169 chansons classiques arrangés pour piano, voix et guitare. Une richesse de chansons préférées record pour les enfants, y compris les comptines, chansons de feu de camp et folk tunes, ainsi que tous les jeux traditionnels et les activités se sont réunis en une seule grande collection. Les titres comprennent Simple Simon, maintenant I Lay Me Down To Sleep, souffler des bulles, Ride A Cock Horse, Frere Jacques, médecin Foster, maintenant The Day Is Over, Hush, petit bébé, ce qui sont peu garçons faite de?, All The Pretty petits chevaux, il Y A A Crooked Man and trois petits chatons ainsi que beaucoup d'autres ! / Piano/Vocal/Guitare (PVG)

Une grande collection grande de 169 de tous les temps comptines, chansons autour du feu et des airs folkloriques - le tout dans la notation EZ Play célèbre! / Ligne De Mélodie, Paroles Et Accords

Vous pouvez acheter la collection plus définitive de la musique de broadway ! Pas moins de 142 songs from les comédies musicales en un seul volume arrangé pour piano, voix et guitare. Chansons inclus sont tous je demander de vous, et All That Jazz, un autre Op'nin', un autre Show, Camelot, porte toutes proches, examiner vous-même, Dancing Queen, jour après jour, Don ' t Cry Me Argentine, Edelweiss, Hello, Dolly!, je pourrait avoir dansé toute la nuit, je Wanna Be un producteur, Kids!, Let Me Entertain You, mémoire, My Funny Valentine, On My Own, People, populaire, Seasons of LoveSeventy Six Trombones, ils vivent en vous, demain, Try to Remember, ce que j'ai fait pour amour et plus encore./ Recueil / Piano, Chant et Guitare

Tous les classiques classés numéro 1 dans un seul volume géant. Arrangés pour piano, voix et guitare, avec paroles et grilles d'accord. / Piano/Vocal/Guitare (PVG) / 320 pages / Partition

Compilation album of four of The Complete Guitar Player songbooks. Contains over 180 songs written by the great songwriters. / Guitare / 172 pages / Partition

Le top 35 des hymnes les plus demandés tous magnifiquement arrangées pour piano, voix et guitare. Comprend Reste avec moi, Etiez-vous là et Amazing Grace. / Piano/Vocal/Guitare (PVG) / Partition

Par BACH JOHANN SEBASTIAN. Arranger's Note - An edition of music, like anything else, is a product of its own time. During the 1980s, guitarists of my generation were starting to become aware of stylistic concerns in the interpretation ofearly music. There was a movement towards stylistic authenticity, an attempt to re-discover the original intentions of early composers and recreate the aesthetic elements that were appropriate to their music. This growing movementprompted me to research the lute music of J. S. Bach and to develop my own edition of it. Frank Koonce. This attractive spiral-bound book contains reference information, sources and historical data, facsimilies ofthe original manuscript as well as the music of J. S. Bach arranged for classical guitar in modern notation./ Répertoire / Guitare Classique

Ce recueil de chansons à portée de main compact (6 x 9 po) comprend 80 chansons présentées avec simplement accords et les paroles pour le plaisir strumming facile. / Paroles Et Accords

Par JONES STEPHEN. This is not just another book of Irish session tunes. It represents the relatively unknown repertoire of a single Irish traditional musician, Packie Manus Byrne of Donegal. There has been considerable interest in the music of Donegal over the past 10 years or so, especially with the rise of groups such as Altan. Packie Manus Byrne is a familiar name to traditional-music lovers in Ireland and the UK, where he enjoyed a successful career as a folk performer for more than 20 years. Almost all these tunes were being played in Packie's home area between 1925 and 1935 - the collection is thus something of a 'time capsule' with a unity of origin and style that sets it apart from other collections. The 85 genuine old traditional tunes are being made public for the first time. This unique collection, with all the background information and stories, gives the reader a real sense of the community out of which the music came and the characters who played it. Suitable for fiddle, tin whistle, flute and other traditional instruments. The CD includes 33 of the tunes performed by Jean Duval, Stephen Jones, Johanne St. Laurent, Lynda Dowker, and Reinhard Görner on a variety of instruments. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Songbooks / Recueil / Tout Instrument

Sample the spirit of the British Music Hall with this collection of music hall songs arranged for Piano and vocal with Guitar chord symbols. One hundred of the best known songs dating from the 1860s to the 1930s./ Recueil / Piano, Chant et Guitare

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Un autre ajout à la série best-seller, ce livre fantastique comprend 101 chansons pour guitare facile, présenté avec la mélodie de ligne, paroles et accords. / Chant Et Guitare / 224 pages / niveau : Facile / Partition

Une collection de 20 inspirant spirituals afro-américains, arrangés pour piano facile par Phillip Keveren. Convient pour les grades de pianistes 2-4. Comprend les paroles et les symboles de corde de guitare. / Piano / 58 pages / Partition