Piano SKU: HU.HN803 Composed by Franz Liszt. Edited by Ernst Herttrich. Piano S...(+)
Piano
SKU: HU.HN803
Composed by Franz Liszt.
Edited by Ernst
Herttrich. Piano Solo,
Piano and Keyboard,
Repertoire, Solos.
Hungarian Rhapsody No. 2.
Classical, Romantic.
Softcover Book. 36 pages.
G. Henle #HN803.
Published by G. Henle
(HU.HN803).
ISBN 9780101364201. 12.2
x 9.3 x 0.1 inches.
Arrangement for Piano Solo by Liszt. Composed by Robert Schumann. Edited ...(+)
Arrangement for Piano
Solo by Liszt.
Composed by Robert
Schumann. Edited by
Annette Oppermann.
Arranged by Franz Liszt.
Henle Music Folios.
Classical. Softcover. 20
pages. G. Henle #HN1356.
Published by G. Henle
(HL.51481356).
Piano Solo. By Franz Liszt. Edited by M. Eckhardt. This edition: HN763. Piano (H...(+)
Piano Solo. By Franz
Liszt. Edited by M.
Eckhardt. This edition:
HN763. Piano
(Harpsichord), 2-hands.
Henle Music Folios.
Urtext edition
(Paper-bound). 54 pages.
Published by Henle Urtext
Edition.
Consolations Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other ...(+)
Piano
SKU:
BT.EMBZ14505
Grand
solo de concert (earl.
vers.) and Other Works
(Suppl. B 10). By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB Liszt
Works. Book Only.
Composed 2014. 208 pages.
Editio Musica Budapest
#EMBZ14505. Published by
Editio Musica Budapest
(BT.EMBZ14505).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research result and,
numerous manuscript
facsimiles make the
practical paperback
version of this volume of
the New Liszt Edition a
specially important
publication of scholarly
value.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
Piano Four Hands (1 Piano, 4 Hands) - advanced SKU: HL.49046383 For Pi...(+)
Piano Four Hands (1
Piano, 4 Hands) -
advanced
SKU:
HL.49046383
For
Piano Four Hands.
Composed by Peter
Eötvös. This
edition: Saddle
stitching. Sheet music.
Piano Duet. Classical.
Softcover. Composed 2018.
24 pages. Duration 420
seconds. Schott Music
#ED23145. Published by
Schott Music
(HL.49046383).
ISBN
9790001207454. UPC:
842819106098.
9.0x12.0x0.074
inches.
Chapter 11
of James Joyce's Ulysses
is a real treasure trove
of existing and invented
words and names; each
word and name triggers
off a whole series of
associations, images,
stories and sounds -
particularly when the
reader is a Hungarian
composer who comes across
the phrase “Liszt's
rhapsodiesâ€. I
immediately heard music
by Franz Liszt in my head
and visualised the two
protagonists in the novel
sitting on a terrace
drinking coffee, chatting
and dreaming, witty and
endearing - which is also
a perfect description of
this small piano
composition for four
hands. Peter
Eötvös.
Complied and
transcribed for Baritone
and String Quartet by
Aribert Reimann.
Composed by Aribert
Reimann and Franz Liszt.
Arranged by Aribert
Reimann. This edition:
Saddle stitching. Sheet
music. Vocal. Classical.
Score and parts. Composed
1860-1880. 76 pages.
Duration 20'. Schott
Music #ED 21885.
Published by Schott Music
(HL.49044628).
ISBN
9790001198493. UPC:
841886022027.
9.25x12.0x0.212 inches.
German.
Aribert
Reimann's idea to arrange
the lieder of Franz Liszt
for baritone and string
quartet goes back to his
collaboration with
Dietrich Fischer-Dieskau,
recording some of these
lieder for the German
broadcasting company
formerly known as Sender
Freies Berlin (SFB).
Since then, Reimann has
continued to be
fascinated by Liszt's
thrilling harmony and
unconventional treatment
of the voice. Here, he
has compiled a cycle
containing seven lieder
from Liszt's middle and
late periods, arranged so
that each song is the
logical continuation of
its predecessor. Liszt's
fundamental harmony has
been retained, but the
registers have been
altered to such an extent
that they appear in a
completely new light.
(Death
& Transfiguration)
Clothbound Score,
Complete Edition in
G. Edition Schott.
Classical. Hardcover.
Duration 1440 seconds.
Schott Music #RSW306.
Published by Schott Music
(HL.49047172).
UPC:
196288143406.
When
the 24-year-old Richard
Strauss, assistant
conductor in Munich,
began the composition of
his third tone poem in
the summer of 1888, he
saw himself close to the
aspiration prescribed by
his mentor Alexander
Ritter: to become the
successor of Richard
Wagner as a musical
dramatist. Strauss had
already been working on
the text of his first
opera Guntram for a year
and additionally devoted
himself to programmatic
orchestral works oriented
to the musical language
of Liszt and Wagner in
order to prepare himself
compositionally for his
new task. With the aid of
Strauss and other
musicians including
Ludwig Thuille and
Friedrich Rösch who
had been gathering for
“Ritter's round
table†in Munich
between 1886 and 1889,
RitterÂ’s intention
was to achieve success on
a broad front with the
New German School
following the death of
its two protagonists
Wagner and Liszt. We do
not know whether Ritter
and his supporters
jointly planned Strauss's
compositional path
towards opera, determined
the subjectsof his
prospective tone poems
and considered various
strategies of their
musical realization, but
the influence of this
group shouldnot be
underestimated. It cannot
be ruled out that the
number of three tone
poems was fixed, as was
their sequence of
composition, which would
progressively achieve its
zenith in an increasing
orientation to Liszt and
Wagner. The circle could
possibly have also
discussed initial links
to literary subjects
(Macbeth and Don Juan)
and ultimately the
abstention from this
practice in the third and
final tone poem. The
subject of the work, or
rather in StraussÂ’s
formulation its
“poetic
modelâ€, has
occasionally been
interpreted from an
autobiographical aspect.
Strauss however did not
experience serious
illness until May 1891
and once more in June
1892, long after Tod und
Verklärung had been
composed. Even without an
external reason, the
material would have been
only too attractive for
an admirer of Wagner and
Liszt like Strauss, not
to mention for his mentor
Alexander Ritter. The
concept of 'death and
transfiguration' had
already played a central
role in LisztÂ’s
symphonic poems Tasso and
Prometheus.
By Franz Liszt. Edited by Maurice Hinson. For Piano. Piano Collection. Masterwor...(+)
By Franz Liszt. Edited by
Maurice Hinson. For
Piano. Piano Collection.
Masterwork. Level:
Intermediate / Early
Advanced (grade
4/5/6/6+). Book. 64
pages. Published by
Alfred Publishing.
(Early version and definitive version) New, expanded edition. Composed by Ferenc...(+)
(Early version and
definitive version) New,
expanded edition.
Composed by Ferenc Liszt.
Edited by Adrienne
Kaczmarczyk, Imre Mezo,
and Imre Sulyok.
Romantic. Separate
editions from the New
Liszt Complete Critical
Edition. Classical. Book
Only. Composed 2018.
Editio Musica Budapest
#EMBZ12699. Published by
Editio Musica Budapest
(Piano Solo). By Franz Liszt (1811-1886). Edited by Ernst-Günter Heinemann. H...(+)
(Piano Solo). By Franz
Liszt (1811-1886). Edited
by Ernst-Günter
Heinemann. Henle Music
Folios. Softcover. 24
pages. G. Henle Verlag
#HN984. Published by G.
Henle Verlag
Piano SKU: M7.VHR-3562 22 Vortragsstücke für den Anfangsunterric...(+)
Piano
SKU:
M7.VHR-3562
22
Vortragsstücke für
den Anfangsunterricht am
Klavier. Composed by
Anne Terzibaschitsch.
Sheet music. Performance
book. Holzschuh
Musikverlag #VHR 3562.
Published by Holzschuh
Musikverlag
(M7.VHR-3562).
ISBN
9783864340574.
German.
Von 'Eine
kleine Nachtmusik'
über 'Morning Has
Broken', 'Salut d'amour'
und 'Probier's mal mit
Gemütlichkeit' bis zu
'He's A Pirate'. Die
Bearbeitungen aller Werke
bewegen sich im
Fünftonraum.
Zusätzlich gibt es zu
jedem Stück eine
Begleitstimme.
(Piano). By Franz Liszt (1811-1886). Edited by Ernst Herttrich. Henle Music Foli...(+)
(Piano). By Franz Liszt
(1811-1886). Edited by
Ernst Herttrich. Henle
Music Folios. Softcover.
30 pages. G. Henle Verlag
#HN981. Published by G.
Henle Verlag
(50 Reproducible Biographies of Famous Composers (Teacher's Handbook)). By Jay A...(+)
(50 Reproducible
Biographies of Famous
Composers (Teacher's
Handbook)). By Jay
Althouse. This edition:
Teacher's Handbook (100%
Reproducible).
Classroom/Pre-School;
General Music and
Classroom Publications;
Reproducible. Book. 64
pages
Concert band - Grade 2 SKU: CL.024-4573-01 Arranged by Shaffer. Young Con...(+)
Concert band - Grade 2
SKU:
CL.024-4573-01
Arranged by Shaffer.
Young Concert Band.
Rising Band Series for
Developing Bands! Audio
recording available
separately (item
CL.WFR393). Extra full
score. Composed 2017.
Duration 2 minutes, 4
seconds. C.L. Barnhouse
#024-4573-01. Published
by C.L. Barnhouse
(CL.024-4573-01).
We all know and
love the wonderful
characters from the
classic cartoon
adventures of yesteryear.
David Shaffer has crafted
this clever reincarnation
of music from those
classics. Opening with
Brahms’ Hungarian
Dance #5 we can all
imagine our favorite
cartoon rabbit in his
many adventures and
mis-adventures. With
Wagner’s Ride of
the Valkyries we hear his
death defying escapes
from his adversaries.
Finally, Liszt’s
Hungarian Rhapsody #2
gives us the musical
tension that brought
these cinematic classics
to their comic
conclusions. Multiple
percussion effects and
clever instrumental
writing will make this a
favorite for years to
come. Very
entertaining!
Composed by Franz Liszt (1811-1886). Edited by Otto Taubmann. This edition: Pape...(+)
Composed by Franz Liszt
(1811-1886). Edited by
Otto Taubmann. This
edition: Paperback.
Original Works, Tone
Poems. Romantic Period;
Hungarian. Study Score.
Published by Petrucci
Library Press (SA.40284).
Overture to Scenes
from Goethe's Faust WoO 3
- Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Faust
Overture in its
First Urtext Edition
Overture; Romantic. Part.
6 pages. Duration 7'.
Breitkopf and Haertel #OB
5362-16. Published by
Breitkopf and Haertel
(BR.OB-5362-16).
ISBN
9790004341421. 10 x 12.5
inches.
The
question Why add music to
such perfect poetry?
preoccupied Schumann long
and intensively. His
first compositional
approach to Goethes Faust
began in 1844, but it was
not until 1851 that he
finally completed the
Scenes. At Liszts
suggestion, Schumann
added an overture in
1853, a symphonic
instrumental introduction
which atmospherically
evokes the action of the
Scenes but has no direct
thematic reference to
them. As an independent
overture, the work has
been played relatively
rarely in concert halls
to this day; the general
prejudice towards
Schumanns late works was
no doubt partly
responsible for this. The
first Urtext edition of
the overture was based on
the autograph score that
was revised by Schumann
and served as the
principal source. It
should give new impulses
to the future reception
of this work which Paul
Dukas hailed as a
miracle, from beginning
to end.
Piano SKU: BT.EMBZ12402 EMB Liszt Works. Book Only. Composed 2005. 192 pa...(+)
Piano
SKU:
BT.EMBZ12402
EMB
Liszt Works. Book Only.
Composed 2005. 192 pages.
Editio Musica Budapest
#EMBZ12402. Published by
Editio Musica Budapest
(BT.EMBZ12402).
English-German.
Series I of the complete
edition, launched in 1970
(original two-hands piano
works, volumes 1-18), was
completed in 1985, and
with the publication of
this volume Series II
(transcriptions of works
by other composers,
volumes 1-24) has come to
an end. The works
contained in this volume
are from Liszt's
so-called 'late' period.
This publication is
available in two
versions: bound in blue
linen, or in grey boards.
Only the former version
contains the descriptions
of sources and the
critical
notes.
Piano/Keyboard SKU: PE.EP72782 S160, 156b; Urtext. Composed by Fra...(+)
Piano/Keyboard
SKU:
PE.EP72782
S160,
156b; Urtext.
Composed by Franz Liszt.
Edited by Leslie Howard.
This edition: Urtext.
Piano (Solo). Edition
Peters. Book. 148 pages.
Duration 144. Edition
Peters #98-EP72782.
Published by Edition
Peters (PE.EP72782).
For the
first time, this first
volume of the trilogy,
Suisse
(Switzerland) is
published together with
the Trois Morceaux
suisses, in line
with the composer’s
original intention to
combine all his
Swiss-inspired character
pieces into a single
volume. The musical
journey is supported by
the inclusion of
historical illustrations
of the scenes and
landscapes that inspired
the
composer.
Edited by
world-renowned Liszt
expert and concert
pianist Leslie Howard,
the edition also contains
Liszt’s original
fingerings.
Piano SKU: BT.EMBZ14501A Suppl. 6. EMB New Listz Edition. Book Har...(+)
Piano
SKU:
BT.EMBZ14501A
Suppl. 6. EMB New
Listz Edition. Book
Hardcover. Composed 2009.
244 pages. Editio Musica
Budapest #EMBZ14501A.
Published by Editio
Musica Budapest
(BT.EMBZ14501A).
SKU: HL.50610018 Liszt, Works for Piano Solo, Supplementary vol. 10(+)
SKU: HL.50610018
Liszt, Works for Piano
Solo, Supplementary vol.
10. Composed by Franz
Liszt. EMB. Hardcover.
208 pages. Editio Musica
Budapest #Z14505.
Published by Editio
Musica Budapest
(HL.50610018).
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface in Hungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Piano/Keyboard SKU: PE.EP72783 S161, 162; Urtext. Composed by Fran...(+)
Piano/Keyboard
SKU:
PE.EP72783
S161,
162; Urtext. Composed
by Franz Liszt. Edited by
Leslie Howard. Piano
(Solo). Edition Peters.
Score. 128 pages. Edition
Peters #98-EP72783.
Published by Edition
Peters (PE.EP72783).
Also
included in this prestige
volume, a must-have for
any serious Liszt
pianist, is the
supplementary volume
Venezia e
Napoli, beautiful
and ingenious revisions
of earlier works based on
Italian street
music.
