Piano solo + orchestra (2222-4220-10-0-strings) SKU: GH.GE-11915 Composed...(+)
Piano solo + orchestra
(2222-4220-10-0-strings)
SKU: GH.GE-11915
Composed by Wilhelm
Stenhammar. Piano
reduction. 102 pages.
Duration 50 minutes.
Gehrmans Musikforlag #GE
11915. Published by
Gehrmans Musikforlag
(GH.GE-11915).
TTBB choir SKU: GH.CG-3952 Ur Ett Folk. Composed by Wilhelm Stenha...(+)
TTBB choir
SKU:
GH.CG-3952
Ur Ett
Folk. Composed by
Wilhelm Stenhammar. Sla
trumman, pojkar. Octavo.
With Language: Swedish.
Gehrmans Musikforlag #CG
3952. Published by
Gehrmans Musikforlag
(GH.CG-3952).
ISBN
9790070021302. 185 x 262
mm inches. Text: Verner
von
Heidenstam.
(ur kantaten Sangen Op. 44). Composed by Wilhelm Stenhammar. For orchestra (3344...(+)
(ur kantaten Sangen Op.
44). Composed by Wilhelm
Stenhammar. For orchestra
(3344-4331-10-0-strings).
Interlude from the
cantata The Song Op. 44.
Score. From Op. 44. 16
pages. Duration 6
minutes. Published by
Gehrmans Musikforlag
Voice solo + orchestra (2222-4000-00-1-strings) SKU: GH.GE-12223 Nr. 4...(+)
Voice solo + orchestra
(2222-4000-00-1-strings)
SKU: GH.GE-12223
Nr. 4 ur Fyra Svenska
Sanger Op. 16.
Composed by Wilhelm
Stenhammar. Arranged by
Adolf Wiklund. Fylgia -
No. 4 from Fyra Svenska
Sanger Op. 16. Score. Op.
16:4. 24 pages. Duration
3 minutes. Gehrmans
Musikforlag #GE 12223.
Published by Gehrmans
Musikforlag
(GH.GE-12223).
ISBN
979-0-070-12223-8. 255 x
350 mm inches. Text:
Gustaf
Froding.
Violin solo + orchestra (1122-2000-00-0-strings) SKU: GH.MAN467 Two Se...(+)
Violin solo + orchestra
(1122-2000-00-0-strings)
SKU: GH.MAN467
Two Sentimental
Romances. Composed by
Wilhelm Stenhammar. This
edition: manuscript copy.
Zwei sentimantale
Romanzen. Score. Op. 28.
28 pages. Duration 12
minutes. Published by
Gehrmans Musikforlag
(GH.MAN467).
ISBN
9790070006651. A4
inches.
For violin
and orchestra. Also
available in version for
violin and string
orchestra (GE
11487).
TTBB choir SKU: GH.CG-3761 Ur Ett Folk. Composed by Wilhelm Stenha...(+)
TTBB choir
SKU:
GH.CG-3761
Ur Ett
Folk. Composed by
Wilhelm Stenhammar.
Octavo. With Language:
Swedish. 2 pages.
Gehrmans Musikforlag #CG
3761. Published by
Gehrmans Musikforlag
(GH.CG-3761).
ISBN
9790070021203. 185 x 262
mm inches. Text: Verner
von
Heidenstam.
Serenad i C-dur - Studiepartitur Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur d'étude / Miniature] Gehrmans Musikforlag
(Strakkvartett Nr. 5). Composed by Wilhelm Stenhammar. For string quartet. Seren...(+)
(Strakkvartett Nr. 5).
Composed by Wilhelm
Stenhammar. For string
quartet. Serenade in C
major - String Quartet
No. 5. Study score. Op.
29. 48 pages. Duration 19
minutes. Published by
Gehrmans Musikforlag
Piano SKU: SA.41328 Composed by Stenhammar. Suites, Original Works. Repri...(+)
Piano
SKU:
SA.41328
Composed by
Stenhammar. Suites,
Original Works. Reprint
Source: Copenhagen:
Wilhelm Hansen, 1916.
Plate 16377.
Post-Romantic,
Scandinavian. Piano.
Composed 1914. 24 pages.
Duration 15 minutes.
Petrucci Library Press
#41328. Published by
Petrucci Library Press
(SA.41328).
ISBN
9781608741328. 9.5 x 12.5
inches.
Completed
in 1914, this suite
(whose title translates
as Nights of Late Summer)
is one of the Swedish
masters last and greatest
piano works, with a
wistful and bittersweet
quality that is quite
unlike anything else.
Originally to include
seven sections,
Stenhammar cut out two
for the final version,
which is the one offered
here - in a handsome
digitally-restored
reissue of the edition
first published in 1916
by Wilhelm Hansen of
Copenhagen. In contrast
to many of the on-demand
scores now available,
this one comes with all
the pages and the images
have been thoroughly
checked to make sure it
is readable. The score is
beautifully printed on
large size (9 x 12)
off-white stock with a
quality cover, all
saddle-stitched in the
traditional sheet music
binding. As with all PLP
scores a percentage of
each sale is donated to
the amazing online
archive of free music
scores and recordings,
IMSLP - Petrucci Music
Library.
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.