5 Easy
Pieces. Composed by
Hermann Regner. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Das fangt
ja gut an ist eine kleine
Sammlung von leichten
Stucken fur Posaune mit
Klavierbegleitung. Die
funf kurzen Stucke eignen
sich hervorragend als
Erganzung zum Unterricht
und fur Jugend musiziert.
Die Stucke sind sehr
melodisch und verwenden
einfac. Classical.
Softcover. Composed 2008.
12 pages. Schott Music
#ED20689. Published by
Schott Music
(HL.49018958).
ISBN
9790001169127.
Apar
t from numerous
publications in the field
of music education, the
music teacher and
composer Hermann Regner
(1928-2008) contributed
considerably to the brass
repertoire, such as
material for wind
orchestra and wind band.
Influenced by his studies
with Carl Orff, he paid
special attention to the
fusion of instrumental
education and
contemporary music. A
matter of particular
concern for him was to
write practical, easily
playable new music for
children, young people
and amateur musicians -
music that takes the
technical competence of
beginners into account
and motivates them to
concern themselves with
new sounds, rhythms and
playing techniques. 'All
begins well' is a small
collection of easy pieces
for trombone with piano
accompaniment. The five
short pieces are a
perfect addition to
instrument lessons and
'Jugend musiziert'. The
pieces are very melodic,
using simple keys (F
major, B flat major, E
flat major) which are
easy to play by the
trombone, and they cover
a compass from B flat to
E flat1.
Full Score Concert Band (Score) - beginning SKU: HL.860547 Composed by Pa...(+)
Full Score Concert Band
(Score) - beginning
SKU: HL.860547
Composed by Paul
Lavender. Essential
Elements Explorer Level.
Published by Hal Leonard
(HL.860547).
UPC:
073999605471.
9.0x12.0x0.019
inches.
Explorer
Level (correlates with
Book 1, p. 11) Get your
beginning band off to a
great start on their
first concert! This
impressive-sounding
composition has bold
lines for brass and
contrasting melodies for
woodwinds all with
nothing faster than
quarter notes (8ths in
percussion). Guaranteed
success. (1:50).
About
Essential Elements Band
Method
Abo
ut Essential Elements
Band Method: Essential
Elements Band Method
provides a complete
system of books and
accompanying materials
that make the educator's
job easier, and the
students' learning more
thorough and enjoyable.
By Tom C. Rhodes, Donald
Bierschenk, Tim
Lautzenheiser, John
Higgens, Linda
Petersen.
By Chris Tedesco. This edition: Paperback. Instructional. Jazz Method. Conductor...(+)
By Chris Tedesco. This
edition: Paperback.
Instructional. Jazz
Method. Conductor's score
with CD. Text Language:
English. 104 pages.
Published by Santorella
Publications
Level 1 Learn the secrets of the world's most loved classical guitarist...(+)
Level 1 Learn the secrets
of
the world's most
loved
classical guitarist.
Composed by Carl Herring,
Milo Karadaglic. This
edition: Saddle
stitching.
Sheet music. Guitar.
Learn
the secrets of the
world's
most popular classical
guitarist, and join Milo
on
his classical guitar
journey!In book 1, Milo
introduces some of the
beginner pieces he first
played. He'll give
you some
background information on
each, as well as helpful.
Classical Instruction,
Method. Edition with
Online
audio file, Softcover
Audio
Online. 72 pages. Schott
Music #ED 13931.
Published
by Schott Music
Ukulele SKU: HL.263232 For Ukulele. Composed by Various. Ukulele. ...(+)
Ukulele
SKU:
HL.263232
For
Ukulele. Composed by
Various. Ukulele.
Standards. Softcover. 232
pages. Published by Hal
Leonard (HL.263232).
ISBN 9781540021038.
UPC: 888680729318.
9.0x12.0x0.586
inches.
Romance,
heartbreak, optimism,
melancholy, or just a
lovely autumn day - it's
all been captured by
American songwriters. A
generation of the
country's finest
songwriters captured
universal feelings and
experiences in such an
infectious combination of
words and music that
their songs still inspire
today. This collection
features 100 classics by
treasured composers
arranged for ukulele: All
the Things You Are
(Jerome Kern) * Blue
Skies (Irving Berlin) *
Come Fly with Me (Sammy
Cahn) * Georgia on My
Mind (Hoagy Carmichael) *
Mood Indigo (Duke
Ellington) * On the
Street Where You Live
(Lerner & Loewe) *
People Will Say We're in
Love (Rodgers &
Hammerstein) * Somebody
Loves Me (George
Gershwin) * You'd Be So
Nice to Come Home To
(Cole Porter) * and
more.
Keyboard (KEYB+MIDI) - very easy to easy SKU: HL.49032314 Read the mus...(+)
Keyboard (KEYB+MIDI) -
very easy to easy
SKU:
HL.49032314
Read
the music and play it
straight away. For
tuition purposes and
individual study -
revised, extended and
with a new look.
Composed by Axel
Benthien. This edition:
Saddle stitching. Sheet
music with MIDI-floppy
disk. Edition Schott.
Vorbereitung auf
mehrstimmiges Spiel
(linke Hand) -
Improvisation -
Rhythmisch-melodische
Lebendigkeit. Edition
with MIDI-Diskette. 64
pages. Schott Music #ED
7282-01. Published by
Schott Music
(HL.49032314).
ISBN
9783795757021.
German.
This method
is aimed at everybody who
wants to learn to play
the keyboard, in lessons
or self-study, in
methodological teaching
units with the help of
popular songs and useful
information: at beginners
of every age, but also at
wind players, singers or
guitarists who wish to
become musical 'insiders'
and look for a method to
approach improvisation,
composition, harmony,
etc. through keyboard
playing. It is especially
on the keyboard with its
clear, regular layout
that scales, chords and
harmonic progressions can
be shown in a clearer and
more systematic way than
on any other instrument.
Musicians with previous
knowledge can start with
volume 2 or 3. Volume 3:
Seven new chords which
can easily and certainly
be learnt due to the
previous slow increase in
difficulty and the
increased use of the left
hand for independent
accompaniments help to
prepare for polyphonic
playing with both hands.
Playing with two hands
and with a number of new
rhythmic structures which
have all been taken from
well-known melodies make
music-making and learning
in this volume a great
experience. The knowledge
of intervals, exercises
for the quick recognition
of the intervals, and
transposing form the
basis of the introduction
to harmony provided for
in volume 4.
Let's Have Some Fun Ensemble Jazz [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Jazz ensemble - Grade 2 SKU: CL.032-4285-00 Composed by P. Clark. Jazz En...(+)
Jazz ensemble - Grade 2
SKU:
CL.032-4285-00
Composed by P. Clark.
Jazz Ensemble. Audio
recording available
separately (item
CL.991-2014-01). Score
and set of parts.
Composed 2014. Duration 2
minutes, 36 seconds. C.L.
Barnhouse #032-4285-00.
Published by C.L.
Barnhouse
(CL.032-4285-00).
Super-hot swing
chart that your band and
audiences will really get
into. The energy level
meter will be pegged when
your band plays this one.
It's a great way to get
your jazzers swinging -
and it's fun! Cooks from
start to finish. Can't be
beat!
Jazz ensemble - Grade 2 SKU: CL.032-4285-01 Composed by P. Clark. Jazz En...(+)
Jazz ensemble - Grade 2
SKU:
CL.032-4285-01
Composed by P. Clark.
Jazz Ensemble. Audio
recording available
separately (item
CL.991-2014-01). Extra
full score. Composed
2014. Duration 2 minutes,
36 seconds. C.L.
Barnhouse #032-4285-01.
Published by C.L.
Barnhouse
(CL.032-4285-01).
Super-hot swing
chart that your band and
audiences will really get
into. The energy level
meter will be pegged when
your band plays this one.
It's a great way to get
your jazzers swinging -
and it's fun! Cooks from
start to finish. Can't be
beat!
For flute, horn and piano. Composed by Gary Schocker. Score and part(s). ...(+)
For flute, horn and
piano. Composed by
Gary Schocker. Score and
part(s). With Standard
notation. 15 2x4 pages.
Falls House Press
#CW-GS40. Published by
Falls House Press
(PR.FH0389).
Instruments Sib, Mib, Do et Bass clef [Livre + CD] - Intermédiaire/avancé Jamey Aebersold Jazz
Book and accompaniment CD for singers, vocalists, drums, bass, guitar, flute, cl...(+)
Book and accompaniment CD
for singers, vocalists,
drums, bass, guitar,
flute, clarinet, violin,
viola, piano, keyboard,
organ, saxophone,
trombone, trumpet
harmonica. Celebrate the
music of great innovaters
who started in all with
these Dixieland
favorites. Level:
Intermediate/Advanced.
Series: Jamey Aebersold
Standards Play-A-Long.
Published by Jamey
Aebersold Jazz.
By Mark Burrows. For 2-part choir voices and piano (with optional small percussi...(+)
By Mark Burrows. For
2-part choir voices and
piano (with optional
small percussion).
Sacred: General,
Multicultural. Octavo.
Published by Chorister's
Guild
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and guitar chord
chart. Gospel and
worship. Series: Hal
Leonard Fake Books. 295
pages. 9x12 inches.
Published by Hal Leonard.
Choir Sacred Childrens Choir & Piano Reduction SKU: PE.EP72785A For Ch...(+)
Choir Sacred Childrens
Choir & Piano Reduction
SKU: PE.EP72785A
For Children's Voices
and Orchestra.
Composed by Jonathan
Dove. Choral Works (inc.
Oratorios). Edition
Peters. Book. 92 pages.
Duration 00:45:00.
Edition Peters
#98-EP72785A. Published
by Edition Peters
(PE.EP72785A).
ISBN
9790577011349. 210 x
297mm inches.
English.
From
the composer:
How
did it all begin? And
what happened
next?
I found
myself pondering these
questions in an art
gallery in Bremen, in a
James Turrell
installation that carved
through three storeys of
the gallery.
Looking down from the top
floor through great
circles of
colour-changing light to
the distant sparkling
points in a dark ellipse
on the ground floor, I
felt that I was looking
back in time to the
origins of the universe
– and I started to
hear children’s
voices in my mind’s
ear, accompanied by
twinkling metal
percussion.
Haydn&rs
quo;s Creation&n
bsp;immediately
comes to mind as a
precedent, but that is a
setting and elaboration
of the Book of
Genesis. I thought
we should tell the modern
version of our story, and
be as scientifically
accurate as
possible.
Incorporating The
First Noel. Composed
by Ed Kiefer. Folio. Cps.
Set of Score and Parts.
2+8+8+4+8+8+8+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+4+8+1+2+
3+1+2+24 pages. Duration
4:15. Carl Fischer Music
#CPS243. Published by
Carl Fischer Music
(CF.CPS243).
ISBN
9781491158500. UPC:
680160917105. 9 x 12
inches.
This
setting of The First Noel
begins with a percussion
intro and dissonant
chords that lead to a
beautiful flute duet. The
melody is freely adapted
and at times, outright
changed, to give this
arrangement a very
different sound. Using
rhythmic motives, tone
clusters, altered
melodies and all the
sounds available for a
concert band, the piece
takes the audience on a
journey that leads to a
statement of the original
tune at m. 118. Everyone
gets the melody at some
point. After a
chorale-like section, the
composition returns to
the fast and upbeat
sounds of the beginning.
Your musicians and
audience will love this
unique version of this
old-time favorite. When
performing this piece,
start dark and mysterious
and let the sounds
crescendo through the
introduction all the way
to m. 21, the first
statement of the hymn.
Make sure you keep the
tempo moving so the
arrangement does not lose
excitement. Keep the
flute duet, and later the
trumpet duet, nice and
light. At m. 118, play a
little slower and in a
standard chorale style,
being careful to let the
flute and oboe voices be
heard. Let the low voices
have the reins at m. 126
as they play the melody.
Pick the tempo back up to
the original tempo at m.
145 and push to the end.
The main thing is to
match articulation
throughout the band--at
the beginning and at the
end, think light accents
and separation, and at
the chorale section at m.
118, more legato. Keeping
everyone on the same page
with articulation will be
the key to making a great
performance. This
setting of The First Noel
begins with a percussion
intro and dissonant
chords that lead to a
beautiful flute duet. The
melody is freely adapted
and at times, outright
changed, to give this
arrangement a very
different sound. Using
rhythmic motives, tone
clusters, altered
melodies and all the
sounds available for a
concert band, the piece
takes the audience on a
journey that leads to a
statement of the original
tune at m. 118. Everyone
gets the melody at some
point. After a
chorale-like section, the
composition returns to
the fast and upbeat
sounds of the beginning.
Your musicians and
audience will love this
unique version of this
old-time favorite.When
performing this piece,
start dark and mysterious
and let the sounds
crescendo through the
introduction all the way
to m. 21, the first
statement of the hymn.
Make sure you keep the
tempo moving so the
arrangement does not lose
excitement. Keep the
flute duet, and later the
trumpet duet,nice and
light. At m. 118, play a
little slower and in a
standard chorale style,
being careful to let the
flute and oboe voices be
heard. Let the low voices
have the reins at m. 126
as they play the melody.
Pick the tempo back up to
the original tempo at m.
145 and push to the end.
The main thing is to
matcharticulation
throughout the band--at
the beginning and at the
end, think light accents
and separation, and at
the chorale section at m.
118, more legato. Keeping
everyone on the same page
with articulation will be
the key to making a great
performance.
Incorporating The
First Noel. Composed
by Ed Kiefer. Sws. Cps.
Full score. 24 pages.
Duration 4:15. Carl
Fischer Music #CPS243F.
Published by Carl Fischer
Music (CF.CPS243F).
ISBN 9781491158517.
UPC: 680160917112. 9 x 12
inches.
This
setting of The First Noel
begins with a percussion
intro and dissonant
chords that lead to a
beautiful flute duet. The
melody is freely adapted
and at times, outright
changed, to give this
arrangement a very
different sound. Using
rhythmic motives, tone
clusters, altered
melodies and all the
sounds available for a
concert band, the piece
takes the audience on a
journey that leads to a
statement of the original
tune at m. 118. Everyone
gets the melody at some
point. After a
chorale-like section, the
composition returns to
the fast and upbeat
sounds of the beginning.
Your musicians and
audience will love this
unique version of this
old-time favorite. When
performing this piece,
start dark and mysterious
and let the sounds
crescendo through the
introduction all the way
to m. 21, the first
statement of the hymn.
Make sure you keep the
tempo moving so the
arrangement does not lose
excitement. Keep the
flute duet, and later the
trumpet duet, nice and
light. At m. 118, play a
little slower and in a
standard chorale style,
being careful to let the
flute and oboe voices be
heard. Let the low voices
have the reins at m. 126
as they play the melody.
Pick the tempo back up to
the original tempo at m.
145 and push to the end.
The main thing is to
match articulation
throughout the band--at
the beginning and at the
end, think light accents
and separation, and at
the chorale section at m.
118, more legato. Keeping
everyone on the same page
with articulation will be
the key to making a great
performance. This
setting of The First Noel
begins with a percussion
intro and dissonant
chords that lead to a
beautiful flute duet. The
melody is freely adapted
and at times, outright
changed, to give this
arrangement a very
different sound. Using
rhythmic motives, tone
clusters, altered
melodies and all the
sounds available for a
concert band, the piece
takes the audience on a
journey that leads to a
statement of the original
tune at m. 118. Everyone
gets the melody at some
point. After a
chorale-like section, the
composition returns to
the fast and upbeat
sounds of the beginning.
Your musicians and
audience will love this
unique version of this
old-time favorite.When
performing this piece,
start dark and mysterious
and let the sounds
crescendo through the
introduction all the way
to m. 21, the first
statement of the hymn.
Make sure you keep the
tempo moving so the
arrangement does not lose
excitement. Keep the
flute duet, and later the
trumpet duet,nice and
light. At m. 118, play a
little slower and in a
standard chorale style,
being careful to let the
flute and oboe voices be
heard. Let the low voices
have the reins at m. 126
as they play the melody.
Pick the tempo back up to
the original tempo at m.
145 and push to the end.
The main thing is to
matcharticulation
throughout the band--at
the beginning and at the
end, think light accents
and separation, and at
the chorale section at m.
118, more legato. Keeping
everyone on the same page
with articulation will be
the key to making a great
performance.
Guitar - Intermediate SKU: MB.31008M Perfect binding. Blues. Book and onl...(+)
Guitar - Intermediate
SKU: MB.31008M
Perfect binding. Blues.
Book and online audio.
160 pages. Mel Bay
Publications, Inc
#31008M. Published by Mel
Bay Publications, Inc
(MB.31008M).
ISBN
9781513467016. 8.75x11.75
inches.
Blind Lemon
Jefferson was a trail
blazer, both as a singer
and guitarist, but also
as a commercial
phenomenon, for he was
the first blues musician
to establish the
tremendous appeal that
blues, as played and sung
by rural African American
folk, had for the
record-buying public. It
is no exaggeration to say
that the sales of
Lemon’s records
paved the way for a host
of other solo rural blues
musicians to record in
his wake and made the
record companies more
willing to give other
musicians a chance, in
the hopes of achieving
similar
success.Â
Lemon
’s record sales
weren’t what made
him a great musician,
though - that could only
be attributed to his
startlingly virtuosic
guitar - playing and
soulful singing,
developed over years of
busking, building on his
natural gifts with a
great deal of practice
and work. In the Guitar
of Blind Lemon Jefferson
author John Miller
presents transcriptions,
in standard notation and
tablature, of 22 of
Lemon’s greatest
performances, with an
additional essay
examining Lemon’s
senses of time and
phrasing and his picking
techniques. Also included
is a download link to all
the original
recordings.Â
To
present a picture of
Lemon the man, noted
blues researchers Alan
Governar and Kip Lornell
have contributed an essay
focusing on
Lemon’s early
life, the origins of his
music, and his time spent
in a musical partnership
with Lead Belly. Links
are provided to
downloadable performances
of the songs in the book
from which the
transcriptions were made,
so that you can have
Lemon’s sound in
your head as you learn to
play his
songs.
Blind Lemon
Jefferson was remarkable,
even in a style that
abounded in great
musicians, and some
measure of his influence
can be seen in the fact
that musicians recorded
in the 1960s, more than
thirty years after his
death, were still
covering his songs and
stealing guitar licks
from him. The Guitar of
Blind Lemon Jefferson
gives you the resources
needed to learn what was
so special about
Lemon’s music, and
to experience his musical
excellence from inside
the music
itself.
Titles
include: One Dime Blues,
Got The Blues, Dry
Southern Blues, Big Night
Blues, Rabbit Foot Blues,
Shuckin' Sugar Blues,
Where Shall I Be, Wartime
Blues, Black Horse Blues,
Prison Cell Blues, Piney
Woods Money Mama, See
That My Grave Is Kept
Clean, He Arose From The
Dead, Beggin' Back, Broke
And Hungry, Bad Luck
Blues, Matchbox Blues,
Lemon's Worried Blues,
That Crawlin' Baby Blues,
Easy Rider Blues,
Stocking Feet Blues and
Right of Way
Blues
Level 2/3
• 160 pages •
Direct download link to
audio
files.Â