(GEB)

SKU: HL.49033149

Flote, Geige und Giraffe. Composed by Andrea Hoyer. This edition: Hardback/Hard Cover. Book. Edition Schott. Little Paul visits a museum of musical instruments with his schoolmates. In the museum, one can see instruments from all over the world - very old ones, but also modern ones. For children aged 6+.Included in the list of recommended educationally worthy pi. 28 pages. Schott Music #ED 9528. Published by Schott Music (HL.49033149).

ISBN 9783795704704. German. Andrea Hoyer.

Little Paul visits a museum of musical instruments with his schoolmates. In the museum, one can see instruments from all over the world - very old ones, but also modern ones. Apart from well-known instruments, there are of course many other fascinating things to discover: sonorous stones from Northern Togo, a bone flute, the snake-shaped serpent, a walking-stick violin, an armadillo guitar, a giraffe piano and many more. This picture book continues the successful series of books by Andrea Hoyer. As in her previous books 'In der Musikschule', 'In der Oper' and 'Im Konzert', the story is told by Little Paul. In an entertaining way, the children learn a lot about known and historical instruments and get fascinating information on exotic instruments from faraway countries.As in Andrea Hoyer's other books, the main focus again is on the charming detail drawings which stimulate the reader's imagination and will be enjoyable not only to children. Included in the list of recommended educationally worthy picture books 2004 of the German Gesellschaft fur Jugend- und Sozialforschung GJSF [Society for Youth and Social Research].

Little Paul visits a museum of musical instruments with his schoolmates. In the museum, one can see instruments from all over the world - very old ones, but also modern ones. For children aged 6+.Included in the list of recommended educationally worthy picture books 2004 of the German Gesellschaft fur Jugend- und Sozialforschung GJSF [Society for Youth and Social Research].

SKU: GI.G-9987

Anatomy, Technique, and Wellness Principles. Composed by Lisa Marsh. Body Mapping. Music Education. 168 pages. GIA Publications #9987. Published by GIA Publications (GI.G-9987).

ISBN 9781622773985.

Coor dinate Movement for Pianists explores the art and science of playing piano from a fundamental yet often overlooked perspective: sound is the result of movement. What movements, then, produce the most desirable sounds at the piano? Drawing from experience in the fields of piano instruction, medicine, and Body Mapping, author Lisa Marsh presents a detailed discussion—complet e with anatomical drawings and music examples—about the types of movement that contribute to a healthy, fluid, and versatile piano technique. This resource is divided into three parts. In the first, Marsh establishes several foundational concepts, including the relationship between sound and movement, sensory awareness, and the practice of inclusive awareness. This section also introduces the key anatomical structures involved in playing piano. Part II focuses on the development of a piano technique based on relaxed, efficient, and anatomically accurate movements. Technical skills addressed include: tremolos, trills, leaps, scales, navigating black and white keys, octaves, chords, voicing, articulation, pedaling, fingerings, repeated notes, and tone production, among others. The dozens of music examples included in Part II, excerpted from the standard piano literature, offer an opportunity for pianists to practice healthy movements in context. This section also includes several chapters that offer practical tips for practicing, learning, and memorizing music. Part III rounds out this resource with a thoughtful discussion about musicians’ physical, mental, and emotional wellness. Topics covered include finding community and employment, combating performance anxiety, preventing injury, and rehabilitating after injury. Coordinate Movement for Pianists is a brilliant reminder that healthy movement is the basis for a fulfilling and lifelong enjoyment of piano. Regardless of experience or level, students and teachers alike are certain to gain new inspiration and reap the benefits from applying these ideas to their own craft. Lisa Marsh is Director of the Coordinate Movement Program at Portland State University, where she specializes in wellness for musicians. Her work as an educator, performer, and composer is informed by years of experience in the fields of medicine, piano study, Body Mapping, and Alexander Technique.

Method, Procedures, Planning, and Core Vocal Exercises. Composed by James Jordan. Evoking Sound Series. Music Education. Book. 326 pages. GIA Publications #6397. Published by GIA Publications

For C instrument. Format: fakebook (spiral bound). With melody, chord names, introductory text and black and white photos. Jazz and Pop. 438 pages. 9x12 inches. Published by Sher Music Company.

Set of Parts Cello; Chamber Music; Piano Accompaniment; Violin (Ensemble)

SKU: HL.51481531

Set of Parts for Violin, Cello and Piano. Composed by Felix Bartholdy Mendelssohn. Henle Music Folios. Classical. Softcover. 84 pages. G. Henle #HN1531. Published by G. Henle (HL.51481531).

UPC: 840126989311. 9.25x12.25x0.361 inches.

Mendelssohn is considered a self-critical composer, who repeatedly reworked a number of his pieces until he deemed them worthy to be published. The path to his first Piano Trio was particularly rocky: only after several attempts was he able to complete it in the summer of 1839; it appeared in 1840 after further revisions. This perfectionism paid off, for Mendelssohn's D Minor Trio was immediately received with enthusiasm. Robert Schumann wrote: “It is the master trio of the present day, like those of Beethoven in Bb and D and that of Franz Schubert in Eb were in their time; a very beautiful composition which after years will still delight grandchildren and great-grandchildren.† Which was to prove true: even today, it numbers among the most popular works in the trio repertoire in general. The trio, taken from the volume Mendelssohn • Piano Trios HN 957, is now available from Henle for the first time also as a practical single edition.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Arrangement for Piano. Composed by Johann Sebastian Bach (1685-1750). Edited by Christian Schaper, Ullrich Scheideler, and Marc-Andre Hamelin. Arranged by Feruccio Busoni. Henle Music Folios. Classical. Softcover. 28 pages. G. Henle #HN1479. Published by G. Henle

Orchestra (Study Score)

SKU: HL.51489061

Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Robert v. Zahn. Henle Study Scores. Classical. Softcover. 58 pages. G. Henle #HN9061. Published by G. Henle (HL.51489061).

UPC: 840126932836. 6.75x9.5x0.22 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic ouvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Probably composed in the winter of 1791/92, the Symphony in D major no. 93 was, with its easily accessible (butby no means simple!) musical structure, perfectly tailored to London tastes, which demanded melodic clarity and expressive pathos. The Baroque echoes of Handel in the slow introduction to the first movement and in the festive mood of the finale with its timpani and trumpets would have been well received - no wonder the symphony had to be repeated multiple times in the same season after its performance in 1792! This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Orchestra (Study Score)

SKU: HL.51489064

Study Score. Composed by Franz Joseph Haydn. Edited by Gernot Gruber. Henle Music Folios. Classical. Softcover. G. Henle #HN9064. Published by G. Henle (HL.51489064).

UPC: 840126937640. 6.75x9.5x0.214 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Hailing from 1791, the Symphony in D major no. 96 numbers among the first symphonies written in and for London. The epithet given to it by posterity, “The Miracle”, was bestowed erroneously, for the miracle - that no one was injured when a chandelier fell during a concert - took place during a performance of a different Haydn symphony. And yet it is a miracle of musical esprit nonetheless; from the subtle relations between the motives consisting of broken triads that open all four movements, to the virtuosic shifts in mood owing to surprising harmonies, Haydn here submits a prime example of how he develops musical ideas. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Orchestra (Study Score)

SKU: HL.51489071

Study Score. Composed by Franz Joseph Haydn. Henle Music Folios. Classical. Softcover. G. Henle #HN9071. Published by G. Henle (HL.51489071).

UPC: 840126989397. 6.75x9.5x0.268 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The E-flat-major Symphony no. 103 was composed in 1795 as the penultimate of the London Symphonies. It owes its epithet to its unique beginning; a solo drumroll in the timpani ushers in the slow introduction. This opening bar, marked with Haydn's heading “Intrada” and a pause, even inspires many a performer to venture a short timpani improvisation. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Orchestra (Study Score)

SKU: HL.51489070

Study Score. Composed by Franz Joseph Haydn. Henle Music Folios. Classical. Softcover. G. Henle #HN9070. Published by G. Henle (HL.51489070).

UPC: 840126989410. 6.75x9.5x0.259 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The energetic, surging B-flat-major Symphony no. 102 belongs to the group of the last three symphonies premiered in early 1795. Exceptionally, Haydn here dispenses with the clarinets that are otherwise generally featured in his late symphonies. The instrumentation of the Adagio is also unusual, in that Haydn includes trumpets and timpani, both muted. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Orchestra (Study Score)

SKU: HL.51489063

Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Robert v. Zahn. Henle Study Scores. Classical. Softcover. 55 pages. G. Henle #HN906. Published by G. Henle (HL.51489063).

UPC: 840126932867. 6.75x9.5x0.204 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic ouvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Probably composed in the winter of 1791/92, the Symphony in D major no. 93 was, with its easily accessible (butby no means simple!) musical structure, perfectly tailored to London tastes, which demanded melodic clarity and expressive pathos. The Baroque echoes of Handel in the slow introduction to the first movement and in the festive mood of the finale with its timpani and trumpets would have been well received - no wonder the symphony had to be repeated multiple times in the same season after its performance in 1792! This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Orchestra

SKU: HL.51489062

Study Score. Composed by Franz Joseph Haydn. Edited by Robert v. Zahn. Henle Music Folios. Classical. Softcover. 66 pages. G. Henle #HN9062. Published by G. Henle (HL.51489062).

UPC: 840126951950. 6.75x9.5x0.263 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. To this day, the G-major symphony, first performed in March 1792, numbers among Haydn's most popular works. It owes its English nickname “Surprise” to the striking tutti chords in the Andante, which apparently caught the audience off guard. Haydn had consciously incorporated this effect at a later stage - and was thus subsequently also perfectly willing to authorize this nickname that had been dreamt up by a London musician. This popular work also spread rapidly through German-speaking countries, where it is still firmly established in the repertoire as the “symphony with the drumbeat.” This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)