Arranged by Andrea Ramsey. For TTBB choir, Optional Solo, Keyboard. Octavo. 8 pages. Published by Carl Fischer

Composed by Reginal Wright. For TTBB choir, piano. Octavo. 12 pages. Duration 2 minutes, 44 seconds. Published by Carl Fischer

The Ballad of John Henry. Edited by Jacob Narverud. Arranged by Neil Johnson. American Folk Tale. Octavo. With Standard notation. Duration 2 minutes, 47 seconds. Carl Fischer #CM9489. Published by Carl Fischer (CF.CM9489).

(Jubilate Agno). Composed by Z. Randall Stroope. For TTBB choir, piano, optional string quartet accompaniment. Octavo. 16 pages. Duration 3 minutes, 5 seconds. Published by Carl Fischer

(For Seven-Part Chorus of Mixed Voices (SSATTBB) A Cappella and Solo for High Voice). By Anonymous. Arranged by Hal. H. Hopson. For Ssattbb Chorus, Piano Rehearsal, High Voice Solo. Hal H. Hopson Choral Series. Choral part(s). Standard notation. 12 pages. Published by Carl Fischer

By Mykola Leontovich. Arranged by Peter J. Wilhousky. For TTBB A Cappella. Published by Carl Fischer.

For TTBB Voices with Keyboard. By Traditional Sea Chanty. Arranged by David Eddleman. Text: Traditional Sea Chantey. Men's choir. For Tenor I, Tenor II, Baritone, Bass, Keyboard. Piano/Vocal Score. 16 pages. Published by Carl Fischer.

By William Steffe. Arranged by Peter J. Wilhousky. For TTBB and Piano. Published by Carl Fischer.

Choral TTBB choir

SKU: CF.CM9571

Eternal Life. Composed by Joseph P. Webster. Edited by John Ratledge. Arranged by Aaron Humble. Sanford F. Bennett (1836-1898). Jbc. Performance Score. With Standard notation. 12 pages. Duration 3 minutes, 47 seconds. Carl Fischer Music #CM9571. Published by Carl Fischer Music (CF.CM9571).

ISBN 9781491153659. UPC: 680160911158. 6.75 x 10.5 inches. Key: Gb major. English. Sanford F. Bennett (1836-1898).

Aaron Humble's arrangement of this beloved old favorite from American hymnody is appropriate for both school and church. With soaring obligato lines and shimmering harmony, when sung with a warm and gentle tone,?The Sweet By and By?is certain to paint a picture of a better time for us all to look forward. Also available for SATB Voices (CM9572).
I have great memories of my family gathering around the piano to sing hymns. As my sister and I learned more about music through lessons, band and choir, we started adding harmony and really making music. The old American hymnody really holds a special place in my heart. Webster set Bennett's text in a time when American theology had taken a turn away from earlier ideas where God was a god of vengeance and anger. With this in mind, this arrangement should be sung with a warm and gentle tone allowing the dissonances to shimmer, the sweetness of the harmonies to bloom, and the obbligato lines to soar.

Choral TTBB choir

SKU: CF.CM9614

Composed by Javier Busto Sagrado. Edited by John Ratledge. Fold. Jbc. Performance. 4 pages. Duration 2 minutes, 53 seconds. Carl Fischer Music #CM9614. Published by Carl Fischer Music (CF.CM9614).

ISBN 9781491154366. UPC: 680160912865. 6.875 x 10.5 inches. Key: Eb major. English. Bible.

Choral TTBB choir, piano

SKU: CF.CM9487

Composed by Laura Farnell. Fold. Octavo. With Standard notation. 8 pages. Duration 3 minutes, 17 seconds. Carl Fischer Music #CM9487. Published by Carl Fischer Music (CF.CM9487).

ISBN 9781491145913. UPC: 680160903412. 6.875 x 10.5 inches. Key: A major. Dirge by Paul Laurence Dunbar(1872-1906).

Farnell's lush setting of Dunbar's grief-filled poem affords tenor-bass choirs many options with regards to voicing. Accessible, dramatic, bold and sensitive, Star of Light radiates the harmonic elegance for which Laura Farnell is known. A must for any concert throughout the year.

Choral TTBB choir, piano

SKU: CF.CM9779

Composed by Jonathan Reid. Duration 3 minutes, 52 seconds. Carl Fischer Music #CM9779. Published by Carl Fischer Music (CF.CM9779).

ISBN 9781491164501. UPC: 680160923410. Key: E major. Text: Rudyard Kipling.

This classic poem by Rudyard Kipling can, at first, sound like a series of stipulations for manhood. While it is all wonderful advice, I chose to set this text in a way that gradually transitions from if you can to simply, you can!As the choir moves into the contrapuntal section at m. 37, I imagine each section of the choir cheering the other sections on as they strive for their own personal greatness. The basses kick off the cheers of you can at m. 45, with the whole choir joining at m. 49, leading into the rousing final section of the result of strong personal choices: Yours is the earth, and everything that's in it.If optional text is needed for your ensemble from m. 58 to the end, consider You'll know the race is run or a text of your choosing. .

Choral TTBB choir

SKU: CF.CM9511

Composed by Traditional Spiritual. Arranged by Stacey V. Gibbs. Fold. Contemporary. Performance. With Standard notation. 12 pages. Carl Fischer Music #CM9511. Published by Carl Fischer Music (CF.CM9511).

ISBN 9781491146231. UPC: 680160903733. 6.875 x 10.5 inches.

Well-known composer Stacey V. Gibbs' arrangement of the beloved spiritual I Want Jesus to Walk With Me is a superb arrangement for TTBB choirs. Laden with emotion and ranges to suit advanced tenor-bass choirs, Gibbs' signature style shines through, making it a programming must. choirs, Gibbs' signature style shines through making this new arrangement a programming must.

Choral TTBB choir

SKU: CF.CM9488

Scottish Reel. Composed by Scottish Folk Song. Arranged by Drew Collins. Fold. Performance Score. With Standard notation. 12 pages. Duration 1 minute, 47 seconds. Carl Fischer Music #CM9488. Published by Carl Fischer Music (CF.CM9488).

ISBN 9781491145920. UPC: 680160903429. 6.875 x 10.5 inches. Key: G major. English translation by Sir Hugh S. Robertson (1874-1952).

This delightful reel, traditionally sung and played at Scottish weddings, is toe-tappin' fun! From the opening unison statement until the final chord, men's ensembles can explore drama and healthy singing.

Choral TTBB choir, piano

SKU: CF.CM9635

Composed by Victor Johnson. Fold. Performance Score. 12 pages. Duration 3 minutes, 19 seconds. Carl Fischer Music #CM9635. Published by Carl Fischer Music (CF.CM9635).

ISBN 9781491157077. UPC: 680160915637. 6.875 x 10.5 inches. Key: E major. English, English. Abram Joseph Ryan (1838-1886).

Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuance, text, and Johnson's rich harmonies paired with intertwining textures make this a noteworthy addition to any program. Also available for SATB Voices (CM9561).
About the Author Abram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states. Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky. About the Song Wake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment. To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections. One strategy that could be used to ensure proper phrasing is the idea of Painting the Phrase. The singer should make a motion as if they have a paintbrush in their hand and paint the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.
About the AuthorAbram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states.Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky.About the SongWake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment.To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections.One strategy that could be used to ensure proper phrasing is the idea of “Painting the Phrase.” The singer should make a motion as if they have a paintbrush in their hand and “paint” the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.

Composed by Earlene Rentz. For TTBB choir. Octavo. 12 pages. Duration 3 minutes, 3 seconds. Published by Carl Fischer

(For TTBB Voices with Keyboard). Composed by Capt. Francis Saltus Van Boskerck Charles A. Zimmerman. Arranged by Greg Gilpin Larry Clark. Male chorus. For Tenor I, Tenor II, Bass I, Bass II, Keyboard. Choral. Piano reduction/vocal score. Standard notation. 24 pages. Published by Carl Fischer

Composed by Mark Patterson. For TTBB choir. Octavo. 8 pages. Duration 3 minutes, 35 seconds. Published by Carl Fischer

Arranged by Elizabeth Campbell. For TTBB choir. Octavo. 12 pages. Duration 2 minutes, 25 seconds. Published by Carl Fischer

Arranged by Randy Jordan. For TTBB choir. Octavo. 12 pages. Duration 2 minutes, 14 seconds. Published by Carl Fischer

(Joy). Arranged by Mark Burrows. For TTBB choir, Optional Solo, Keyboard. Octavo. 12 pages. Published by Carl Fischer

By Emma Lou Diemer (1927-). For Ttbb Choir. Standard notation. Published by Carl Fischer

TTBB Voices A Cappella. By Ernie Burnett. Arranged by Carl Strommen. Text: George A. Norton. Men's choir. For TTBB Chorus, Keyboard Rehearsal. This edition: TTBB. Choral. Piano/Vocal Score. 11 pages. Published by Carl Fischer.

(For Chorus of Male Voices Divided (TTTBBB) with Keyboard). By Robert Hunter. Arranged by Paul Salamunovich Robert Hunter. Male chorus. For Tttbbb Chorus, Keyboard. Piano/Vocal Score. Standard notation. 16 pages

By Ken Berg. For Ttbb Voices with Keyboard and Optional Horn in F. Standard notation

TTBB Voices with Keyboard. By Anonymous. Arranged by David Eddleman. Men's choir. For TTBB Chorus, Keyboard. Choral Part(s). 16 pages. Published by Carl Fischer.

For Chorus of Males Voices and Piano. By Howard Hanson. Arranged by Maurice E. Ford. Text: Walt Whitman. Men's choir. For TTBB Chorus, Piano. Choral Part(s). Opus 44. 32 pages. Published by Carl Fischer.

Traditional Spiritual, for TTBB Voices, A Cappella. By Anonymous. Arranged by Darmon Meader. Men's choir. For TTBB Chorus, Keyboard Rehearsal. Darmon Meader Choral Series. Choral. Piano/Vocal Score. 11 pages. Published by Carl Fischer.