The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Le Real Book est une alternative à la pléthore de mal conçus, les volumes illisibles, inexactes et mal édités qui abondent sur ??le marché aujourd'hui. Claire et précise, la série Real Book vise à fournir une sélection de musique qui est à la fois facile à lire et agréable à réaliser. Arrangé pour instruments en clé de basse, cette édition de The Real Book: Volume II contient 400 chansons, dont Moon River, Georgia On My Mind, Fly Me To The Moon, Oye Como Va et de nombreux airs les plus connus. / Instruments En Clé de Fa

There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)

The Piano Duet Play-Along series gives you the flexibility to rehearse or perform piano duets anytime, anywhere! Play these duet arrangements with a partner, or use the accompanying CD to play along with either the Secondo or Primo part on your own. The audio CD is playable on any CD player, and also enhanced so PC and Mac users can adjust the recording to any tempo without changing pitch. / Piano Duo

Par ARCH GWYN / PARRY BEN. The Faber Carol Book is an exciting volume of Christmas carols and songs with an original, contemporary twist, designed to breathe fresh air into Christmas concerts. They contain forty pieces, expertly edited and arranged by Gwyn Arch and Ben Parry, capturing a variety of moods and styles through time - from contemporary arrangements of medieval and traditional carols, to spirituals, and music from around the world. There is also an impressive line-up of original pieces by some of today's most highly respected choral composers, including Howard Goodall, Lin Marsh, Peter Gritton, Errollyn Wallen and Mike Brewer. Presented in two separate volumes, this is the second anthology with all carols arranged for SATB choir with Piano Accompaniment. Both publications include undemanding keyboard accompaniment and suggestions for optional instrumental lines. / Niveau : Assez Facile / Répertoire / Voix

Description Bb Edition. The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed without any copyrights or royalties paid to the master composers who created these musical canons. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You and your customers won't even notice the difference...the covers look the same, the engravings look the same, the songlist is nearly identical, and the price remains fair even on a musician's salary! But every conscientious musician and music store owner will appreciate that these books are now produced legally and ethically, benefitting the songwriters that we owe for some of the greatest music ever written! 400 songs (All Of A Sudden) My Heart Sings 52nd Street Theme A Ballad A Flower Is A Lovesome Thing A Lovely Way To Spend An Evening A Portrait Of Jenny A Walkin' Thing A Weaver Of Dreams A Wonderful Day Like Today Ablution Adam's Apple Affirmation Air Mail Special Alfie's Theme All Alone (Left Alone) Alto Itis Another Star April Skies Are You Havin' Any Fun' Ask Me Now At The Mambo Inn Avalon Azure Baby, It's Cold Outside Bags And Trane Bags' Groove Bali Ha'i Baltimore Oriole Ba-lue Bolivar Ba-lues-are (Bolivar Blues) Barbados Barbara Basin Street Blues Be-bop Better Leave It Alone Beyond The Sea Big P Billie's Blues (I Love My Man) Billie's Bounce (Bill's Bounce) Bill's Hit Tune Bird Feathers Birdland Birk's Works Black And Tan Fantasy Blame It On My Youth Bloomdido Blow Mr. Dexter Blue 'N Boogie Blue Serge Blue Seven Blue Silver Blue Skies Blues By Five Blues For Wood Blues In The Closet Blues March Bohemia After Dark Booker's Waltz Bouncing With Bud Brian's Song Bright Boy Brilliant Corners Budo Bunko Buster Rides Again Bye Bye Blackbird Cantelope Island Caravan Cast Your Fate To The Wind Chameleon Chasin' The Trane Cheesecake Circle C-jam Blues Close Your Eyes Cold Duck Time Come Rain Or Come Shine Comin' Home Baby Cool Blues Cousin Mary Crazeology Crepuscule Criss Cross Crosscurrent Dance Of The Infidels Dat Dere Day By Day Dewey Square Dexter Rides Again Didn't We Dinah Dindi Do I Love You Because You're Beautiful' Do Nothin' Till You Hear From Me Do You Know What It Means To Miss New Orleans Don't Explain Down For Double Doxy Duff Early Autumn Eclypso Einbahnstrasse Elora Emancipation Blues Epilogue Estate Everything I Have Is Yours Eye Of The Hurricane Ezz-thetic Farmer's Trust Feels So Good Fever Filthy Mcnasty First Trip Five Brothers Five Spot After Dark Fly Me To The Moon (In Other Words) Flying Home Four Brothers Fox Hunt Freight Trane Frenesí Funky Georgia On My Mind Get Me To The Church On Time Get Out Of Town Gettin' It Togetha Girl Talk Gravy Waltz Gregory Is Here Grooveyard Hackensack Hallucinations Happy Little Sunbeam Havona Head And Shoulders Hi Beck High Fly Ho-ba-la-la Hocus-pocus Holy Land Honeysuckle Rose Horace Scope Hummin' Humpty Dumpty I Believe In You I Don't Stand A Ghost Of A Chance I Get Along Without You Very Well (Except Sometimes) I Have Dreamed I Hear A Rhapsody I Remember Bird I Thought About You I Will Wait For You I Wish I Didn't Love You So Ice Cream Konitz Idol Gossip If I Loved You If I Should Lose You If I Were A Bell I'll Know I'm A Fool To Want You I'm Confessin' (That I Love You) I'm Just A Lucky So And So Imagination In Case You Haven't Heard In Pursuit Of The 27th Man In The Still Of The Night In Walked Bud Indiana (Back Home Again In Indiana) Infant Eyes Island Birdie It Could Happen To You It Might As Well Be Spring It Will Have To Do Until The Real Thing Comes Along It's A Blue World It's All Right With Me It's Only A Paper Moon It's So Peaceful In The Country I've Found A New Baby (I Found A New Baby) I've Told Ev'ry Little Star Jackie Jeannine Jingles Jitterbug Waltz Joyce's Samba Jump, Jive An' Wail Jumpin' With Symphony Sid June Is Bustin' Out All Over Just A Few Just A Settin' And A Rockin' Just In Time Just The Way You Are Kary's Trance Katrina Ballerina Kids Are Pretty People Killer Joe Lady Day Lakes Last Night When We Were Young Leila Lennie's Pennies Let's Cool One Let's Fall In Love Let's Get Lost Like Sonny (Simple Like) Like Young Limbo Little Chicago Fire Little Rootie Tootie Little Sunflower Locomotion Lone Jack Lonely Dreams Look For The Silver Lining Lotus Blossom Love Is Just Around The Corner Love Vibrations Love, Look Away Lover Lover Man (Oh, Where Can You Be') Make Someone Happy Manteca Memories Of You Menina Flor Mercy, Mercy, Mercy Miles Ahead Minor Mishap Minor Mood Moanin' Monk's Mood Monk's Shop Moon Rays Moon River Moonglow Moose The Mooche More Than You Know Morning Dance Moten Swing Move Mr. Magic My Attorney Bernie My Little Suede Shoes My Old Flame Nature Boy Night Song No Moe No Splice North Atlantic Run Now See How You Are Now's The Time Nutville Off Minor Oh, What A Beautiful Mornin' Old Devil Moon On The Sunny Side Of The Street One By One One Foot In The Gutter One Morning In May Our Language Of Love Out Back Of The Barn Oye Como Va Pannonica Parisian Thoroughfare Peel Me A Grape Pennies From Heaven People Will Say We're In Love Perdido Petite Fleur (Little Flower) Petits Machins Phase Dance Picadillo (A La Puente) Pick Yourself Up Polka Dots And Moonbeams Pursuance (Part III) Question and Answer Quicksilver Ran Kan Kan Red Cross Rhythm-a-ning Right As Rain Robbin's Nest Rockin' In Rhythm Rosetta Round Trip Route 66 Rubberneck Russian Lullaby Sack Of Woe Saint James Infirmary Salt Peanuts Sandu Say It (Over And Over Again) Sentimental Journey September Song Serenade To A Soul Sister Serene Shine Shutterbug Silver's Serenade Simone Sippin' At Bells Skyliner Slipped Disc Smoke Gets In Your Eyes Smoke Rings Softly As In A Morning Sunrise Some Other Blues Song For Bilbao Songbird (Thank You For Your Lovely Song) Soul Eyes Soultrane Speak Like A Child Speak Low Spiral S'posin' St. Louis Blues St. Thomas Stardust Straight Life Strayhorn 2 Strode Rode Strollin' Struttin' With Some Barbecue Subconscious Lee Suddenly It's Spring Summer In Central Park Sweet Sue - Just You Syeeda's Song Flute 'tain't What You Do (It's The Way That Cha Do It) Take The Coltrane Tanga Tangerine Teenie's Blues Tempus Fugit Tenderly Tenor Madness The Birth Of The Blues The Cooker The Core The Drive The Folks Who Live On The Hill The Frim Fram Sauce The Gift! (Recado Bossa Nova) The Hucklebuck The Jody Grind The Kicker The Last Time I Saw Paris The Nearness Of You The Red One The Sweetest Sounds The Swingin' Shepherd Blues The Things We Did Last Summer The Thumper The Way You Look Tonight The Whopper Theme From Mr. Broadway There's A Small Hotel These Foolish Things (Remind Me Of You) Things To Come This I Dig Of You This Masquerade This Year's Kisses Three Base Hit Till There Was You Tippin' Tomorrow's Destiny Too Young Trane's Blues Turnaround Twisted Two Cigarettes In The Dark Two Degrees East, Three Degrees West Until I Met You Walkin' Shoes Warm Valley Watch What Happens Watercolors Webb City Wendy What'll I Do' What's New' When Lights Are Low Whisper Not Who Can I Turn To (When Nobody Needs Me) Why Do I Love You' Willow Weep For Me With A Song In My Heart Without A Song Work Song Wow Yardbird Suite You Are Beautiful You Can Depend On Me You'd Be So Nice To Come Home To You're My Everything You're Nobody 'Til Somebody Loves You

Par MIRANDA LIN-MANUEL. It was really fun to make an arrangement on these three great melodies from Encanto! Here, the band will be able to work with latin rhythms, syncopation (which doesn't rush) and with possible solo elements on the melody. Use your imagination and feel free to re-arrange to let your musicians shine. (Example: bar 27 and onwards can be performed as a duet) All three songs can be played separately. They have different degrees of difficulty and if the band lack the ability to perform the last melody, you can easily stop before that. 1. 'We don't talk about Bruno' (1-55) benefits greatly from having a Guiro saying 'go-ap tsh tsh'. This piece can be stopped by playing to the end of bar 54. If you want to play this piece only, you can easily extend it, by repeating from 27, perhaps with other soloists? 2. 'Surface Pressure' (55-116) If the cowbell-part is not played, percussionists have to play these two weak beats in 56. The groove for drum set is also very important from 68. Also, that you get a proper swing feeling on 84- 98 and that the drummer in 99 really goes back to even eighths. If you want to extend this piece, you may repeat from 84. If you want to end after this song, you can insert a ritardando 2 bars before 116 and preferably add a quarter note high G, then a quarter rest, and then a darker G. Another possibility is to repeat from 84 and then stop at the first note in 100. 3. 'The Family Madrigal' can of course also be played alone. This is truly a song that gets people clapping! I have chosen to make the opening rhythm a little easier by adding an eighth note to the one (120) If the ensemble has a very good understanding of rhythm, it can be skipped, but then the only tone in the phrase that is on the pulse beats will be the quarter note in the second measure. You can start the piece straight on bar 120 without the drum intro. If you want to extend this piece, you can repeat 152 – 199. (Or you can go all the way back to 136) If you do so, you can perhaps skip the first house at the end, if the audience is not standing on the chairs dancing Have fun performing this arrangement! The Movie Encanto is a 2021 American computer-animated musical fantasy comedy film produced by Walt Disney Animation Studios. It follows a multigenerational Colombian family, the Madrigals, led by a matriarch (Botero) whose children and grandchildren—except for Mirabel Madrigal (Beatriz)—receive magical gifts from a miracle that helps them serve the people in their rural community called the Encanto. When Mirabel learns that the family is losing their magic, she sets out to find out what is happening, and save her family and their magical house. Encanto premiered at the El Capitan Theatre in Los Angeles on November 3, 2021 The film received critical acclaim for its characterization, music, animation, voice acting, emotional depth, and cultural fidelity; reviews named magic realism and transgenerational trauma as the film's core concepts. Publications have described Encanto as a cultural phenomenon. The film was nominated for three awards at the 94th Academy Awards, winning Best Animated Feature, and received numerous other accolades. The film's soundtrack also became a success, reaching number one on the US Billboard 200 and UK Compilation Albums charts; 'We Don't Talk About Bruno' and 'Surface Pressure' were its two most successful songs, with the former topping both the US Billboard Hot 100 and UK Singles Chart for multiple weeks. Bjørn Morten Kjærnes / Date parution : 2023-07-31/ Répertoire / Ensemble Flexible à 7 Parties

In 60 Lezioni. Par PERLINI SILVANO. A new method for violin spread over two years that teaches how to use the first, second and third fingers of the left hand from the very first lesson. Over the course of the first year the student learns all the “applications” for the first fourfingers in the first position and the main bow strokes. The first volume contains a brief look at the history and construction of the violin, together with a functional inroduction to the theory of music, plus basic explanations and exercises ideal for practice and revision over the summer holidays. The second volume is split into lessons, each concentrating on a fixed tonality. The two volumes are aimed at students in their first year of Music at Secondary School (Corsi ad Indirizzo Musicale della Scuola Secondaria di 1° grado), but can also beused by other students at any music school and by students at Music Academies. / Etudes et exercices / Date parution : 1905-07-07/ Etude / Violon

A must-own comprehensive collection of 76 songs from musical theatre, movies, folksongs and standards for any budding vocalist! Songs include: Baby Face · The Bare Necessities · Beauty and the Beast · Born to Entertain · Castle on a Cloud · Do-Re-Mi · Do You Want to Build a Snowman? · Edelweiss · Getting to Know You · How Much Is That Doggie in the Window · I Whistle a Happy Tune · Let Me Entertain You · Let There Be Peace on Earth · Little People · Mairzy Doats · My Favorite Things · Never Never Land · Over the Rainbow · Puff the Magic Dragon · The Rainbow Connection · Red Ryder(R) Carbine Action BB Gun · Simple Gifts · Tomorrow · When I Grow Up · Where Is Love? · You've Got a Friend in Me · and more! / Piano/Vocal/Guitare (PVG)

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score