Par MIDDLETON JOSEPH / BEVAN MARY. 25 popular works for soprano voice with piano accompaniment featuring selected works from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. Includes a preface and performance notes by Mary Bevan and Joseph Middleton, and a digital version of the book to view on any device./ Recueil / Soprano et Piano

Par MARTINEAU MALCOLM. 21 popular works for mezzo-soprano or alto voice with piano accompaniment featuring selected works from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. Includes a preface and performance notes by Catherine Wyn-Rogers and Malcolm Martineau, and a digital version of the book to view on any device./ Recueil / Mezzo-Soprano / Alto et Piano

Par BELL IAIN . A fifteen-minute song cycle for soprano and piano, which was first performed on 8 September 2007 at the European Music Festival, Stuttgart by Diana Damrau (soprano) and Matthias Lademann (piano). Both the music and the text are by Iain Bell./ Répertoire / Soprano et Piano

Par SAARIAHO KAIJA. Kaija Saariaho 's Emilie Suite was a joint commission by Carnegie Hall, New York City, Cité de la Musique, Paris, Luzerner Sinfonieorchester and Orchestre Philharmonique de Strasbourg. It was first performed on 30 November 2011 at Carnegie Hall by the Avanti! Chamber Orchestra conducted by Hannu Lintu, with Elizabeth Futral (soprano). The first performance in Paris took place on 23 April 2013 at Cité de la Musique by the Avanti! Chamber Orchestraconducted by Ernest Martinez Izquierdo, with Barbara Hannigan (soprano). / Niveau : 4 / Post-1900 / Répertoire / Soprano et Piano

Par SAARIAHO KAIJA. These three songs, written for the Finnish operatic soprano, Anu Komsi, take texts by Pentti Saarikoski, one of the most important poets in the literary scene of Finland during the 1960s and 1970s. / Date parution : 2022-04-26/ Répertoire / Soprano et Piano

Par BELL IAIN . Wombed Souls set three poems by Thomas Hardy. Recorded by Diana Damrau (soprano) and Helmet Deutsch (piano)./ Répertoire / Soprano et Piano

Retrouvez 16 chansons et 7 arias pour Soprano et Piano, composés sur une période de 15 ans entre 1989 et 2004, avec tous les textes en Anglais, Français, Allemand et leurs traductions Portugaises et Russes. / Chant Et Piano / Partition

Par DAVIS OLIVER. Writer John Delaney and composer Oliver Davis collaborated on an operatic project based on the Irish mythological tale of Tir na Nog. This Mortal Man was written from the perspective of the goddess Niamh who has fallen in love with earthling Oisin, whom she wishes to marry, against the wishes of the gods./ Répertoire / Soprano et Piano

Par FRANCES-HOAD CHERYL. Thinking I Hear Thee Call by Cheryl Frances-Hoad is inspired by the life of Florence Attridge, an Essex woman who, whilst working at the Marconi factory in Chelmsford during WWII, helped to make secret radio sets for spys. In this piece for soprano, speaker and electronics, we hear Florence recount her experiences, whilst, in another, secret location, in another time, a spy goes through the radio's (complicated!) set up instructions one last time before going on their first reconnaissance mission. The electronic element takes sounds that are associated with Florence's life and the history of Marconi, including morse code and 'Absent', the first song to be broadcast from the factory. The text for Florence's part was written by Frances M Lynch based on research by Patricia Fara, and the speakers text comes from the official manual for the The British Type 3 Mark II Spy Radio. Watch the video (embed) https://www.youtube.com/watch?v=d3K2D66RY3k The performers from electric voice theatre are:- Frances M Lynch - Soprano (Florence Attridge) Margaret Cameron - Speaker (Spy). The performers recorded their parts individually in their homes and the final work was combined with the composer's electronic track and produced by Frances M Lynch & Herbie Clarke at Birnam Studios, London. The work was commissioned by electric voice theatre and first Performed Online during the Covid-19 Pandemic, Aug 24th 2020 as part of the ‘Echoes from Essex’. The project was supported by the Arts Council Emergency Response Fund (National Lottery). / Date parution : 2022-09-07/ Répertoire / Soprano, Récitant et Electronique

Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.But before that great work, in his use of Englsh folksongs, Gnostic texts and these Vedic hymns, one can discern Holst's search for a compositional Voice beyond the constraints of the European canon in the early 1900's.Some see composition of the Vedic Hymns as a turning point in Holst's compositional life.The quality is not completely consistent, and Holst remained true to his Western musical inheritance for the most part in setting them, but as art songs they are deeply felt and moving to hear.The nine songs are scored for mezzo-Soprano or baritone Voice.The texts are taken from the Rigveda, one of the four sacred texts of Hinduism and the oldest religious text in the world.The first set of three comprises Ushas, Varuna and Maruts, or Dawn, Sky and Stormclouds respectively.The second includes Indra (God of Storm and Battle), Varuna II (the Waters) and Song of the Frogs.The third group moves into the human sphere with Vac (Speech), Creation and Faith. / Piano Et Voix

Cet arrangement de Die Aussicht, pour soprano et quatuor à cordes, a été interprété pour la première fois en août 2019 lors de l\'atelier Creative Dialogue à l\'Académie Sibelius, à Helsinki, en Finlande. / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / CHESTER MUSIC