(Eingerichtet fur Streichtrio). By Jacques Offenbach (1819-1880). For Violin, Vi...(+)
(Eingerichtet fur
Streichtrio). By Jacques
Offenbach (1819-1880).
For Violin, Viola, Cello.
String trio by Birtel
Vol. 13. Classical. Score
and Parts. 6 pages
(part); 3 x 2 pages
(score). Published by
Verlag Dohr
Orchestra Solo STB, Coro
SATB (auch Mannerchor
TTTBB), 2 Fl, 2 Ob, 2
Clt, 2 Fg, 2 Cor, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Vc,
Cb
SKU: CA.2302007
Composed by Ludwig van
Beethoven. Edited by
Clemens Harasim.
Innovative practice aids,
Sacred vocal music,
Oratorios. Study score.
Op. 85. Duration 54
minutes. Carus Verlag #CV
23.020/07. Published by
Carus Verlag
(CA.2302007).
ISBN
M-007-24884-0.
German/English. Text:
Franz Xaver
Huber.
In his
Passion oratorio Christus
am Olberge [The Mount of
Olives], Beethoven
succeeded firstly in
building on the 18th
century tradition, and
secondly in putting his
own personal stamp on the
nascent genre of
German-language oratorio
- the Vienna performances
of Haydn's Die Schopfung
and Die Jahreszeiten had
only taken place a few
years earlier. In
composing the work he
looked towards
contemporary opera, using
a text by an opera
librettist to depict in
music the dramatic
situation of the doubting
Jesus in the Garden of
Gethsemane and his
arrest. Yet we do not do
justice to Beethoven's
work if we simply regard
it as a successor work to
Graun's Der Tod Jesu or
even Bach's St Matthew
Passion. Beethoven's
Christus am Olberge is
characterized less by
religious devotion and
much more by the dramatic
realization of a specific
situation in the Passion
story in deeply-felt
musical scenes. With its
magnificent, almost
operatic music, this is a
different Passion
oratorio which is
definitely worth hearing
and experiencing - and in
this form it is without
doubt unique in the
history of
vocal-instrumental sacred
music. The edition
follows the first printed
edition in music and
text; differences in the
text in the libretto
originally set by
Beethoven are given as a
second text, and a
singable English
translation is underlaid.
Score available
separately - see item
CA.2302000.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Set of
Orchestra Parts. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140219. Published by
Carus Verlag
(CA.3140219).
ISBN
9790007300258.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Flute, Oboe and Piano - intermediate SKU: BT.RICL00030600 For Flute/Al...(+)
Flute, Oboe and Piano -
intermediate
SKU:
BT.RICL00030600
For Flute/Alto flute,
Oboe/Cor anglais and
Piano (2005/2011).
Composed by Ian Wilson.
Set (Score & Parts).
Ricordi #RICL00030600.
Published by Ricordi
(BT.RICL00030600).
Accordion - difficult SKU: M7.AV-607 Ouvertüre. Composed by Jac...(+)
Accordion - difficult
SKU: M7.AV-607
Ouvertüre.
Composed by Jacques
Offenbach. Arranged by
Curt Mahr. Sheet music. 9
pages. MDS (Music
Distribution Services)
#AV 607. Published by MDS
(Music Distribution
Services) (M7.AV-607).
Motet. Composed by
Heinrich Schutz. Edited
by Werner Breig. This
edition: urtext edition.
Stapled. No. 18 from
Geistliche Chor-Music.
Choral score. SWV 386. 15
pages. Baerenreiter
Verlag #BA07978_00.
Published by Baerenreiter
Verlag (BA.BA07978).
ISBN 9790006559435. 27
x 19 cm inches. Language:
German.
Published
in 1648, Heinrich
Schütz’s
“Geistliche
Chor-Music†is
still regarded as one of
his seminal works. A
two-volume performance
edition based on Werner
Breig’s revised
new text was published in
2012 and 2013 (BA 5901/BA
5902).
Now
selected motets are being
issued in separate
volumes. They offer a
modern notation and
layout, retain the
original keys and include
an integrated figured
bass realisation. In
keeping with contemporary
performance practice, the
‘choral’
parts can be performed by
instruments as well as
voices. Instrumental
parts with underlaid
words may be purchased
separately for
performances with
instruments (see
performance material for
BA 5901 and BA
5902).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano (NOTEN+CD) - advanced SKU: HL.49033071 Ein Marchen mit 21 leicht...(+)
Piano (NOTEN+CD) -
advanced
SKU:
HL.49033071
Ein
Marchen mit 21 leichten
Klavierstucken.
Composed by Stefan
Heucke. This edition:
Hardback/Hard Cover. Book
with CD. Edition Schott.
Oscar Wildes anruhrendes
Marchen - zum Lesen,
Schauen und Horen.
Edition with CD. Composed
1998. Op. 28. 48 pages.
Schott Music #ED 9406.
Published by Schott Music
(HL.49033071).
ISBN
9783795755898. German.
Brigitte Smith.
In
Oscar Wildes bekanntem
Marchen hat der
Gluckliche Prinz auf den
ersten Blick alles, was
eine Statue sich nur
wunschen kann: Er steht
hoch uber der Stadt, uber
und uber mit Gold
bedeckt, mit Edelsteinen
geschmuckt und von den
Menschen respektvoll
bewundert. Und dennoch
gibt er all das auf: Er
verschenkt sein Gold und
seine Edelsteine. Eine
kleine Schwalbe hilft
ihm, die Kostbarkeiten an
Notleidende zu verteilen,
an Vergessene und
Verlassene, an hungrige
Kinder, die davon Brot
kaufen konnen. Sommer und
Herbst vergehen, Schnee
fallt und es wird kalt.
Die Schwalbe aber will
den Prinzen nicht
verlassen - sie erfriert
und fallt tot zu Fussen
des Prinzen nieder.
Dieser ist inzwischen so
unansehnlich geworden,
dass ihn die Menschen,
die ihn zuvor mit
Ehrfurcht betrachteten,
von seinem Sockel sturzen
und einschmelzen. Nur das
Bleiherz will im Hochofen
nicht schmelzen, und so
wird es auf einen
Kehrichthaufen geworfen,
auf dem auch die tote
Schwalbe liegt. So
bleiben am Ende in Oscar
Wildes Marchen Liebe und
Freundschaft als Werte
bestehenDie 21 kleinen
Klavierstucke von Stefan
Heucke beleuchten die
Episoden des Marchens
musikalisch, vertiefen
den emotionalen Gehalt
und sind fur Kinder sehr
hubsch anzuhoren.
Fortgeschrittene
Klavierschuler oder
Erwachsene werden die
Stucke auch selbst
spielen konnen.Auf der
beiliegenden CD wird das
Marchen von Elfi von
Kalckreuth erzahlt.
SSATTB choir, 6
instruments ad lib.,
basso continuo
SKU:
CA.1002949
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Organ. Sacred concertos,
Sacred vocal music,
Praise and thanks. Single
Part, Organ. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 10.029/49.
Published by Carus Verlag
(CA.1002949).
ISBN
9790007181437. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. The
six-part polyphonic
choral setting of the
German Gloria (the first
and fourth verses are
underlaid) is divided,
following Italian models,
by tutti sections in
triple meter. Instruments
join the tutti sections
ad libitum, strengthening
the vocal parts. Score
and part available
separately - see item
CA.1002900.
Critical Edition by Alessandro Borin. Composed by Antonio Vivaldi (1678-1...(+)
Critical Edition by
Alessandro Borin.
Composed by Antonio
Vivaldi (1678-1741).
Edited by Alessandro
Borin. Orchestra.
Classical. Softcover. 132
pages. Ricordi #PR1431.
Published by Ricordi
(HL.50600716).
Cantata for Christmas
Day - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. 12 pages. Duration
25'. Breitkopf and
Haertel #OB 32120-26.
Published by Breitkopf
and Haertel
(BR.OB-32120-26).
ISBN
9790004350515. 10 x 12.5
inches.
This
cantata is a composition
by Kuhnau for the first
of the Christmas holidays
[Christmas Day] and one
of his most extensive
works. It is underlaid
with the free poetry of a
hitherto anonymous
author, not including any
Bible or chorale texts.
Though the dating has not
yet been clarified, the
structure - two
recitative-aria pairings,
framed by two magnificent
tutti movements -
indicates a genesis
period within the last
years of the composer's
tenure as St. Thomas
cantor in Leipzig.
Additional indications
are the triple use of the
da capo form as well as
the four-part vocal
setting, partly
differentiated in solo
and tutti, taking the
individual parts to the
limits of their ambitus
as was later customary
with Johann Sebastian
Bach.Particularly
noteworthy are two
details of the
instrumentation: Firstly,
there are three violin
parts in the score, the
first of which has to
master an exceptionally
virtuoso solo part.
Secondly, in the third
movement, Kuhnau
expressly notates an
obbligato organ solo
part, not to be found in
any of his other extant
compositions. This
virtuosic part also
already foreshadows the
later and far more famous
obbligato organ parts in
various Bach
cantatas.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Single
Part, basso continuo.
Composed 1728/1729. BWV
197a / 197.1. Duration 25
minutes. Carus Verlag
#3140214. Published by
Carus Verlag
(CA.3140214).
ISBN
9790007301613.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Motet. Composed by
Heinrich Schutz. Edited
by Werner Breig. This
edition: urtext edition.
Stapled. No. 9 from
Geistliche Chor-Music.
Choral score. SWV 377. 12
pages. Baerenreiter
Verlag #BA07969_00.
Published by Baerenreiter
Verlag (BA.BA07969).
ISBN 9790006559398. 27
x 19 cm inches. Language:
German.
Published
in 1648, Heinrich
Schütz’s
“Geistliche
Chor-Music†is
still regarded as one of
his seminal works. A
two-volume performance
edition based on Werner
Breig’s revised
new text was published in
2012 and 2013 (BA 5901/BA
5902).
Now
selected motets are being
issued in separate
volumes. They offer a
modern notation and
layout, retain the
original keys and include
an integrated figured
bass realisation. In
keeping with contemporary
performance practice, the
‘choral’
parts can be performed by
instruments as well as
voices. Instrumental
parts with underlaid
words may be purchased
separately for
performances with
instruments (see
performance material for
BA 5901 and BA
5902).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Coop...(+)
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
John Michael Cooper. This
edition: Urtext edition.
Score. Published by
Baerenreiter Verlag
(BA.BA9079).
Composed by Ludwig van
Beethoven. Edited by
Sabine Bock. Arranged by
Gottlob Benedict Bierey.
Sacred vocal music, Mass
sections. Full score. Op.
27,2 (1. Satz). 20 pages.
Duration 4 minutes. Carus
Verlag #CV 28.009/00.
Published by Carus Verlag
(CA.2800900).
ISBN
9790007240035. Language:
Latin.
A sacrilege
or a stroke of genius?
The composer and music
director Gottlob Benedict
Bierey (1772-1840)
orchestrated the first
movement of the famous
Moonlight Sonata' by
Beethoven (transposed to
C minor) and added a
four-part choral movement
to it, which he underlaid
with the text of the
Kyrie from the Latin
mass. The result is as
astounding as it is
harmonious! Versions for
choir and organ, and
choir and piano (both
like the original version
in C sharp minor) are
also available (Carus
28.009/45 and in
4.025/00).
Mixed choir (SSATTB),
basso continuo ad libitum
- Level 3
SKU:
BA.BA07973
Motet. Composed by
Heinrich Schutz. Edited
by Werner Breig. Arranged
by Antje Wissemann. This
edition: urtext edition.
Stapled. No. 13 from
Geistliche Chor-Music.
Choral score. SWV 381. 11
pages. Baerenreiter
Verlag #BA07973_00.
Published by Baerenreiter
Verlag (BA.BA07973).
ISBN 9790006561056.
26.5 x 25.5 cm inches.
Language:
German.
Published
in 1648, Heinrich
Schütz’s
“Geistliche
Chor-Music†is
still regarded as one of
his seminal works. A
two-volume performance
edition based on Werner
Breig’s revised
new text was published in
2012 and 2013 (BA 5901/BA
5902).
Now
selected motets are being
issued in separate
volumes. They offer a
modern notation and
layout, retain the
original keys and include
an integrated figured
bass realisation. In
keeping with contemporary
performance practice, the
‘choral’
parts can be performed by
instruments as well as
voices. Instrumental
parts with underlaid
words may be purchased
separately for
performances with
instruments (see
performance material for
BA 5901 and BA
5902).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Tenor Voice Solo (Chorsoli), SATB Choir, Piano (Org) SKU: CA.2110200 Comp...(+)
Tenor Voice Solo
(Chorsoli), SATB Choir,
Piano (Org)
SKU:
CA.2110200
Composed
by Juliette Marie Olga
(Lili) Boulanger. Edited
by Michael Alber. Sacred
vocal music; use during
church year: Christmas;
occasions: Psalms. Sacred
vocal music, Christmas,
Psalms. Full score. LB
36. 20 pages. Duration 4
minutes. Carus Verlag #CV
21.102/00. Published by
Carus Verlag
(CA.2110200).
ISBN
9790007187774. Language:
French/English.
Fir
st critical edition.
Together with Debussy,
Ravel, and Dukas, Lili
Boulanger was one of the
most important
representatives of
impressionism. Despite
her short life of just 24
years, she developed a
distinctive personal
style, and composed a
wide variety of works
including songs, piano
music, operatic scenes,
and choral music, all
with huge inventiveness.
In 1916, in the middle of
the First World War, the
composer learnt that she
was ill and had only a
short time to live. Her
deep religiosity gave
rise to works including a
setting of Psaume XXIV
(Psalm 24). In the
version published here
for mixed choir, tenor
solo, and piano/ organ,
this is a particularly
powerful setting of the
psalm and an impressive
work for inclusion in an
Advent church service.
The edition contains both
the original French text,
with a singable English
translation
underlaid.