Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
SKU: M7.RSE-2600 Chronik zu Leben und Werk. Composed by Franz Tren...(+)
SKU: M7.RSE-2600
Chronik zu Leben und
Werk. Composed by
Franz Trenner. Edited by
Florian Trenner. This
edition:
Hardback/Hardcover. Book.
Richard Strauss Edition.
826 pages. MDS (Music
Distribution Services)
#RSE 2600. Published by
MDS (Music Distribution
Services) (M7.RSE-2600).
ISBN 9783901974014.
German.
This
Strauss chronicle is a
unique document of the
life of one of the most
important composers of
the 19th and 20th
Centuries.The Strauss
chronicle contains a
detailed record of the
activities of Richard
Strauss, day by day,
describing his conducting
of rehearsals and
performances of operas
and concerts, his
travels, holidays and
many other things. This
volume is thus not only
of interest from a
biographical point of
view, but may at the same
time be understood as a
historical document
casting light on the
music business in general
and opera houses in
particular. A detailed
index with brief notes on
all the people mentioned
in the text and an index
of Strauss' works makes
this chronicle a treasure
trove for Strauss lovers
and others, too.
(LN) SKU: HL.49020782 Composed by Johann Strauss Jr. Edited by Willi Schu...(+)
(LN)
SKU:
HL.49020782
Composed
by Johann Strauss Jr.
Edited by Willi Schuh.
This edition: Full-cloth
binding. Book. Edition
Schott. 200 pages. Schott
Music #ATL 6059.
Published by Schott Music
(HL.49020782).
ISBN
9783254000590.
5.0x7.75x0.77 inches.
German.
Von den
gegen zweihundert
Briefen, die Richard
Strauss vom Jahre 1936 an
bis kurz vor seinem Tode
im September 1949 an
seinen Freund und
vorgesehenen Biographen
Willi Schuh gerichtet
hat, erscheint hier eine
Auswahl von all
denjenigen, die von
allgemeinem Interesse
sind. Die Gegenbriefe
wurden meist nur
auszugsweise
wiedergegeben, jedoch so,
dass das sehr angeregte,
auch ausserordentlich
menschliche Zwiegesprach
deutlich erkennbar und
verstandlich wird. Neben
zahlreichen Ausserungen
uber einzelne Werke von
Strauss und uber seine
geistige und
schopferische Tatigkeit
wahrend der letzten,
sorgenvollen Lebensjahre,
bietet der Band viele
neue Einblicke in das
Dasein dieses grossen
Musikers und zeigt
Strauss auch von einer
oft geradezu ruhrenden
Seite. Dank dem
aufschlussreichen Vorwort
und der grundlichen
Kommentierung durch den
Herausgeber und
Briefpartner beleuchtet
dieser Band die letzten
dreizehn Lebensjahre von
Richard Strauss in ganz
einzigartiger Weise.
By Richard Strauss. Arranged by Robert Longfield. Transcription. Concert Band. C...(+)
By Richard Strauss.
Arranged by Robert
Longfield. Transcription.
Concert Band. Classics.
Level: Grade 3. Score and
set of parts. Composed
2001. Duration 0:01:28.
Published by C.L.
Barnhouse.
Piano; Voice (High Voice) SKU: HL.48018101 High Voice and Piano. C...(+)
Piano; Voice (High Voice)
SKU: HL.48018101
High Voice and
Piano. Composed by
Richard Strauss. Boosey &
Hawkes Voice. Classical,
Collection, Contemporary,
German. 24 pages. Simrock
#M221100696. Published by
Simrock (HL.48018101).
UPC: 073999639612.
9.0x12.0x0.088
inches.
Contents:
Seitdem dein Aug' in
meines schaute *
Standchen * Das Geheimnis
* Aus den Liedern der
Trauer * Nur Mut! *
Barcarole.
Piano; Piano/Keyboard - easy SKU: HL.49003708 Piano. Edited by Ric...(+)
Piano; Piano/Keyboard -
easy
SKU:
HL.49003708
Piano. Edited by
Richard Krentzlin.
Arranged by Richard
Krentzlin. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 48 pages.
Schott Music #ED2340.
Published by Schott Music
(HL.49003708).
ISBN
9790001036979. UPC:
073999748574.
9.0x12.0x0.182
inches.
68 der
beliebtesten Melodien aus
den bekanntesten Opern
und Operetten.
Piano; Piano Accompaniment (Piano For 2 Players) SKU: HL.48025063 Vers...(+)
Piano; Piano
Accompaniment (Piano For
2 Players)
SKU:
HL.48025063
Version for piano
reducation and piano
solo. Composed by
Sergei Bortkiewicz. BH
Piano. Classical.
Softcover. 100 pages.
Duration 1920 seconds.
Simrock #M221122605.
Published by Simrock
(HL.48025063).
ISBN
9783923051755. UPC:
196288031758.
9.0x12.0x0.338
inches.
Sergej
Bortkiewicz (1877-1952)
wrote his Russian
Rhapsody, Op. 45 (1935)
and the Piano Concerto
No. 2 in C minor, Op. 28
(1924) for the pianist
Paul Wittgenstein. He
lost his right arm in the
First World War and
thereupon commissioned
works from important
composers. While
Wittgenstein made some of
the contributions by
Ravel, Britten,
Hindemith, Richard
Strauss and others.
sounded too modern, he
had a preference for
Bortkiewicz's concerto,
as it paid homage to the
“pharaonic
virtuoso†late
romantic tradition Ã
la Rachmaninoff. It is
precisely this
“sound†that
the Piano Concerto No. 2
recommended for a new
version for two hands,
which is now available
and opens up a broader
scope for the charming,
emotional work. In
addition to the redesign
of the solo part, the
arranger Alfonso Soldano
also offers a new cadenza
that ensures a smoother
transition between tempo
and sound changes.
By Johann Strauss. Arranged by Richard Meyer. Orchestra. Full Orchestra; Masterw...(+)
By Johann Strauss.
Arranged by Richard
Meyer. Orchestra. Full
Orchestra; Masterworks;
Part(s); Score;
SmartMusic. Highland
First Philharmonic. Form:
Overture; Transcription.
Masterwork Arrangement;
Romantic. Grade 2. 216
pages. Published by
Alfred Music (
Tone
Poem for Large Orchestra
- Urtext. Composed by
Richard Strauss. Edited
by Nick Pfefferkorn.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Late-romantic. Part. 12
pages. Duration 24'.
Breitkopf and Haertel #OB
5654-19. Published by
Breitkopf and Haertel
(BR.OB-5654-19).
ISBN
9790004348444. 10 x 12.5
inches.
Farewell
Tod und Verklarung marks
a turning point in
Richard Strauss's corpus
of tone poems: Even
before the November 1889
premiere of his previous
work Don Juan, Strauss
had finished his third
work in this genre. He
leads the listener with
great clarity through the
dying hour of a person
who had pursued the
highest ideals. The
present Urtext edition
evaluates for the first
time all the corrections
that Strauss made in the
galley proofs of the
work's full score and
parts, correlating these
to the music text. The
preface provides insight
into the genesis and
reception history, while
the detailed Critical
Report systematically
documents all of the
editorial decisions.
Orchestra (4(2picc).3(cor
ang).heck.Eb-clar.2.Bb-cl
ar(clar).4(dble bsn) -
8(4T-tuba).2alphn.4.4.2 -
org.cel -
2hp.2timp.perc(6).wind
m.thunder m - str - off
stage: 12hn.2trp.2tbne)
SKU: BR.PB-5710
Tone Poem -
Urtext. Composed by
Richard Strauss. Edited
by Nick Pfefferkorn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Sheet Music. 204
pages. Duration 50'.
Breitkopf and Haertel #PB
5710. Published by
Breitkopf and Haertel
(BR.PB-5710).
ISBN
9790004216477. 10.5 x 14
inches.
Richard
Strauss's last completed
tone poem is regarded as
the pinnacle of his art
of orchestration: Now
I've finally learned to
orchestrate, he himself
is once supposed to have
said about it after the
dress rehearsal. The
single-movement Alpine
symphony that we know
today ultimately evolved
- over almost 15 years -
from the original drafts
of an artist's tragedy,
titled Der Antichrist.
Eine Alpensinfonie [The
Antichrist. An Alpine
Symphony] up to the stage
of the last sketches.
With unprecedented
plasticity, the work
showcases a
(metaphysical?) mountain
hike with stops in the
forest, at the waterfall,
on the alpine pasture
and, of course, at the
summit. Apropos alpine
pastures: up to the
score's fair copy stage,
Strauss envisaged a high
and a low alphorn for the
section Auf der Alm [On
the Alpine Pasture] and
the well-known Dulioh
theme, though for various
reasons first detailed in
our new Urtext edition,
these exotic instruments
did not find their way
into the printed version.
In the new edition, the
editor, Nick Pfefferkorn,
reproduces the alphorn
passages in small print,
also adding two alphorn
parts to the performance
material, besides
evaluating the
corrections made by
Walter Seifert at
Strauss's
request.
First
Urtext edition since the
first editionEvaluation
of all available sources,
including sketches and
the score corrected by
Walter Seifert Extensive
preface on the work's
compositional history and
receptionDetailed
Critical ReportFacsimile
pages.
Piano; Voice (Voice and Piano) SKU: HL.48015909 Voice and Piano. C...(+)
Piano; Voice (Voice and
Piano)
SKU:
HL.48015909
Voice
and Piano. Composed
by Richard Strauss.
Boosey & Hawkes
Miscellaneous. Classical,
Vocal. Book only. Simrock
#M221101037. Published by
Simrock (HL.48015909).
Composed by Anton Diabelli (1781-1858). Duet or Duo; Masterworks; Piano Duet (1 ...(+)
Composed by Anton
Diabelli (1781-1858).
Duet or Duo; Masterworks;
Piano Duet (1 Piano, 4
Hands); Solo Small
Ensembles. Kalmus
Edition. Classical;
Masterwork; Romantic.
Book. 40 pages. Kalmus
Classic Edition
#00-K03402. Published by
Kalmus Classic Edition
Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss (1864-1949...(+)
Tone Poem for Large
Orchestra
- Urtext. Composed by
Richard
Strauss (1864-1949).
Edited
by Nick Pfefferkorn.
Score.
Breitkopf and Haertel #PB
5653. Published by
Breitkopf
and Haertel
Horn and Piano Reduction. Composed by Richard Strauss. Edited by Peter Damm....(+)
Horn and Piano Reduction.
Composed by Richard
Strauss.
Edited by Peter Damm.
Henle
Music Folios. Classical.
Softcover. 42 pages. G.
Henle
#HN1253. Published by G.
Henle
Guitar solo - Advanced SKU: DZ.DZ-4287 Composed by Francisco Braga. Arran...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4287
Composed by Francisco
Braga. Arranged by
Luciano Lima. Score. Les
Productions d'OZ #DZ
4287. Published by Les
Productions d'OZ
(DZ.DZ-4287).
ISBN
9782898522048.
Ant
nio Francisco Braga
(1868-1945) belongs to
the generation of
Brazilian composers of
the first republican
period, aesthetically
tied to romanticism,
alongside Henrique Oswald
(1852-1931), Leopoldo
Miguez (1850-1902),
Glauco Velásquez
(1884-1914), and Barrozo
Neto (1881-1941). Born in
Rio de Janeiro, on April
15th, 1868, he began his
musical studies at the
Asilo dos Meninos
Desvalidos, in 1876. In
1883, he enrolled at the
Imperial Conservatório
de Música where he
studied harmony and
counterpoint with Carlos
de Mesquita – a former
student of César Franck,
Durand, and Massenet –
and clarinet with
Antônio Luís de Moura.
Braga's first
compositions date from
this period: Sonho de
Dante (1885), Dolce far
niente (1886), the first
Valse Romantique for
piano (1886), among
others. In 1887, he
premiered his first
symphonic work,
Fantasia-Abertura. In
1890, being one of the
finalists in a
competition to choose the
new Brazilian national
anthem, Braga was awarded
a scholarship to study in
Europe, where he took
classes with Jules
Massenet at the Paris
Conservatory. During this
period, he wrote some of
his most important
symphonic works, Paysage,
Cauchemar, Episódio
Sinfônico, and Marabá
(which was performed by
Richard Strauss and the
Vienna Philharmonic in
1920, in Brazil). His
opera Jupyra is
considered one of the
greatest Brazilian
compositions of that
genre. Back in Brazil,
he was appointed
professor of
counterpoint, fugue, and
composition at the
Instituto Nacional de
Música, in 1902. There,
some of the finest
Brazilian composers
studied with him, like
Glauco Velásquez and
Lorenzo
Fernândez. Braga
wrote operas, symphonic
works, songs, sacred
music, two Masses, music
for piano, different
chamber formations, band,
and choir. He is the
author of many patriotic
hymns, the most popular
of which is Hino à
Bandeira (with lyrics by
Olavo Bilac). He explored
Brazilian nationalist
elements in some of his
works, as in Variações
sobre um Tema Brasileiro
and in the Trio for
violin, cello and piano,
whose third movement is
based on a lundu (a
musical genre and dance
of Afro-Brazilian
origin). In addition
to being a composer,
Braga was one of the most
active conductors of his
time, having been ahead
of three orchestras in
Rio de Janeiro: Instituto
Nacional de Música,
Sociedade de Concertos
Sinfônicos, and Theatro
Municipal. Braga
conducted the Brazilian
premiere of major
symphonic works such as
La Mer (Debussy), Pacific
231 (Honegger) besides
other numerous Brazilian
compositions. In 1938,
he retired from Instituto
Nacional de Música. He
passed away on March
14th, 1945, in Rio de
Janeiro. Unfortunately
, Francisco Braga never
wrote for the guitar.
However, over a century
ago his music had already
been incorporated to its
repertoire. According to
information found in
newspapers of the time,
Spanish guitarist
Josefina Robledo included
transcriptions of pieces
by Braga in her programs
when she performed in
Brazil: Gavota e Minuete
(from the melodrama
Contratador de
Diamantes), in 1919, in
São Paulo, and the
waltz-caprice Corrupio,
in 1921, in Rio de
Janeiro. The piano
score of Madrigal Pavane
was dedicated to Alexina
Leitão and published by
Casa Vieira Machado, in
1901. According to the
composer’s catalogue,
there are two other
versions of this piece:
strings orchestra (1901)
and quartet (which is
still in manuscript).
Dedicated to Braga’s
childhood friend José de
Souza Rocha, Timburibá
(the name of a Brazilian
tree) is a tango for
piano from 1886,
published by Narciso &
Arthur
Napoleão.
Antôni
o Francisco Braga
(1868-1945) appartient à
la génération des
compositeurs brésiliens
de la première période
républicaine,
esthétiquement liés au
romantisme, aux côtés
de Henrique Oswald
(1852-1931), Leopoldo
Miguez (1850-1902),
Glauco Velásquez
(1884-1914) , et Barrozo
Neto (1881-1941). Né à
Rio de Janeiro, le 15
avril 1868, il commence
ses études musicales à
l'Asilo dos Meninos
Desvalidos, en 1876. En
1883, il s'inscrit au
Imperial Conservatório
de Música où il étudie
l'harmonie et le
contrepoint avec Carlos
de Mesquita – ancien
élève de César Franck,
Durand et Massenet – et
clarinette avec Antônio
Luís de Moura. De cette
période datent les
premières compositions
de Braga : « Sonho de
Dante » (1885), « Dolce
far niente » (1886), la
première « Valse
Romantique » pour piano
(1886), entre
autres. En 1887, il
crée sa première œuvre
symphonique, «
Fantasia-Abertura ». En
1890, étant l'un des
finalistes d'un concours
pour choisir le nouvel
hymne national
brésilien, Braga obtient
une bourse pour étudier
en Europe, où il suit
les cours de Jules
Massenet au Conservatoire
de Paris. Durant cette
période, il écrit
certaines de ses œuvres
symphoniques les plus
importantes, « Paysage
», « Cauchemar », «
Episódio Sinfônico »
et « Marabá »
(interprétée par
Richard Strauss et la
Philharmonie de Vienne en
1920, au Brésil). Son
opéra « Jupyra » est
considéré comme l'une
des plus grandes
compositions
brésiliennes de ce
genre. De retour au
Brésil, il fut nommé
professeur de
contrepoint, de fugue et
de composition à
l'Instituto Nacional de
Música, en 1902. Là,
certains des meilleurs
compositeurs brésiliens
étudièrent avec lui,
comme Glauco Velásquez
et Lorenzo
Fernândez. Braga a
écrit des opéras, des
œuvres symphoniques, des
chansons, de la musique
sacrée, deux messes, de
la musique pour piano,
différentes formations
de chambre, un orchestre
et une chorale. Il est
l'auteur de nombreux
hymnes patriotiques, dont
le plus populaire est «
Hino à Bandeira » (avec
des paroles d'Olavo
Bilac). Il a exploré des
éléments nationalistes
brésiliens dans
certaines de ses œuvres,
comme dans « Variações
sobre um Tema Brasileiro
» et dans le Trio pour
violon, violoncelle et
piano, dont le troisième
mouvement est basé sur
un « lundu » (un genre
musical et une danse
afro-américaine).
Origine
brésilienne). En plus
d'être compositeur,
Braga a été l'un des
chefs d'orchestre les
plus actifs de son
époque, ayant dirigé
trois orchestres à Rio
de Janeiro : « Instituto
Nacional de Música »,
« Sociedade de Concertos
Sinfônicos » et «
Theatro Municipal ».
Braga a dirigé la
première brésilienne
d'œuvres symphoniques
majeures telles que « La
Mer » (Debussy), «
Pacific 231 » (Honegger)
ainsi que de nombreuses
autres compositions
brésiliennes. En
1938, il prend sa
retraite de l'Instituto
Nacional de Música. Il
est décédé le 14 mars
1945 à Rio de
Janeiro. Malheureuseme
nt, Francisco Braga n’a
jamais écrit pour la
guitare. Cependant, il y
a plus d'un siècle, sa
musique était déjà
incorporée à son
répertoire. Selon des
informations trouvées
dans les journaux de
l'époque, la guitariste
espagnole Josefina
Robledo incluait des
transcriptions de pièces
de Braga dans ses
programmes lorsqu'elle se
produisait au Brésil :
« Gavota e Minuete »
(du mélodrame «
Contratador de Diamantes
»), en 1919, à São
Paulo, et la
valse-caprice « Corrupio
», en 1921, à Rio de
Janeiro. La partition
pour piano de « Madrigal
Pavane » a été
dédiée à Alexina
Leitão et publiée par
« Casa Vieira Machado
», en 1901. Selon le
catalogue du compositeur,
il existe deux autres
versions de cette pièce
: orchestre à cordes
(1901) et quatuor (qui
est encore manuscrit).
Dédié à José de Souza
Rocha, ami d'enfance de
Braga, « Timburibá »
(nom d'un arbre
brésilien) est un tango
pour piano de 1886,
publié par « Narciso &
Arthur Napoleão
». Envoyer des
commentaires Panneaux
latéraux HistoriqueEnregistrées.