Choral (Children's Choir) SKU: HL.254197 For Children's Choir. Com...(+)
Choral (Children's Choir)
SKU: HL.254197
For Children's
Choir. Composed by
Krzysztok Ratajski and
Szymon Godziemba-Trytek.
PWM. Classical.
Softcover. 32 pages.
Polskie Wydawnictwo
Muzyczne #11842010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.254197).
8.25x11.5
inches.
This pack
includes two separate
octavos. The composition
A Wanderer's Song is
directed to the youngest
group of performers. It
is a sort of a music
illustration invoking a
reflection of a title
character on the
surrounding world. The
lack of a specific
meaning of the literary
layer enables a young
performer to create an
individual interpretation
based on the musical
course of the work. The
work Rebounds has an ABA'
form. Its title means
reflections resulting
from a phrase
interchangeably repeated
in the voices. The phrase
is based on the word
'echo,' which functions
as an ostinato. It
constitutes a background
for the phonetic text
that the author has
invented and which is
comprised of syllables of
various dynamic intensity
scattered in the leading
rhythmic and melodic
motifs. The middle part
is based on the B-A-C-H
theme both in the
literary and the harmonic
layers.
Cello solo SKU: BR.EB-8817 Materialien fur die Unterstufe. Compose...(+)
Cello solo
SKU:
BR.EB-8817
Materialien fur die
Unterstufe. Composed
by Michael Dartsch and
Susanne Richter. Solo
instruments; Softbound.
Edition Breitkopf.
This large volume is
designed for the young
beginner cellist, and is
attractively presented
with large print and
enchanting colour
illustrations.
(Stringendo AUSTA)
Music pedagogy. Score.
124 pages. Breitkopf and
Haertel #EB 8817.
Published by Breitkopf
and Haertel (BR.EB-8817).
ISBN 9790004183830. 9
x 12 inches.
The
Cellokasten (Cello Case)
offers a wealth of varied
material for the
beginner. Like the
successful Geigenkasten,
it can be used in
teaching as a supplement
to any cello method. And
with its steadily
increasing level of
difficulty within each
chapter, it can also
serve as a kind of
instruction method as
well. The chapters are
devoted to the following
topics: - Games of
posture and movement -
Music on open strings and
fundamentals of bowing
technique - Playing with
close stops and
wide-stretch stops, high
and low - Combination of
close stop, wide-stretch
stop and chromaticism -
Playing, reading,
notating rhythms; reading
and notating tones as
well as improvisation in
the chapter Inventing
Music . Along with lyrics
for singing, there is
almost always a second
part, which lets two
cello lovers make music
together. The book offers
songs and cello pieces
for a variety of
occasions and for every
season. Interesting
information about the
instrument is also
scattered throughout the
book.
This large
volume is designed for
the young beginner
cellist, and is
attractively presented
with large print and
enchanting colour
illustrations.
(Stringendo AUSTA).
Double concerto (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hp...(+)
Double concerto (solo: db
- 0.2.2.2.(bsn ad lib.) -
2.2.0.0 - timp(ad lib.) -
hps - str(vl obl))
SKU: BR.PB-15114
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Full score. 40
pages. Duration 18'.
Breitkopf and Haertel #PB
15114. Published by
Breitkopf and Haertel
(BR.PB-15114).
ISBN
9790004212066. 10 x 12.5
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
Concert Band - Grade 2 SKU: AP.49551 By Gordon Jacob (1895-1984). ...(+)
Concert Band - Grade 2
SKU: AP.49551
By Gordon Jacob
(1895-1984). Composed
by Gordon Jacob
(1895-1984). Arranged by
Douglas E. Wagner.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Belwin Young Band.
Concert Band Classics;
Masterwork Arrangement.
Score and Part(s).
Duration 2:33. Belwin
Music #00-49551.
Published by Belwin Music
(AP.49551).
ISBN
9781470649104. UPC:
038081569888.
English.
Of all of
Gordon Jacob's major
contributions to the
British wind band
repertoire, the William
Byrd Suite (written in
1923) stands as his
most-often programmed
work. Though originally
based on six movements
from William Byrd's
Fitzwilliam Virginal
Book, this setting for
developing band
incorporates two
contrasting movements
including The Earle of
Oxford's Marche and
Wolsey's Wilde. Like
Jacob's wind band work,
the music is not a mere
transcription from the
original keyboard
collection, but rather
stylized with his own
inventive musical spirit
for modern concert band.
A wealth of material here
that opens doors to
teachable moments as
musical
textures---dynamic
contrasts, articulations,
scoring options---are
continually changing.
Bravo! (2:33) This title
is available in MakeMusic
Cloud.
For Piano. Composed by Jacques Offenbach (1819- 1880). Edited by Jean- Chris...(+)
For Piano. Composed by
Jacques Offenbach (1819-
1880). Edited by Jean-
Christophe Keck. BH
Piano.
Softcover. 20 pages.
Boosey
& Hawkes #M202534731.
Published by Boosey &
Hawkes
Double Bass, Violin, Orchestra (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - tim...(+)
Double Bass, Violin,
Orchestra (solo: db -
0.2.2.2.(bsn ad lib.) -
2.2.0.0 - timp(ad lib.) -
hps - str(vl obl))
SKU:
BR.PB-15156-07
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Study Score.
40 pages. Duration 18'.
Breitkopf and Haertel #PB
15156-07. Published by
Breitkopf and Haertel
(BR.PB-15156-07).
ISBN
9790004215616. 6.5 x 9
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
Percussion; Piano Accompaniment (Score) SKU: HL.48024627 Piano Reducti...(+)
Percussion; Piano
Accompaniment (Score)
SKU: HL.48024627
Piano Reduction.
Composed by James
Macmillan. Boosey &
Hawkes Chamber Music.
Classical. Softcover. 64
pages. Duration 1500
seconds. Boosey & Hawkes
#M060136061. Published by
Boosey & Hawkes
(HL.48024627).
ISBN
9781784545208. UPC:
888680940812.
One
of MacMillan's earliest
successes was his first
percussion concerto,
Veni, Veni, Emmanuel
(1992), firmly
established with hundreds
of performances to date.
Percussion Concerto no 2
was therefore received
with great excitement at
its premiere in 2014 by
Colin Currie and the
Netherlands Radio
Philharmonic. Like its
predecessor, the second
concerto is formed in a
single, c25-minute span,
albeit with contrasting
sections, but with full
orchestra scoring. The
significant array of solo
percussion is
complemented by two
orchestral percussion
sections; notably the
soloist makes use of a
recently invented
instrument, the aluphone.
This edition doesn't
include the solo part as
a single edition.
Chamber Music 2 Piano, 4 Hands SKU: PR.140401200 For Two Pianos. C...(+)
Chamber Music 2 Piano, 4
Hands
SKU:
PR.140401200
For
Two Pianos. Composed
by Gerald Levinson.
Premiered by DUO
Stephanie & Saar, piano;
Blue Sky Gallery,
Portland, OR.
Contemporary. Set of
performance scores. With
Standard notation.
Composed 2015. 24+24
pages. Duration 8
minutes. Theodore Presser
Company #140-40120.
Published by Theodore
Presser Company
(PR.140401200).
UPC:
680160638710. 9 x 12
inches.
Composed in
2015, RINGING CHANGES is
in part derived from the
fourth movement of
Levinson’s Time
and the Bell... The
essence of that movement
is a constantly evolving
perpetual-motion single
line in fluidly changing
rhythmic groupings, and
in shifting modes
inspired both by Balinese
gamelan and North Indian
ragas (both authentic and
invented), which is now
developed in
counterpoint. Another
version of the original
movement also forms the
centerpiece of the solo
piano work,
Ragamalika.
SATB Choir and Piano SKU: HL.14018437 Composed by Luigi Cherubini. Music ...(+)
SATB Choir and Piano
SKU: HL.14018437
Composed by Luigi
Cherubini. Music Sales
America. Sacred. Part.
Music Sales #NOV950631.
Published by Music Sales
(HL.14018437).
The Requiem
Mass in C Minor,
Cherubini's first, was
commissioned for the
anniversary of the
execution of Louis XVI by
the restored French
monarchy. The Requiem was
highly admired by the
public and critics as
well as by Mendelssohn,
Berlioz and Beethoven.
Cherubini sets a solemn
tone right from the
beginning by using the
lower Strings and winds
only to accompany the
Voices and continues to
display his inventiveness
with great effectiveness
throughout the work. The
thunder and lightning of
the Dies Irae, the
prayerful pianissimo
sections of the Agnus Dei
accompanied by ostinato,
the complete lack of
soloists are all
remarkable elements of
this historically
importantwork.Luigi
Cherubini was a composer,
conductor, teacher,
administrator and music
publisher who, though
born in Italy, dominated
the musical world of
Paris for nearly five
decades. His composing
life can be divided very
roughly into to phases:
the operatic phase during
the French Revolutionary
period and the equally
successful religious
music phase at the
beginning of the
Restoration afterwards.
His directorship of the
Paris Conservatoire
strengthened its position
at the peak of musical
education on the
Continent.
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy an...(+)
Piano - Grade 5
SKU:
FA.MFCD017B
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Christmas.
Score. Musik Fabrik
#MFCD017B. Published by
Musik Fabrik
(FA.MFCD017B).
8.27 x
11.69
inches.
Contains Le
Roi Lear:
Prelude,Premiere Fanfare,
and La Mort de
Cordelia,Toomai des
elephants, Rodrigue et
Chimene: Prelude a l'acte
1p. Le Martyre de Saint
Sebastien: La Passion ,
and No-ja-li ou Le Palais
du Silence
From
Robert Orledge's
notes:
My interest
in the wonderful music of
Claude Debussy began in
the 1980s when I
researched and published
a book with Cambridge
University Press entitled
Debussy and the Theatre.
During the course of my
studies in Paris, I was
amazed to discover that
Debussy planned over 50
theatrical works but only
finished two of these
entirely by himself (the
opera Pelleas et
Melisande in 1893-1902
and the ballet Jeux for
Diaghilev's Ballets
Russes in 1912-13). Of
the rest, many were never
started musically (like
Siddartha and Orphee-roi
with the Oriental scholar
Victor Segalen, 1907);
some had a few
tantalising sketches
(like the Edgar Allan Poe
opera Le Diable dans le
beffroi, 1902-03); some
were half-finished (like
his other Poe opera La
Chute de la Maison Usher,
1908-17); while others
were musically complete
but had their
orchestrations completed
by other composers (like
Khamma, by Charles
Koechlin, 1912-13; or Le
Martyre de Saint
Sebastien and La Boite a
joujoux by his 'angel of
corrections' ['l'ange des
Corrections'] Andre
Caplet in 1911 and 1919
respectively).
For
it has to be admitted
that what some scholars
call Debussy's
'compulsive achievement'
could equally well be
viewed as laziness,
especially as far as the
minute detail required
for calligraphing his
orchestral scores was
concerned. It was as if
creating the music itself
was of greater importance
than controlling its
final sound, even if
Debussy was an
imaginative orchestrator
when he found the time
and energy to do it. It
also seems true that
Debussy also preferred
inventing ideas to
turning them into
complete pieces. However,
despite the lack of
detail in many of his
sketches (missing clefs,
key signatures, dynamics,
phrasing, etc.) the notes
themselves are
surprisingly accurate,
whether or not they can
be compared with a later
draft. Thus, a large
number of sketches exist
for his Chinese ballet
No-ja-li ou Le Palais du
Silence and it is not too
difficult to see which
parts of Georges de
Feure's 1913 scenario
(see below) inspired
which ideas. But Debussy
hardly made any attempt
to join them together
after the first few
bars.
It was
usually up to his
publisher, Jacques
Durand, to find solutions
when Debussy risked a
breach of contract.
Debussy was supposed to
supervise the
orchestrations completed
by others, but this
supervision was usually
very light and restricted
to quiet, sensitive
moments in which problems
were easier to spot. Far
from jealously guarding
every one of his created
notes, as Ravel did,
Debussy once even went as
far as to ask Koechlin to
'write a ballet for him
that he would sign' on 26
March 1914 when he was
hard-pressed to fulfil
his lucrative contract
for No-ja-li with Andre
Charlot at the Alhambra
Theatre in London. In the
end, Debussy (through
Durand) sent Charlot the
symphonic suite Printemps
instead, whose
orchestration had been
completed by Henri Busser
in the Spring of
1912.
So, when I
was offered early
retirement as Professor
of Music at Liverpool
University in 2004, I
seized the opportunity it
would give me to spend
time trying to
reconstruct some of
Debussy's lost potential
masterpieces from his
existing sketches and
drafts--then
orchestrating them in
Debussy's style when this
was appropriate. I had
begun this mission in
2001 with the most
promising project, the
missing parts of Scene 2
of La Chute de la Maison
Usher and the sheer joy
it gave me at every stage
persuaded me to tackle
other projects,
especially when Debussy
experts were unable to
identify exactly where I
took over from Debussy
(and vice versa) in
Usher.
By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Redi...(+)
By Nicolas Horvath. By
Robert Orledge and Claude
Debussy (1862-1918).
Rediscoverd Debussy.
Christmas. Score. Musik
Fabrik #MFCD017A.
Published
by Musik Fabrik
Unison voices (assembly and choir), and organ, with optional descant and brass q...(+)
Unison voices (assembly
and choir), and organ,
with optional descant and
brass quartet
(Instrumental Parts
include: Trumpets I and
II in B-flat and C, Horn
in F (substitute for
Trombone I), Trombones I
and II) - Early
Intermediate
SKU:
MN.80-407
Composed by
Matthew Koraus. Easter,
Christ the King, 21st
Century. MorningStar
Music Publishers #80-407.
Published by MorningStar
Music Publishers
(MN.80-407).
UPC:
688670804076.
English.
Matthew
Koraus has crafted a
sturdy and very singable
set of acclamations for
the Eucharistic Prayer
based on the hymn tune
Diademata, ideal for the
long season of Easter as
well as Christ the King
and other festive times.
His adaptation of Elvey's
hymn tune includes
unexpected touches such
as passing tones,
rhythmic variations, and
inventive harmonies,
enabling the acclamations
to remain fresh over
time. Holy, Holy, Holy,
all 3 Memorial
Acclamations, and Amen
are arranged for
Assembly, Choir (in
unison or with Descant),
and Organ, with optional
Two Trumpets or Brass
Quartet.
For Trombone. Composed by O. Blume, Johann Sebastian Bach (1685-1750), Muzio Cle...(+)
For Trombone. Composed by
O. Blume, Johann
Sebastian Bach
(1685-1750), Muzio
Clementi (1752-1832),
Wolfgang Amadeus Mozart
(1756-1791), Larry Clark,
Jacques Fereol Mazas
(1782-1849), Giuseppe
Gariboldi, and Ernesto
Kohler (1849-1907). SWS.
Back To School.
Softcover. With Standard
notation. Carl Fischer
Music #WF109. Published
by Carl Fischer Music
For Trumpet in Bb. Composed by Johann Sebastian Bach (1685-1750), Muzio Clementi...(+)
For Trumpet in Bb.
Composed by Johann
Sebastian Bach
(1685-1750), Muzio
Clementi (1752-1832),
Wolfgang Amadeus Mozart
(1756-1791), Larry Clark,
Jacques Fereol Mazas
(1782-1849), Giuseppe
Gariboldi, and Ernesto
Kohler (1849-1907).
Arranged by Larry Clark.
SWS. Back To School.
Softcover. With Standard
notation. Carl Fischer
Music #WF107. Published
by Carl Fischer Music
For Horn in F. Composed by O. Blume, Johann Sebastian Bach (1685-1750), Muzio Cl...(+)
For Horn in F. Composed
by O. Blume, Johann
Sebastian Bach
(1685-1750), Muzio
Clementi (1752-1832),
Wolfgang Amadeus Mozart
(1756-1791), Larry Clark,
Jacques Fereol Mazas
(1782-1849), Giuseppe
Gariboldi, and Ernesto
Kohler (1849-1907).
Arranged by Larry Clark.
SWS. Back To School.
Softcover. With Standard
notation. Carl Fischer
Music #WF108. Published
by Carl Fischer Music
For Clarinet in Bb. Composed by Johann Sebastian Bach (1685-1750), Muzio Clement...(+)
For Clarinet in Bb.
Composed by Johann
Sebastian Bach
(1685-1750), Muzio
Clementi (1752-1832),
Wolfgang Amadeus Mozart
(1756-1791), Larry Clark,
Jacques Fereol Mazas
(1782-1849), Giuseppe
Gariboldi, and Ernesto
Kohler (1849-1907).
Arranged by Larry Clark.
SWS. Back To School.
Softcover. With Standard
notation. Carl Fischer
Music #WF105. Published
by Carl Fischer Music
For Alto Saxophine in Eb. Composed by Johann Sebastian Bach (1685-1750), Muzio C...(+)
For Alto Saxophine in Eb.
Composed by Johann
Sebastian Bach
(1685-1750), Muzio
Clementi (1752-1832),
Wolfgang Amadeus Mozart
(1756-1791), Larry Clark,
Jacques Fereol Mazas
(1782-1849), Giuseppe
Gariboldi, and Ernesto
Kohler (1849-1907). SWS.
Back To School.
Softcover. With Standard
notation. Carl Fischer
Music #WF106. Published
by Carl Fischer Music
For Flute. Composed by Johann Sebastian Bach (1685-1750), Muzio Clementi (1752-1...(+)
For Flute. Composed by
Johann Sebastian Bach
(1685-1750), Muzio
Clementi (1752-1832),
Wolfgang Amadeus Mozart
(1756-1791), Larry Clark,
Jacques Fereol Mazas
(1782-1849), Giuseppe
Gariboldi, and Ernesto
Kohler (1849-1907).
Arranged by Larry Clark.
SWS. Back To School.
Softcover. With Standard
notation. Carl Fischer
Music #WF104. Published
by Carl Fischer Music
Cross Country Big band [Conducteur et Parties séparées] - Facile Handelsware
Big band - easy to intermediate SKU: M7.BARN-194 Country-Jazz. Com...(+)
Big band - easy to
intermediate
SKU:
M7.BARN-194
Country-Jazz.
Composed by Jay
Chattaway. Sheet music.
Score and parts.
Handelsware #BARN 194.
Published by Handelsware
(M7.BARN-194).
English.
An
inventive and extremely
well-written chart
features fast jazz with a
touch or two of country.
All the fun and
excitement you've come to
expect from a Jay
Chattaway original. Don't
miss it!