Developing a Chromatic Language from Common Bebop Concepts and Scales. Developing A Chromatic Language From Common Bebop Concepts And Scales / Méthode / Méthode / Instruments Mélodiques

'Common Ground' réunit les talentueux Dennis Chambers, Billy Cobham et Tony Royster Jr. Afin de savoir comment les batteurs trouvent l'inspiration. A travers des démonstrations et des interviews exclusives ce documentaire vous révélera les secrets des ces trois maîtres de la batterie. En angalis. / Batterie / Dvd

La bande originale de la dernière décennie du siècle, les paroles et la musique à 33 grands succès. Comprend 'Common People', 'Tears In Heaven', ' Wonderwall ' et ' La liste de Schindler '. / Chant Et Guitare / 128 pages / Partition

This book is the second volume of arrangements for the Celtic harp by MonikaMandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, followsPlayford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her workemphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, Scot Cap (Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), Jenny Pluck Pears, Remember Me My Deir, Enfield Common, The Sword Dance, and Drive the Cold Winter Away. This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type ofmusic is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby, Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, ScotCap(Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), JennyPluckPears, Remember Me My Deir, Enfield Common, The Sword Dance and Drive the Cold Winter Away./ Recueil / Harpe

Over 800 Common Chords, Plus Helpful Music Theory Sections. More than just a catalog of chords, this book is designed to help any player find, play and properly use chords. It will quickly become a powerful tool and an important aid to your musical development. The book functions in three different ways: 1) As a chord dictionary – look up any unfamiliar chords you encounter: 2) As a chord substition guide – learn about how chord substitutions work, when to use them and which chords may be substituted for others: 3) As a harmonic reference – find out how chord progressions are commonly built and how to choose the exact chords you want to create your own progressions. If you've been confused by chord dictionaries that overwhelm you with shapes and forms but don't tell you what to do with them, this is the book you've been looking for!/ Méthode / Guitare

Par PAGE JEANNE. Bluegrass on Hammered Dulcimer is a collection of tunes commonly found in the standard bluegrass repertoire. Favorite vocal pieces such as 'A Man of Constant Sorrow,' 'Angel Band,' 'Keep on the Sunny Side,' and 'Will the Circle be Unbroken,' are included along side hot instrumentals such as 'Jerusalem Ridge,' 'Rawhide,' 'Big Mon,' and 'Blue Grass Stomp.' Even traditional tunes that you think you know already such as 'Bill Cheatham,' 'Farewell to Whiskey,' 'Forked Deer,' and 'Salty Dog' are given a new twist when presented as a typical bluegrass 'break.' Intermediate players and above will enjoy the challenge of learning more complicated versions of common tunes and performing them at the high-speed tempo that is expected in bluegrass music. Players are encouraged to use these examples of bluegrass breaks merely as a starting point. Improvisation is a key component in playing bluegrass style and players will enjoy experimenting with their own creations. Each tune has guitar chords notated above the music staff. Standard notation only. / Niveau : Intermédiaire / Bluegrass - Solos / Recueil / Dulcimer (Cordes frappées)

Par HANSEN JONATHAN. Included are photos depicting the most common chords today's pianist/keyboardist will ever need to know to play country music - each shown in the left hand, except where two hands are necessary. A handy graphic illustrating the location of the notes, a list of note names, and the most commonly used chord symbol are all provided. Chords are listed by the circle of fifths. A listing of alternate chord names/symbols is also provided. Perfect for any level and a must-have for any keyboardists' library, especially those wanting to learn and play country music!! / Niveau : Tous Niveaux / Etude / Piano Country - Chord Book

Par GORDON ANDREW D.. The Blues Scale by Andrew Gordon is a very important book because of the nature of the blues scale and how it is used to improvise in many styles of contemporary music. Inside both the Blues scale and relative minor Blues scale are explained in detail and how they are used either separately or together in the patterns for each style. Each of the 20 grooves in this book contains over 150 patterns in total, using notes solely from the blues scale. Each of the 20 grooves utilizes a chord progression that is commonly used for that style of music. The audio files contain recordings of all the blues patterns that are notated in the book recorded along with a rhythm section of Piano, Organ, Guitar, Bass and Drums and on certain grooves Percussion. Also included are extended 2-3 minute play-a-long mp3 files of all 20 grooves enabling you to practice playing the blues patterns or creating your own for an extended period of time. Watch the video below for more information. The Blues Scale by Andrew Gordon is a very important book because of the nature of the blues scale and how it is used to improvise in many styles of contemporary music. Inside both the Blues scale and relative minor Blues scale are explained in detail and how they are used either separately or together in the patterns for each style. Each of the 20 grooves in this book contains over 150 patterns in total, using notes solely from the blues scale. Each of the 20 grooves utilizes a chord progression that is commonly used for that style of music. The audio files contain recordings of all the blues patterns that are notated inthe book recorded along with a rhythm section of Piano, Organ, Guitar, Bass and Drums and on certain grooves Percussion. Also included are extended 2-3 minute play-a-long mp3 files of all 20 grooves enabling you to practice playing the blues patterns or creating your own for an extended period of time. Watch the video below for more information. / Niveau : 2 / Etudes et exercices / Etude / Piano ou Clavier

Do mineur. Par BACH CARL PHILIPP EMMANUEL. C.P.E. Bach?s Solfeggio (also commonly known as Solfeggietto) provides a thrilling sprint for the fingers around the keyboard in 60 seconds of pure musical energy. The title, referring to the solfège exercises commonly given to singers, indicates a piece that is designed to develop technique. But the panache with which Bach flies through the scales and arpeggios of this piece make it both a satisfying and highly-effective practice piece as well as a reliable concert showstopper for pianists moving past the first stages of learning. This new Urtext edition has been produced by the internationally renowned C.P.E. Bach expert Wolfram Enßlin and brings together the highest level of musicology with a beautifully prepared and practical edition. Contains a preface and critical commentary in German, English and French. ? New Urtext edition of C.P.E Bach?s famous and popular Solfeggio ? Edited by international C.P.E. Bach scholar Wolfram Enßlin ? Contains Preface and Critical Commentary in German, English and French ? Medium difficulty makes this a perfect study piece for advancing students/ Répertoire / Piano

Par GORDON ANDREW D.. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for thisbook is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. / Niveau : 3 / Recueil / Piano

Par FERGUSON JIM. In Comping Standards For Jazz Guitar renowned Guitar guru and author Jim Ferguson helps you to take your playing to the next level. Using common jazz chord progressions, this book takes you through three primary comping approaches: straight-four, moving bass lines and combo variants. In the process, you'll learn numerous chord voicings, ways to organize them and a wide variety of dynamic rhythmic figures used in jazz. Other highlights include the use of guides and pivots, chord substitution, mastering rootless chords, playing with a pianist, inverting partial harmonic structures, Latin comping, chord scales, handling modal tunes and mixing voicings. The highly detailed music examples cover most of the common jazz keys and the material comes to life on the accompanying 17-track CD. The pieces featured in Comping Standards For Jazz Guitar are in both standard notation and tablature./ Recueil / Guitare

The Compete Guide for the Working Drummer!. Par JIMINEZ RANDOLF. The Groove Schoolbook is a complete guide to the most common drum set patterns used in rock, pop, funk, and shuffle music. It is also a handy source of more than 2500 possible technical combinations that will prepare a drummer for the stylistic variety of the most common grooves in modern drumming. Written in standard drum set notation, the book can be used by students and drummers of all ages, levels, and backgrounds. It can also be used by professionals as a reference book, or by anyone preparing for a university percussion program. The book?s intricate and interesting patterns will help students develop ambidexterity and four-limb independence. Includes access to online audio. Hailed by Billboard Magazine as ??one of the best Latin-American drummers nowadays,? Randolf Jimenez is a respected drummer, percussionist, composer and educator who has worked with many Grammy and Latin-Grammy award-winning artists and musicians. He is also an outstanding drum instructor in the Toronto area. / Date parution : 2021-12-09/ Etude / Batterie

Description In Comping Standards For Jazz Guitar renowned Guitar guru and author Jim Ferguson helps you to take your playing to the next level. Using common jazz chord progressions, this book takes you through three primary comping approaches: straight-four, moving bass lines and combo variants. In the process, you'll learn numerous chord voicings, ways to organize them and a wide variety of dynamic rhythmic figures used in jazz. Other highlights include the use of guides and pivots, chord substitution, mastering rootless chords, playing with a pianist, inverting partial harmonic structures, Latin comping, chord scales, handling modal tunes and mixing voicings. The highly detailed music examples cover most of the common jazz keys and the material comes to life on the accompanying 17-track CD. The pieces featured in Comping Standards For Jazz Guitar are in both standard notation and tablature. All The Things You Want Always Autumn Confirmation Blues Deep Blue Bossa Five Minus One Gnawing On The Apple Into Somewhere Minor Blues Rhythm Changes Un Peu Blues We Can't Be Parted