9.0x12.0
inches.
Elvis
Costello was inspired to
create this song sequence
for string quartet and
voice after discovering
that a Veronese academic
had been replying to
letters addressed to
â??Juliet Capulet.â?
The delicate and personal
nature of the
correspondence inspired a
wonderful and poignant
set of songs, written,
arranged and originally
performed by Elvis
Costello and the Brodsky
Quartet. Released in
1993, the album was met
with critical acclaim for
its creative mix of rock
and classical style
influences and
intelligent sense of
melody. Hal Leonard is
proud to publish this
30th Anniversary Edition
of the work, edited by
Brodsky Quartet members
Jacqueline Thomas and
Paul Cassidy.
Concert Band (Score & Parts) SKU: HL.44012853 For Concert Band/Harmoni...(+)
Concert Band (Score &
Parts)
SKU:
HL.44012853
For
Concert Band/Harmonie
(Score and Parts).
Composed by Philip
Sparke. Anglo Music
Concert Band. Softcover.
Anglo Music Press
#AMP403010. Published by
Anglo Music Press
(HL.44012853).
Philip Sparke s
third symphony, A Colour
Symphony, was
commissioned by
sinfonischen
blasorchester wehdel
conducted by Thomas
Ratzek. In the four
movements (white, yellow,
blue and red) the
composer creates links
between the
instrumentation and
harmonic elements and the
actual colour of the
spectrum the movement
stands for. In order to
create the greatest
richness possible, Philip
Sparke used a very large
instrumentation including
low woodwinds, harp,
piano and celli. A Colour
Symphony is an impressive
and iconic addition to
the standard repertoire
for large symphonic
bands. Philip Sparke s
third symphony, A Colour
Symphony, was
commissioned by
sinfonischen
blasorchester wehdel
conducted by Thomas
Ratzek. In the five
movements (white, yellow,
blue, red and green) the
composer creates links
between the
instrumentation and
harmonic elements and the
actual colour of the
spectrum the movement
stands for. In order to
create the greatest
richness possible, Philip
Sparke used a very large
instrumentation including
low woodwinds, harp,
piano and celli. A Colour
Symphony is an impressive
and iconic addition to
the standard repertoire
for large symphonic
bands.
Concert Band (SCORE) - Grade 4.5 SKU: HL.4006434 Satire in Four Parts<...(+)
Concert Band (SCORE) -
Grade 4.5
SKU:
HL.4006434
Satire
in Four Parts.
Composed by Thomas Doss.
Mitropa Music Concert
Band. Concert. Softcover.
Duration 730 seconds.
Mitropa Music
#2201-20-010M. Published
by Mitropa Music
(HL.4006434).
UPC:
888680989934.
A
Little Stress Music was
commissioned by the
Lenzing Werkskapelle from
Austria and comprises of
four sections.
“Rush Hourâ€
depicts a Friday evening
during which everyone
wants to get home after
work. Unfortunately,
traffic jams and gridlock
stand in the way! In
“Promenade
Waltz†you can
picture an evening walk
along the beautiful
lakeside, then a glass of
wine loosens you up
leading to the third
movement:
“Romance,â€
which starts with a
promising conversation...
The funny finale
“Monday
Morning†brings you
back to reality and the
score provides the option
of the band applauding
itself for a job well
done! A humorous and
joyful new piece by
Thomas Doss!
30th
Anniversary Edition
Score. By Brodsky
Quartet and Elvis
Costello. Edited by
Jacqueline Thomas and
Paul Cassidy. Music for
String Quartet.
Classical. Softcover.
Published by Hal Leonard
(HL.4492993).
ISBN
9781705186459. UPC:
196288119197. 9.0x12.0
inches.
Elvis
Costello was inspired to
create this song sequence
for string quartet and
voice after discovering
that a Veronese academic
had been replying to
letters addressed to
â??Juliet Capulet.â?
The delicate and personal
nature of the
correspondence inspired a
wonderful and poignant
set of songs, written,
arranged and originally
performed by Elvis
Costello and the Brodsky
Quartet. Released in
1993, the album was met
with critical acclaim for
its creative mix of rock
and classical style
influences and
intelligent sense of
melody. Hal Leonard is
proud to publish this
30th Anniversary Edition
of the work, edited by
Brodsky Quartet members
Jacqueline Thomas and
Paul Cassidy.
By Thomas "Cee-Lo" Callaway and Anthony "Sir-Mix-A-Lot" Ray. Arranged by Michae...(+)
By Thomas "Cee-Lo"
Callaway and Anthony
"Sir-Mix-A-Lot" Ray.
Arranged by Michael
Story. Words and music by
Thomas "Cee-Lo" Callaway
and Anthony
"Sir-Mix-A-Lot" Ray /
arr. Michael Story. For
Concert Band. Concert
Band. Pop Young Band.
Pop/Rock. Level: Easy
(grade 2). Conductor
Score and Parts. Duration
2:23:00. Published by
Alfred Publishing.
SKU: GI.G-10580 Philosopher and Practitioner in Dialogue. Composed...(+)
SKU: GI.G-10580
Philosopher and
Practitioner in
Dialogue. Composed by
William Perrine. Music
Education. 430 pages. GIA
Publications #10580.
Published by GIA
Publications
(GI.G-10580).
ISBN
9781622776375.
Cont
ributors: Travis J. Cross
(University of
California–Los
Angeles) • David J.
Elliott (New York
University) •
Marissa Silverman
(Montclair State
University) • Jacob
Wallace (South Dakota
State University) •
Randall Everett Allsup
(Teachers College,
Columbia University)
• Cynthia Johnston
Turner (Wilfrid Laurier
University) •
Carolyn Barber
(University of
Nebraska-Lincoln) •
John Kratus (Independent
Scholar) • Vincent
C. Bates (Weber State
University) •
Thomas G. Warner, Jr.
(North Carolina
Agricultural and
Technical State
University) • Ben
Hawkins (Transylvania
University) •
Thomas A. Regelski (SUNY
Fredonia School of Music,
Helsinki University of
Finland) • Paul
Woodford (Western
University) •
Charles Peltz (New
England Conservatory of
Music) In the wind band
profession—as in
every great
discipline—it is
critical to take stock in
the big questions about
where we are heading, and
why, as we move through
the twenty-first century.
This thought-provoking
book contains seven
high-level exchanges
between a leading wind
band practitioner and a
music education
philosopher. Each section
of The Future of the Wind
Band grapples with the
most profound issues
facing the music
education profession and
the path of instrumental
music education in our
schools: Relevance: What
relevance, if any, does
the wind band have both
to today’s
students and to culture
more broadly in the
twenty-first century?
What relevance does the
band experience hold for
students’ everyday
life? Repertoire: What is
the relationship between
the repertoire performed
by wind ensembles and the
larger musical world?
Pedagogy: What
constitutes best practice
in terms of musical
pedagogy and rehearsal
technique within the
large-ensemble
experience? Creativity:
Can the wind band
function as a vehicle for
enhancing the individual
creativity of its
members? Economic
Justice: How do issues of
social class and the
distribution of wealth
relate to broader
questions of social
justice within the
context of instrumental
music education?
Professional Ethics: What
are the primary ethical
responsibilities of the
wind band conductor?
Democratic Citizenship:
What relationship, if
any, can be drawn between
membership in the wind
band and citizen
participation in
democracy? Such exchanges
can only strengthen our
profession and pay rich
dividends in our musical
and educational work with
the students we serve.
Editor of this book,
William (Bill) M. Perrine
is Associate Professor of
Music and Director of
Instrumental Activities
at Concordia University
in Ann Arbor, Michigan,
where he directs the wind
ensemble, marching band,
and community
orchestra.
Composed by Adam Gorb.
Arranged by Michael
Brand. Band Music. Score
only. Duration 4:20.
Published by G & M Brand
Music Publishers
(CN.S11242).
Scenes from an
English Landscape is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end of
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax.
This is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. I
imagined a community of
villagers coming out of
church and filling a
village square with their
vibrant presence. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end o
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax. Adam Gorb was
born in Cardiff and
started composing at the
age of ten. His first
work broadcast on
national radio was
written when he was
fifteen. He studied at
Cambridge University
(1977-1980) and the Royal
Academy of Music
(1991-1993) where he
graduated with the
highest honours including
the Principal's Prize. He
has been on the staff at
the London College of
Music and Media, the
junior Academy of the
Royal Academy of Music
and, since 2000 he has
been the Head of School
of Composition at the
Royal Northern College of
Music in Manchester .
International recognition
came in 1994 with the US
Walter Beeler Prize for
his work Metropolis .
With it began what has
developed into probably
the most important wind
ensemble catalogue by a
contemporary composer,
ranging from extremely
challenging to the most
accessible, at all
technical levels, seized
on by players
internationally, widely
recorded and now
absolutely central to the
world's wind repertoire.
Equally important though
are his works for dance,
and concert pieces like
the chamber orchestral
Weimar , the Violin
Sonata , a Clarinet
Concerto for the Royal
Liverpool Philharmonic
Orchestra and Diaspora
for strings (for the
Goldberg Ensemble).
Deceptively mainstream at
first glance, they
display the same
inventive brilliance,
pulsating sound world,
striking use of rhythm
and an undogmatic absence
of stylistic hang-ups to
embrace jazz and
serialism in works where
power, poetry, irony and
pathos, often underlaid
by a theatrical and
deeply subversive
element, coalesce in an
integrated, highly
individual musical voice.
Gorb is also not afraid
to draw on the vivid
musical heritage of his
Jewish roots, sometimes
directly, often in a more
subsumed or radically
creative way. The crucial
and consistent feature of
Gorb's work though is
that it communicates
strongly without
patronizing players or
audiences. He firmly
believes that if
contemporary music - any
music - does not impact
on listeners then its
message is irrelevant; it
is lost.
Concert Band - Grade 3 SKU: AP.38373 Featuring: Forget You / Don't Sto...(+)
Concert Band - Grade 3
SKU: AP.38373
Featuring: Forget You
/ Don't Stop
Believin'. Composed
by Ari Levine,
Christopher Brown, Don't
Stop Believin': Jonathan
Cain, Neal Schon, Peter
Hernandez, Philip
Lawrence, Steve Perry,
and Thomas Cee Lo
Callaway. Arranged by
Patrick Roszell. Concert
Band; Performance Music
Ensemble; Single Titles.
Pop Concert Band. Pop.
Score and Part(s). 242
pages. Duration 3:30.
Alfred Music #00-38373.
Published by Alfred Music
(AP.38373).
UPC:
038081441269. English.
Forget You: Words; music
by Christopher Brown;
Peter Hernandez; Ari
Levine; Philip Lawrence;
Thomas Cee Lo Callaway;
Don't Stop Believin':
Words; music by Jonathan
Cain; Neal Schon; Steve
Perry.
Cee Lo
Green's Forget You and
Journey's Don't Stop
Believin' collide in this
exciting Mash-Up
reminiscent of the
popular television show
Glee. This arrangement
presents an exhilarating
performance opportunity
for your outstanding
trumpet and trombone
soloists and provides an
entertaining experience
for bands and audiences
alike. Building on the
Mash-Up concept, the two
tunes are joined as one
in the show-stopping
arrangement. (3:30).
By George Gershwin. Arranged by Thomas Verrier. By George Gershwin / arr. Thomas...(+)
By George Gershwin.
Arranged by Thomas
Verrier. By George
Gershwin / arr. Thomas
Verrier. For Concert
Band. Concert Band.
Donald Hunsberger Wind
Library. Level: Medium to
Medium Advanced (grade
IV-V). Conductor Score.
76 pages. Published by
Alfred Publishing.
Christmas Magic Orchestre d'harmonie [Conducteur] - Facile FJH
Concert Band Concert Band - Grade 2 SKU: FJ.B1049S Score Only. Com...(+)
Concert Band Concert Band
- Grade 2
SKU:
FJ.B1049S
Score
Only. Composed by
Thomas Root. Arranged by
Thomas Root. Concert
Band. FJH Young Band.
Christmas; Holiday Pops.
Score. Duration 2:15. The
FJH Music Company Inc
#98-B1049S. Published by
The FJH Music Company Inc
(FJ.B1049S).
English.
Infusin
g a collection of
original melodies with
familiar holiday tunes,
this delightful piece
builds to an exciting
climax with Jingle Bells.
A wonderful work.
(2:15).
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Concert band - Grade 4 SKU: MH.1-59913-070-X Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-070-X
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 10:00. Published
by Manhattan Beach Music
(MH.1-59913-070-X).
ISBN
9781599130705.
Prog
ram Notes: Stylistically
diverse -- tranquil,
spirited pastoral,
sensitive, energetic --
exhibiting a remarkable
palette, the five
movements of SINFONIA IX
form a unique symphonic
statement. Movement I,
Prelude, is about
contrasts: A lazy,
smooth, motive in brasses
alternates with, and then
joins, an active and
detached motive in
woodwinds. The spirited
Movement II, Morley's
Ghost, is an intricate
canonic collage and
homage to that venerable
theoretician & composer,
Thomas Morley. By
contrast, movement III,
Dialog, speaks in a
relaxed, lyrical, and
pastoral language as it
develops its gently
rising and falling
motives. Movement IV,
Waltz, innocently
celebrates the joys of
childhood with a lilting
melody and rondo form.
For the rousing Finale,
Movement V begins with a
martial call of
repeated-notes, heralding
a headstrong journey of
power and excitement.
Like a number of the
composer's other works,
SINFONIA IX is based on
earlier material: A brass
sextet, written in 1966
when the composer was
nineteen years old, forms
the raw material for the
first, third and fifth
movements, while a later
work, Martin's Waltz (a
children's piece for
flutes and clarinets
composed in 1975) is the
basis of the fourth
movement. The second
movement, however, is a
fanciful contrapuntal
commentary on Thomas
Morley's 16th-century
canzonet, Fire and
Lightning. SINFONIA IX is
dedicated to John
Raforth, a distinguished
band director and music
educator at West High
School in Madison,
Wisconsin. The work was
commissioned by his
friends and former
students, and was
completed in 1977. Its
first publication some
twenty years later is a
result of the increasing
attention paid by
university band directors
to the earlier Sinfonias,
particularly Sinfonia III
(Hymns and Dances);
Sinfonia V (Sinfonia
Sacra et Profana); and
now, Sinfonia IX. Whereas
the first two works are
wind ensemble
compositions that have
been championed equally
by the concert band,
Sinfonia IX is the
composer's first
college-level Sinfonia
written especially for
concert band. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1-2, 2
Oboe, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3 Bb
Bass Clarinet, 2 Bassoon,
4 Eb Alto Saxophone, 2 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 3
Trombone 1, 3 Trombone 2,
3 Baritone B.C., 2
Baritone T.C., 4 Tuba, 3
String Bass, 2 Timpani, 5
Percussion.
Utopia Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0940582-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0940582-010
Composed by Jacob De
Haan. Inspiration Series.
Set (Score & Parts).
Composed 1994. De Haske
Publications #DHP
0940582-010. Published by
De Haske Publications
(BT.DHP-0940582-010).
Utopia is the
name of a book written by
the English author Thomas
More and was published in
1516. The title is a word
thought up by More
himself, after the Greek
language, meaning
Nowhereland and leading
to the invention of the
words utopian scheme and
utopian. Utopia pictured
an ideal state on an
island far from the
inhabited world. This
idea was the basis of the
composition. It makes one
think of Oregon in
variety of themes and
style. Utopia also exists
of a combination of
styles that breathe the
atmosphere of film music.
However, Utopia sounds
less American. The slow
and stirring middle part
for example is closer to
the European romanticism:
the chord signals in the
brasssection remind of
Wagner's music.
Utopia is de naam
waaronder een in 1516
door de Engelse schrijver
Thomas More gepubliceerd
boek bekend is geworden.
Utopia is een door More
zelf naar het Grieks
gemaakt woord dat
Nergensland betekent en
de woorden utopie en
utopismeheeft doen
ontstaan. Utopia
schildert een ideale
staat op een ver van de
bewoonde wereld gelegen
eiland. Dit idee vormde
de inpiratiebron voor
deze compositie. Qua
variatie in thematiek en
stijl doet het werk
denken aan Oregon.Ook
Utopia bestaat uit een
combinatie van stijlen
die de atmosfeer ademen
van filmmuziek. Toch
klinkt Utopia minder
Amerikaans. Het langzame,
meeslepende middendeel
bijvoorbeeld komt dichter
in de buurt van de
Europese romantiek.de
drieklanksignalen in het
koper herinneren aan de
muziek van Wagner.
Concert Band (Score) SKU: HL.44012854 For Concert Band/Harmonie (Full ...(+)
Concert Band (Score)
SKU: HL.44012854
For Concert
Band/Harmonie (Full Score
Only). Composed by
Philip Sparke. Anglo
Music Concert Band.
Softcover. Anglo Music
Press #AMP403140.
Published by Anglo Music
Press (HL.44012854).
UPC:
888680655716.
Phili
p Sparkes third symphony,
A Colour Symphony, was
commissioned by
sinfonischen
blasorchester wehdel
conducted by Thomas
Ratzek. In the four
movements (white, yellow,
blue and red) the
composer creates links
between the
instrumentation and
harmonic elements and the
actual colour of the
spectrum the movement
stands for. In order to
create the greatest
richness possible, Philip
Sparke used a very large
instrumentation including
low woodwinds, harp,
piano and celli. A Colour
Symphony is an impressive
and iconic addition to
the standard repertoire
for large symphonic
bands. Philip Sparkes
third symphony, A Colour
Symphony, was
commissioned by
sinfonischen
blasorchester wehdel
conducted by Thomas
Ratzek. In the five
movements (white, yellow,
blue, red and green) the
composer creates links
between the
instrumentation and
harmonic elements and the
actual colour of the
spectrum the movement
stands for. In order to
create the greatest
richness possible, Philip
Sparke used a very large
instrumentation including
low woodwinds, harp,
piano and celli. A Colour
Symphony is an impressive
and iconic addition to
the standard repertoire
for large symphonic
bands.
Concert Band Concert Band - Grade 1 SKU: FJ.B1066 Composed by Thomas Root...(+)
Concert Band Concert Band
- Grade 1
SKU:
FJ.B1066
Composed by
Thomas Root. Arranged by
Thomas Root. Beginning
Band, closer. FJH
Beginning Band. Form:
March. Score and Part(s).
Duration 1:50. The FJH
Music Company Inc
#98-B1066. Published by
The FJH Music Company Inc
(FJ.B1066).
UPC:
674398207664.
English.
This bold
march is scored simply
and sounds much fuller
than it appears. It
utilizes one trumpet and
clarinet part throughout.
Perfect as an opener or
closer, this piece should
be strongly considered
for your contest or
festival march selection.
(1:50).
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
Concert Band - Grade 2 SKU: AP.46618 Featuring: Fantasia on a Theme by...(+)
Concert Band - Grade 2
SKU: AP.46618
Featuring: Fantasia on
a Theme by Thomas Tallis
/ A Sea Symphony
(Symphony No. 1) /
Linden Lea / Overture to
The Wasps
(Aristophanic
Suite). Composed
by Ralph Vaughan
Williams. Arranged by
Douglas E. Wagner.
Concert Band;
Masterworks; Performance
Music Ensemble; Single
Titles. Belwin Young
Band. 20th Century;
Concert Band Classics;
Masterwork Arrangement.
Score and Part(s). 236
pages. Belwin Music
#00-46618. Published by
Belwin Music (AP.46618).
UPC: 038081532561.
English.
Vaughan
Williams' work represents
the height of English
Post-Romanticism after
the turn of the century,
which was characterized
by fervent nationalistic
spirit and a
corresponding surge of
interest in discovering,
preserving, and
performing traditional
folk music. This
arrangement includes
elements of Fantasia on a
Theme by Thomas Tallis, A
Sea Symphony, Linden Lea,
and Overture to The
Wasps, all seamlessly
intertwined.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.