A coup sûr, les éditions Hal Leonard vont contenter tous les pianistes avec cette fabuleuse partition de Presley Elvis et qui a pour titre Presley Elvis Piano Solos. En la commandant aujourd'hui, cette partition qui a pour référence HL00292002 et pour catégorie Variété Internationale Et Divers peut être en votre possession dans quelques jours. / Piano / Partition

Based on popular songs and with easy-to-follow text and diagrams, this excellent course assumes no prior knowledge of keyboards or music yet right from the beginning, you will be playing arrangements which include a complete rhythm section with full sounding chords, bass and drums. Book 2 includes 'Love Me Tender', 'Sailing', 'Take Me Home Country Roads', 'For Once In My Life' plus instrumental effects - electric guitar, big band sounds, strings and many others. / Clavier (Avec Grilles D'Accords)

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions

A generous bumper collection of the greatest songs ever to grace the silver screen, all arranged for Piano, Voice and Guitar. It is impossible to imagine Goldfinger without the huge, rich voice of Shirley Bassey, Midnight Cowboy without Nilsson's lilting country whisper, Alfie without the Pop/Jazz of Cilla Black and Sonny Rollins, and Easy Rider just would not be the same without Steppenwolf. The greatest film songs are synonymous with the movies they embellish, capable of lifting a scene from the screen and into our hearts and minds. These songs will forever evoke memories of our favourite characters and situations, long after the film has ended. Learn to play 100 of the greatest film songs ever written with this great-value songbook, packed to the limits with all the laughs, tears, memories and surprises of the movies - a guaranteed hit no matter what the occasion! / Piano/Vocal/Guitare (PVG)

Tagebucheintragungen, persönliche Botschaften. Par KURTAG GYORGY. The piano series entitled Games, written from 1973 onwards, was conceived as a piano method. As the years went by, the series lost its didactic character, at it came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well.Tenth volume is divided into two parts: In the first half, earlier, hitherto unpublished pieces line up from Suite, written in 1943, to the 1980s, providing insight into the development of Kurtág's musical language. The second half includes pieces composed between 2002 and 2011. The movements, often aphorismic in their briefness, hide associations with various aspects of European music history. Many of them are hommage or in memoriam pieces, or subjective personal messages to friends, colleagues, and beloved family members - and thereby to all music-loving people. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way./ Etude / Piano

Une centaine des plus grandes chansons par Elvis Presley, arrangé pour guitare facile. Chansons comprennent ' All Shook Up', 'Heartbreak Hotel', ' Love Me tendre', ' Teddy Bear ', ' Viva Las Vegas', ' Jailhouse Rock ' et beaucoup d'autres. / Piano/Vocal/Guitare (PVG)

This collection contains Melody Bober's best-loved sheet music solos that have been published through the years. Students, teachers, and audiences will enjoy the variety of styles, sounds, and moods of this music. The book contains ten late elementary to early intermediate pieces. / Piano

Arr. Henk Hogestein. Der Name von Johann Sebastian Bach ist untrennbar mit der Stadt Leipzig verbunden. Seit dem Anfang des 20. Jahrhunderts findet in Leipzig jährlich das Bachfest statt. Markenzeichen von Leipzig ist dabei Internationalität: Jedes Jahr kommen Solisten aus aller Welt, um erneut die Barockmusik des großen Meisterkomponisten aufzuführen. Das Bachfest inspirierte Henk Hogestein zu seinem Stück Memories of Leipzig, welches auf einem Thema aus einer Bach-Arie basiert. / Niveau : 2 / Classique / Recueil / Concert Band ou Harmonie

Le contenu de ce livre représentent Gayle Kowalchyk et solos préférés de partitions de EL Lancaster. Beaucoup de solos sont parmi les plus demandés par les professeurs de piano et des étudiants. Plusieurs des pièces sont utiles pour développer le jeu lyrique en préparation pour étudier les oeuvres de Chopin. Ce livre contient 12 pièces intermédiaires à intermédiaire précoce. / Piano

As the original Bass guitarist for the Alice Cooper Group, Dennis Dunaway helped take this hard-knuckles band of teenagers all over, from Hollywood to Detroit, eventually going on to become America's highest-grossing rock act. Snakes! Guillotines! Electric Chairs! is the thrilling memoir that gives you access to the golden years of one of rock's most legendary groups.Raised in Phoenix, Dennis Dunaway formed a band with Vince Furnier, also known as Alice Cooper, whose outrageous live shows, reputation for fearlessness and penchant for a memorable riff catapulted them into rock history. As co-writer of songs like 'I'm Eighteen' and 'School's Out', Dennis Dunaway's story takes you from the parties to the live shows, introducing the characters and drama that came with being one of the biggest acts in rock history.In the pages of Snakes! Guillotines! Electric Chairs! Dunaway details the early beginnings of the band, as a concept for combining art and music in an all-encompassing project that would eventually become Alice Cooper. From an inspirational art teacher in school to struggling for recognition to topping the charts, this fascinating story is told through beautifully written memories, providing all rock fans with a unique perspective on this even more unique band. Fans of Alice Cooper will love this Dennis Dunaway autobiography for the fresh take it provides on the original Shock Rock band. Thanks to his self-confessed vivid memory, Dunaway gives the straight story, taking readers through his almost-unbelievable life as part of such a huge rock band. Snakes, Guillotines and Electric Chairs are just a few of the props that formed Alice Cooper's live shows, but the full story can only be read in this brilliant Dennis Dunaway memoir. / Livre

Forty-nine of the most popular tunes of all time for both alto and tenor saxophone. Featuring easy keys and ranges, these arrangements are ideal for beginners up to intermediate standard. Includes Jerusalem , The Power Of Love , Unchained Melody . / Saxophone

Pièces faciles pour les débutants, y compris la musique de différent styles, les cultures et les moments - classiques, pop, jazz et musique du monde. Utilisable avec les étapes 5-8 du livre Boosey Saxophone méthode 1, ou comme un livre de répertoire par n'importe quel joueur débutant. Le bois Boosey et la méthode de laiton répond aux exigences nouvelles et changeantes dans l'enseignement, conçu pour aider à faire individuel et en groupe enseignement plus facile, plus intégrée et plus efficaces. Le bois Boosey et la méthode de laiton fournit tout ce dont vous avez besoin pour l'enseignement de la musique par le biais de l'instrument. Son approche unique développe des compétences générales musicales grâce à un programme de qualité solo et ensemble de musique, des activités supplémentaires et un CD audio y compris les activités de l'écoute. Parce que la méthode est basée sur un programme clair, elle fournit un système facile à utiliser pour l'enseignement et toutes les ressources souples, que vous avez besoin pour chaque situation, si individuel, groupe ou mixte d'enseignement de l'instrument. Cette série offre un programme d'enseignement instrumental tandis que deve... / Saxophone Et Piano