SATB choir SKU: C4.9790902260312 Six motets for unaccompanied chorus(+)
SATB choir
SKU:
C4.9790902260312
Six motets for
unaccompanied chorus.
Composed by Michael
Leighton Jones.
Classical. Choral score.
Crescendo Music
Publications
#9790902260312. Published
by Crescendo Music
Publications
(C4.9790902260312).
ISBN 9790902260312.
8.27 x 11.7
inches.
Michael
Leighton Jones has
created a brilliant
sequence of six Marian
works that take their
lead from their plainsong
counterparts. These
wonderfully reflective
and carefully-crafted
motets take the practice
of fauxbourdon in new
directions, with free
harmonic invention
linking old to new in a
beautifully warm
soundworld. Motets may be
performed individually on
feast days or within the
appropriate liturgical
season, or the whole
sequence can make an
effective frame for a
concert programme.
Trumpet SKU: HL.48182310 Composed by Henri Tomasi. Leduc. Classical. Soft...(+)
Trumpet
SKU:
HL.48182310
Composed
by Henri Tomasi. Leduc.
Classical. Softcover. 9
pages. Alphonse Leduc
#AL23437. Published by
Alphonse Leduc
(HL.48182310).
UPC:
888680839703.
9.0x12.0x0.086
inches.
“Fren
ch composer and
conductor, Henri Tomasi
(1901-1971) published
Gregorian Variations on a
Salve Ragina 1964. As
with his other wind
compositions, Gregorian
Variations for Trumpet
and String Orchestra and
Organ reduction was
well-received by
audiences. Tomasi was
born in Marseille, but
his Father and Mother
were originally from La
Casinca in Corsica.
Despite being pressured
in to musical studies by
his parents, Tomasi
dreamed of becoming a
sailor, and during the
summer, he stayed with
his Grandmother in
Corsica where he learnt
traditional Corsican
songs. However, in 1921,
he began his studies at
the Paris Conservatoire
and went on to become a
high profile composer and
conductor. Tomasi did not
forget his Corsican
routes, often
incorporating themes of
the songs he had learnt
during the summers with
his Grandmother into his
compositions. Gregorian
Variations on a Salve
Regina is a highly
unusual and modern work
based on an old Marian
Hymn (a song for the
Virgin Mary). The
variations exploit
tonality, rhythm and
structure amongst other
aspects. This Tomasi
piece is suitable for
advanced trumpeters,
providing an exciting,
alternative addition to
the instrument's
repertoire.â€.
Unison choir with descant, organ accompaniment - Beginning SKU: GI.G-4925 ...(+)
Unison choir with
descant, organ
accompaniment - Beginning
SKU: GI.G-4925
Salve Regina / A Great
Sign Appeared / The
Favored One. Composed
by Howard Hughes.
Assumption. Choral.
Sacred. Octavo. 16 pages.
GIA Publications #4925.
Published by GIA
Publications (GI.G-4925).
Text by
Various.
CONTENTS:
SALVE REGINA - A GREAT
SIGN APPEARED - THE
FAVORED ONE.
SKU: CA.5020600 Composed by Josef Gabriel Rheinberger. Edited by Berthold...(+)
SKU: CA.5020600
Composed by Josef Gabriel
Rheinberger. Edited by
Berthold Over. This
edition: Complete
edition, linen cover.
Josef Gabriel Rheinberger
- Complete Works. German
title: Geistliche Gesange
I Solo + Gl.Stim. Sacred
vocal music. Full score
(complete edition /
selected edition). Carus
Verlag #CV 50.206/00.
Published by Carus Verlag
(CA.5020600).
ISBN
9790007090234.
Of
the works presented in
volume 6, the Four
elegiac Songs op. 128 for
solo voice and organ,
with their arialike
characteristics, are
musically among the most
demanding compositions.
The Marian Hymns op. 171
display a variety of
scorings for small
ensembles, a trait which
characterizes all the
songs in this volume:
This opus contains pieces
for one, two or three
voices. In addition, No.
1 (Ave Maria) appears in
versions for either low-
or high-registered voice.
The appendix of this
volume includes alternate
versions for a few works
in this volume, some of
which are first editions,
including Quam dilecta,
which is a Latin version,
with harp and organ, of
the hymn Wie lieblich
sind deine Wohnungen op.
35.
Composed by Arvo Part (1935-). Marian antiphons. Dom Essen / Germany by J?rgen K...(+)
Composed by Arvo Part
(1935-). Marian
antiphons. Dom Essen /
Germany by J?rgen
Kursawa, Org. Choral
part(s). With Standard
notation. Composed
2001/2002. Universal
Edition #UE31988.
Published by Universal
Edition
Organ - intermediate to advanced SKU: HL.49016185 Die Marianische....(+)
Organ - intermediate to
advanced
SKU:
HL.49016185
Die
Marianische. Composed
by Enjott Schneider. This
edition: Paperback/Soft
Cover. Sheet music. Organ
Collection. Als
Gegenstuck zur
Orgelsinfonie Nr.1 Pater
Noster bietet die 2.
Orgelsymphonie weichere
und geheimnisvollere
(eben marianische)
Klangwelten an und
skizziert Stationen aus
Marias Lebensweg. Als
Instrument empfiehlt sich
eine Orgel mit mindestens
drei Manu. Composed 2006.
55 pages. Duration 24'.
Schott Music #ED 20074.
Published by Schott Music
(HL.49016185).
ISBN
9790001145411. UPC:
884088202507.
9.0x12.0x0.141
inches.
As a
counterpart to theOrgan
Symphony No. 1 Pater
Noster (ED 9937), the
Organ Symphony No. 2
offers softer and more
mysterious (Marian) sound
worlds, sketching stages
of Mary's life: an
adoring Salve Regina
grows from the mystic
source, followed by
Berceuse pour Marie as a
lullaby of the Christmas
events. The third
movement Mater Dolorosa
falls back on the
well-known Gregorian
sequence Stabat Mater,
taking Mary's pain at the
cross as its central
theme. The finale treats
the Ave Maris Stella in a
crescendo from pp to ff
in a positive and solemn
manner, in memory of
Mary's assumption. It is
advisable to use an organ
with at least three
manuals.
By Heinz Martin Lonquich. Sacred, Motets; Occasions: Feasts of the Blessed Virgi...(+)
By Heinz Martin Lonquich.
Sacred, Motets;
Occasions: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary; Use during
church year: Christmas.
Score. 16 pages
By Gabriel Faure. Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise ...(+)
By Gabriel Faure.
Occasions: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Score. 4
pages. Published by Carus
Verlag (German import).
Solo alto voice, 2 trombones (2 violas/2 viol de gamba), basso continuo SKU: ...(+)
Solo alto voice, 2
trombones (2 violas/2
viol de gamba), basso
continuo
SKU:
CA.2770300
Marianische
Antiphon. Composed by
Pietro Cassati. Edited by
Guido Erdmann. Arranged
by Guido Erdmann. German
title: Salve Regina
(Bpack). Music from
Vienna. Full score.
Composed 1732. 12 pages.
Duration 7 minutes. Carus
Verlag #CV 27.703/00.
Published by Carus Verlag
(CA.2770300).
ISBN
9790007139414. Language:
Latin.
On account
of its unusual
instrumental scoring for
continuo and two solo
alto trombones, Cassati's
setting of the Marian
Antiphon stands out among
the wealth of such
settings. The piece is by
all means recommended for
use in both worship
services and concert.
Composed
by Michael Haydn. German
title: Salve Regina In B
Mh 90. Sacred vocal
music, Hymns, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Full score.
MH 90. 8 pages. Duration
5 minutes. Carus Verlag
#CV 54.090/00. Published
by Carus Verlag
(CA.5409000).
ISBN
9790007091132. Key: B
flat major. Language:
Latin.
Some forty
settings of the four
Marian antiphons by
Johann Michael Haydn are
extant, among them 17
settings of the Salve
Regina. The Salve Regina
in B flat MH 90, here
published for the first
time, dates from about
1765, and it survives in
a contemporary manuscript
copy at Gottweig in Lower
Austria. This early
composition by Haydn
already bears witness to
this talent for setting a
liturgical text to music.
The dialogue between the
bass soloist and the
choir gives this work a
radiance of its own.
Composed
by Michael Haydn. Salve
Regina In B Mh 90. Sacred
vocal music, Hymns,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Violin
1. MH 90. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 54.090/11.
Published by Carus Verlag
(CA.5409011).
ISBN
9790007225902. Key: B
flat major. Language:
Latin.
Some forty
settings of the four
Marian antiphons by
Johann Michael Haydn are
extant, among them 17
settings of the Salve
Regina. The Salve Regina
in B flat MH 90, here
published for the first
time, dates from about
1765, and it survives in
a contemporary manuscript
copy at Gottweig in Lower
Austria. This early
composition by Haydn
already bears witness to
this talent for setting a
liturgical text to music.
The dialogue between the
bass soloist and the
choir gives this work a
radiance of its own.
Score and part available
separately - see item
CA.5409000.
Composed
by Michael Haydn. Salve
Regina In B Mh 90. Sacred
vocal music, Hymns,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part,
Cello/Double Bass. MH 90.
4 pages. Duration 5
minutes. Carus Verlag #CV
54.090/13. Published by
Carus Verlag
(CA.5409013).
ISBN
9790007225926. Key: B
flat major. Language:
Latin.
Some forty
settings of the four
Marian antiphons by
Johann Michael Haydn are
extant, among them 17
settings of the Salve
Regina. The Salve Regina
in B flat MH 90, here
published for the first
time, dates from about
1765, and it survives in
a contemporary manuscript
copy at Gottweig in Lower
Austria. This early
composition by Haydn
already bears witness to
this talent for setting a
liturgical text to music.
The dialogue between the
bass soloist and the
choir gives this work a
radiance of its own.
Score and part available
separately - see item
CA.5409000.
Composed
by Michael Haydn. Salve
Regina In B Mh 90. Sacred
vocal music, Hymns,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. MH 90. Duration 5
minutes. Carus Verlag #CV
54.090/19. Published by
Carus Verlag
(CA.5409019).
ISBN
9790007145460. Key: B
flat major. Language:
Latin.
Some forty
settings of the four
Marian antiphons by
Johann Michael Haydn are
extant, among them 17
settings of the Salve
Regina. The Salve Regina
in B flat MH 90, here
published for the first
time, dates from about
1765, and it survives in
a contemporary manuscript
copy at Gottweig in Lower
Austria. This early
composition by Haydn
already bears witness to
this talent for setting a
liturgical text to music.
The dialogue between the
bass soloist and the
choir gives this work a
radiance of its own.
Score and parts available
separately - see item
CA.5409000.
Composed
by Michael Haydn. Salve
Regina In B Mh 90. Sacred
vocal music, Hymns,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Violin
2. MH 90. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 54.090/12.
Published by Carus Verlag
(CA.5409012).
ISBN
9790007225919. Key: B
flat major. Language:
Latin.
Some forty
settings of the four
Marian antiphons by
Johann Michael Haydn are
extant, among them 17
settings of the Salve
Regina. The Salve Regina
in B flat MH 90, here
published for the first
time, dates from about
1765, and it survives in
a contemporary manuscript
copy at Gottweig in Lower
Austria. This early
composition by Haydn
already bears witness to
this talent for setting a
liturgical text to music.
The dialogue between the
bass soloist and the
choir gives this work a
radiance of its own.
Score and part available
separately - see item
CA.5409000.
Composed
by Michael Haydn. Salve
Regina In B Mh 90. Sacred
vocal music, Hymns,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Choral Score. MH
90. 4 pages. Duration 5
minutes. Carus Verlag #CV
54.090/05. Published by
Carus Verlag
(CA.5409005).
ISBN
9790007112653. Key: B
flat major. Language:
Latin.
Some forty
settings of the four
Marian antiphons by
Johann Michael Haydn are
extant, among them 17
settings of the Salve
Regina. The Salve Regina
in B flat MH 90, here
published for the first
time, dates from about
1765, and it survives in
a contemporary manuscript
copy at Gottweig in Lower
Austria. This early
composition by Haydn
already bears witness to
this talent for setting a
liturgical text to music.
The dialogue between the
bass soloist and the
choir gives this work a
radiance of its own.
Score available
separately - see item
CA.5409000.
Composed
by Michael Haydn. Salve
Regina In B Mh 90. Sacred
vocal music, Hymns,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Organ.
Composed 1768. MH 90. 4
pages. Duration 5
minutes. Carus Verlag #CV
54.090/49. Published by
Carus Verlag
(CA.5409049).
ISBN
9790007225933. Key: B
flat major. Language:
Latin.
Some forty
settings of the four
Marian antiphons by
Johann Michael Haydn are
extant, among them 17
settings of the Salve
Regina. The Salve Regina
in B flat MH 90, here
published for the first
time, dates from about
1765, and it survives in
a contemporary manuscript
copy at Gottweig in Lower
Austria. This early
composition by Haydn
already bears witness to
this talent for setting a
liturgical text to music.
The dialogue between the
bass soloist and the
choir gives this work a
radiance of its own.
Score and part available
separately - see item
CA.5409000.
SKU: HF.FH-8171 Marianische Antiphon des Stundengebets (Komplet). ...(+)
SKU: HF.FH-8171
Marianische Antiphon
des Stundengebets
(Komplet). Composed
by Herzogin von Sachsen
Maria Amalia Friedrike.
Edited by Hofmann.
Partitur. Friedrich
Hofmeister Musikverlag
#FH 8171. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-8171).
By Meingosus Gaelle. Edited by Seifriz, Erno. For Solo Soprano, 2 Horn, 2 Violin...(+)
By Meingosus Gaelle.
Edited by Seifriz, Erno.
For Solo Soprano, 2 Horn,
2 Violin, Viola,
Cello/Contrabass. Full
score available
separately - see item
CA.9125300. Coppenrath
series: Music in Upper
monasteries; Use /
Occasion: Marian, Marian
song. Part: Violin 1.
Language: Latin. 4 pages
SATB vocal soli or choir, 2 violins, viola, organ obbligato, basso continuo S...(+)
SATB vocal soli or choir,
2 violins, viola, organ
obbligato, basso continuo
SKU: CA.5199814
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Salve Regina
1771. Sacred vocal music,
Praise and thanks. Single
Part, Cello/Double Bass.
Hob. XXIIIb:2. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
51.998/14. Published by
Carus Verlag
(CA.5199814).
ISBN
9790007225766. Key: G
minor. Language:
Latin.
Haydn
composed his
four-movement Salve
Regina at Eisenstadt in
1770/71. It is
distinguished by its use
of the organ as a solo
instrument. Here Haydn
proves himself a master
of the musical setting of
the Marian text.
Originally written for
four solo singers, it may
also be performed
chorally. Score and part
available separately -
see item CA.5199800.
SATB soli or choir, 2 violins, viola, organ obbligato, basso continuo SKU: CA...(+)
SATB soli or choir, 2
violins, viola, organ
obbligato, basso continuo
SKU: CA.5199819
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Salve Regina
1771. Sacred vocal music,
Praise and thanks. Set of
Orchestra Parts. Hob.
XXIIIb:2. Duration 20
minutes. Carus Verlag #CV
51.998/19. Published by
Carus Verlag
(CA.5199819).
ISBN
9790007138424. Key: G
minor. Language:
Latin.
Haydn
composed his
four-movement Salve
Regina at Eisenstadt in
1770/71. It is
distinguished by its use
of the organ as a solo
instrument. Here Haydn
proves himself a master
of the musical setting of
the Marian text.
Originally written for
four solo singers, it may
also be performed
chorally. Score and parts
available separately -
see item CA.5199800.
SATB vocal soli or choir, 2 violins, viola, organ obbligato, basso continuo S...(+)
SATB vocal soli or choir,
2 violins, viola, organ
obbligato, basso continuo
SKU: CA.5199805
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Salve Regina
1771. Sacred vocal music,
Praise and thanks. Choral
Score. Hob. XXIIIb:2. 12
pages. Duration 20
minutes. Carus Verlag #CV
51.998/05. Published by
Carus Verlag
(CA.5199805).
ISBN
9790007131760. Key: G
minor. Language:
Latin.
Haydn
composed his
four-movement Salve
Regina at Eisenstadt in
1770/71. It is
distinguished by its use
of the organ as a solo
instrument. Here Haydn
proves himself a master
of the musical setting of
the Marian text.
Originally written for
four solo singers, it may
also be performed
chorally. Score available
separately - see item
CA.5199800.
SATB vocal soli or choir, 2 violins, viola, organ obbligato, basso continuo S...(+)
SATB vocal soli or choir,
2 violins, viola, organ
obbligato, basso continuo
SKU: CA.5199811
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Salve Regina
1771. Sacred vocal music,
Praise and thanks. Single
Part, Violin 1. Hob.
XXIIIb:2. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
51.998/11. Published by
Carus Verlag
(CA.5199811).
ISBN
9790007225735. Key: G
minor. Language:
Latin.
Haydn
composed his
four-movement Salve
Regina at Eisenstadt in
1770/71. It is
distinguished by its use
of the organ as a solo
instrument. Here Haydn
proves himself a master
of the musical setting of
the Marian text.
Originally written for
four solo singers, it may
also be performed
chorally. Score and part
available separately -
see item CA.5199800.
SATB vocal soli or choir, 2 violins, viola, organ obbligato, basso continuo S...(+)
SATB vocal soli or choir,
2 violins, viola, organ
obbligato, basso continuo
SKU: CA.5199812
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Salve Regina
1771. Sacred vocal music,
Praise and thanks. Single
Part, Violin 2. Hob.
XXIIIb:2. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
51.998/12. Published by
Carus Verlag
(CA.5199812).
ISBN
9790007225742. Key: G
minor. Language:
Latin.
Haydn
composed his
four-movement Salve
Regina at Eisenstadt in
1770/71. It is
distinguished by its use
of the organ as a solo
instrument. Here Haydn
proves himself a master
of the musical setting of
the Marian text.
Originally written for
four solo singers, it may
also be performed
chorally. Score and part
available separately -
see item CA.5199800.
Voice; Early Music (Violin I [3], Violin II [3], Cello [2], Basso continuo) S...(+)
Voice; Early Music
(Violin I [3], Violin II
[3], Cello [2], Basso
continuo)
SKU:
UT.MS-40B
Composed by
Alessandro Scarlatti.
Edited by Maria Luisa
Baldassari. Saddle
stitching. Classical. Set
of Parts. 116 pages. Ut
Orpheus #MS 40B.
Published by Ut Orpheus
(UT.MS-40B).
ISBN
9790215314924. 9 x 12
inches.
Alessandro
Scarlatti ventured four
times with the Salve
Regina text, of which
he draws compositions for
various ensembles. The
treatment of the text in
this version obeys to the
usual practice for the
motets of a certain
length: the antiphon is
divided into
‘numbers’ of
contrasting character
alternatively entrusted
to the duet and to the
solos. In line with the
modern style, Scarlatti
choose to not emphasize
the most remarkable
moments of the text, but
instead to provide an
internal coherence to
each section, keeping the
expressive expedients to
enhance a few elements
and relying instead upon
an harmony and melody
rich writing and upon the
virtuosity of the vocal
parts. The present
edition is based on the
manuscript kept at the
Biblioteca del
Conservatorio S. Pietro a
Majella of Naples,
compared to the 19th
Century copy, less
precise, that is part of
the Noseda Fund of the
Biblioteca del
Conservatorio in Milan.
The Napolitan drafting
appears very meticulous,
particularly in respect
to the dynamic marks and
expression marks (such as
staccatos, slurs etc.)
that lay out an execution
full of contrasts and
unexpected dynamic
changes.